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About 4 filtered resultsby Jill Waterman · Posted
There is perhaps no truer sign of summer than Independence Day in the United States. The Fourth of July is when the summer season kicks into full gear, with barbeques, pool parties, family gatherings, and road trips galore—not to mention the fireworks!
One lead-up to this holiday that I will never forget found me hurtling down the New Jersey Turnpike at sunset in a Greyhound bus. As the twilight deepened, bright bursts of fireworks began shooting up past the tree line, close by and at a distance, reflecting in the darkened glass of the
by Jill Waterman · Posted
In reflecting back on his long and varied career, photographer Lou Jones says, “In art, I think that you're pushed and pulled in a direction. And being a black artist, especially a black photographer, a lot of my decisions were based upon survival.”
To insure his survival over the past 50 years, the Boston-based Jones has mastered everything from corporate/industrial and advertising assignments to Olympic sports, photojournalism, and, perhaps most notably, self-assigned long-term projects. Starting from his earliest behind-the-scenes portraits
by Dan Wagner, as told to Jill Waterman · Posted
Picking the right gear for a location shoot is seldom easy. You need to ensure you have what you’ll need, while realizing that bringing too much will only slow you down. Choosing the right gear not only helps you make the most of each shooting situation, it also lets you handle a variety of lighting scenarios. The challenge is to distinguish what is essential from what isn’t, and not regret specific items you left behind when the shoot is over.
Another consideration is the need to look professional in front of the client and crew. From
by Mike Mezeul · Posted
The weather is something we all have to adjust to accordingly with each passing day. Sometimes it’s the heat, sometimes snow, sometimes the threat of beastly supercell thunderstorms and tornadoes, especially here in the Central Plains. It’s on these days in particular that I grab my camera, hop in my car, and drive hundreds of miles to document these monstrously beautiful yet destructive wonders of nature.
For the past 14 years I have spent my springtime traversing the country, from the Texas/Mexico border to Canada, documenting severe