Search results for: photography buying guide bh wedding guide lens selection wedding photographer
About 4 filtered resultsby Mathew Malwitz · Posted
Today, we're going to learn about practical applications of other, less common lenses for street photography such as portrait lenses, ultra wide-angle landscape lenses, and special effect glass like mirror lenses and beyond. These are by no means the only unconventional lenses out there, but these should get your gears turning and inspire you to start experimenting.
Portrait Lenses
Portrait lenses are known for their unparalleled sharpness and eye-catching, subject isolating qualities. This is thanks to their simple design, top-of-the-line
by Todd Vorenkamp · Posted
The camera bag starts as an afterthought—something you get after you buy a camera and/or lenses, and for many, just about any camera bag will do the trick for them. But, when you get deeper into photography and expand your kit, the camera bag becomes an essential part of your everyday carry. There are many parallels between shopping for a camera bag and shopping for something like a pair of shoes—hundreds (maybe thousands?) of options,
by Allan Weitz · Posted
Wide-angle lenses often add depth and drama to landscapes, architectural photographs, still-life, and other genres of photography. When employed judiciously, these lenses make a great addition to the kits of sports, adventure, and wildlife photographers, and are also an important option for portraitists who wish to include an environmental context. For the casual photographer, they are indispensable when shooting groups, such as friends gathered around a table. The wide-angle view can often provide a very short focus distance, allowing the
by Allan Weitz · Posted
As a working photographer, the center of the universe is your camera bag and its contents. Your cameras and lenses are the tools of your trade. As you may have noted, both are mentioned in plural because just as you wouldn’t jump out of an airplane without a backup parachute, you shouldn’t attempt to photograph an emotionally spiked, non-repeatable event armed with only one camera. The same applies to lenses, too. The many aspects that comprise shooting weddings—portraits, the ceremony, dimly lit environs, tight, crowded quarters and bright