Not long ago, Photoville happened in NYC. The short event showcased the work of various artists, but in a totally non-traditional way. Photoville utilized pods—giant shipping containers—and gave the artists creative freedom to design the interior however they chose to show their photos. This newly formed tradition will continue at the upcoming DUMBO Arts Festival in Brooklyn. We recently talked to Sam Barzilay about the idea of showcasing art in pods, and more about the festival.
Opening photo is by Li Hao's exhibition, "Worshippers."
As photographers, the choice is up to us to determine what kind of light to use in our work. Light is the essence of photography; without it, we can’t get an exposure to register on our film or digital sensor. But we have choices when it comes to the kind of light we want to either suit our need, like in a family portrait, or for creative effect, like fashion, editorial, or something completely creative. Light is our muse, our mistress, our all-consuming friend and foe alike, for light—in all of its forms—must be handled with care so our end result reflects our creative vision.
Take a look at the photo above: Adam Schallau was able to capture this gorgeous image by releasing the shutter at just the right time. But how did he get it? We talked to Adam about what he did to achieve it.
This week in the news: Canon's T4i recall is more widespread than originally thought; RED once again makes some huge claims; Sony introduces a new interchangeable lens camera; and lots more from the videography world.
Landscape photography is such a romantic pursuit! Though it is so close to many of our hearts, the romance of landscape photography gets pushed aside too often by its technical and procedural aspects. Yet, without that technical stuff, it’s really hard to bring out the romance. With that in mind, I created what I think are the top ten ideas for techniques that you can use easily, so you can focus in on the romance. These top tips can work anywhere, but with the current interest in my ancestral home of Bodie, I was asked to act as your photographic guide to this very Western ghost town.
The key to making any top-ten-ideas list work is to latch on to only those that fit your style of photography, and forget the rest. The next thing you want to do is think through these ideas with the camera gear you own. You might find that some suit the job perfectly, while others end up being the odd lens out. And more than likely, you’ll find you’ll need to acquire a new lens. That is all part of the process, and the more you explore it, the better your photography will become, the greater the romance will become, and the more enthralling will be your storytelling. Let’s get to the list.
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