Mama Took My Kodachrome Away
It gave us those nice, bright colors. It gave us the greens of summers. But Eastman Kodak discontinued Kodachrome in 2009, and the last roll ever produced was recently shot and processed.
Famous for his 1984 photograph of the "Afghan Girl" featured on the cover of National Geographic magazine, Steve McCurry was granted permission to use the final roll of Kodachrome to take pictures of 
Manufactured from 1935 to 2009, Kodachrome was the oldest brand of color film still being produced. Long sought after for its color accuracy and dark-storage longevity, Kodachrome requires complex processing that cannot be done by amateurs. The color transparency film uses a subtractive screenplate method, rather than additive, like Autochrome and Dufaycolor, which had problems with enlargement artifacts and excessive light absorption. Kodachrome has no dye couplers in the emulsion, allowing the emulsion layers to be thinner, resulting in less light scattering and sharper images.
Processing Kodachrome film forms three superimposed negative images, one for each primary color. In a highly complex process, each layer is processed individually, forming dyes that create the final image. Due to the complexity of its processing, Kodachrome sales included processing by designated Kodak laboratories. But a 1954 court case resulted in Kodak giving independent laboratories access to the chemicals needed to process Kodachrome.
A general decline in slide-film use in the 1980s and 1990s, combined with competition from
National Geographic documented the journey of the final roll of Kodachrome, and might do a spread of some of the images in spring 2011.






Comments
12/05/2010 - 20:44.
Now it is a history!
Photography by The Visions of Kai
07/21/2010 - 16:23.
I shot my last three rolls of K64 early this year, but to tell the truth the brilliance and detail of the images from my Canon 5DII make it look a little dull. So I am less sad than I expected.
However there is one thing I will eternally be grateful to Kodak for, that is all of my 12,000 odd Kodachromes are dated.
Now in retirement I am finding my monochrone negs and other colour films more problematic to date and classify.
Finally you mentioned Dufaycolour, I shot and processed some of this film in the 1950's (I think). It was a simple black and white reversal stock with the colour reseau on the film base.
You are dead right about excessive density, it was quite unprojectable. But hey even those old dark slides respond to scanning and digital tweaking, so I am now seeing them in a new light for the first time in half a century..
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