People go scuba diving for many reasons. Some divers are interested in the natural beauty of coral reefs, and the animals that call this environment home. Wreck divers are interested in man-made objects that have ended up underwater by disaster. Ships and airplanes sink because of bad maintenance, fire, weather, collisions and war. Once sunk, the wreck becomes a time capsule. When diving to explore wrecks, the experience is enhanced if you know its history. When swimming through one of these underwater museums, one can't help but imagine what happened during the sinking. If your objective is to create images, knowing the wrecks history will help.
Jim Goldstein is a full-time professional photographer based in San Francisco, CA. He captures landscapes and nature, and is an established travel photographer. He also embraces social media, and is highly active on Twitter, Facebook, Flickr, and Google + amongst others, such as Photo.net. We took some time to talk to Jim about his techniques, social media strategies, how landscapes inspire him, and his new eBook.
Tastes vary, but I've never seen an image with a watermark that wouldn't have been better without it.
The disadvantage of using a watermark is obvious. It introduces a distracting visual element that doesn't belong in an image. The effect of a watermark on an image ranges from mildly distracting at best, to ruinous at worst. When I see a photograph with a watermark, the watermark is almost invariably the first thing I look at. If it's large and obtrusive, it's also usually the last.
In this episode of Real Exposures, David Brommer talks to famed photojournalist and wedding photographer Ryan Brenizer. They talk about the Brenizer Method; film vs digital; never getting bored when shooting; his mentors and influencers; and what he's working on, going forward.
Plus, you'll get special insights into what some of Ryan's favorite gear is.
One of the main reasons why photographers lug their cameras around when the sun goes down, is to capture the night sky. For a lot of us, this means leaving the bright lights of the city in search of where the stars shine the brightest. Until recently, the only way a photographer could successfully capture the night sky was with long exposures that resulted in star trails. If you wanted to capture star points, or a more celestial night, exposures needed to be less than 30 seconds. Otherwise, the earth’s rotation turned the points into trails. But with DSLRs now capable of capturing cleaner ISO output at 1600 and 3200, we are entering a new celestial era that would make Van Gogh proud!
So whether you choose the drama of the longer star trails or the subtler star points, here are some tips to follow.
Katie O'Beirne is an artist in NYC who recently launched the New York Shots project, which placed disposable cameras all over NYC and different places in the world, asking people to take photos with them. In the end, we get a crowdsourced documentary project combined with portraiture with interesting results. We talked to Katie recently about the project, and here's what she had to say.
Prices, specifications, and images are subject to change without notice. Not responsible for typographical or illustrative errors. Manufacturer rebates, terms, conditions, and expiration dates are subject to manufacturers printed forms