Every experienced photographer knows and fears lens flare. Most often, we associate it with those horribly distracting 'stars' of light we see through our viewfinder and in our images when shooting into the sun. But not everyone knows that lens flare doesn't only affect those shots—it is part of every image we capture. So knowing how to reduce its effect is a valuable tool in many shooting situations.
We've all heard the saying, "A picture is worth a thousand words." And if we didn't believe in the power of images to communicate, we wouldn't spend so much time capturing and sharing them. But photographs don't happen in a vacuum. There's the photographer, who interacts with the subject and their surroundings. That's where the trouble with photography comes in—managing the effects we as photographers have on our subjects and their environment, whether they are ancient historical sites, natural wonders, people or wildlife.
The topic is huge and filled with controversy, but I'd like to share with you some common ethical problem situations that arise in travel and wildlife photography, and provide some perspective on how you may want to address them on your own adventures.
Midday sunlight is terrible for outdoor portraits. It's too contrasty for digital sensors to handle. In other words, the shadows go black and the highlights appear too bright, compared to what the human eye and brain see. That’s why it was a struggle to get good pictures when I photographed the spectacular annual Jember Fashion Carnival in Jember, East Java, Indonesia last month.
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