The EOS-1D Mark IV represents Canon's flagship DSLR for creating professional photo and video content. Though nearly identical in form to its predecessor, the Mark IV boasts an expanse of new features and refinements for discerning image makers. With an all-new 16.1 megapixel sensor, expanded ISO sensitivity, 10 frames per second continuous shooting mode, advanced AF system, and powerful HD video capabilities, this workhorse continues the full-featured legacy of the EOS-1 series.
For the better part of a decade, Canon PowerShot A-Series cameras have offered a respectable set of features at an affordable price. Excellent resolution, sharp Canon optics, and quality handling have made the cameras extremely popular with budget conscious shutterbugs. Though never quite as compact or sleek as the Digital ELPH line, the PowerShot A-Series has always been renowned for capturing high-quality images with ease.
Ever since the introduction of the 3.3Mp PowerShot G1 in 2000, most every succeeding G-series digicam has boasted an ever-increasing pixel count. The G10 capped them all at 14.7Mp. But with the new Canon PowerShot G11, Canon's engineers have reverted to a 10Mp imaging sensor, which contains about a third fewer – albeit larger - pixels than the G10. So, the $64,000 question: How does this pixel-shrinkage impact image quality?'
In our last newsletter we covered a number of products designed to lighten your load when heading out the door with photo gear in tow. Based on your feedback (quite positive, thank you!), we decided to poke around the store a bit further to see what other items we carry for light & compact photo trekking. Compact flash guns and small tripods sturdy enough to use without cussing topped the list, so here goes.
Having squeezed more pixels than most of us actually need into DSLRs in every price range, manufacturers are focusing on incorporating cutting-edge features normally reserved for mid and upper-level DSLRs into their less-pricy consumer DSLRs. Nowhere is this clearer than Canon's 6th generation digital Rebel, the EOS Rebel T1i, which is available as body-only or with a Canon 18-55 IS kit lens.
Video cameras seem to be getting more and more complex, which can be a blessing and a curse. Even the basic "record-your-son's-football-game" camera seems to have features today that were unimaginable only a few years ago. Sony now has a camera that can detect whether or not someone is smiling. Sounds more like science fiction to me. While these new features can be useful in a variety of ways, getting the best possible footage is always paramount. The truth is that the most critical settings are always the most universal. They include white balance, shutter speed, and audio levels.
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