Back in college, I learned a term in cinematography class: Mise-en-scene. To sum it up in short, Mise-en-Scene is everything that goes in front of the camera (or affects it) in that particular scene. It has to do with various elements such as the lighting, costumes, backgrounds, foregrounds, positioning, props, etc. Then it hit me: If film crews put so much effort into storyboarding to make sure that everything is perfect, why don't most photographers apply that same careful effort to photography?
There are probably many of you who are confused about whether to purchase an HDSLR or a traditional camcorder. The choice can be confusing, but this posting will list many of the pros and cons of both, to help make the decision a bit easier. If you're interested, you can also browse through our entire HDSLR guide, featuring sections from industry-leading cinematographers.
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