The Panasonic Lumix DMC FX-75 has a 14MP CCD sensor and an F/2.2 Leica Summicron lens with a 5x Zoom, for an equivalent 24-120mm lens. Because the FX-75 features such a bright and fast Leica lens, F/2.2 is almost two stops faster than most of the point and shoots—so you know this camera was designed to shoot with available light.
Not long ago, point-and-shoot cameras had zoom lenses that seldom went beyond the optical range of a 35-105mm lens on a conventional 35mm camera. Not so anymore. Thanks to numerous advancements in optical technologies, digicams now feature 8x to 14x zooms that despite their 20-something to 200-300mm-plus focal ranges, still slip easily into your pocket. In addition to HD video, some perform some pretty neat tricks.
Regardless of the focal length of your favorite lens, I'd venture to say you've been in situations where you've tried to focus in tight on your subject and inevitably hit the wall—the minimum focus point of your lens. Sure you can crop, but in a perfect world it would be swell if each of our lenses would focus as close to our subjects as our mind's eye focuses. Alas, the world isn't perfect... but we do have macro lenses.
At B&H, we currently stock about 100 point-and-shoot cameras; all of them are capable of shooting terrific photographs, and in most cases, video. The choices are far narrower, however, for those seeking digicams that can take an occasional dunk in the drink, an accidental fall, a tropical schvitz, or a high-altitude freeze. If this describes your lifestyle, the following 10 digicams are specifically designed to take a rougher ride than most of the larger, pricier cameras we sell at B&H (and at a fraction of the price!).
The first words usually uttered by somebody peering through an ultra wide-angle lens for the first time is usually something along the lines of “Whoa!”—and the wider the lens, the louder the “Whoa!” While peering through an extreme telephoto lens can also coax a “Whoa!” from the viewer, it’s because of its ability to bring distant subjects seemingly within arm’s length. Ultra-wides are different in their ability to interpret objects that actually are within arm’s-length distance in a different light. And that’s what makes them special.
For many shooters, telephoto lenses are a means of bringing distant scenes closer, and for the most part, this is an accurate description of what telephoto lenses do. But there's more to telephoto lenses than narrow fields of view. Perspective, compression of spatial relationships between subjects within the frame and the dynamics of selective focus are equally part of the game.
When categorizing the many DSLRs we carry at B&H into three groups—entry level, midrange and professional— there are some models that, depending on their attributes, price points or your point of view, fall into more than one camp. Our selection of mid-range DSLRs is no exception. You can call them "Mid-Range" cameras, but a few of them are well up to the challenge of full-time pro shooting.
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