As SLR users, we are all aware of the many components and features of the cameras we shoot with every day, because the SLR has become the universal standard for today's professional and serious amateur photographers. But where did this highly successful camera design come from, and what turned the SLR into the success that it is today?
A question we hear often at B&H is, "What lens should I buy?" We may follow up with, "What are you going to shoot with it?" The reason for this is because different lenses are meant for different shooting situations. Here are a few things to keep in mind when choosing a lens (or lenses) for your camera system.
Regardless of the focal length of your favorite lens, I'd venture to say you've been in situations where you've tried to focus in tight on your subject and inevitably hit the wall—the minimum focus point of your lens. Sure you can crop, but in a perfect world it would be swell if each of our lenses would focus as close to our subjects as our mind's eye focuses. Alas, the world isn't perfect... but we do have macro lenses.
At B&H, we currently stock about 100 point-and-shoot cameras; all of them are capable of shooting terrific photographs, and in most cases, video. The choices are far narrower, however, for those seeking digicams that can take an occasional dunk in the drink, an accidental fall, a tropical schvitz, or a high-altitude freeze. If this describes your lifestyle, the following 10 digicams are specifically designed to take a rougher ride than most of the larger, pricier cameras we sell at B&H (and at a fraction of the price!).
For many shooters, telephoto lenses are a means of bringing distant scenes closer, and for the most part, this is an accurate description of what telephoto lenses do. But there's more to telephoto lenses than narrow fields of view. Perspective, compression of spatial relationships between subjects within the frame and the dynamics of selective focus are equally part of the game.
When categorizing the many DSLRs we carry at B&H into three groups—entry level, midrange and professional— there are some models that, depending on their attributes, price points or your point of view, fall into more than one camp. Our selection of mid-range DSLRs is no exception. You can call them "Mid-Range" cameras, but a few of them are well up to the challenge of full-time pro shooting.
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