As photographers, the choice is up to us to determine what kind of light to use in our work. Light is the essence of photography; without it, we can’t get an exposure to register on our film or digital sensor. But we have choices when it comes to the kind of light we want to either suit our need, like in a family portrait, or for creative effect, like fashion, editorial, or something completely creative. Light is our muse, our mistress, our all-consuming friend and foe alike, for light—in all of its forms—must be handled with care so our end result reflects our creative vision.
Take a look at the photo above: Adam Schallau was able to capture this gorgeous image by releasing the shutter at just the right time. But how did he get it? We talked to Adam about what he did to achieve it.
This week in the news: Canon's T4i recall is more widespread than originally thought; RED once again makes some huge claims; Sony introduces a new interchangeable lens camera; and lots more from the videography world.
Landscape photography is such a romantic pursuit! Though it is so close to many of our hearts, the romance of landscape photography gets pushed aside too often by its technical and procedural aspects. Yet, without that technical stuff, it’s really hard to bring out the romance. With that in mind, I created what I think are the top ten ideas for techniques that you can use easily, so you can focus in on the romance. These top tips can work anywhere, but with the current interest in my ancestral home of Bodie, I was asked to act as your photographic guide to this very Western ghost town.
The key to making any top-ten-ideas list work is to latch on to only those that fit your style of photography, and forget the rest. The next thing you want to do is think through these ideas with the camera gear you own. You might find that some suit the job perfectly, while others end up being the odd lens out. And more than likely, you’ll find you’ll need to acquire a new lens. That is all part of the process, and the more you explore it, the better your photography will become, the greater the romance will become, and the more enthralling will be your storytelling. Let’s get to the list.
Creating visual depth isn’t something that comes to mind right away when photographing. We’re usually concentrating on getting a proper exposure and getting our subject in focus. Even when we’re composing, we’re often thinking about ‘rules of thirds’ or some other compositional idea. Yet, visual depth is what is often lacking in a photograph—especially a scenic or landscape image. If you want your pictures to have more impact, start paying attention to how you can suggest depth in your photo. Remember that you are taking a three-dimensional world, and distilling it into two dimensions in the final image, and you don’t want that image to appear flat. There are several things you can do to put the suggestion of depth into your images.
This week in the news: The Canon 7D receives a major firmware update; Nikon releases two new cameras; a new iPhone app is released, which will be all the rage at your next wedding; and the hacking that caused some serious controversy...
As photographers, we need our gear. Without it, we’re just people with highly visual imaginations and restless index fingers. However, the conundrum of all photographers is acquiring the right combination of equipment without blowing their budgets. In reality, there’s no “right” or “standard” selection of gear—everyone’s creative vision and needs are different. Whether you’re a seasoned pro or a beginner, putting together a cost-effective kit that still offers you the freedom and flexibility to exercise your photography as you see fit, can be a real challenge.
To help you navigate this perpetual dance, let’s see how I built my camera bag over the years. Please note that these ideas do not represent the opinions and needs of the other 2,459,276,483 photographers out there, who will probably disagree with me.
BHInsights blogger David Wells has been a busy man! He was recently on an assignment that tasked him to photograph the historically-significant Islamic architecture in Bijapur, in the Southern Indian state of Karnataka, for Saudi Aramco World Magazine. They were quite tedious to get to, since there is no commercial airport in Bijapur, and during the short window of time that he had for the shoot, no trains could be found from Mumbai, to get him to and from that city with enough time to do the kind of photography he was expected to do.
Capturing the photo above was not only quite a physical task, but also required lots of knowledge and understanding of exposures and metering. Here's David Wells, explaining how he got the shot:
This week in the news: Some new Apple news arrives in the form of upgrades for the MacBook Pro Retina, and a tasty new app; Fujifilm had a lot happening with them as well; Lenovo's new laptop might be just what your student is looking for, and more.
A funny thing happened as photographic technology became better and better: lenses got smarter, but photographers?—not necessarily.
Yes, modern lenses are ultra-sharp and super-contrasty, they focus automatically, and undesirable artifacts like chromatic aberration and barrel distortion have improved. However, autofocus technology has brought three critical changes that serious photographers need to consider carefully when they choose their lenses, because they can be a hindrance to thoughtful photography if not used carefully.
Editor's Note: This is a guest blogpost by Brian Dilg of NYFA. For more educational resources, you can check out lots of their classes.
A long time ago, I wrote an article entitled Bag of Confidence, and ever since, many have turned to me with their equipment questions. I would love to profess that I was smart enough to have just the right camera gear from the get go, but such is not the case. Like so many in the field, having the right camera gear was a trial-by-error methodology for much of the beginning of my photography career. I was asked to write this piece in the hope that you might learn from my mistakes, and build on my successes. So here’s how my camera bag has in it what it does today.
Every now and then, we will give the spotlight to select photos from our awesome fans posted on our Facebook. Troy Shinn's photo above was recently selected, and it received an outpouring of love from amongst our other followers.
We were so awe-struck by it, that we asked Troy to share with us how he shot it. Here's Troy's story.
Dodging and burning is a technique where portions of a photograph are selectively darkened (burning) or lightened (dodging). This is where you can add emphasis to certain portions of a photograph, or just bring back detail in certain areas. It’s a powerful technique for composition and creativity. The terminology comes from the traditional darkroom where an enlarger—combined with cupping of hands and cutouts on wire—were used to control the amount of light on different portions of a photograph.
Editor's Note: This is a guest blogpost from Colin Smith of PhotoshopCafe.com. If you find this useful, we encourage you to check out the RouteCS6 tour that he is currently doing.
This week in the news: We say goodbye to an old friend; Panasonic announces a bunch of new cameras; a medium format camera back with more megapixels than you'll probably ever need; Voigtlander announced a new lens, and much more.
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