beautiful interfaces

Top ranking choices for B&H customers who searched for beautiful interfaces

The RME Babyface Pro 24-Channel 192 kHz USB Bus-Powered Audio Interface is designed for a wide variety of studio and live recording applications. Expertly crafted from a block of aluminum, this portable interface features a new XLR socket that integrates seamlessly into the housing. Parallel 6.3mm TRS and 3.5mm mini headphone jacks feature separate driver stages to match low and high impedance headphones.

The interface ships with the company's TotalMix FX, a software mixer available for Windows, Mac OS X and iOS on an iPad. When using the device with an iPad, an external power adapter must be used, as the iPad alone is unable to power the interface. The mixer software allows you to use the interface in a wide variety of situations, from simple mixing of signals to more complicated routing configurations.

The unit's FPGA-based DSP mixer adds a flexible 3-band parametric equalizer on all inputs and outputs. Combined with the unit's low latency AD/DA converters and the company's unique SteadyClock technology to reduce jitter, the interface offers a professional recording solution in a compact form factor.
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"Superb !...Love it!...I'm making really beautiful recordings!...Absolutely unbelievable sound quality in a box small enough to put in your pocket."

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B&H # IKIRIGPRE MFR # IP-IRIG-PRE-IN

The iRig Pre Microphone Interface from IK Multimedia provides an easy way to connect any microphone to an iPhone, iPod touch, or iPad. Simply plug in any microphone into the PRE's standard XLR connector and its fixed 3.5 mm output cable connects to your iPhone/iPad/iPod touch's headphone jack. The iRig PRE provides an easily accessible gain control thumbwheel as well as an on/off switch. The iRig comes with 2 free apps - the iRig Recorder for voice recording and editing and VocaLive for processing.
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"Sounds good...Works well....This is a stunning value!...Of course, to be able to do this well, you must have a rudimentary idea of how music works, have pretty good pitch and quick learning skills in your toolbox to be able to get the most out of the whole thing."

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The AudioBox iOne from PreSonus is a USB 2.0 recording interface for Windows, Mac and iPad that is designed for recording guitars, basses, keyboards and more for band rehearsals, vocal demos, podcasts and other applications. It features a high-performance Class A preamplifier with phantom power, and records audio at up to 24-bit, 96 kHz sampling resolution.

Ideal for vocalists and electric guitarists that are on-the-go, the AudioBox iOne features one microphone input and one instrument input for connecting dynamic or condenser microphones as well as guitars and basses. The unit also features a stereo headphone output with dedicated level control, ultra-low-latency monitoring, and balanced main outputs for connecting studio monitors.
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"iOne is nice!...Great piece of gear...Sleek and sturdy: well constructed and good looking....It's a definite improvement in all directions."

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The Behringer UCA202 is an ultra-compact, bus-powered interface that can link a Windows or Mac computer with any audio gear. There is no setup or special drivers needed.

The interface provides two analog inputs and outputs, as well as an additional S/PDIF optical output for direct digital conversion. The stereo headphone output with dedicated level control allows for monitoring both input and output.

The U-CONTROL download area at Behringer's website offers a huge software package for recording and editing making the interface a complete audio solution, which provides a connection between the analog and digital domain.

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"Love it!...Works well...Played it back and it sounded beautiful....It would be nice if it was in a metal case, had 1/4 phone jacks or XLR connectors, and ran at 24 bits and 96 kHz sample rate, but heck, it's only $, and it outperforms built-in sound cards that I have in any of my computers."

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Focusrite's second-generation Scarlett 2i2 is a portable audio interface designed specifically for use in a portable computer environment. Lightweight at 1.3 lb, the device sports two inputs, two outputs, instrument/line switches, 48V Phantom power, direct monitoring, a discrete headphone output, and the ability to draw power via USB. It's designed to operate handily at resolutions and sample rates of up to 24-bit/192 kHz, and its combination front-panel inputs render it suitable for tracking instruments with much in the way of headroom and little in the way of distortion.

In addition to its two balanced monitor outputs, the Scarlett 2i2 offers a volume-controllable headphone output on the front. Metal gain controls and a red metal chassis provide a durable construction which can be taken on the road. The 2i2 provides a round-trip latency as low as 2.74 ms at 96 kHz, allowing you to record and monitor processed sound sources in real time.

An included Pro Tools | First Focusrite Creative pack is enhanced by a suite of Focusrite Scarlett plug-ins, a set of tools that includes compression, EQ, gating, and reverb. The Novation Bass Station software synthesizer can be used to add bass or melody, and a sample pack from Loopmasters contains drum loops and sound effects. Ableton Live is included to boot. Focusrite's Red Plug-In Suite (AAX, Audio Units, and VST) delivers modules based on the classic Focusrite Red 2 EQ and Red 3 Compressor hardware. Also included in this bundle is the Softube Time and Tone Pack for further sonic exploration within your chosen DAW.
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"Very nice...I LIKE IT...Great design and feel...have not had it that long, and I will update my review if something comes up, but so far this is a great solution for someone who needs a nothing fancy, limited input audio device for not a lot of dough"

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The Midisport UNO, is a 1 x 1 MIDI interface for both the Mac and PC platform that is extremely portable and powered from the USB bus of the host computer. Its single MIDI In and Out make it perfect for connecting a keyboard or controller to a computer quickly and easily and since it is powered by the USB port, the Midisport UNO is convenient and great for laptop use.
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"No fuss...A God send!...Great design and easy to use...I haven't used it enough yet but for what I need, it has performed as required."

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The MixPre-6 Audio Recorder/Mixer and USB Audio Interface from Sound Devices is a high-resolution audio recorder with integrated USB audio streaming combined with durability that offers high-quality sound for professionals. It can be used by musicians, sound designers, podcasters, videographers, YouTubers, and field recordists in various audio applications.

The MixPre-6 features Sound Devices' Kashmir ultra-low noise, discrete, and Class-A microphone preamp. Built with 32-bit A-to-D converters, the MixPre-6 ensures audio recordings surpass those of off-the-shelf, IC-based mic preamps. The unit can function as a USB audio interface and record audio to an SD card while simultaneously streaming multiple channels of audio via USB.

Furthermore, the sunlight-readable color LCD of the MixPre-6 provides convenient navigation. It is constructed with a die-cast aluminum chassis, is lightweight, and has a robust build. Plus, it is compact and will fit in your pocket, which is well suited for jobs on the run.

Finally, with intuitive operations and advanced mixing capabilities such as ergonomic gain-control knobs, pan and soloing, time-code input jacks, 1/4"-20 mounting capacity, 1/8" headphone monitoring, and the AA battery/Sony L-Mount lithium-ion battery powering options, the MixPre-6 is sure to meet all your audio-application needs.

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"No joke....highly recommend....What an amazing device it is from Sound Devices, really well made....I also have Sony Dual Channel wireless kit with Sanken lavaliere Microphone and that is also dream machine...Hook up Lavaliere to groom and efficient and receiver screws up on top of SoundDevices and plug in two channel to sound Devices and OMG you have a sound like a big production team...Though I am a one man band I can go on and on and brag about MixPre-6, it is that good for me."

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The PMD-602A 2-Channel DSLR Audio Interface from Marantz Professional is a two-channel battery-operated interface with 12V or 48V phantom power that can be used with condenser microphones or line-level audio devices for DSLR cameras or other field recording equipment.

Featuring two XLR-1/4" combo inputs with input sensitivity and two-stage gain control, the PMD-602A has a 1/8" stereo line input and limiter to ensure gain matching. The line output master allows you to feed any camera or recorder line input while monitoring through the headphone output.

Other features include a 1/4"-20 mounting bracket on the top for attachment to a camera, and a tripod socket on the bottom of the unit for added flexibility. It is powered by four AA batteries (sold separately).

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"Crazy Good!!...Solid performer...Both are similarly well-made....I love this unit but there are a few things that could be better."

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Designed by the man himself to convey the undiminished tone and vitality of the source instrument while balancing and isolating the original signal, the Rupert Neve Designs RNDI Active Transformer Direct Interface raises the bar for DIs. The product of experimentation with new transformer designs, the interface uses class-A biased discrete FET amplifiers with low-impedance, transformer-balanced outputs to deliver consistent performance over cable stretches as far as 100' with minimal loss of high-frequency information.

The unit is powered by industry-standard 48V phantom power on an XLR connection and creates a very high-impedance input of 2 MOhms to ensure consistent performance for a wide variety of instruments. The class-A design ensures that there is no crossover distortion added to the signal, which would otherwise add upper order odd harmonics which are musically dissonant. Instead the unit provides 2nd order (octave) and some 3rd order (fifth above octave) harmonics to enliven the sound. The discrete design of the system means there are no integrated circuits or digital components that can detrimentally effect the sound signature.

In instrument mode, the DI offers the user +21.5 dBU of gain, which is also capable of working with professional line-level sources like interfaces, CD players, and drum machines without a pad. This allows the unit to act as a "Re-Preamp" so you can change the tonality of a previously recorded piece of music. To do this, simply connect a channel output of the audio interface to the input of the DI and engage 48V power. By "Re-Preamping", you can apply the tone of another preamp to the source and more accurately automate or control the drive level on the preamp.

When placed in speaker mode, the unit can handle the output of a 1000W power amplifier (92 Vrms or 266 Vp-p) to capture the full tone of the instrument, preamp, EQ, inserts, and the amplifier's output stages before hitting the speakers. This allows the engineer to avoid any bleed in a live environment and any unwanted tone added by the speaker cabinet or microphone. When used with modern speaker emulation plug-ins, this allows the engineer to take advantage of the flexibility of digital modeling and the non-linear response of an actual analog amplifier.
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"Phenomenal DI...And it looks good as well....All are great and serve a purpose in the sonic arsenal of guitars and synths."

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The Zoom TAC-2 is a compact 2-in, 2-out bus-powered Thunderbolt audio interface that allows for ultra-low latency and supports audio up to 24-bit/192kHz. It features two balanced XLR/TRS inputs with 48V phantom power, a Hi-Z input jack for electric guitars and basses and two balanced TRS outputs for connecting an amplifier or powered speakers.

The TAC-2 also features a Burr Brown PCM4202 analog-to-digital converter with mic preamps that provide up to +60dB of amplification. It uses the AKM AK4396 digital-to-analog converter to provide high-quality output to your monitors, and thanks to the Thunderbolt connectivity, provides lower latency than is possible with USB 3.0.
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"Simply Charming!...Editing is a charm....I love this setup the box is light but very well made....In my many years of recording I find myself stripping down all the unnecessary hoop raw such as 4-8 channels of recording, crazy amounts of unneeded preamps, and network cables that rivals AT&T."

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The pocket-sized Tascam iXZ Mic & Instrument Interface turns your iPad, iPhone or iPod touch into a mobile recording studio. You can plug in a microphone, guitar or bass and use the latest guitar amp, recording and DJ apps to utilize different sounds, record audio and polish your tracks. There's an input setting to set the gain and you can monitor via the headphone output jack form your iOS device. Plus, the unit even has phantom power for condenser microphones. If you're looking to turn your iPad, iPhone or iPod touch into a portable practice rig, songwriting tool or recording device; the Tascam iXZ is the perfect interface.
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"Love it!...Nice Tool...This really should be on TASCAM's website since it's a known issue, but once I stuck the plastic between the two metal parts, it worked like a champ with the Fire 2 app on my iPhone 4....Though I can not comment on the guitar interface, it is nice to have it as an option in one product at a great price."

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B&H # BLICICLE MFR # ICICLE

Icicle from Blue Microphones is a simple way to connect a microphone directly to a computer. Featuring a microphone preamp and a USB interface, the Icicle works with both dynamic and condenser microphones.

The preamp has a fully balanced, low-noise front end, provides 48V phantom power, analog level control, and requires no drivers or external converters to operate.

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"i recommend...I'm pleased....I currently have 5 of them in use and once in a while the computer loses connection to them and you have to unplug them and plug them back in....Not since the IL-19 became a staple in your live audio workbox has there been a product that is such a multifaceted problem-solver/band-aid."

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The MixPre-3 Audio Recorder/Mixer and USB Audio Interface from Sound Devices is a high-resolution audio recorder with integrated USB audio streaming combined with durability that offers high-quality sound for professionals. It can be used by musicians, sound designers, podcasters, videographers, YouTubers, and field recordists in various audio applications.

The MixPre-3 features Sound Devices' Kashmir ultra-low-noise, discrete, and Class-A microphone preamp. Built with 32-bit A-to-D converters, the MixPre-3 ensures audio recordings surpass those of off-the-shelf, IC-based mic preamps. The unit can function as a USB audio interface and record audio to an SD card while simultaneously streaming multiple channels of audio via USB.

Furthermore, the sunlight-readable color LCD of the MixPre-3 provides convenient navigation. It is constructed with a die-cast aluminum chassis, is lightweight, and has a robust build. Plus, it is compact and will fit in your pocket, which makes it well suited for jobs on the run.

Finally, with intuitive operations and advanced mixing capabilities such as ergonomic gain-control knobs, pan and soloing, timecode input jacks, 1/4"-20 mounting capacity, 1/8" headphone monitoring, and the AA battery/Sony L-Mount lithium-ion battery powering options, the MixPre-3 is sure to meet all your audio-application needs.

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"Sooo clean....Fancy, but......I had some difficulty connecting with my Mac but after talking with the very helpful Sound Device service man, I found that the problem was in my trying to connect through a non powered USB hub....All in all, I think the MixPre-3 is a great recorder with the added bonus of doubling as an audio interface."

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The XENYX 302USB 5-Input Compact Mixer with USB delivers high-quality audio and excellent versatility in an ultra compact design, ideal for home, project, or mobile studios. The mixer has an XLR/TRS combo mic input and a 3.5mm mic input, as well as a stereo RCA line input and a stereo 2-track RCA input. There is a stereo RCA main mix output, and a 3.5mm headphone jack for convenient monitoring. The stereo USB audio interface allows you to connect the mixer directly to a computer.

The mixer has a state-of-the-art XENYX preamp, which delivers quality that is comparable to stand-alone boutique preamps, but at a fraction of the cost. A neo-classic "British" 2-band graphic EQ lets you make adjustments for a warm and musical sound. The mixer can be powered directly from the USB interface, or by an AC adapter. The mixer includes a free software download for recording, editing, and podcasting, plus 150 instrument/effect plug-ins and an ultra-low latency driver.
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"Mighty Mini...Very happy!...I would barely call this a mixer but more of a fancy volume control or Layerer Not a complaint but an observation....I now have a very nice public address system which should work really well in medium size venues."

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The UCG102 GUITAR LINK from Behringer is a compact USB 1.1 interface for connecting an electric guitar or bass directly to a computer. The unit includes a 1/4" TS phone input and a 1/4" TRS phone headphone output, that can also double as a monitor speaker source.

Included in the package are the Kristal Audio Engine multitrack sequencer and Audacity audio editor software. A special edition of Guitar Combos from Native Instruments is also supplied as a thirty-day demo, with the purchaser being able to choose from one of the three virtual amplifier/speaker combos, to keep for free.

Installation is painless with an ASIO driver available for use with Windows.

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"Good Sound...Sounds great!...I use my laptop for recording music, it's HP, this device is great, I loved it, especially it worked well with my classical guitar, This that I didn't like first, that I had problems with the driver, and my windows 7 was reading it as a mic not a line in, so it gave me a horrible noise when I started recording I got that driver from the website, and now it's working wel amazing...Works fine on a PowerBook but I'm having a big latency problem with the Ma ini, it might have something to do with running it through HDMI, I'm still trying to see if I can improve it."

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The bus-powered and breakout cable equipped Alva Nanoface 12-Channel USB Audio/MIDI Interface affords an ideal combination of analog/digital connectivity, features, flexibility and mobility. It's the perfect tool for working musicians with a home or mobile studio. It also integrates seamlessly into a DJ setup or your home theater surround sound system. The Nanoface is equipped with a total of six audio inputs and six audio outputs. Plus, it's ultra-portable, weighs next-to-nothing, and is easy to operate. It even features a large multicontroller that facilitates simple adjustments and control over I/O features including management, monitoring and phantom power for microphones.

The Nanoface was designed to work seamlessly with both Windows and Mac operating systems. Plus, it supports real analog hardware monitoring, as well as low latency drivers. The Nanoface really lives up to its name by hosting a variety of analog and digital interfaces. It supports dual RCA L/R audio analog inputs and dual RCA L/R analog outputs. It also features dual XLR analog mic inputs, which both come equipped with their own mic preamps, as well as phantom power. There's even a 1/4" Hi-Z instrument input and a 1/4" stereo headphones output. In fact, the stereo RCA outputs can even be routed through the stereo headphones output.

The Nanoface affords a wide variety of digital connection points as well. These include a single MIDI input and dual MIDI outputs. There's also a digital optical S/PDIF input and a digital optical S/PDIF output. For any musicians or DJs that want to record directly onto their music production software of choice, the Nanoface features a USB 3.0/2.0 interface. This lets you use the Nanoface as a link between your analog or digital recordings and your computer. You'll easily be able to transfer any audio or MIDI data in and out of your Mac or windows computer - no matter if you're sitting at your desk or in the back of a tour bus. The Nanoface is designed to handle all situations.

The USB 3.0/2.0 interface also doubles as the Nanoface's bus-power source, which means you won't need to drag around an external power supply. The Nanoface is free from any extraneous mixers or software option dialogs as well. This means it functions as a high-speed driver with most modern digital audio workstations (DAWs). All modern audio programs promote a low latency engine and an integrated mixer with plug-in support. Plus, they're also equipped with monitoring features. This allows the Nanoface to be as streamlined as possible. Plus, all device features are controlled by a single multicontroller called, the Encoder. With a wide variety of digital/analog inputs and outputs, a streamlined design and a single Encoder controller - the Nanoface promotes a simple learning curve and flexible usability for home musicians, road musicians, DJs and home theater aficionados with hi-fi surround systems.

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"Good good...God bless!...I tried several other USB DCs and found the Nanoface to be a great, easy to use device....The one-knob interface has it's pros and cons - jump on the Alva site and grab the software interface for a little more clarity."

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B&H # TAUS16X08 MFR # US-16X08

Allowing you to record up to 16 channels simultaneously in up to 24-bit/96 kHz resolution, the US-16x08 USB Audio/MIDI Interface from Tascam features 8 XLR microphone inputs with their Ultra-HDDA preamps and 8 TRS line level inputs, 2 of which can be switched to instrument level for DI recording. A DSP mixer allows you to route any signal to any output and gives you a 4-band EQ and compression for each channel, allowing you to tweak a monitor or headphone mix.

Its angled design allows you to use the US-16x08 right on your desktop, while the included rack ears provide the ability to rack mount the system. Not limited to audio, its 5-pin DIN MIDI I/O lets the unit function as a MIDI interface as well. It is compatible with Mac, Windows, and iOS (requires Apple's Camera Connection kit, not included for iOS use).
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"Worth the $...Great Upgrade...My one big gripe is there is no iPad app for controlling the interface so if I need to make a local monitoring change I must go into the control room to make it on the built in tascam program....When I bought it, I had Windows 8.1, no issues at all.All 16 channels plus MIDI work beautifully.I love that I can record 16 channels simultaneously.If you want to record stereo, as someone else suggested in their review, just assign 2 channels to the stereo track - perfect!I now have Windows 10 installed and it works better than ever.I am running Pro Tools 11.3.1 on a PC laptop.I can't say enough good about my purchase, you won't find another 16-channel interface near this price, and top qualit"

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The RapcoHorizon LTIGLBLOX Laptop Interface with Ground Lift converts input from consumer-grade equipment (laptop computers, MP3 players, and CD players) to a microphone level balanced output. This consumer to pro interface comes with a ground lift switch that gives the operator volume control of the outgoing stereo signal. It features a 3.5mm male input connector and an XLR male output connector.
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"Love it....Very useful...I purchased this based off a recommendation since we had a bad humming sound with our mac mini connected to a pre-amp going to our mixer....I use this when I need to get audio directly from a laptop to my ENG camera."

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The U-PHORIA UMC22 2x2 USB Audio Interface from Behringer is a 2x2 audio interface that is capable of tracking your audio with sampling rates up to 48 kHz. It features a single Midas-designed combo XLR/TRS microphone preamplifier with selectable 48-volt phantom power. Additionally, the UMC22 has a front-panel 1/4" instrument input. Its I/O is rounded up by 2 rear-panel 1/4" outputs and a front-panel 1/4" headphone output.

The UMC22 has selectable direct monitoring, and is housed in a metal chassis designed to be impact resistant. Behringer provides a free download of Tracktion 4 Audio Production software with registration.
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"very good...nice interface....Even creating or opening a document is a struggle but he will spend all winter in his little music room toying around and it's good for his brain so I'm a little frustrated but in the end he's happy so I'm happy....i've a pair of Behringer Studio Monitors and for a long time i've been using my M-BOX Mini 3, but the M-Box just broke and to fix it the price was higher than this U-Phoria UMC22 that was EXACTLY what I need (headphone input, monitors output, combo jack, phantom power...), so I gave it a shot, and worth it."

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The podDI from Whirlwind is a single-output summing direct box that can be used to connect CD and MP3 players, computer sound card outputs, DJ mixers, etc. to professional equipment with balanced inputs such as a mixing console. The unit can also be used as a high-quality, single input passive DI box.

The personal audio interface accepts a stereo input and sums them into a single mono output. A variable attenuator on each input provides level matching between left and right inputs, allowing the podDI to also function as a passive mixer in split track audio applications. So for instance, a voice track and a music track can be balanced to the summed mono output.

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"Just right...Easy setup....This one has a good volume level with the mixer volume in a reasonable range....I would like to see a version with only 1 volume control because the output is mono, but the Stereo volume control may come in handy some day."

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