crossovers

Top ranking choices for B&H customers who searched for crossovers

The CX3400 SUPER-X PRO from Behringer is an active frequency crossover enabling two or three-way stereo or four-way mono operation.

Each band features two 24dB Linkwitz-Riley filters, as well as individual IGC limiters, while the integrated delay enables flexible time alignment.

Polarity switches for each output allow quick and easy runtime compensation for various driver and horn types. The unit is housed in a single rack space chassis and has illuminated switches for ease of use in dark environments.

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"Sound's good...Great product...It gives me the ability to make minor adjustments of the levels that I am sending out to both my low and high frequency amps so that I have better control over the mix between each....The only thing about this crossover that I didn't like was the mid crossover point on 4-way mode could not be set lower than 430hz, it worked out OK but I would have preferred to set it to around 300hz instead."

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The SX45 from Rolls is a two-way frequency dividing device for small sound reinforcement applications. It features a 12dB per octave roll-off, a frequency dividing range of 50Hz to 2.5kHz and clip indication for proper level settings.

The compact size of the SX45 allows for easy mounting in any universal rack tray or install-cabinet, while the external power supply provides clean DC power to the unit for quiet operation. Controls for the SX45 include input level, variable frequency adjustment and high and low output level controls.

All connections are made via RCA phono jacks. The unit is Ideal for small installations such as nightclubs or restaurants, providing clean, high-impedance audio signals in a compact steel chassis.

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"It works great....Great Compact Crossover...That worked fine and I highly recommend it for anyone bi-amping on a budget.I had not intended to use the High Pass and Low Pass adjustments but have found them very useful and now just plug the phono pre-amp or DAC straight into SX45 and use it for volume adjustment when listening to music.I do not use a subwoofer so cannot comment on those outputs.My only gripe is not having a power button on the box - unplugging mains supply is a pest....This unit will plug into your audio equipment and allow you to dial up and tailor a perfect crossover point and output levels."

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B&H # ARCCB3 MFR # L0.0006597

The Arri Cable Crossover has a single channel on its underside that is wide enough to cover one heavy duty cable such as a head-to-ballast cable, or 2 medium duty extension cords. Its ends have puzzle-piece style cut-outs, to allow sure connection of more than one crossover. It is constructed of heavy duty synthetic rubber, and measures 31" long, 5.5" wide. This is a pack of 3 cable crossovers.

Also available in single packs #571725  and packs of 6: #571727.

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"Heavy Duty...Way Better than Duct Tape!...While I haven't recorded a concert since I purchased these, I did use them to cover video cables for another event and was completely satisified with the product and its performance."

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The Ashly Protea 4.8SP 4-Input, 8-Output Digital Speaker Processor delivers enhanced DSP processing, superb audio quality and flexible control features for professional sound reinforcement in touring, venue installations, nightclubs, large theater sound systems and more.

The Protea 4.8SP features 24-Bit A/D converters and an array of DSP functions that include crossover, time delay features, compression, limiting, feedback control features and much more.

An intuitive back-lit LCD display helps navigate through the its extensive feature set and is also easy to see in dimly lit venues. The 4.8SP will store up to 30 total presets. A preset file takes a "snapshot" of all current settings and stores complete control data for all channels and all audio functions.

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"Great Sounding DSP...Extremely flexible audio processor....I was immediately impressed with the Protea's setup ease and sound quality....This unit's rock solid, easy to use, and offers great flexibility."

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Top Highlights

  • 4 Input, 8 Output
  • Extensive Digital Processing
  • 24-Bit 49kHz A/D Converters
  • Built-in Limiter
  • Crossover, EQ and Delay
  • USB and RS-232 Interface

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B&H # ROSX21 MFR # SX21

The SX21 from Rolls is a 24dB/octave, two-way frequency divider intended for small sound reinforcement applications.

The compact housing provides input, crossover frequency, low and high output level controls and corresponding inputs and outputs on unbalanced phone connectors.

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"Good compact crossover...Excellent for running a small 3 way system."

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B&H # ASXR1001 MFR # XR-1001

The XR-Series crossovers from Ashly have a design goal of producing a crossover that is sonically accurate, is flexible enough to suit a wide variety of systems, and affords maximum protection for speakers and drivers. The XR1001 crossover is based upon a state-variable filter circuit, which guarantees that two adjacent frequency band outputs always remain in phase. The crossovers offer a number of useful features, including continuous tuning, a response control, and a unique output stage which maintains low noise at any level setting.

The unit can be run as a stereo 2-way, switchable to mono 3-way, 24dB per octave electronic crossover and is housed in a single rack space chassis. Also included are a 200:1 tuning range, output mute switches, and both 1/4" TRS phone and XLR connectors. The XR1001 features low distortion, active balanced inputs, a peak level indicator, a precision regulated power supply and protection against abnormal input or output conditions.

The response control adjusts the damping of the filter, affecting the response shape of the filters at the crossover point. The dial calibrations refer to the amount of attenuation effected by the filter at the crossover frequency, i.e., a setting of 3dB means that the filter's high-pass and low-pass outputs are each "rolled off 3dB at the crossover point". This describes a Butterworth filter response, or a gentle 3dB peak at the crossover point when the two filter output signals overlap.

To obtain a flat signal, or "Linkwitz-Riley" response through the crossover region on the XR1001, the response control should be set to "6". This attenuates each output of the filter by 6dB at the crossover point (two identical signals added together yield a +6dB increase). To obtain a notch at the crossover point, the response control should be turned down past "6". The purpose of this control is to help offset the inaccuracies inherent in typical loudspeakers, thereby helping you to achieve a flat system response.

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"I couldn't be happier with its performance....A decent relay in my rack power strip as resolved this but for the not-so-technical user, it could be handy to have....This is a feature reminiscent of some expensive DSPs and to find it in such a relatively inexpensive analogue unit is excellent value."

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  • Stereo 2-Way, Mono 3-Way
  • Variable Filter Response
  • 100/240VAC

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B&H # ARCCBL1 MFR # L2.0005257

The Arri Cable Crossover has a single channel on its underside that is wide enough to cover one heavy duty cable such as a head-to-ballast cable, or 2 medium duty extension cords. Its ends have puzzle-piece style cut-outs, to allow sure connection of more than one crossover. It is constructed of heavy duty synthetic rubber, and measures 31" long, 5.5" wide.

Also available in packs of 3: #571726  and packs of 6: #571727.

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"Super handy......It never hurts to have these cable crossover in hand....I happen to like the blue color but I know other colleagues would prefer black."

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Expected availability: 7-14 business days
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B&H # DB223XS MFR # DBX223XSV

The 223s from dbx is a dual channel, stereo 2-way or mono 3-way crossover. A crossover is essential for efficient PA operation because it filters the full band input signal into specific frequencies that match a speaker's optimum frequency-reproduction range. This leaves the amplifier free to use its full power on the usable signal, eliminating distortion and delivering clear sound.

The unit features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Quality components and meticulous attention to detail offers exceptional sound and rugged reliability, while exuding great precision from the solid "click" controls to the high quality XLR inputs and outputs.

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"Other than that, I love it....Well Built and Reliable but ......It puzzles me because connectors are inexpensive as are SMT resistors, caps, etc. and they could have had both on the same main board."

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Top Highlights

  • Stereo 2-Way, Mono 3-Way
  • Subwoofer Output
  • Linkwitz-Riley Filters
  • Range Switch (x10)
  • XLR Connectors

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The Atlas Sounds TSD-HF11 Paging Horn Crossover and Limiter is specifically designed for use with paging horns in applications where band pass filtering and power limiting is required. For I/O, the device features one detachable balanced Phoenix connector input, one RCA input, one detachable balanced Phoenix connector output, and one RCA output. For controls, it features input and output trim knobs, a selectable Hi-Pass filter via rear panel DIP switches (200 Hz, 300 Hz, 400 Hz, all pass), and a variable limiter to prevent excess signal from entering the amplifier. A security cover can be attached to the front panel to prevent unwanted changes to the system settings.

The unit can be used with a variety of paging horns and amplifiers as its full feature set allows individualized customization based on system requirements. Front rack, rear rack, and half rack mounting kits are available sold separately. The power supply for this unit is also sold separately.
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Top Highlights

  • Selectable HI-Pass and Lo-Pass Filter
  • Balanced and Unbalanced Inputs
  • Input and Output Trim Controls
  • Variable Limiter
  • Security Covers for Front Panel Controls
  • Output, Peak, and Limit LED Indicators
  • Removable Phoenix Style I/O Connectors
  • Power Supply Sold Separately
  • Optional Front and Rear Rack Mount Kits
  • Optional Half Rack Mount Kit

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The ASX 24 2-Way/3-Way Stereo with 4-Way Mono Active Crossover from dB Technologies features a 2x XLR-input with 25 Hz high-pass filter switch and a 6x XLR-output with high quality 24 dB/ octave slope. It has an adjustable delay time up to 2ms for outputs. The LOW SUM function conveys the whole LF range of L&R channels to a mono sub out.
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The AC 23S Active Crossover from Rane Commercial can be configured as a stereo 2- or 3-way, or a mono 4- or 5-way crossover. Featuring a 4th-order Linkwitz-Riley filter alignment, the AC 23S minimizes phase difficulties in the critical crossover region. The crossover's interface includes active balanced XLR input and output connectors.

The Linkwitz-Riley alignment incorporates two cascaded 2nd-order Butterworth filters with identical phase characteristics on their low- and high-pass outputs, allowing for in-phase outputs at all frequencies. In-phase outputs ensure proper acoustic summing of common signals from adjacent drivers in the crossover region. This topology also gives you the benefit of roll-off slopes of 24 dB per octave, minimizing distortion and driver fatigue.

The Active Crossover features adjustable delay circuits on the low and mid outputs of each channel to compensate for any physical misalignment of the drivers. Time correction ensures the mechanical phase alignment of adjacent drivers is acoustically correct, thus maintaining the integrity of the electrical phase alignment of the crossover's filters. In 2- or 3-way stereo mode, the low outputs may be mono'ed by moving an internal jumper. Constant directivity horn equalization is possible with an internal modification of the crossover.
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Top Highlights

  • Stereo 2- or 3-Way
  • Mono 4- or 5-Way
  • Linkwitz-Riley Alignment
  • 24 dB per Octave Roll-Off Slopes
  • Adjustable Delays
  • Infrasonic, Ultrasonic, and RFI Filters
  • Low & Mid Output Muting
  • Input & Output Level Controls
  • Active Balanced XLR In/Out
  • Internal Universal Power Supply

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The PX-B 1K8 from Eminence is a passive crossover that is designed to work in high-power cabinets with a power handling of up to 400W. It is available has a board-only unit or can be used complete with optional fitted hardware. The crossover frequency is 1.8 kHz 18 dB/octave.
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Top Highlights

  • 1.8 kHz Crossover Frequency
  • Hi-Pass Crossover
  • Passive Filter
  • 8 Ohms
  • 400W Power Handling

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B&H # BECX3400V2 MFR # CX3400V2

The CX-3400 V2 Super-X Pro Crossover from Behringer is a stereo 2-way/3-way and mono 4-way crossover that features limiters, time delay, high-frequency horn equalization, and a mono "Low Sum" output, which is ideal for subwoofer applications. It can be used to provide high-precision audio frequency separation in multiple speaker setups for sound reinforcement systems.

The CX3400 V2 provides three modes of operation: 2-way stereo, for left and right lows (woofers) and highs (tweeters); and 3-way stereo, for left and right lows, mids, and highs; and 4-way mono, for lows, low-mids, high-mids, and highs. The front panel is equipped with an easy to read LED matrix, so you can see at a glance which modes have been selected and which controls are active.

Furthermore, the CX3400 V2 includes a switchable pre-EQ for CD horns that ensures a flat-frequency response before equalization is applied. This raises the signal gain by 3 dB at 3.5 kHz, increases a 6 dB/octave up to 22.5 kHz, and provides consistent dispersion over the entire CD horn frequency range.

In stereo mode, the CX3400 V2 can be switched to "mono bass" mode. The LF signals in the left and right channels are summed together and then routed to the channel 1 low-output connector. This connector can be used to drive your active subwoofers, passive subwoofer power amplifiers, or lighting controllers. The low-sum output is presented in mono, since people perceive extremely low-bass frequencies as being omnidirectional.

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Top Highlights

  • Stereo 2-Way/3-Way/Mono 4-Way Crossover
  • Limiters on Each Output
  • Adjustable Time Delay, Phase Alignment
  • CD Horn Equalization
  • Output Gain Controls
  • XLR Input and Output Connectors

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B&H # SPLCRSOVRBLK MFR # SPLCROSSOVER-BL

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B&H # SPLCRSOVRRED MFR # SPLCROSSOVER-RED

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B&H # SPLCRSOVRSLV MFR # SPLCROSSOVER-SL

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The Behringer CX2310 V2 SUPER-X PRO is an active frequency crossover designed to protect and enhance any professional sound system. The two-way stereo or three-way mono operation ensures that bass content is tight and punchy, while high and midrange signals are rich, crisp and well defined. Not only does the CX2310 V2 provide accurate signal processing with protection for critical components, it also improves the overall efficiency of the sound system.

Each band features two 24 dB Linkwitz-Riley filters as well as individual polarity switches for each output that allow for quick and easy run-time compensation for various driver and horn types. Additionally, the CX2310 V2 adds a separately adjustable subwoofer output that provides an extra low-frequency band, effectively turning the unit into a stereo 2-way + mono 1-way, or a mono 4-way frequency crossover. The unit is housed in a single RU chassis and has illuminated switches for ease of use in dark environments.
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Top Highlights

  • Stereo 2-Way / Mono 3-Way Switchable
  • Dedicated Mono Subwoofer Output
  • Linkwitz-Riley Filters 24 dB/Octave
  • Individual Gain & Mutes for All Bands
  • Switchable 25 Hz Low Cut Filter
  • Precision Pots for Accuracy
  • Illuminated Switches for Easy Operation
  • Universal Power Supply
  • Servo-Balanced & Gold Plated XLR I/O

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ART's 310 precision crossover is designed for PA and fixed-installation applications and can be used as a stereo 2-way crossover network or as a mono 3-way crossover network. The crossover employs 24dB/octave state-variable, fourth-order, Linkwitz-Riley filters.

Fourth-order Linkwitz-Riley filters guarantee in-phase outputs at all frequencies which is mandatory for the proper acoustic summing of common signals from adjacent drivers in the crossover region.

Each channel features input level, high and low output level and crossover frequency rotary controls. A frequency "x10" switch is provided for varying the crossover frequency from the standard 80Hz - 920Hz to 800Hz - 9200Hz.

Front panel output mute switches are provided for each individual output to ease system setup. The rear panel features XLR and active balanced 1/4" TRS input and output connectors as well as a 2-way/ 3-way mode selector switch. The 310 has an internal power supply.

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$159.00
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The JBL MTC-210T is a mono passive network crossover device that mounts on the back of a JBL SB210 subwoofer, and includes a 70.7V/100V line matching transformer with 250W, 125W, 62W and 31W(70.7V only) taps.
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The 311 crossover from ART may be used as a stereo 2-way crossover network and has the addition of the subwoofer output for low-end frequency reinforcement. It employs 24dB/octave state-variable, Fourth-order Linkwitz-Riley filters that guarantee properly phased outputs at all frequencies.

Each channel features independent high and low output level controls and a crossover frequency rotary control which covers a wide range of 250Hz to 6kHz. All three outputs have a 30 cycle low cut switch to eliminate low-end rumble. The subwoofer features an independent output level and rotary control for frequencies in the 50Hz to 250Hz range.

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