expensive mixers

Top ranking choices for B&H customers who searched for expensive mixers

The 5060 Centerpiece 24 x 2 Desktop Mixer from Rupert Neve Designs is a Class-A analog console with custom transformers, flexible monitoring, DAW transport controls, and a 24 x 2 mix-buss. The 5060 Centerpiece features a modular, hybrid analogue/digital mix system which allows you to outfit your studio with exactly what you need. It integrates stem outputs from the DAW with the rest of your control room, sums the final mix, and provides 2-track outputs, source selection, and speaker feed outputs from the monitor section.
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Expected availability: 7-14 business days
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You Pay: $7,995.00

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B&H # CHMRMIXER16 MFR # MINI RACK MIXER - 16 CHAN

The Mini Rack 16 Channel Mixer from Chandler is a 19" (482.6mm), all steel rack box that, fully-loaded, weighs 50 lb. (22.7kg) mostly due to the 22 transformers that embody the unit. The Mini has eight single-slot, 2-channel line input modules, a single-slot talkback module, a single-slot control room monitor panel and a 4-slot master module. Even though the mixer is a rackmounted unit and ideal for portable DAW rigs, it can be positioned at a slight angle in a permanent desktop cabinet to work as a conventional mixer/console/desk.

The unit has a full featured control room section including talkback, speaker switching, mute, mono, dim, external input (also used as an insert point), and separate control room and stereo bus outs.

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Top Highlights

  • Provides 20 Discrete Amplifiers
  • 22 Custom Wound Transformers
  • Full Featured Control Room Section
  • Channel Volume
  • 2 Stereo Outputs
  • Channel Pan
  • Speaker 1/2 & External Input
  • Talkback Module
  • Stereo Insert
  • Meter Module

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Expected availability: 7-14 business days
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You Pay: $7,250.00

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B&H # EPESP1150 MFR # ESP1150

The Pearl-2 Base Video Mixer from Epiphan is a powerful live production mixer that lets you create visually appealing live video programs by combining, encoding, switching, and recording up to six video sources and two audio sources. With Pearl-2 you can share any kind of video, anytime, anywhere. Simple to use with a web-based portal for initial configuration, you get a drag and drop interface to create completely customizable layouts for your live stream. You can choose to keep Pearl-2's default encoding settings, or customize them to meet your exact needs. Control the video recorder and video switcher capabilities via the touchscreen or the tablet-friendly Epiphan Live interface.
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You Pay: $6,375.00

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Bundled together by B&H for your convenience, the Sound Devices 688 Kit gives both a 12-input mixer for recording in the field and a sturdy, rugged carry case for holding your recorder, wireless devices, and ancillary items.

The 688 records at sample rates up 192 kHz and sports an ambient timecode generator, all while offering you six XLR mic/line inputs, six line-level TA3 inputs, six auxiliary TA3 outputs, and AES42/AES3 digital inputs. The Orca OR-34 carry bag boasts an aluminum frame to ensure durability and provides six access points to the recorder. Also included are two pockets for storing accessories, front bungee cords to hold boom poles and cables, four external detachable pouches, and nine rubber bands to support aspects of your wireless system. Brushed blue polyester affords you easy glimpses into all aspects of your mixer, and a shoulder strap is supplied to facilitate ease in carrying.
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Top Highlights

  • Recording Device & Rugged Carry Bag
  • 6 Mic/Line-Level XLR Inputs
  • 6 Line-Level TA3 Inputs
  • 6 TA3 Auxiliary Outputs
  • AES42/AES3 Digital Inputs
  • Up to 192 kHz Recording
  • Aluminum Frame on Bag
  • Provides 6 Entry Points
  • Brushed Polyester For Viewing Equipment
  • Accessory Pockets and Shoulder Strap

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B&H # ROVR50HD MFR # VR-50HD

INCLUDES FREE   Value $250.00
The Roland VR-50HD Multi-Format AV Mixer integrates an audio mixer, video switcher, multi-viewer touch screen and USB video/audio streaming into a stand-alone device. This portable live HD production solution combines the functions of a video switcher and an audio mixer, and it is ideal for use at live events, schools, churches, council meetings, and corporate events. The VR-50HD features four video input channels, which are fed by 12 inputs, and supports SD, HD, and computer-based signals. The mixer supports either NTSC or PAL standards, with selectable frame rates, and will scale input video to match the selected output resolution.

The VR-50HD features four SDI inputs that support SD/HD/3G-SDI signals, two RGB/Component video inputs, two composite video and four HDMI inputs, as well as 12 analog audio input channels. Built into the front of the mixer is a 7" LCD touch-screen multi-view display that shows the four input sources as well as displays a red border on the active input source. You can set up and control the unit through the touch screen interface. The unit has a designated HDMI output that will send the multi-view display to an available HDMI monitor. The PGM output is available through SDI/HDMI/ and RGB/Component streams. It is also available via the USB output, which you can bring into an available computer or encoder to stream live. The VR-50 features two built-in full-resolution picture-in-picture channels, and you can layer the four inputs to make one composite in addition to the picture-in-picture channels.
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"Very nice...Awesome Mixer...So far, the only negative is that the video sources default back to SDI whenever it is powered down and all of mine are HDMI so I have to reset the video inputs each time I turn it on....All of the functions are very intuitive with a mix of hard controls and on screen (touch screen) functions."

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Top Highlights

  • 12 Input, 4-Channel Video Plus Stills
  • NTSC/PAL, HD, Computer Signal Compatible
  • SD/HD/3G-SDI, RGB/Component, HDMI Inputs
  • 12-Channel Digital Audio Mixer
  • Built-In Touch-Screen Preview Monitor
  • Multi-View Output Through HDMI
  • Stream Live Through USB Connection
  • 2-Channel Full Raster Picture-in-Picture
  • Supports 4 Layers for Composites

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Expected availability: 2-4 weeks
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You Pay: $5,995.00

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The B&H StudioLive 40-Input Live Stage Mixing and Personal Monitor Mixer Kit is a 40-input digital mixer, trio of AVB-networked stage boxes, and personal monitor mixer bundle designed to deliver flexible signal processing, recording, and mixing for musicians, singers, and audio engineers in houses of worship, concert venues, and live stage applications. It includes a PreSonus StudioLive 32 Series III digital mixer, one PreSonus StudioLive 16R Series III rack mixer / stage box, a PreSonus NSB 16.8 stage box, a PreSonus NSB 8.8 stage box, one PreSonus EarMix 16M personal monitor mixer, and a 5-port AVB switch with PoE.

With 33 recallable XMAX preamps in the mixer, 40 total remote-controlled mic preamps in the stage boxes, four 32-bit stereo DSP FX processors, 33 motorized faders, and a 7" color touchscreen, it provides a versatile combination of physical I/O, convenient controls, and tone-sculpting tools to accommodate anything from solo artists to a large ensemble or performing troupe. Additionally, the included EarMix 16M 16-channel personal monitor mixer offers straightforward operations, a loud and clear headphone amplifier, and the ability to drive low-impedance IEMs.

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Top Highlights

  • StudioLive 32 Series III Digital Mixer
  • StudioLive 16R Series III Rack Mixer
  • 16x8 and 8x8 AVB-Networked Stage Boxes
  • EarMix 16M Personal Monitor Mixer
  • 5-Port AVB Switch with PoE
  • 73 Total XMAX Mic Preamps
  • Four 32-Bit Stereo DSP FX Processors
  • 33 Motorized Faders, SD Recording
  • 7" Color Touchscreen on Mixer
  • Loud and Clear Headphone Amplifier

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The 664 Six-Channel Portable Production Mixer with Integrated Recorder from Sound Devices has an unprecedented amount of functionality from a unit that can be battery operated. It starts with a low-noise, transformerless preamplifier section, continues to an intuitive mixing surface, adds a host of digitally-controlled routing features, allows room for analog inserts and aux busses, and finally terminates with versatile, plentiful output connectivity. By the way, the 664 can be configured to record digital audio to CompactFlash or an SD Card from any point in that signal flow.

The Sound Devices 664 has an input board that features six balanced XLR connections. Within the firmware, they can be selected to accept microphone or line level signals. Additionally, inputs 1 and 6 can configured to accept AES digital signals. Each channel has a direct output on an independent TA3 connector. There is also an input for a slate microphone, if you don't wish to use the 664's internal slate mic. Two headphone outputs are also provided.

The physical mixing surface of the 664 has the basic features you'd expect, such as trim pots, panning and level knobs. But it also has more advanced features, like sweepable high-pass filters and pre-fader listen switches on each channel.

The 664 has very flexible routing options within its LCD-based menu. When a channel's pre-fader listen switch is pushed to the right, it brings up that channel's menu options. Input level, pre/post track routing, aux buss routing, mix routing and polarity can all be adjusted. Channels can be paired in left/ride or mid/side modes. Phantom power can also be engaged at either 48V or 12V.

The Sound Devices 664 has many output options, from its balanced XLR main outputs to the unbalanced 1/8" stereo tape output. It can even send and receive word clock and timecode signals. Two Aux outputs on TA3 connectors allow custom track groups to be routed to external devices. The outputs can even be set to send AES digital signals of each buss and channel.

The 664 has an integrated recording system that tracks WAV files at up to 24-bit/48.048kHz resolution to CompactFlash or SD cards. The whole device can be powered by five AA batteries or an optional DC adapter.
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"Love It!...great sound tool...I love this machine....The unit is designed perfectly around a sound mixer / recordist work."

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Top Highlights

  • 6 Low-Noise Balanced XLR Inputs
  • Selectable Phantom Power +12V or +48V
  • Direct Output on Each Channel
  • Records to CompactFlash and SD Cards
  • Resolution up to 24-bit/48.048kHz
  • Flexible LCD-Based Routing Control Menu
  • Configurable AES Digital Inputs/Outputs
  • 4 Output Busses with Easy Connectivity
  • Advanced Mixing Surface
  • Powered by 5 AA Batteries or DC Adapter

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The Dangerous Music MASTER Summing Monitor Analog Mixer is a 2U rack mountable signal processor designed by mastering engineers to provide insert loops, level offset, stereo image width control, and sum and difference processing so you can finish your mixes. For inputs, the unit features two stereo left and right XLR analog input pairs for connecting to a digital to analog converter and to another source such as a patch bay or tape machine. An IN 1-2 button on the front panel of the device switches between the two sources. Left and right stepped attenuator input gain knobs allow you to set the level and balance for the incoming signal.

For processing, the unit features three stereo left and right pairs of insert sends and returns for connecting to your outboard processors such as a limiter, parametric equalizer, or compressor. Multiple processing units can be connected to the same insert by ganging them in series or by utilizing a patch bay. Pressing the insert buttons 1, 2, or 3 on the front panel of the unit will loop in the outboard processing equipment connected to the respective insert.

By pressing the S&M function button on the front panel of the device, the insert loop can operate in sum and minus mode. Sum and minus mode enables you to change the center pan information of a track without altering the sides. This is useful for changing the emphasis of different parts of the arrangement within the stereo field. A stepped attenuator stereo width control knob allows you to narrow or widen the stereo image.

The back of the unit features two stereo left and right XLR pairs for main outputs 1 and 2, as well as a third pair for the monitor output. When pressed, an In-Out Mon button sends either the incoming pre-processed or outgoing post-processed signal to the monitor pair. An Input Monitor Offset level knob allows you to match the incoming signal level to the outgoing signal level so you can compare the effect of the outboard processing at the same output level. The overall output level of the device is controlled by a stepped attenuator knob. This allows you to precisely adjust the appropriate level for feeding the signal back into your analog to digital converter for recording. The device is hand-built in the USA to mastering standards.
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Top Highlights

  • Transparent and Musical Mastering Device
  • Designed by Mastering Engineers
  • Insert Loops and Level Offset
  • Stereo Image Width Control
  • Stepped Controls for Repeatable Accuracy
  • Connects to the Monitor and Liaison
  • Integrated Input Monitor Offset
  • Hand-Built in the USA

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Expected availability: 7-14 business days
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You Pay: $4,899.00

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The Allen & Heath SQ-7 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-7 features 32+1 motorized faders and 32 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer's 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Automatic Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.

At the heart of the SQ-7 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel/mix counts and ample FX processing. The SQ's DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer's inputs and mix channels, all without adding system latency or setup hassles.

The front panel is centered around the mixer's 7" capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-7 offers 16 softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, handy for virtual sound checks and studio mixing.

The SQ-7 offers expansion options via Allen & Heath's stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer's SLink port, or from a connected remote expander. The Allen & Heath SQ-7 includes a power cord.
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Top Highlights

  • 32 Microphone Preamps
  • 7" Capacitive Touchscreen
  • 96 kHz FPGA Processing
  • Eight Stereo FX Engines with Returns
  • 32 x 32 USB Audio Interface
  • AES Output
  • 12 Mono/Stereo Mixes + 3 Stereo Matrix
  • Channel LCD Displays
  • 16 Assignable SoftKeys
  • SLink Port for Remote Audio & Expansion

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The B&H StudioLive 32 Series III Digital Mixer with 16x8 Stage Box and Personal Monitor Mixer Kit is a 40-input digital mixer, AVB-networked stage box, and personal monitor mixer bundle designed to deliver flexible signal processing, recording, and mixing for musicians, singers, and audio engineers in houses of worship, concert venues, and live stage applications. It includes a PreSonus StudioLive 32 Series III digital mixer, one PreSonus NSB 16.8 stage box, a PreSonus EarMix 16M personal monitor mixer, and a 5-port AVB switch with PoE.

With 33 recallable XMAX preamps in the mixer, 16 remote-controlled mic preamps in the stage box, four 32-bit stereo DSP FX processors, 33 motorized faders, and a 7" color touchscreen, it provides a versatile combination of physical I/O, convenient controls, and tone-sculpting tools to accommodate anything from solo artists to a large ensemble or performing troupe. Additionally, the included EarMix 16M 16-channel personal monitor mixer offers straightforward operations, a loud and clear headphone amplifier, and the ability to drive low-impedance IEMs.

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Top Highlights

  • StudioLive 32 Series III Digital Mixer
  • 16x8 AVB-Networked Stage Box
  • EarMix 16M Personal Monitor Mixer
  • 5-Port AVB Switch with PoE
  • 33 Recallable XMAX Mic Preamps in Mixer
  • 16 Remote-Controlled Mic Preamps
  • Four 32-Bit Stereo DSP FX Processors
  • 40 Inputs, 33 Motorized Faders
  • 7" Color Touchscreen on Mixer
  • Mac, Windows, iPad & Android Compatible

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The Sound Devices 633 Field Production Mixer Kit with Carrying Case is an accessory package for operating the mixer on set and in the field. The kit includes the 6-input compact mixer and 10-track digital recorder, a carrying case designed specifically for the mixer, three XL-2F cables with TA3 female and XLR female connectors, two XL-2 cables with TA3 female and XLR male connectors, two XL-B2 rechargeable lithium-ion batteries, one 16GB CompactFlash memory card, and one 16GB SD memory card.

To operate, simply charge the XL-B2 rechargeable batteries using a compatible charger (sold separately) or insert six AA batteries into the mixer (sold separately), load the SD and CompactFlash memory cards into the memory card slots on the side of the device, connect your preferred microphones, configure the mixer for the application, and start recording. The included case features a convenient carry handle and rain proof translucent cover for monitoring while in the elements. Compatible shoulder straps and harnesses are sold separately.
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"Killer unit...Absolutely stellar piece of gear....Easily solved, there's a great one for $ from @ versus the $ Porta brace strap."

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Top Highlights

  • 633 Compact Field Mixer and Recorder
  • CS-633 Portabrace Soft Carrying Case
  • Three XL-2F Cables
  • Two XL-2 Cables
  • Two XL-B2 Batteries
  • One 16GB CompactFlash Memory Card
  • One 16GB SD Memory Card

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This B&H Kit includes everything you need for comfort and portability while mixing and recording in the field. The kit comes with a Sound Devices 552 mixer/recorder that supports up to 5 input channels and records to widely available SD/SDHC flash memory cards. There is also a Porta Brace MXC-552B case. The case is made from durable 1000D Cordura nylon and has a fully padded interior to protect the mixer. The case can hold accessories such as batteries and cables, and has a detachable shoulder strap for convenient portability. The kit also includes the Senal SMH-1000 closed-back professional monitor headphones.
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Top Highlights

  • 5 Analog Inputs
  • Analog and Digital Outputs
  • Built-In Stereo Recorder
  • Records to SD/SDHC Cards
  • Uses AA Batteries or External DC Power
  • Porta Brace MXC-552B Case Included
  • Senal SMH-1000 Monitor Headphones

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You Pay: $3,906.50

The SPL MixDream Model 2384 16x2 Analog Summing Mixer is a 2U rackmountable analog summing mixer that can expand the functionality of any digital console or DAW. The device uses sophisticated discrete Class A/60 V stages for analog summing before analog to digital conversion. It can sum up to 16 audio tracks to a stereo signal, and additional units can be cascaded together for projects that require even higher track counts. This model also features 16 balanced inserts, allowing for the integration of analog outboard effects with individual and overall hard bypass relays.

The 60-volt (±30V) rails of the unit's Class A technology with circuitry based on the most modern analog components. This ensures an extremely high slew rate, a very low noise level of -97 dBu and a dynamic range of 125 dB, which puts the unit on par with among the best analog consoles.

In addition to being used for mixing, the unit can also be used for discrete mastering from single tracks or subgroups as well as up-sampling audio to SACD/DVD-A formats.

The back panel of the unit features nine 8-channel DB25 connectors: Input channels 1 to 8, Insert Send 1 to 8, Insert Return 1 to 8, Input Channels 9 to 16, Insert Send 9 to 16, Insert Return 9 to 16, Direct Out 1 to 8, Direct Out 9 to 16, Direct Out 1 to 8, Direct Out 9 to 16, and Master Ins./Expansion In/Out 2. For outputs the unit includes left and right gold plated XLR-3M connectors for both the master output and monitor output.
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Top Highlights

  • Active Class A/60V Stages
  • DAW Channel Adjustments and Automation
  • Sum All Analog Tracks Before Conversion
  • 16x Balanced Analog Effect Inserts
  • Proprietary Differential Amplifiers
  • Link Multiple Units Together
  • Surround Cable
  • Analog Peak Limiter
  • Master Inserts
  • Lundahl Output Transformers

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Expected availability: 7-14 business days
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You Pay: $3,899.00

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The DMM14 ULD Digital Automatic Microphone Mixer with LAN and DANTE Interface from AKG is a professional microphone mixer ideal for use in large meetings and conferences. Its DSP function ensures precise mixing of up to 140 channels by cascading up to ten DMM14 ULD mixers. Two additional stereo audio outputs and one stereo USB offer additional routing options. Due to high signal-to-noise ratio, the DMM14 ULD also keeps noise from multiple open microphones to a minimum. Numerous DSP functions such as filters, compressor/limiter, ducking, and routing make the DMM14 ULD suitable for a variety of spoken word applications. The DMM14 ULD incorporates a DANTE chip through which all inputs are available both on the DANTE stream and as direct outputs, which is useful for broadcast applications. In total, this ULD model provides 22 free assignable DANTE outputs; four DANTE streams can be used as inputs. The DMM14 ULD also features a LAN interface via Ethernet to enable control over large distances.
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Expected availability: 7-10 business days
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The Rupert Neve Designs 5059 Satellite 16 x 2+2 Summing Mixer is an analog mixer with 16 inputs over two 25-pin D-sub cables and dual stereo XLR outputs housed in a 2U rack-mountable chassis. The mixer features class-A amplifiers and a custom transformer circuit design by renowned electronics engineer Rupert Neve.

Stereo outputs 1 and 2 both feature continuously variable control of the sound's texture by engaging a button which toggles between the silk blue, silk red, and bypass circuits. By turning the master texture knob you can saturate the custom transformers to add sparkle, thickness, color, and warmth to your sound.

With this mixer, you can adjust the signal level, panning position, and insert sends to outboard analog equipment for all 16 channels. You can also use the stereo outputs to sum channels into stem mixes, add harmonics, and send the stem to outboard analog equipment for processing. For example, channels 1 through 8 could be summed and sent as a stem mix to stereo 2 output, then sent through an outboard analog compressor, and then patched in as a stereo input on channels 15 and 16. This would enable you to apply the same processing to all eight tracks as a cohesive group, such as when recording a drum kit with multiple microphones.

The stem on channels 15 and 16 could then be sent through stereo output 1 to a tape recorder or an analog to digital converter (ADC) connected to a digital audio workstation (DAW).
Utilizing the send and return 25-pin D-sub connections, multiple summing mixers can be connected together to add more channels and open up additional routing possibilities.
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Top Highlights

  • 16 Channels with Inserts, Sends, Returns
  • Dual Stereo Outputs for Summing Stems
  • Custom Transformer Design by Rupert Neve
  • Class-A Amplifiers
  • Fine Tune Harmonic Texture
  • Pan Each Channel with 3 dB Pan Law
  • Adjust Each Channel -∞ to +10 dBu
  • Master Level Output -∞ to 0 dBu

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Expected availability: 7-14 business days
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The Sound Devices 633 6-Input Field Production Mixer/Recorder with Bag Kit from B&H includes a compact, six-input mixer with integrated 10-track recorder featuring Power Safe technology, and a K-Tek Stingray Jr. audio recorder bag for use with the 633 mixer. It can be used for applications such as broadcast TV, ENG (Electronic New Gathering), sound design, videographers, or anywhere audio professionals requiring go-anywhere portability without compromising recording or mixing capability.

The 633 offers three mic/line inputs on XLR connectors and three additional line-level inputs on TA3 (mini-XLR) connectors, and all inputs are assignable to its six output busses, left/right plus Aux 1/2/3/4. In addition, all six inputs plus output busses left/right and Aux 1/2 can be recorded to individual tracks. The 633 features 10-track, 24-bit/ 48 kHz uncompressed WAV recording to SD and CompactFlash memory cards, and the two cards can be set independently, recording either identical material or combinations of WAV and time code stamped MP3 files.

The B&H kit's Stingray Jr. audio recorder bag is built by K-Tek and features a rigid internal vertical frame for strength and stability, and includes side pockets, a bottom trap door for fast access and a built in kick-stand for table mixing.

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"Perfect Recorder/Bag Combo...This is an amazingly perfect setup for field recording!...If you only need a few channels, this should do the trick."

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Top Highlights

  • Sound Devices 633 Mixer/Recorder
  • 10-Track Recorder
  • 24-Bit/48 kHz Uncompressed WAV Files
  • Records to SD & CompactFlash Memory Cards
  • K-Tek Stingray Jr. Audio Recorder Bag

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Expected availability: 7-10 business days
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The Allen & Heath SQ-6 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-6 features 24+1 motorized faders and 24 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer's 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Auto Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.

At the heart of the SQ-6 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel / mix counts and ample FX processing. The SQ's DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer's inputs and mix channels, all without adding system latency or setup hassles.

The front panel is centered around the mixer's 7" capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-6 offers softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, making it well suited for virtual sound checks and studio mixing.

The SQ-6 offers expansion options via Allen & Heath's stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer's SLink port, or from a connected remote expander. The Allen & Heath SQ-6 ships with a power cord.
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Top Highlights

  • 24 Microphone Preamps
  • 7" Capacitive Touchscreen
  • 96 kHz FPGA Processing
  • Eight Stereo FX Engines with Returns
  • 32 x 32 USB Audio Interface
  • AES Output
  • 12 Stereo Mixes + LR
  • Channel LCD Displays
  • 16 Assignable SoftKeys
  • SLink Port for Remote Audio & Expansion

In Stock

Order now to ship Wed Oct 3
You can order this item today and pick it up at the B&H NYC Superstore during regular business hours.
Store Schedule Get Directions

You Pay: $3,499.00

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The Heritage Audio MCM-32 is an analog 32-channel summing mixer designed to provide high-quality passive line level signal summing and coloration for mixing engineers in home, project, and commercial studios. It sums up to 32 channel inputs sourced from DB25 connectors to a stereo master output where gain restoration is performed by a Class-A, 1073-style microphone preamp with four transformers.

Each bank of eight inputs is fed to a stereo subgroup and then to the main stereo out. Insert sends and returns are present for each input channel and subgroup via DB25 connectors and for the stereo master bus via XLR jacks. Each channel offers level and pan controls, mute, and insert return selection. The stereo master and each stereo subgroup offers level, mute, and insert functionality.

Dedicated XLR 3-pin mix and monitor output jacks enable simultaneous connection to a mixdown recorder and monitoring system. Easily keep an eye on your stereo bus levels via stereo VU meters.

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Top Highlights

  • Passive Summing of 32 Channels
  • 8 Subgroups
  • Class-A Gain Restoration
  • Per-Channel Level and Pan Controls
  • DB25 Channel Input Connectors
  • DB25 Inserts for Channels and Subgroups
  • XLR Master Inserts
  • XLR Mix and Monitor Outputs
  • Stereo VU Meters

Special Order

Expected availability: 7-14 business days
You can order this item today and pick it up at the B&H NYC Superstore during regular business hours.
Store Schedule Get Directions
This item is noncancelable and nonreturnable.

You Pay: $3,499.00

View Cart
Add to Wish List Item in Wish List
The Heritage Audio MCM-20.4 is an analog 20-channel summing mixer designed to provide high-quality passive line level signal summing and coloration for mixing engineers in home, project, and commercial studios. It sums up to 16 channel inputs and four aux inputs sourced from DB25 connectors to a stereo master output where gain restoration is performed by a Class-A, 1073-style microphone preamp with four transformers.

Each bank of eight inputs is fed to a stereo subgroup and then to the main stereo out. Insert sends and returns are present for each input channel and subgroup via DB25 connectors and for the stereo master bus via XLR jacks. Each channel offers level and pan controls, mute, one stereo and two mono aux sends, and insert return selection. The stereo master and each stereo subgroup offers level, mute, and insert functionality.

Dedicated XLR 3-pin mix and monitor output jacks enable simultaneous connection to a mixdown recorder and monitoring system. Easily keep an eye on your stereo bus levels via stereo VU meters.

See more

Top Highlights

  • Passive Summing of 20 Channels
  • 4 Subgroups, 4 Aux Sends
  • Class-A Gain Restoration
  • Per-Channel Level and Pan Controls
  • DB25 Channel Input Connectors
  • DB25 Inserts for Channels and Subgroups
  • XLR Master Inserts
  • XLR Mix and Monitor Outputs
  • Stereo VU Meters

Special Order

Expected availability: 7-14 business days
You can order this item today and pick it up at the B&H NYC Superstore during regular business hours.
Store Schedule Get Directions
This item is noncancelable and nonreturnable.

You Pay: $3,499.00

View Cart
Add to Wish List Item in Wish List

Special Order

Expected availability: 7-14 business days
You can order this item today and pick it up at the B&H NYC Superstore during regular business hours.
Store Schedule Get Directions
This item is noncancelable and nonreturnable.

You Pay: $3,400.00

View Cart
Add to Wish List Item in Wish List