flexible lenses

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B&H # OL124028ED MFR # V314060BU000

A flexible zoom covering a popular focal length range, the M.Zuiko Digital ED 12-40mm f/2.8 PRO from Olympus is a wide-to-portrait-length 24-80mm equivalent lens for Micro Four Thirds mirrorless cameras. Its sophisticated optical design, which includes a variety of aspherical, low dispersion, and high refractive index elements, reduces both chromatic and spherical aberrations throughout the zoom range for notable clarity, sharpness, and color accuracy. A ZERO lens coating has also been applied to improve contrast when working in strong lighting conditions. Beyond the advanced lens design, this zoom is also characterized by its constant f/2.8 maximum aperture, as well as its durable weather-sealed construction for working in a variety of conditions. Additionally, a Movie & Still Compatible autofocus system achieves fast, smooth, and silent focusing performance, and a manual focus clutch affords instant switching between focusing methods.
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"a joy...Great IQ...I decided on this lens because I think it's a most flexible and quality lens to begin the switch from DSLR to mirrorless....The lens hood and pouch are a welcomed bonus, although I expect the 12-40 will be my primary lens from now on, so I won't be using the pouch except when packing the lens while traveling."

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Top Highlights

  • Micro Four Thirds System
  • 24-80mm (35mm Equivalent)
  • Aperture Range: f/2.8 to f/22
  • 1 Aspherical ED & 2 Aspherical Elements
  • 1 DSA, 2 ED, 1 HD, 2 HR Lens Elements
  • ZERO Lens Coating
  • MSC AF System, Manual Focus Clutch
  • Programmable L-Fn Function Button
  • Weather-Resistant Construction
  • Rounded 7-Blade Diaphragm

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Covering both wide landscapes and tight portraits, the Vario-Tessar T* E 16-70mm f/4 ZA OSS Lens from Sony is a great all-around choice for APS-C-format E-mount cameras. It offers a very versatile 24-105mm equivalent zoom range and even features a constant f/4 aperture for consistent performance. Also, through the use of one extra-low dispersion element, one Advanced Aspherical, and three aspherical elements, users will enjoy sharp, aberration-free imagery. Furthermore, the lens benefits from Zeiss' T* anti-reflective coating to effectively eliminate ghosting and flare.

For fast, silent autofocus, the 16-70mm is equipped with a linear motor and uses an internal focus design. It also has Optical SteadyShot image stabilization to reduce the effects of camera shake, especially at longer focal lengths. Additionally, the lens can focus as close as 13.8" and it has a seven-blade circular diaphragm for smooth bokeh.
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"Loved it...Love it!...This lens gave me a little more flexibility in the pictures I have been taking, as I walk the city and take cityscapes....The?Ruggard?Onyx 25 case will fit the A6500, Z 16-70 with lens case and the Sony 35 1.8 lens perfectly (5.2 x 7.5 x 4.0") Hope this helps because there seems to be a lot of hate for this lens that made it hard for me to pull the trigger on it."

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Top Highlights

  • E-Mount Lens/APS-C Format
  • 24-105mm (35mm Equivalent)
  • Aperture Range: f/4 to f/22
  • One ED Element; Four Aspherical Elements
  • Zeiss T* Anti-Reflective Coating
  • Linear Autofocus Motor; Internal Focus
  • Optical SteadyShot Image Stabilization
  • Minimum Focus Distance: 13.8"
  • Seven-Blade Circular Diaphragm

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Characterized by its telephoto design and bright maximum aperture, the silver M.Zuiko Digital ED 75mm f/1.8 from Olympus is a 150mm equivalent prime for Micro Four Thirds mirrorless cameras. Coupled with the reach and visual compression of the focal length, the bright f/1.8 maximum aperture enables extensive control over depth of field to make this lens ideal for portraiture applications. Its optical design incorporates three extra-low dispersion elements and two high refractive index elements to reduce a variety of aberrations and color fringing for sharp, clear, and color accurate imagery. A ZERO coating has also been applied to individual elements to suppress surface reflections and flare for greater contrast and color fidelity in a variety of lighting conditions. Additionally, a Movie & Still Compatible (MSC) autofocus system is employed to deliver quick, quiet, and precise focusing performance to suit both video and photo applications.
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"Super ....Love it...Reminds me of Canon 70-200MM is USM II without the weight, but without the flexibility....Not a lot to say a bout this lens every body know, I just wanna add simply amazing lens for portrait on micro 4/3 system to have.And lens build so solid feel an metal material,and originaly made in Japan.This the only lens feeling close IQ to my canon 135 F/2 lens,so if You love taking portrait photo this lens you must have for micro 4/3 system."

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Top Highlights

  • Micro Four Thirds System
  • 150mm (35mm Equivalent)
  • Aperture Range: f/1.8 to f/22
  • Three Extra-Low Dispersion Elements
  • Two High Refractive Index Elements
  • ZERO Lens Coating
  • Movie & Still Compatible AF System
  • Rounded 9-Blade Diaphragm

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B&H # SO2424035 MFR # SEL24240

Do it all with the Sony FE 24-240mm f/3.5-6.3 OSS Lens for full-frame E-mount cameras. Able to cover everything from wide-angle to telephoto in a single compact form factor, this lens uses a variable aperture of f/3.5-6.3 to keep size and weight to a minimum. Ensuring maximum quality throughout the range the lens incorporates one extra-low dispersion element and five aspherical elements that combat various aberrations. Also, it has a linear autofocus motor and internal focus design that provides fast, accurate, and reliable focusing. Further benefitting use is built-in Optical SteadyShot image stabilization that reduces the impact of camera shake, especially at longer focal lengths. The lens is dust and moisture resistant as well, for operation in less-than-ideal conditions. And, it has a seven-blade circular diaphragm for smooth bokeh.
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"Not bad...Love it!...Very flexible....Verdict: I had the distinctive impression that many shots were in total sharper then lots of shots which I have done with my long range Canon L lenses (e.g. 28-300mm)."

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Top Highlights

  • E-Mount Lens/Full-Frame Format
  • Aperture Range: f/3.5-6.3 to f/22-40
  • One ED Element; Five Aspherical Elements
  • Linear Autofocus Motor; Internal Focus
  • Optical SteadyShot Image Stabilization
  • Dust and Moisture-Resistant Construction
  • Seven-Blade Circular Diaphragm

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B&H # SO241054G MFR # SEL24105G

Designed for versatility, the FE 24-105mm f/4 G OSS Lens from Sony is a wide-angle to short-telephoto zoom designed for E-mount mirrorless cameras. Complementing the useful range of focal lengths is a constant f/4 maximum aperture, which maintains consistent performance throughout the zoom range and also affords increased control over depth of field. Benefitting the reach is an advanced optical design, which employs aspherical and extra-low dispersion glass elements to control color fringing, distortion, and a variety of aberrations for greater sharpness and clarity. A Nano AR Coating has also been applied to suppress lens flare and ghosting for high contrast and color accuracy when working in harsh light.

Further adding to the versatility, this 24-105mm f/4 also incorporates an Optical SteadyShot image stabilization system to minimize the appearance of camera shake for sharper handheld shooting, and this system can pair with select cameras' sensor-shift image stabilization for even more effective blur control. Suiting both stills and video shooting, a Direct Drive Super Sonic wave AF motor, along with an internal focusing design, provides quick and quiet focusing performance as well as natural manual focus control. Additionally, this also features a weather-resistant physical construction, along with a fluorine-coated front element, to enable its use in trying weather conditions.
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"a Gem...Love it!...I bought this lens for cityscapes / landscapes with flexibility to cover all kinds of subjects without changing lenses ( I had preferred to shoot with primes...25mm Batis, 50mm sony, 85mm sony, 90mm macro)....I bought this lens as I left for a 4 day commercial shoot after only testing it for a day - I was confident in my primes Incase this zoom started to let me down but I shot 90% on this lens."

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Top Highlights

  • E-Mount Lens/Full-Frame Format
  • Aperture Range: f/4 to f/22
  • 4 Aspherical Elements, 3 ED Elements
  • Nano AR and Fluorine Coatings
  • Direct Drive Super Sonic Wave AF Motor
  • Optical SteadyShot Image Stabilization
  • Internal Focus Design
  • Focus Hold Button; AF/MF Switch
  • Dust and Moisture-Resistant Construction
  • Rounded Nine-Blade Diaphragm

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B&H # SO181054 MFR # SELP18105G

Have all the essential focal lengths covered with this E PZ 18-105mm f/4 G OSS Lens from Sony. Designed for APS-C-format E-mount cameras, this lens offers an extremely versatile 27-157.5mm zoom range and has a constant f/4 aperture for consistency through all focal lengths. Making this lens a great choice for both stills and video is the implementation of a power zoom mechanism and Handycam technology that provides smooth, quiet zooming and focusing. Also, it uses two extra-low dispersion elements and three aspherical elements to combat aberrations for crisp, clean images.

On top of these features, the lens is equipped with Optical SteadyShot image stabilization to help reduce the effects of camera shake, especially at longer focal lengths. The lens benefits from an internal focus design that ensures that the overall length of the lens does not change during focusing. Additionally, it offers a minimum focus distance of 1.5' and uses a seven-blade circular diaphragm for smooth bokeh.
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"Love it...great buy...This one will give me the perfect flexibility....I shot some high contrast scenes across the entire zoom range and was surprised that I saw VERY little purple fringing....like barely there at all, and probably the best lens I have owned for this type of shot."

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Top Highlights

  • E-Mount Lens/APS-C Format
  • 27-157.5mm (35mm Equivalent)
  • Aperture Range: f/4 to f/22
  • Two ED & Three Aspherical Elements
  • Optical SteadyShot Image Stabilization
  • Power Zoom Lever; Handycam Technology
  • Internal Focus
  • Minimum Focus Distance: 1.5'
  • Seven-Blade Circular Diaphragm

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B&H # FU232B MFR # 16523169

Compact, fast, and weather resistant, this black wide-angle XF 23mm f/2 R WR Lens from FUJIFILM is a great choice for those looking for a lightweight and effective imaging kit. Optimized for X-series mirrorless cameras equipped with APS-C sensors, this 23mm lens offers a classic 35mm equivalent perspective, a view much loved by street photographers. The lightweight design and fast f/2 aperture make it a great choice for those looking to stay discreet while shooting. Also, by using two aspherical elements in its optical construction, the lens is able to combat distortions and aberrations for a clear, sharp image. In addition, the 23mm lens uses a Super EBC coating to Minimize flare and ghosting.

For fast, accurate focusing this lens utilizes an internal focusing stepping motor AF system which can lock on in as little as 0.05 seconds. Also, the lens offers tactile controls in the form of physical aperture and focusing rings. Additionally, the weather-sealed lens has a rounded 9-blade diaphragm for smooth bokeh.
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"Good lens...nice lens...This lens is lighweight, flexible, has awesome Bokeh and yet snaps foregrounds into tight focus....I understand wanting to gain the one more stop of light by purchasing the f/1.4, but this lens is wonderful and if I ever need more light, I can just use a flash."

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Top Highlights

  • X-Mount Lens/APS-C Format
  • 35mm (35mm Equivalent)
  • Aperture Range: f/2 to f/16
  • Two Aspherical Elements
  • Super EBC Lens Coating
  • Internal Focusing AF System
  • Physical Aperture Ring
  • Weather-Sealed Construction
  • Rounded 9-Blade Diaphragm

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B&H # SO2820 MFR # SEL28F20

Satisfy your wide-angle fix on your full-frame E-mount camera with the fast and compact FE 28mm f/2 Lens from Sony. It boasts a fast maximum aperture of f/2 for selective focus effects and for working in low-light conditions. In order to ensure high-quality imaging in a range of conditions, the lens incorporates three aspherical elements, including one Advanced Aspherical, and two extra-low dispersion elements, all of which help minimize aberrations. For fast, responsive focusing the 28mm uses a linear motor and internal focus design. Also, it has a dust- and moisture-resistant construction that will permit operation in less-than-ideal weather conditions. Additionally, it has a nine-blade circular diaphragm for smooth bokeh. If you are looking for a wider perspective, the 28mm can accept optional ultra-wide and fisheye converters than will transform the lens into a 21mm or 16mm lens, respectively.
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"Nice !...Love it...I'm a huge fan of the 35mm perspective, but this 28mm gives me a lot of flexibility especially when paired with a 50mm or 55mm....I am not saying that this lens is as good as my Summilux, but it's good enough for what I need -an automatic prime lens that I can make wider with a converter."

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Top Highlights

  • E-Mount Lens/Full-Frame Format
  • Aperture Range: f/2 to f/22
  • One AA Element & Two Aspherical Elements
  • Two Extra-Low Dispersion Elements
  • Linear Autofocus Motor; Internal Focus
  • Dust and Moisture-Resistant Construction
  • Nine-Blade Circular Diaphragm
  • Optional Ultra-Wide & Fisheye Converters

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Walk around all day with the Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens from Sony, a compact full-frame option that covers wide-angle to short telephoto perspectives for working with a variety of different shooting styles and subjects. A constant f/4 aperture makes operation smooth and consistent throughout the zoom range. The lens further benefits from the use of one extra-low dispersion element and five aspherical elements to combat aberrations as well as a Zeiss T* anti-reflective coating to keep flare and ghosting to an absolute minimum. The lens is fast to focus as well due to the linear autofocus motor and an internal focus design. Additionally, the dust- and moisture-resistant lens is equipped with Optical SteadyShot image stabilization to reduce the effects of camera shake, and it has a seven-blade circular diaphragm for smooth bokeh.
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"Not bad...good lens...The lens is intended to be a flexible, walkaround lens for the Sony A7/A7r cameras and it does that very well at a very reasonable price....At all other apertures the FE lens continued to outperform the Canon lens but not strikingly so as I was lead to expect when coupling this lens to the Sony A7r."

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Top Highlights

  • E-Mount Lens/Full-Frame Format
  • Aperture Range: f/4 to f/22
  • One ED and Five Aspherical Elements
  • Zeiss T* Anti-Reflective Coating
  • Linear Autofocus Motor; Internal Focus
  • Optical SteadyShot Image Stabilization
  • Dust and Moisture-Resistant Construction
  • Seven-Blade Circular Diaphragm

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B&H # SO7030045G MFR # SEL70300G

Spanning a useful range of telephoto focal lengths, the FE 70-300mm f/4.5-5.6 G OSS from Sony is a versatile zoom lens designed for full-frame E-mount mirrorless cameras. Complementing the reach, this lens' optical design incorporates four aspherical elements and two extra-low dispersion glass elements to control spherical and chromatic aberrations throughout the zoom range for increased clarity, sharpness, and color accuracy. A Nano AR coating has also been applied to individual lens elements to minimize lens flare and ghosting for increased contrast and color fidelity when working in strong lighting conditions. Well-suited to a variety of telephoto needs, this zoom lens balances both a versatile focal length range along with a sophisticated optical design for maintained image quality.

Working in concert with the optical assets, this lens also incorporates an Optical SteadyShot image stabilization mechanism that minimizes the appearance of camera shake for sharper handheld shooting. Also benefitting sharpness is a linear actuator autofocus system, which offers smooth, quiet focusing performance to support both stills and movie recording applications. An internal focusing mechanism is also employed, which limits the overall length of the lens when focusing and both a focus range limiter and focus hold button facilitate more intuitive handling. Additionally, the lens is designed to be dust- and moisture resistant for use in trying conditions.
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"Nice Lens...Great OSS...Couldn't be happier with this lens, provides all around flexibility for all kinds of situations....The lens does not support a lens collar, but the lens is not all that heavy about 854 gm, similar to my FE 70-200 f/4 G, and I hardly ever use its lens collar."

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Top Highlights

  • E-Mount Lens/Full-Frame Format
  • Aperture Range: f/4.5 to f/29
  • Two ED and Four Aspherical Elements
  • Nano AR Coating
  • Linear Autofocus Motor; Internal Focus
  • Optical SteadyShot Image Stabilization
  • Focus Hold Button; Focus Range Limiter
  • Dust- & Moisture-Resistant Construction
  • Nine-Blade Circular Diaphragm

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A Micro Four Thirds lens with a not-so-micro zoom range, the Leica DG Vario-Elmar 100-400mm f/4-6.3 ASPH. POWER O.I.S. Lens from Panasonic offers a truly expansive 200-800mm equivalent focal length range, yet retains a relatively compact stature to suit the Micro Four Thirds system. Characterized by its Leica branding, this sophisticated optic employs aspherical and extra-low dispersion elements to significantly reduce chromatic and spherical aberrations throughout the zoom range for a high degree of image clarity and sharpness. Also benefitting image sharpness, a POWER O.I.S. system, which is compatible with Lumix G camera's Dual I.S. function, helps to minimize the appearance of camera shake for sharper handheld shooting at longer focal lengths.

Benefitting both stills shooting and video recording, a 240 fps high-speed AF motor is both quiet and precise, and a focus limiter function can be employed to constrain the focusing range for even quicker performance. Additionally, the physical design of the lens utilizes a gapless construction that renders it both dust- and moisture-resistant for use in inclement conditions. And while its lightweight, compact form factor is suitable for handheld shooting, the 100-400mm f/4-6.3 also features a removable rotating tripod collar for fast switching between horizontal and vertical shooting orientations when working atop a monopod or tripod.
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"Love it!...Good Lens...It provides good reach and flexibility and can be shot hand-held without problems....One thing to note: the lens manual says to turn off the lens OIS, but I have tested this repeatedly at various shutter speeds and, in my experience, I see no advantage to turning OIS off and many times the image is sharper with OIS on when I am pressing the camera's shutter release."

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Top Highlights

  • Micro Four Thirds System
  • 200-800mm (35mm Equivalent)
  • Aperture Range: f/4 to f/22
  • 1 Aspherical ED, 1 UED and 2 ED Elements
  • High-Speed 240 fps AF, Focus Limiter
  • POWER O.I.S., Dual I.S. Compatibility
  • Rotating Tripod Collar & Built-In Hood
  • Weather-Resistant Construction
  • Rounded 9-Blade Diaphragm

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The XF 18-55mm f/2.8-4 R LM OIS Zoom Lens from FUJIFILM is the first zoom lens for the X mount on their X-series interchangeable lens digital cameras, and is sure to find a home in the kit bags of many shooters who are already attached to this APS-C sized camera system. A versatile, compact lens that can travel easily and respond to a range of shooting situations, the XF 18-55mm has the focal length equivalency of 27-84mm in the 35mm format. This covers a standard zoom range from basic wide-angle to medium telephoto and is ideal for day-to-day shooting needs from group shots to portraiture, cityscapes to natural vistas. It's a great lens for street photography as well.

The f/2.8-4 aperture means the lens will stay fast at most focal lengths and in most shooting situations and its 3 aspherical lens elements and 1 abnormal dispersion element prevent aberration to give you crisp details and accurate colors throughout the image frame. A fast, linear motor-driven autofocus system will get you to your focus smoothly and quickly and keep you shooting confidently. An optical image stabilization system helps to keep your images sharp by compensating for any camera shake, especially in low light and its focus range starts at 11.8" (30 cm) in wide-angle and at 17.7" (45 cm) at the telephoto length. With the popularity of the X-series cameras growing and the lens line expanding, it's great that FUJIFILM has introduced this compact, versatile zoom lens.

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"Love it...Great lens...If you have any decent, flexible fuji lens, skip this one for now and put the money toward primes...or whatever you want....I cannot say I will never need the 18/2.0 or the 35/1.4 or the new Zeiss lenses in the same range, and primes are probably going to beat the zoom if you look hard but I can say this Fuji zoom is very very sharp."

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Top Highlights

  • X-Mount Lens/APS-C Format
  • 27-84mm (35mm Equivalent)
  • Aperture Range: f/2.8-4 to f/22
  • Three Aspherical Elements
  • Smooth Linear Motor-Driven Autofocus
  • Optical Image Stabilization

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B&H # SO165035 MFR # SELP1650

An ideal companion for your compact, APS-C mirrorless camera, the E PZ 16-50mm f/3.5-5.6 OSS Lens from Sony offers a versatile equivalent zoom range of 24-75mm as well as a retractable design that makes your system much more manageable when not in use. Helping to deliver excellent optical quality throughout the range are an extra-low dispersion element and four aspherical elements to combat various aberrations and improve contrast. The lens also incorporates Optical SteadyShot image stabilization and a power zoom mechanism, both of which will help you capture smooth and steady stills and video. Additionally, it has an internal focus design, a minimum focus distance of 9.8", and uses a seven-blade circular aperture for smooth bokeh.
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"good lens...i like this...Very compact and flexible with a terrific stabilizer....i like this lens, I would like to see this lens wider, for a kit lens its good, but I will build a small lens kit, this portrait was taken on A6300 , great camera, nice work sony,"

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Top Highlights

  • E-Mount Lens/APS-C Format
  • 24-75mm (35mm Equivalent)
  • Aperture Range: f/3.5-5.6 to f/22-36
  • One ED Element; Four Aspherical Elements
  • Optical SteadyShot Image Stabilization
  • Power Zoom Mechanism
  • Retractable Design; Internal Focus
  • Minimum Focus Distance: 9.8"
  • Seven-Blade Circular Diaphragm

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B&H # SO18200LE MFR # SEL18200LE

Cover all your bases with the extremely versatile E 18-200mm f/3.5-6.3 OSS LE Lens from Sony for your APS-C-format E-mount camera. By providing a 27-300mm equivalent zoom range, users can capture subjects both near and far without needing to swap out their lenses, making it ideal for travel. It also benefits from the use of two extra-low dispersion and four aspherical elements to minimize aberrations. Furthermore, it is equipped with Optical SteadyShot image stabilization that will reduce the impact of camera shake, especially at longer focal lengths.

For fast focusing, the 18-200mm uses a linear autofocus motor with an internal focus design that permits focusing as close as 1.6'. It also has a zoom lock switch on the lens barrel to prevent zoom creep when the lens is not in use. Additionally, it has a seven-blade circular diaphragm to produce smooth, rounded bokeh.
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"Great lens!...Very nice lens...This lens provides flexibility for me....I am casual user so I am not sure if the performance of the lens is the best, but it suites my needs very well and I get really great pictures outdoors."

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Top Highlights

  • E-Mount Lens/APS-C Format
  • 27-300mm (35mm Equivalent)
  • Aperture Range: f/3.5-6.3 to f/22-40
  • Two ED and Four Aspherical Elements
  • Optical SteadyShot Image Stabilization
  • Linear Autofocus Motor; Internal Focus
  • Zoom Lock Switch
  • Minimum Focus Distance: 1.6'
  • Seven-Blade Circular Diaphragm

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The Kirk LP-47 Lens Plate is designed to take the place of the original tripod collar foot of a Nikon 500mm f/4 AF-S (I & II) or 200-400 f/4 AF-S VR lens, and to convert the collar to make it directly compatible with Arca-type quick release clamps, without the need for additional quick release plates. The foot is 0.875" shorter than the original Nikon foot, which helps to lower its center of gravity. Critical mass is also reduced, but the original Nikon design is still maintained, which allows it to still be used as a carrying handle.

Each adapter comes complete with all the necessary hardware and tools to make the conversion.

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"Works Well -...Nicely made....I think there is probably some inherent flexibility in the Nikon lens collar that is difficult to totally eliminate with a replacement foot alone....I am not too happy with this and would buy the RRS foot instead, which does not need additional plates to mount the bracket."

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  • For Nikon 500mm f/4 AF-S (I & II) & 200-400 f/4 AF-S VR Lenses

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B&H # FU1614 MFR # 16463670

Fast and wide, the XF 16mm f/1.4 R WR Lens is a 24mm equivalent wide-angle lens designed specifically for FUJIFILM X-mount mirrorless cameras. Two aspherical and two extra-low dispersion elements are incorporated within the lens design to Minimize chromatic, spherical, and axial aberrations as well as distortions for consistent edge-to-edge sharpness and illumination. A Nano-GI coating has also been applied to alter the refractive index between elements and suppress flare and ghosting. Conventionally thought of as an ideal lens for street, travel, and landscape photography, this wide prime also features a Minimum working distance of less than 6" for photographing close-up subjects.

Complementing the optical assets, the lens also features a weather-resistant design with nine different seals in eight different areas to prevent moisture and dust from entering the lens, as well as enabling its use in temperatures as low as 14°F. A quick and smooth autofocus motor helps to deftly acquire focus in as little as 0.11 sec., and manual focusing use is benefitted by the inclusion of a depth of field scale for presetting focus.
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"Love it...The Best...The hyperfocal is also short, which provides additional flexibility for manual focusing and getting depth of field to infinity (at f2 hyperfocal is approx 21 ft)....This lens is amazing and of the six Fuji lenses I have, this lens and the 35mm f2 really stand out as my favorite to - that if I could only have two lenses it would be the 16mm and the 35 f2."

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Top Highlights

  • FUJIFILM X-Mount
  • 24mm (35mm Equivalent)
  • Aperture Range: f/1.4 to f/16
  • Two Aspherical and Two ED Elements
  • Nano-GI and HT-EBC Lens Coatings
  • Floating Focus System
  • Minimum Working Distance: 6"
  • Weather-Sealed Construction
  • Depth of Field Scale
  • Rounded 9-Blade Diaphragm

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B&H # SO1820035Q MFR # SEL18200

If you are looking for a single solution to cover all possible scenarios, the E 18-200mm f/3.5-6.3 OSS Lens from Sony may be a great choice for you. Able to provide a wide-angle to super telephoto equivalent zoom range of 27-300mm, shooters will enjoy taking photos of subjects both near and far without needing to swap out lenses. The lens also features a variable f/3.5-6.3 aperture for keeping the lens relatively compact and incorporates one ED element as well as four aspherical elements to reduce aberrations.

Featuring built-in Optical SteadyShot image stabilization, users can enjoy sharper images with reduced camera shake. There is an Active Mode as well, for capturing smooth videos. Other benefits of this lens include a zoom lock switch that prevents zoom creep when the lens is not in use and an internal focus design that helps improve AF performance. Additionally, a seven-blade circular diaphragm helps create smooth, rounded bokeh.
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"Very nice...Best ever!...When I want flexibility to cover close ups and more distant shots, this lens handles it all....Even though I have only had the lens for a short period of time, I find the lens is great to use for action shots, close ups and every day shooting, I was even able to sneak in some good shots of my daughter without her realising I was near her with the camera."

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Top Highlights

  • E-Mount Lens/APS-C Format
  • 27-300mm (35mm Equivalent)
  • Aperture Range: f/3.5-6.3 to f/22-40
  • One ED Element; Four Aspherical Elements
  • Optical SteadyShot Image Stabilization
  • Zoom Lock Switch
  • Internal Focus
  • Minimum Focus Distance: 11.8"
  • Seven-Blade Circular Diaphragm

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Characterized by its slender profile, the black Lumix G 20mm f/1.7 II ASPH. from Panasonic is a compact, slightly wide 40mm equivalent prime for Micro Four Thirds mirrorless cameras. Its bright f/1.7 maximum aperture offers notable control focus for working with shallow depth of field techniques and also benefits working in difficult lighting conditions. The optical design incorporates a pair of aspherical elements to suppress spherical aberrations and distortion for high sharpness and accurate rendering, and individual elements have also been multi-coated to control surface reflections and flare for improved contrast in strong lighting conditions.
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"5 stars...Love it!...It keeps the size small and is a very flexible focal length....This lens is outstanding in low light and is a perfect wide pancake lens would totally recommend this lens to anyone with a Lumix series camera looking for a wide angle lens with a low aperture!!!!!!!"

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Top Highlights

  • Micro Four Thirds System
  • 40mm (35mm Equivalent)
  • Aperture Range: f/1.7 to f/16
  • Two Aspherical Elements
  • Multi-Coated Elements
  • Autofocus with MF Override
  • Pancake Lens Form Factor
  • Rounded 7-Blade Diaphragm

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