high end cameras

Top ranking choices for B&H customers who searched for high end cameras

The For.A FT-ONE-OPT Full 4K Variable Frame Rate Camera captures high-speed 4K video as RAW data at up to 860 fps. It shoots at a variety of frame rates including 24, 60, 120, and up to the maximum of 860 fps. The main feature of this camera is "Fiber-Optic connectivity". Used with the optional FT1-BS base station, the camera can be used in live outdoor coverage, in a studio setup, or in other applications requiring long-distance transmission. It features a 12-bit CMOS sensor with 4096 x 2304 resolution, which is slightly larger than the DCI standard. The Sensor features an ISO rating of 640, and provides an image with an 11-stop dynamic range. It uses a global shutter that allows the images to avoid rolling shutter artifacts.

The FT-ONE-OPT carries camera signals via an optical cable. It has a Gigabit Ethernet connection, and carries genlock signals. It also features an intercom or broadcast scenarios or emergencies, and switchable VF out and RET 1/2 outputs.

The CMOS sensor is equivalent in size to a Super 35 sized sensor, preserving the depth of field associated with cinema productions. The camera has a PL lens mount, allowing it to accept PL mounted cinema style lenses, as well as full frame lenses with a PL mount. The camera records 9.8 seconds of 4K footage at 860 fps, which you can play out as 4K or HD through the camera, or transfer the RAW files to available SSD modules for on camera play back. The available SSD modules will hold approximately 90 seconds of high-speed video, and can be hot swapped to transfer the footage to available storage for editing.

By partitioning the camera's internal RAM, the camera can output 4K or HD from one partition, while simultaneously recording to another. The built-in 12-Axis color corrector allows you to adjust hue and saturation for each of the 12 colors, which is useful when trying to match the HD output of the FT-One to other cameras. Color correction settings only affect the HD output, leaving the RAW files unaffected.
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$140,000.00
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B&H # DYDC4000US MFR # DC4000US

Conventions, events, entertainment venues, congregations, and more can benefit from the smooth and flexible DynamiCam Cable Camera System. A cable camera system provides dynamic aerial coverage without excessive noise or the unpredictability of other solutions such as drones. This camera system includes a 3-axis gimbal-stabilized head which can support a Blackmagic Design Micro Studio Camera 4K, and links it to the included pilot and camera operator consoles, as well as separately available I/O equipment via fiber optic connection. Four winches with cables and all necessary accessories to move the gimbal with the camera are included as well.
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Top Highlights

  • 3-Axis Gimbal-Stabilized Head
  • 10' per Second Max Speed
  • Up to 165x165' Working Area
  • Gimbal and Pilot Control Consoles
  • Programmable Movement Presets
  • Fiber Optic Camera/Gimbal Communication
  • Wired Power Connection for Camera

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Expected availability: 3-4 months
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This item is noncancelable and nonreturnable.

This product is exclusively available to Studio-B&H professional customers and cannot be purchased online.
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The ARRI ALEXA LF Pro Camera Set (LPL) pairs the native 4K, large-format ALEXA LF camera body with a robust selection of accessories including four 2TB SXR drives. Set components include a complete set of full-spectrum internal ND filters, the EVF-1 electronic viewfinder with bracket and cable, the CCH-1 center carrying handle, and an SD card for storing/loading LUTs, SUPs, etc. A PL-to-LPL adapter enables you to use any PL-mount lens with the ALEXA LF.

Media capture components include SXR and SxS media adapters, and the four 2TB SXR capture drives. One ARRI WRV-1 wireless receiver is included, providing connectivity with the wireless transmitter integrated into the ALEXA LF camera body. This set also includes an accessory and cable bundle with a shoulder pad, handle, extension, leveling block, bridgeplate adapter, and more.

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Top Highlights

  • ALEXA LF Large-Format 4448 x 3096 Camera
  • Native 4K Recording in ARRIRAW & ProRes
  • 4 x 2TB SXR Capture Drives
  • PL-to-LPL Mount Adapter
  • 1 x ARRI WVR-1 Wireless Receiver
  • Full Set of FSND Filters with Holder
  • Accessory & Cable Bundle Included
  • Same Wireless Features as ALEXA SXT W
  • Large-Format Optimized LPL Lens Mount
  • Open Gate, 16:9 & 2.39:1 Anamorphic Mode

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This ARRI ALEXA LF Pro Camera Set (LPL) bundles the native 4K, large-format ALEXA LF camera body with a robust selection of accessories. Components include a complete set of full-spectrum, internal ND filters, the EVF-1 electronic viewfinder with bracket and cable, the CCH-1 center carrying handle, and an SD card for storing/loading LUTs, SUPs, etc. A PL-to-LPL adapter enables you to use any PL-mount lens with the ALEXA LF.

Media capture components include SXR and SxS media adapters, and four 1TB SXR capture drives. One ARRI WRV-1 wireless receiver is included, providing connectivity with the wireless transmitter integrated into the ALEXA LF camera body. This set also includes an accessory and cable bundle with a shoulder pad, handle, extension, leveling block, bridgeplate adapter, and more.

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Top Highlights

  • ALEXA LF Large-Format 4448 x 3096 Camera
  • Native 4K Recording in ARRIRAW & ProRes
  • 4 x 1TB SXR Capture Drives
  • PL-to-LPL Mount Adapter
  • 1 x ARRI WVR-1 Wireless Receiver
  • Full Set of FSND Filters with Holder
  • Accessory & Cable Bundle Included
  • Same Wireless Features as ALEXA SXT W
  • Large-Format Optimized LPL Lens Mount
  • Open Gate, 16:9 & 2.39:1 Anamorphic Mode

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This product is exclusively available to Studio-B&H professional customers and cannot be purchased online.
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The For.A FT-ONE Full 4K Variable Frame Rate Camera captures high-speed 4K video as RAW data at up to 860 fps. It shoots at a variety of frame rates including 24, 60, 120, and up to the maximum of 860 fps. It features a 12-bit CMOS sensor with 4096 x 2304 resolution, which is slightly larger than the DCI standard. The Sensor features an ISO rating of 640, and provides an image with an 11-stop dynamic range. It uses a global shutter that allows the images to avoid rolling shutter artifacts.

The CMOS sensor is equivalent in size to a Super 35 sized sensor, preserving the depth of field associated with cinema productions. The camera has a PL lens mount, allowing it to accept PL mounted cinema style lenses, as well as full frame lenses with a PL mount. The camera records 9.8 seconds of 4K footage at 860 fps, which you can play out as 4K or HD through the camera, or transfer the RAW files to available SSD modules for on camera play back. The available SSD modules will hold approximately 90 seconds of high-speed video, and can be hot swapped to transfer the footage to available storage for editing.

By partitioning the camera's internal RAM, the camera can output 4K or HD from one partition, while simultaneously recording to another. The built-in 12-Axis color corrector allows you to adjust hue and saturation for each of the 12 colors, which is useful when trying to match the HD output of the FT-One to other cameras. Color correction settings only affect the HD output, leaving the RAW files unaffected.
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Top Highlights

  • Variable Frame Rate 24 to 860 FPS
  • 12-Bit CMOS Sensor with Global Shutter
  • 4096 x 2304 Resolution
  • 640 ISO, 11-Stop Dynamic Range
  • Approximate Super 35 Size CMOS Sensor
  • PL Lens Mount
  • 9.8 Seconds 4K @ 860 FPS RAW Recording
  • Simultaneous 4K Record and Playback
  • 12-Axis Color Correction

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Expected availability: 2-4 weeks
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$104,639.95
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B&H # SOHDC3300R MFR # HDC3300R

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B&H # SOHDC2000B MFR # HDC2000B

The black Sony HDC2000B Multiformat Camera System is a successor to the HDC-1000, and is suitable for use as a studio camera. It supports a variety of HD formats and frame rates, and features a fiber optic connection to your CCU unit. The camera utilizes a 2/3" type CCD sensor, allowing you to use your existing lenses and accessories if you are upgrading camera bodies, or providing compatibility with a vast array of studio gear designed to work with 2/3" sensor cameras if you are building a system from scratch.

The camera's sensor features F10 sensitivity at 2000 lux with a subject reflectivity of 89%. The electronics feature a 16-bit A/D converter with a signal to noise ratio of 64 db (with noise suppression applied.) The camera can capture footage ranging from 1080p 50/60, 720p, 1080i, all Psf signal formats, and R.G.B. 444.
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Top Highlights

  • Optical Fiber Studio Camera
  • 2/3" Type CCD Sensor
  • F10 Sensitivity
  • Supports 1080p 50/60, 1080i & 720p
  • 16-Bit A/D Converter

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Expected availability: 2-4 weeks
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B&H # ARK1.0006987 MFR # K1.0006987

Enjoy truly cinematic capture using the rotating mirror shutter, and optical viewfinder (available separately) of the ARRI ALEXA SXT Studio Camera Body (LDS PL). This digital cinema camera features also features the built-in, wireless camera and lens control, tilt and roll sensors, fourth monitor-out port, and third RS/accessory connector of the ALEXA SXT Plus. Record in UHD 4K, Cine 4K, 2K, or HD with 16-bit processing for sharp, natural-looking images. The ALEXA SXT Studio provides an array of recording format choices in ARRIRAW and ProRes including 6:5 and 8:9 anamorphic modes (with SUP 3.0). With a base sensitivity of EI 800, and a dynamic range of 14 plus stops, your footage is effectively future-proofed for compatibility with HDR displays. The ALEXA SXT Studio's Wide Color Gamut exceeds current display standards, and is compatible with the Rec 2020 color space. Full-image frame rates of up to 120 fps enable capture for higher-clarity HFR (High Frame Rate) projects.

With a range from 11.2 to 180°, the ALEXA SXT Studio's rotating mirror shutter can be adjusted (along with your frame rate) to create staccato-sharp, or smoothly blurred effects. When used at its standard 180° opening, this shutter produces natural-looking movement without the artifacts sometimes found with electronic rolling shutters.

The separately available OVF-1 optical viewfinder provides comfortable, real-time, delay-free, through-the-lens viewing. The lack of motion blur enables accurate focus judging, and the image is viewable even when the camera is powered down, adding convenience during pre-lights, blocking, and rehearsals. The separately available EVF-1 electronic viewfinder can also be used with the ALEXA SXT Studio (requires an EVA-1 adapter).

The SXT Studio saves time on set, and weight on your rig by enabling you to plug lens motors directly into the camera, no motor control box is needed. The SXT Studio is compatible with ARRI controllers like the WCU-4, as well as with the cmotion hand units. The built-in tilt and roll sensors are viewed as an electronic horizon in the EVF by the operator, and the information is stored in your recording metadata for VFX and shot-matching uses.The ALEXA SXT Studio's improved image-processing system includes the ability to "bake-in" 3D LUTs at capture, a mild noise reduction feature (ANR), and a pixel correction function. ARRIRAW recording is optimized for VFX and archival capture, with uncompressed data available for sculpting with today and tomorrow's latest post-production processing. The look management architecture has been updated with the new ARRI Color Tool (ACT) and ARRI Look File (ALF-2), offering the ability to maintain your look from prep to post with on-set grading. Look files are stored in your recordings' metadata, enabling the automatic application of your on-set look to dailies, proxies, and editing files using popular NLE systems.

User-friendly features include the ability to apply customized settings to each of the ALEXA SXT Studio's outputs (EVF and four monitor outs), enabling the director, DP, DIT, or A.C. to see just the on-screen information they need, in SDR or HDR, in the color space of their choice. Standard and high-speed recording rates are now accessible in the same mode, eliminating the need to switch to a high-speed mode.

The modular ALEXA SXT family includes the flexibility of recording to the current or future media of your choice for each of your projects. Capture options include XR, and SXR capture drives with write speeds of up to 20 Gb/s, SxS PRO and SxS PRO+ cards, and CFast 2.0 cards. Faster in-camera processing speeds, and capture to SXR drives boost the ALEXA SXT Studio's maximum frame rates. RAID 1 (mirroring) capture provides additional data security for ALEXA SXT ProRes files.

The ARRI LDS (lens data system), a motorized, internal 1.3 ND filter, shoulder mount, and 15mm LWS rod support are built into the AL

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Top Highlights

  • 35mm ARRI ALEV III CMOS Sensor
  • Adjustable, Rotating Mirror Shutter
  • 4K UHD 3840 x 2160 (Up-Sampled 3.2K)
  • Multiple 4/2.8/2.6/2K Anamorphic Modes
  • Built-In Remote Camera & Lens Control
  • 4 x Monitor Outs, 3 x RS/Accessory Ports
  • Wide Color Gamut, Rec 2020 Compatibility
  • Array of ARRIRAW & ProRes Capture Modes
  • Motorized 1.3 Internal ND Filter

Special Order

Expected availability: 2-4 weeks
You can order this item today and pick it up at the B&H NYC Superstore during regular business hours.
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This item is noncancelable and nonreturnable.

This product is exclusively available to Studio-B&H professional customers and cannot be purchased online.
Please call 212-502-6356 or email studiosales@bhphotovideo.com to inquire about purchasing this item.

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B&H # ARK00019228 MFR # K0.0019228

Built around a large-format 4K version of the original ALEXA sensor, the ARRI ALEXA LF (LPL) camera in this Basic Camera Set offers native 4K recording in three sensor modes, with ARRIRAW or ProRes recording in LF Open Gate, LF 16:9, or LF 2.39:1 modes. The ALEXA LF combines large-format resolution with an optimal pixel size for excellent image quality, producing vivid, nuanced images with natural skin tones and smooth bokeh. The ALEXA LF is designed with ARRI's LPL lens mount that has been optimized for large-format capture, and is compatible with all PL-mount lenses with the use of a PL-to-LPL adapter. A wider diameter, and shorter flange focal depth than the original ARRI PL mount, enable LPL-mount lenses to be smaller and lighter than earlier large-format optics.

The ALEXA SXT LF offers an array of recording format choices in ARRIRAW and ProRes, recording to 1 or 2TB SXR capture drives, or SxS PRO+ 256GB cards. With a base sensitivity of EI 800, 16-bit processing, and a dynamic range of 14-plus stops, your footage is effectively future-proofed for compatibility with HDR displays. Frame rates up to 150 fps produce smooth slow motion and enable capture for higher-clarity HFR (High Frame Rate) projects.

The wireless connectivity of the ALEXA SXT W is built into the ALEXA LF, providing Wi-Fi and compatibility with ARRI ECS lens/camera control systems. One WVR-1 receiver is included in this basic kit, offering wireless video transmission in a range up to 2000'. An internal filter holder can be used to insert one of eight Large Format Full Spectrum Neutral Density (LF FSND) filters (available separately). Additional ALEXA LF features include compatibility with existing ARRI Look files and workflow, clip playback in both ARRIRAW or ProRes, and 2-channel, 5-pin XLR audio input. This basic ALEXA LF set also includes SXR and SxS media adapters, the EVF-1 electronic viewfinder with a VMB-3 mounting bracket and cable, the CCH-1 center carrying handle, and an SD card for storing/loading LUTs, SUPs, etc.

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Top Highlights

  • Large-Format 4448 x 3096 Sensor
  • Native 4K Recording in ARRIRAW & ProRes
  • Large-Format Optimized LPL Lens Mount
  • Open Gate, 16:9 & 2.39:1 Anamorphic Mode
  • Native 800 ASA, 14+ Stops Dynamic Range
  • Array of ARRIRAW & ProRes Capture Modes
  • Same Wireless Features as ALEXA SXT W
  • Includes WVR-1 Wireless Video Receiver
  • Works with Existing ALEXA Components
  • Internal ND Filter Holder

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B&H # ARK0.0014994 MFR # K0.0014994

The ALEXA SXT W Basic Camera Set from ARRI (LDS PL) includes the SXT W camera body with a built-in wireless video transmitter, the EVF-1 electronic viewfinder (EVF-1), and a selection of accessories. Components include SXR and XR media adapters, a viewfinder bracket, a short EVF cable, a CCH-1 center camera handle, a WA-1 wedge adapter, and an SD card for loading LUTs, etc.

The ALEXA SXT W expands upon the design of the popular ALEXA SXT Plus with the addition of an integrated wireless video transmitter. Transmitter features include a range of up to 2000', under 1 ms delay, uncompressed video signals, and 128-bit AES encryption. Compared to an external, third-party transmitter, the low-latency integrated transmitter saves weight and space on your rig, reduces the number of cables sprouting from the camera, and lessens your build time on set. Plug your lens motors directly into the camera; no motor control box is needed. Coordination between the SXT W's Wi-Fi system, ARRI's ECS lens control systems, and the wireless video transmitter minimizes interference between these functions. The SXT W is compatible with ARRI controllers like the WCU-4, as well as with the cmotion hand units.

Record in UHD 4K, Cine 4K, 2K, or HD with 16-bit processing for sharp, natural-looking images. The ALEXA SXT W offers an array of recording format choices in ARRIRAW and ProRes including 4444 XQ, 4444, 422 HQ, and 422. With a base sensitivity of EI 800 and a dynamic range of 14-plus stops, your footage is effectively future-proofed for compatibility with HDR displays. The ALEXA SXT W's wide color gamut exceeds current display standards, and is compatible with the Rec. 2020 color space. Full-image frame rates up to 120 fps enable capture for higher-clarity HFR (high frame rate) projects.

The modular ALEXA SXT family includes the flexibility of recording to the current or future media of your choice for each of your projects. Capture options include XR and SXR Capture Drives with write speeds up to 20 Gb/s, SxS PRO and SxS PRO+ cards, and CFast 2.0 cards. The ARRI LDS (lens data system), the IFM-1 filter holder, a shoulder mount, and 15mm LWS rod support are built into the ALEXA SXT W. A 5-pin XLR connector supports 2-channel, 24-bit, 48 kHz audio. Choose from separately available Gold or V-mount battery plates, or an AC power supply to power the camera.

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Top Highlights

  • 35mm ARRI ALEV III CMOS Sensor
  • UHD 4K 3840 x 2160 (Up-Sampled 3.2K)
  • Integrated Video Transmitter & Wi-Fi
  • Built-In Remote Camera & Lens Control
  • Multiple 4/2.8/2.6/2K Anamorphic Modes
  • Up to 2000' Transmission Range
  • Pair up to 4 x Receivers per Transmitter
  • Wide Color Gamut, Rec 2020 Compatibility
  • Array of ARRIRAW & ProRes Capture Modes
  • Internal ND Filter Holder

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Expected availability: 2-4 weeks
You can order this item today and pick it up at the B&H NYC Superstore during regular business hours.
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This item is noncancelable and nonreturnable.

This product is exclusively available to Studio-B&H professional customers and cannot be purchased online.
Please call 212-502-6356 or email studiosales@bhphotovideo.com to inquire about purchasing this item.

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B&H # SOPMWF554KLV MFR # PMWF554KLIVE

Expanding the capabilities of the Sony PMW-F55 camera, the PMW-F55 4K Live Package includes a Sony PMW-F55 Camera, and accessories that allow you to integrate the camera into a live 4K/HD production. Included with accessories is a shoulder mount baseplate that allows you to quickly go from hand held operation to tripod mounted on an optional tripod with a VCT compatible quick release adapter. The baseplate features ARRI compatible rosettes and 15mm LWS rods.

The 4K Fiber Transmission Camera Adapter, mounts to your camera and allows you to interface with optional fiber optic cables for signal transmission over a mile away. The base band processor unit accepts the camera's 4K output via the fiber transmission adapter and simultaneously generates 4K and HD signals with a similar color matrix that matches Sony HD camera systems.
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  • Sony PMW-F55
  • Shoulder Mount Baseplate Accessory
  • 4K Fiber Transmission Camera Adapter
  • 4K Base Band Processor Unit

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Expected availability: 2-4 weeks
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B&H # ARK0.0007028 MFR # K0.0007028

The ALEXA SXT EV Basic Camera Set (LDS PL) from ARRI includes the SXT EV camera body with an LDS PL lens mount, SXR and XR recording media adapters, and the EVF-1 electronic viewfinder with a mounting bracket and cable. The ALEXA SXT EV digital cine camera records in UHD 4K, Cine 4K, 2K, and HD with 16-bit processing for sharp, natural-looking images. Use this basic set to start building your ALEXA SXT EV camera rig.
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Top Highlights

  • ALEX SXT EV Camera Body
  • EVF-1 Electronic Viewfinder with Bracket
  • SXR & XR Media Drive Adapters
  • WA-1 Video Wedge Plate Adapter
  • 4K UHD 3840 x 2160 (Up-Sampled 3.2K)
  • Multiple 4/2.8/2.6/2K Anamorphic Modes
  • Wide Color Gamut, Rec 2020 Compatibility
  • Array of ARRIRAW & ProRes Capture Modes
  • 5-358° Electronic Rolling Shutter
  • Use with Gold or V-Mount Battery Plates

Special Order

Expected availability: 2-4 weeks
You can order this item today and pick it up at the B&H NYC Superstore during regular business hours.
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This item is noncancelable and nonreturnable.

This product is exclusively available to Studio-B&H professional customers and cannot be purchased online.
Please call 212-502-6356 or email studiosales@bhphotovideo.com to inquire about purchasing this item.

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B&H # ARK0.0007029 MFR # K0.0007029

The ALEXA SXT Plus Basic Camera Set from ARRI, with LDS PL mount, includes the SXT Plus camera body, the EVF-1 electronic viewfinder, and a selection of accessories. Components include SXR and XR media adapters, a viewfinder bracket, a short EVF cable, a CCH-1 center camera handle, a WA-1 wedge adapter, and an SD card for loading LUTs, etc.
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Top Highlights

  • SXT Plus Body with 35mm CMOS Sensor
  • LDS PL Lens Mount
  • EVF-1 Viewfinder with Bracket & Cable
  • CCH-1 Handle & WA-1 Wedge Adapter
  • UHD 4K 3840 x 2160 (Up-Sampled 3.2K)
  • Built-In Remote Camera & Lens Control
  • Multiple 4/2.8/2.6/2K Anamorphic Modes
  • Wide Color Gamut, Rec 2020 Compatibility
  • Array of ARRIRAW & ProRes Capture Modes
  • Internal ND Filter Holder

Special Order

Expected availability: 2-4 weeks
You can order this item today and pick it up at the B&H NYC Superstore during regular business hours.
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This item is noncancelable and nonreturnable.

This product is exclusively available to Studio-B&H professional customers and cannot be purchased online.
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B&H # SOHDC2500L MFR # HDC2500L

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B&H # ARK1.0006383 MFR # K1.0006383

The most versatile of the ALEXA SXT digital cinema cameras, the ARRI ALEXA SXT Plus Camera Body (LDS PL) features built-in, wireless camera and lens control, tilt and roll sensors, a fourth monitor-out port, and a third RS/accessory connector. Wireless lens and camera control is increasingly popular, and the SXT Plus saves time on set by enabling you to plug lens motors directly into the camera, no motor control box is needed.

The SXT Plus is compatible with ARRI controllers like the WCU-4, as well as with the cmotion hand units. The integrated wireless control also eliminates the weight of a motor controller from your camera rig. The built-in tilt and roll sensors are viewed as an electronic horizon in the EVF by the operator, and the information is stored in your recording metadata for VFX and shot-matching uses.

Record in UHD 4K, Cine 4K, 2K, or HD with 16-bit processing for sharp, natural-looking images. The ALEXA SXT Plus provides an array of recording format choices in ARRIRAW and ProRes including 6:5 and 8:9 anamorphic modes (with SUP 3.0). With a base sensitivity of EI 800, and a dynamic range of 14-plus stops, your footage is effectively future-proofed for compatibility with HDR displays. The ALEXA SXT Plus' Wide Color Gamut exceeds current display standards, and is compatible with the Rec 2020 color space. Full-image frame rates up to 120 fps enable capture for higher-clarity HFR (High Frame Rate) projects.

The ALEXA SXT Plus' improved image-processing system includes the ability to "bake-in" 3D LUTs at capture, a mild noise reduction feature (ANR), and a pixel correction function. ARRIRAW recording is optimized for VFX and archival capture, with uncompressed data available for sculpting with today and tomorrow's latest post-production processing. The look management architecture has been updated with the new ARRI Color Tool (ACT) and ARRI Look File (ALF-2), offering the ability to maintain your look from prep to post with on-set grading. Look files are stored in your recordings' metadata, enabling the automatic application of your on-set look to dailies, proxies, and editing files using popular NLE systems.

User-friendly features include the ability to apply customized settings to each of the ALEXA SXT Plus' outputs (EVF and four monitor outs), enabling the director, DP, DIT, or AC to see just the on-screen information they need, in SDR or HDR, in the color space of their choice. Standard and high-speed recording rates are now accessible in the same mode, eliminating the need to switch to a high-speed mode.

The modular ALEXA SXT family includes the flexibility of recording to the current or future media of your choice for each of your projects. Capture options include XR and SXR Capture Drives with write speeds up to 20 Gb/s, SxS PRO and SxS PRO+ cards, and CFast 2.0 cards. Faster in-camera processing speeds, and capture to SXR drives boost the ALEXA SXT Plus' maximum frame rates. RAID 1 (mirroring) capture provides additional data security for ALEXA SXT ProRes files.

The ARRI LDS (lens data system), the IFM-1 filter holder, shoulder mount, and 15mm LWS rod support are built into the ALEXA SXT Plus. A 5-pin XLR connector supports 2-channel, 24-bit, 48 kHz audio. Choose from separately available Gold or V-mount battery plates, or an AC power supply to power the camera.

See more

Top Highlights

  • 35mm ARRI ALEV III CMOS Sensor
  • 4K UHD 3840 x 2160 (Up-Sampled 3.2K)
  • Multiple 4/2.8/2.6/2K Anamorphic Modes
  • Built-In Remote Camera & Lens Control
  • 4 x Monitor Outs, 3 x RS/Accessory Ports
  • Integrated Tilt & Roll Sensors
  • Wide Color Gamut, Rec 2020 Compatibility
  • Array of ARRIRAW & ProRes Capture Modes
  • 5-358° Electronic Rolling Shutter
  • Internal ND Filter Holder

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This product is exclusively available to Studio-B&H professional customers and cannot be purchased online.
Please call 212-502-6356 or email studiosales@bhphotovideo.com to inquire about purchasing this item.

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The FZB3 1.3MP HbCMOS High Sensitivity HD Digital Color Box Camera from For.A uses a 2/3" HbCMOS (3CMOS) sensor to capture Full HD images with excellent color fidelity, reduced noise, and high sensitivity. A minimum illumination value of 0.003 lux allows capturing clear color image in low-light conditions. The camera features a 2/3" bayonet lens mount and a rotation filter mechanism with a built-in ND filter.
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Expected availability: 2-4 weeks
You can order this item today and pick it up at the B&H NYC Superstore during regular business hours.
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$72,000.00
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B&H # SOHDC2400L MFR # HDC2400L

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Expected availability: 2-4 weeks
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$70,000.00
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B&H # SOHDC2570 MFR # HDC2570

The Sony HDC-2570 Multiformat HD portable 50/60p digital triax camera is a successor to the HDC-2550 and supports a variety of HD formats and frame rates. The camera utilizes a 2/3" type CCD sensor, which allows you to choose from a vast array of optional studio gear and accessories if you are building a new system. If you are merely upgrading camera bodies, you can use your existing 2/3" lenses and accessories.

The camera's sensor features F10 sensitivity at 2000 lux with a subject reflectivity of 89%. The electronics feature a 16-bit A/D converter with a signal to noise ratio of 64 db (with noise suppression applied.) The camera can capture footage in either 1080i or 720p.
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Top Highlights

  • Triax Cable Studio Camera
  • 2/3" Type CCD Sensor
  • Camera Body Weighs Under Ten Pounds
  • F10 Sensitivity
  • Supports 1080p 50/60, 1080i & 720p
  • 16-Bit A/D Converter
  • Focus Assist Features
  • Matrix Adjustments

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Expected availability: 2-4 weeks
You can order this item today and pick it up at the B&H NYC Superstore during regular business hours.
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This item is noncancelable and nonreturnable.
$69,125.00
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B&H # ARK1.0006178 MFR # K1.0006178

Expanding upon the original ALEXA digital cinema camera, the ARRI ALEXA SXT EV Camera Body (LDS PL) records in UHD 4K, Cine 4K, 2K, and HD with 16-bit processing for sharp, natural-looking images. The versatile ALEXA SXT EV delivers an array of recording format choices in ARRIRAW and ProRes including 6:5 and 8:9 anamorphic modes (with SUP 3.0). With a base sensitivity of EI 800 and a dynamic range of 14 plus stops, your footage is effectively future-proofed for compatibility with HDR displays. The ALEXA SXT EV's Wide Color Gamut exceeds current display standards and is compatible with the Rec 2020 color space. Full-image frame rates of up to 120 fps enable capture for higher-clarity HFR (High Frame Rate) projects.

The ALEXA SXT EV's improved image-processing system includes the ability to "bake-in" 3D LUTs at capture, a mild noise reduction feature (ANR), and a pixel correction function. ARRIRAW recording is optimized for VFX and archival capture, with uncompressed data available for sculpting with today and tomorrow's latest post-production processing. The look management architecture has been updated with the new ARRI Color Tool (ACT) and ARRI Look File (ALF-2), offering the ability to maintain your look from prep to post with on-set grading. Look files are stored in your recordings' metadata, enabling the automatic application of your on-set look to dailies, proxies, and editing files using popular NLE systems.

User-friendly features include the ability to apply customized settings to each of the ALEXA SXT EV's outputs (EVF and three monitor outs), enabling the director, DP, DIT, or A.C. to see just the on-screen information they need, in SDR or HDR, in the color space of their choice. Standard and high-speed recording rates are now accessible in the same mode, eliminating the need to switch to a high-speed mode. Multiple control options include the right-side 3" LCD display, a condensed operator-side (left) interface, Ethernet-based browser control, and compatibility with the optional RCU-4 or WCU-4 control units.

The modular ALEXA SXT family includes the flexibility of recording to the current or future media of your choice for each of your projects. Capture options include XR, and SXR capture drives with write speeds of up to 20 Gb/s, SxS PRO and SxS PRO+ cards, and CFast 2.0 cards. Faster in-camera processing speeds and capture to SXR drives boost the ALEXA SXT EV's maximum frame rates. RAID 1 (mirroring) capture provides additional data security for ALEXA SXT ProRes files.

The ARRI LDS (lens data system) PL mount, the IFM-1 filter holder, shoulder mount, and 15mm LWS rod support are integrated into the ALEXA SXT EV. A 5-pin XLR connector supports 2-channel, 24-bit, 48 kHz audio. Choose from separately available Gold or V-mount battery plates, or an AC power supply to power the camera.

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Top Highlights

  • 35mm ARRI ALEV III CMOS Sensor
  • 4K UHD 3840 x 2160 (Up-Sampled 3.2K)
  • Multiple 4/2.8/2.6/2K Anamorphic Modes
  • Wide Color Gamut, Rec 2020 Compatibility
  • Array of ARRIRAW & ProRes Capture Modes
  • Maintain Looks from Set to Post
  • 5-358° Electronic Rolling Shutter
  • Use with Gold or V-Mount Battery Plates
  • Internal ND Filter Holder
  • 24V Power Input / 12 & 24V Power Output

Special Order

Expected availability: 2-4 weeks
You can order this item today and pick it up at the B&H NYC Superstore during regular business hours.
Store Schedule Get Directions
This item is noncancelable and nonreturnable.

This product is exclusively available to Studio-B&H professional customers and cannot be purchased online.
Please call 212-502-6356 or email studiosales@bhphotovideo.com to inquire about purchasing this item.

Add To Cart View Cart
Add to Wish List Item in Wish List