simple lenses

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B&H # RADCR250 MFR # DCR-250

The DCR-250 Super Macro lens obtains the maximum macro magnification power with the camera lens set at the most telephoto zoom position. The lens is made of high index optical glass, which produce rich and razor sharp image. The lens includes a Snap-on universal mount suitable for 52mm to 67mm filter sizes.
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"Love it!...Nice lens...Lightweight, small, easy to cary....while this lens is very conveniently packaged in a little plastic box with covers I found it a hassle to get the lens in and out of the adapter every time I wanted to use it."

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The black, Sony E-Mount Rokinon 12mm f/2.0 NCS CS Lens is a prime wide-angle lens designed specifically for use with APS-C sized image sensors. Providing a 35mm-equivalent focal length of 18mm and a broad 98.9° angle of view, this lens is well-suited for architectural, interior, and landscape images. Its fast f/2.0 maximum aperture is further beneficial to working in low-light conditions.

Three extra-low dispersion elements and two aspherical elements have been incorporated into the optical design to minimize chromatic aberrations and distortion in order to produce sharper images. Additionally, a Nano Coating System (NCS) has been applied to the lens elements in order to reduce surface reflections and prevent lens flare and ghosting for improved light transmission and more contrast-rich imagery
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"Love It...Love it!...Sharp and easy to use...I rarely use lens caps anyway in favor of always keeping my lens in the case when not in use Overall it's still early but I am very happy with the lens, it's wide f2 aperture, apparent quality and sharpness."

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Top Highlights

  • Sony E-Mount/APS-C Format
  • 18mm (35mm Equivalent)
  • Aperture Range: f/2.0 to f/22
  • Three ED and Two Aspherical Elements
  • Nano Coating System

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B&H # SO5521045B MFR # SEL55210/B

An ideal complement to many kit zooms, the black E 55-210mm f/4.5-6.3 OSS Lens from Sony opens the door to many telephoto perspectives with its 82.5-315mm equivalent focal length range on APS-C-format E-mount cameras. With an optical design using two extra-low dispersion elements and two aspherical elements users will enjoy images with minimal aberrations. Also, thanks to Optical SteadyShot image stabilization, camera shake will be dramatically reduced, resulting in sharper images. An internal focus design enables fast, responsive AF and a minimum focus distance of 3.3'. Additionally, it has a seven-blade circular diaphragm for smooth, rounded bokeh.
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"I like...Nice ....It is an easy to carry size....I re-bought this lens as I liked it so much and wanted it for my new A6000 and my wife has a sharing issue :-) It has a very smooth zoom with built in stabilization and I got a GREAT deal from B&H when I bought it with the A6000 body!"

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Top Highlights

  • E-Mount Lens/APS-C Format
  • 82.5-315mm (35mm Equivalent)
  • Aperture Range: f/4.5-6.3 to f/22-32
  • Two ED Elements; Two Aspherical Elements
  • Optical SteadyShot Image Stabilization
  • Internal Focus
  • Minimum Focus Distance: 3.3'
  • Seven-Blade Circular Diaphragm

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Ideal for portraiture and distant subjects alike, the silver M.Zuiko Digital ED 40-150mm f/4-5.6 R from Olympus is an 80-300mm equivalent telephoto zoom for Micro Four Thirds mirrorless cameras. Its modest maximum aperture helps to realize a compact and lightweight form factor while an advanced optical design, which uses extra-low dispersion and high refractive index glass, controls a variety of aberrations for notable sharpness, clarity, and color accuracy. Extending its versatility, this lens also features a Movie & Stills Compatible autofocus system, which is quick, quiet, and precise to suit both photo and video shooting applications.
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"Not Bad...good len...Easy to use....I tried using this lens to take some photos of flowers and such recently and found that my kit lens worked better because it actually focused closer and in spite of the focal length difference, I was better able to fill the frame with the kit lens.Still, I don't regret my purchase and the photos I have take with it have been nice and sharp."

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Top Highlights

  • Micro Four Thirds System
  • 80-300mm (35mm Equivalent)
  • Aperture Range: f/4-5.6 to f/22
  • One Extra-Low Dispersion Element
  • One High Refractive Index Element
  • Movie & Still Compatible AF System
  • Rounded 7-Blade Diaphragm

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The black, Fujifilm X mount Rokinon 12mm f/2.0 NCS CS Lens is a prime wide-angle lens designed specifically for use with APS-C sized image sensors. Providing a 35mm-equivalent focal length of 18mm and a broad 98.9° angle of view, this lens is well-suited for architectural, interior, and landscape images. Its fast f/2.0 maximum aperture is further beneficial to working in low-light conditions.

Three extra-low dispersion elements and two aspherical elements have been incorporated into the optical design to minimize chromatic aberrations and distortion in order to produce sharper images. Additionally, a Nano Coating System (NCS) has been applied to the lens elements in order to reduce surface reflections and prevent lens flare and ghosting for improved light transmission and more contrast-rich imagery
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"Nice len...Love it!!...Easy to manually focus....I used it the first night I got it and it proved to be very good quality although I wasn't impressed with the hood that was a real loose fit until I figured out you need to make sure it clicks into place which makes it tight."

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Top Highlights

  • Fujifilm X Mount/APS-C Format
  • 18mm (35mm Equivalent)
  • Aperture Range: f/2.0 to f/22
  • Three ED and Two Aspherical Elements
  • Nano Coating System

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A versatile lens optimized for working with close-up subjects, the M.Zuiko Digital ED 60mm f/2.8 Macro from Olympus is a 120mm equivalent prime for Micro Four Thirds mirrorless cameras. Pairing with the telephoto focal length, the lens offers a maximum 1:1 magnification and a 7.5" minimum focusing distance to permit photographing close subjects with fine detail. A Focus Limit Switch can also be used to better facilitate working at close or distant range by constraining the focusing mechanism for faster, more precise AF. Also contributing to focusing performance, a Movie & Still Compatible system is used to offer quick, quiet, and smooth AF that is suitable for both photo and movie applications. In regard to the optical design, extra-low dispersion and high refractive index glasses are used to control a variety of aberrations and a ZERO coating has applied to suppress flare and ghosting to improve contrast and color accuracy.
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"Love it....good buy...On the OM-D, macro is really easy....I still feel divided and I'd recomend this lens to a friend, because it is very good, but if the main purpose photo scope would be completelly within the 45mm capabilities, and the price woudn't matter, I recommended the Panasonic lens instead."

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Top Highlights

  • Micro Four Thirds System
  • 120mm (35mm Equivalent)
  • Aperture Range: f/2.8 to f/22
  • One Extra-Low Dispersion Element
  • Three High Refractive Index Elements
  • ZERO Lens Coating
  • 1:1 Magnification, 7.5" Min. Focus
  • Movie & Still Compatible AF System
  • Weather-Resistant Construction
  • Rounded 7-Blade Diaphragm

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B&H # CACUL500D77 MFR # 2824A001

Canon Close-up lenses are for quick and easy close-up photography. The close-up lens is screwed on to the front of a lens like a filter. Close-up lenses 250D and 500D have two achromatic elements to correct chromatic aberrations. They do not degrade the high optical performance of EF lenses. Close-up lens 500 has only one element, making it more affordable.

The 250D is suited for lenses with a focal length anywhere from 30 to 135mm. The 500D and 500 are geared for lenses with a focal length anywhere from 70 to 300mm.

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"love it...Love it!...Cheap and easy to use acessory....been using it since I got it a month ago, truly superb when I read about it several months ago I did not believe in it but since I got it I have totally changed my mind about the high quality lens, but dont forget this is all possible because of the service and information that B&H provides to their customers"

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B&H # SO5018B MFR # SEL50F18/B

Enjoy a near perfect portrait-length perspective on your APS-C E-mount camera with this black E 50mm f/1.8 OSS Lens from Sony, which provides a 75mm equivalent focal length. It's fast f/1.8 maximum aperture and seven-blade circular diaphragm help create beautiful images by allowing users to use selective focus techniques with the shallow depth of field. On top of this, the lens is equipped with Optical SteadyShot image stabilization for reducing the impact of camera shake. Also, it has an internal focus mechanism for fast, responsive AF and reaching a minimum focus distance of 1.3'.
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"Love it...Love it!...Easy to use and tompit away....I Have not used the Nikon Lens and also I use my kit SEL1855 lens very rare, since I got this Lens, So I am sure that, If You own a NEX series body, You will not regret a penny if You buy this lens!"

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Top Highlights

  • E-Mount Lens/APS-C Format
  • 75mm (35mm Equivalent)
  • Aperture Range: f/1.8 to f/22
  • Optical SteadyShot Image Stabilization
  • Internal Focus
  • Minimum Focus Distance: 1.3'
  • Seven-Blade Circular Diaphragm

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B&H # OL98B MFR # V325040BW000

Distinguished by its ultra slim form factor, the Fisheye Body Cap 9mm f/8 Lens from Olympus is a unique 18mm equivalent lens for Micro Four Thirds mirrorless cameras. As its name suggests, the 0.5"-thin lens resembles a camera's body cap for a sleek overall profile. Despite its small size, the lens features a pair of aspherical elements to help achieve notable sharpness and well-controlled distortion, and a manual focus lever permits switching between Deep Focus and Close-Up shooting positions.
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"Good one...Fun Lens...Super fun and easy to use...Overall I am very impressed with some of the images I have gotten out of this lens and especially for the price I would highly recommend it!"

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Top Highlights

  • Micro Four Thirds System
  • 18mm (35mm Equivalent)
  • Fixed f/8 Aperture
  • Two Aspherical Elements
  • 140° Angle of View
  • Extremely Slim Body Cap Profile
  • Manual Focus Lever

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A Micro Four Thirds lens with a not-so-micro zoom range, the Leica DG Vario-Elmar 100-400mm f/4-6.3 ASPH. POWER O.I.S. Lens from Panasonic offers a truly expansive 200-800mm equivalent focal length range, yet retains a relatively compact stature to suit the Micro Four Thirds system. Characterized by its Leica branding, this sophisticated optic employs aspherical and extra-low dispersion elements to significantly reduce chromatic and spherical aberrations throughout the zoom range for a high degree of image clarity and sharpness. Also benefitting image sharpness, a POWER O.I.S. system, which is compatible with Lumix G camera's Dual I.S. function, helps to minimize the appearance of camera shake for sharper handheld shooting at longer focal lengths.

Benefitting both stills shooting and video recording, a 240 fps high-speed AF motor is both quiet and precise, and a focus limiter function can be employed to constrain the focusing range for even quicker performance. Additionally, the physical design of the lens utilizes a gapless construction that renders it both dust- and moisture-resistant for use in inclement conditions. And while its lightweight, compact form factor is suitable for handheld shooting, the 100-400mm f/4-6.3 also features a removable rotating tripod collar for fast switching between horizontal and vertical shooting orientations when working atop a monopod or tripod.
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"Love it!...Good Lens...Manual focusing is a lot easier and faster....One thing to note: the lens manual says to turn off the lens OIS, but I have tested this repeatedly at various shutter speeds and, in my experience, I see no advantage to turning OIS off and many times the image is sharper with OIS on when I am pressing the camera's shutter release."

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Top Highlights

  • Micro Four Thirds System
  • 200-800mm (35mm Equivalent)
  • Aperture Range: f/4 to f/22
  • 1 Aspherical ED, 1 UED and 2 ED Elements
  • High-Speed 240 fps AF, Focus Limiter
  • POWER O.I.S., Dual I.S. Compatibility
  • Rotating Tripod Collar & Built-In Hood
  • Weather-Resistant Construction
  • Rounded 9-Blade Diaphragm

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B&H # OL124028ED MFR # V314060BU000

A flexible zoom covering a popular focal length range, the M.Zuiko Digital ED 12-40mm f/2.8 PRO from Olympus is a wide-to-portrait-length 24-80mm equivalent lens for Micro Four Thirds mirrorless cameras. Its sophisticated optical design, which includes a variety of aspherical, low dispersion, and high refractive index elements, reduces both chromatic and spherical aberrations throughout the zoom range for notable clarity, sharpness, and color accuracy. A ZERO lens coating has also been applied to improve contrast when working in strong lighting conditions. Beyond the advanced lens design, this zoom is also characterized by its constant f/2.8 maximum aperture, as well as its durable weather-sealed construction for working in a variety of conditions. Additionally, a Movie & Still Compatible autofocus system achieves fast, smooth, and silent focusing performance, and a manual focus clutch affords instant switching between focusing methods.
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"a joy...Great IQ...The zoom range and the wide angle on the 12-40mm f/2.8 PRO are very user friendly....The lens hood and pouch are a welcomed bonus, although I expect the 12-40 will be my primary lens from now on, so I won't be using the pouch except when packing the lens while traveling."

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Top Highlights

  • Micro Four Thirds System
  • 24-80mm (35mm Equivalent)
  • Aperture Range: f/2.8 to f/22
  • 1 Aspherical ED & 2 Aspherical Elements
  • 1 DSA, 2 ED, 1 HD, 2 HR Lens Elements
  • ZERO Lens Coating
  • MSC AF System, Manual Focus Clutch
  • Programmable L-Fn Function Button
  • Weather-Resistant Construction
  • Rounded 7-Blade Diaphragm

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B&H # SO9028 MFR # SEL90M28G

Get up close and personal with the 1:1 magnification ratio of the full-frame compatible FE 90mm f/2.8 Macro G OSS Lens for Sony's E-mount cameras. As a G series lens, it perfectly balances sharpness and bokeh through the use of various specialized elements, this ensures highly detailed images, with smooth out-of-focus areas, and an absolute minimum of aberrations. The lens also boasts a fast f/2.8 aperture for controlling depth of field and working in less-than-ideal light as well as a Nano AR coating that help eliminate ghosting and flare.

Critical to macro is accurate focusing, which is assisted by the speedy Direct Drive Super Sonic wave Motor present in the 90mm lens. Users also have direct access to a focus hold button and focus range limiter for further optimizing the lens' performance in certain situations. On top of this, the focusing ring slides for immediate switching between manual and auto focusing. And, the lens has built-in Optical SteadyShot image stabilization for compensating for camera shake at all focusing distances.
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"Great copy...Great lens...It is so easy to use....I shoot on a sony a6000 and since I bought the 90m macro its been the lens I use the most from macro photography to portraits I would highly recommend this lens to anyone shooting with sony cameras EVEN for the a5100/a6000 cameras I highly doubt someone can regret purchasing a lens of this quality."

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Top Highlights

  • E-Mount Lens/Full-Frame Format
  • Aperture Range: f/2.8 to f/22
  • 1:1 Magnification Ratio; Internal Focus
  • Aspherical, ED and Super ED Elements
  • Nano AR Coating
  • Direct Drive Super Sonic Wave AF Motor
  • Optical SteadyShot Image Stabilization
  • Sliding Focus Ring for AF/MF Selection
  • Focus Hold Button; Focus Range Limiter
  • Minimum Focus Distance: 11"

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The black 12mm f/2.0 NCS CS Lens for Sony E-Mount (APS-C) from Samyang is a wide-angle prime lens designed specifically for use with APS-C format image sensors. Providing a 35mm-equivalent focal length of 18mm and a broad 98.9° angle of view, this lens is well-suited for architectural, interior, and landscape images. Its fast f/2.0 maximum aperture is beneficial to working in low-light conditions.

One aspherical element, one hybrid aspherical element and three elements made of low dispersion glass have been incorporated into the optical design to minimize chromatic aberrations and distortion for sharper, high contrast imaging throughout the frame. Additionally, a Nano Coating System (NCS) has been applied to the lens elements in order to reduce surface reflections and prevent lens flare and ghosting. A six-blade aperture closes to create a near full circle and the lenses minimum focus distance is 7.9".  The lens barrel is built with aluminum alloy with a 67mm diameter filter thread and includes a removable petal-style lens hood.

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"WORTH IT...Great deal...Sharp & easy to use...I wanted a sharper and wider angle lens for landscape work, I felt this was a better option than the more expensive Sony 10-18 mm."

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Top Highlights

  • Sony E-Mount (APS-C) Lens
  • 18mm (35mm Equivalent)
  • Aperture Range: f/2.0 to f/22
  • One Aspherical & One Hybrid Element
  • Three Low-Dispersion Elements
  • Nano Coating System
  • Manual Focus Lens
  • Minimum Focus Distance: 7.9"
  • Filter Diameter: 67mm
  • Includes Removable Lens Hood

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Positioned as the perfect portrait prime, the silver M.Zuiko Digital 45mm f/1.8 from Olympus is a sleek 90mm equivalent lens for Micro Four Thirds mirrorless cameras. The short-telephoto focal length pairs with a bright f/1.8 maximum aperture to benefit working in low-light conditions and also offers greater control over depth of field for producing selective focus effects. The optical construction of the lens incorporates two extra-high refractive index elements, which help to reduce distortion and spherical aberrations in order to realize notable sharpness and accurate rendering. Additionally, a Movie & Still Compatible (MSC) autofocus system is employed to deliver quick, quiet, and precise focusing performance to suit both video and photo applications.
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"Love it...Love it!...The lower cost made this an easy decision....The only negative I found in this lens is that if its used with the GH3 or GH4 in automatic focus the focus is very slow... so if you need to focus a subject quickly to not miss a moment I recommend using it in manual focus, the automatic focus works but very slow specially in low light settings it takes a while to identify the subject and automatically focus something that doesn't happen with the panasonic lenses (in a panasonic camera of course) I can not say how it would work in an olympus c"

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Top Highlights

  • Micro Four Thirds System
  • 90mm (35mm Equivalent)
  • Aperture Range: f/1.8 to f/22
  • Two Extra-High Refractive Index Elements
  • Movie & Still Compatible AF System
  • Rounded 7-Blade Diaphragm

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