xl lens

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The Schneider Cine-Digitar Anamorphic 1.33x XL Lens with Stand is an anamorphic adapter lens that lets you create sharp 2.35:1 images with your medium to large 16:9 home cinema projector as well as projectors with recessed primary lenses. The lens features large cylindrical optics to transmit high resolution and high contrast images without geometric distortion or vignetting at short throw distances. A stand is included that holds the lens in front of a projection lens. The base has mounting holes for screws or bolts for permanent installs.

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Top Highlights

  • Works with Medium to Large Projectors
  • Expands 16:9 Images to 2.35:1
  • High Resolution and High Contrast Images
  • Distortion Free at Short Throw Distances
  • Lens Holder Stand
  • Mounting Holes in Base of Stand

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Expected availability: 7-14 business days
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$10,164.95
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The Horseman 110mm f/5.6 Super-Symmar XL Lens is a Schneider 110mm f/5.6 Super-Symmar XL with a standard Copal #1 shutter, but built into a Horseman-specific helical focusing mount and barrel assembly made to fit upon their SW617 Professional medium format panoramic camera. It provides a wide angle perspective on the 617 Professional that's roughly equivalent to the view of a 27mm lens in 35mm terms; pleasantly wide, but not distorting the spatial relationships of objects in a scene. A built-in lens guard helps protect the sensitive optics.

The Schneider Super-Symmar XL 110 is an aspherical wide-field lens design which gives extremely high peak contrast and resolving power when stopped down to at least f/11. Its 80° of coverage and 186mm minimum image circle do permit use with the 617 Professional at the maximum aperture if needed, however. The 6 element/4 group aspherical has a 105° viewing angle and a 288mm peak image circle, allowing plenty of shift with the 617 Professional.

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Top Highlights

  • For Horseman 617 Professional Camera
  • Standard Copal #1 Shutter
  • Built-In Focusing Mount
  • Includes Viewfinder
  • Wide Angle View

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Expected availability: 4-6 months
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$4,872.00
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B&H # SCCDA1.33XL MFR # 54-1055113

Home theater owners now can achieve breathtaking Cinemascope images without the black bars associated with letterboxing, courtesy of the Cine-Digitar Anamorphic 1.33x XL Lens from Schneider Optics. The lens enables 16:9 projectors to create a sharp 2.35:1 distortion-free image that utilizes every pixel and fills the entire screen.

The anamorphic lens also can expand 4:3 images to a 16:9 aspect ratio. Similarly, high-definition video that's been downconverted can be shown at its original aspect ratio, also without distortion.

The Cine-Digital 1.33x XL Anamorphic Lens performs the same functions as the original 1.33x lens, but is made to work with large projectors, large primary lenses, and short throw ratios.

Schneider offers two solutions for deploying the lens in virtually any type of installation. The Kino-Linear system is a motorized mechanism that slides the anamorphic lens into and out of the light path of the projector by means of a 12-volt trigger or contact closure. The Kino-Torsion system swings the lens into and out of position with a motion similar to that of a door.

For a true cinematic experience from your digital home theater projector, the Cine-Digitar Anamorphic 1.33x XL Lens is not merely an accessory, it's a necessity.

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Top Highlights

  • True Cinemascope Experience
  • Eliminates Letterbox Bars
  • Expands 4:3 Images to 16:9
  • Works with Large Projectors, Lenses
  • Easy Deployment Mechanisms

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This item is not available for purchase online. Please call us at 800.606.6969.

$8,867.50
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The 1.6x is a front-mounting accessory that instantly shifts the focal length in the telephoto direction. Adding the 1.6x to the Fujinon S14X7.5, for example, results in a focal length range 105- 168mm. (At focal lengths shorter than 105mm, vignetting occurs.)

For the longest possible reach and full zoom-through capabilities, use both the 2x Tele-Extender and the 1.6x Tele-Converter. For example, the 7.5-105mm focal length of the Fujinon S14X7.5 is expanded to a remarkable 24-334mm when both are in place.

The Value Series are affordable, high quality lenses for use on the Canon XL-1. All adapters feature precision construction, multi-coated glass elements and light aluminum alloy housings.

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Expected availability: 7-14 business days
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$1,025.00
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Century's .7X Wide Angle Converter attaches quickly to the front of your XL1's 16:1 zoom, offering a 30% wider angle of view and full zoom-thru capabilities. The .7X shifts the focal length range from 5.5 - 88mm to 3.85-61.6mm - with no appreciable light loss.
Canon's 3X lens is compact and useful, but imagine switching those delicate electronic lenses quickly on a wet day at the beach. The .7X Wide Converter slips onto the front of the 16X zoom with a one-handed twist, instead. Yet it results in an effective focal length nearly as wide as the 3X (within half a millimeter) and zooms six times as far.
This converter is designed for Canon XL2, XL1S, and XL1 with 16X Manual Lens.
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Expected availability: 7-10 business days
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$796.25
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This Century Precision Optics 0VS-16TC-MXL 1.6x Telephoto Converter Lens is for the Canon XL-1 camcorder with manual 16x lens. The 1.6X Teleconverter instantly shifts the focal length range in the telephoto direction without light loss.
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  • For Canon XL-1 with 16x Manual Lens
  • 1.6x Telephoto

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Expected availability: 7-10 business days
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$932.75
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A workhorse of a lens, the Canon EF 70-200mm f/2.8L IS II USM is an L-series telephoto zoom characterized by its bright f/2.8 constant maximum aperture and optical image stabilization. The fast maximum aperture affords greater control over depth of field and benefits working in low-light conditions while the Image Stabilizer compensates for four stops of camera shake for sharper handheld shooting. As an L-series lens, this 70-200mm also features a sophisticated optical design that uses five ultra-low dispersion elements and one fluorite element to reduce color fringing and chromatic aberrations for improved clarity. Also, a Super Spectra coating has been applied to help reduce lens flare and ghosting for greater contrast and color neutrality.

Complementing its optical assets, this 70-200mm f/2.8 also sports a ring-type USM and internal focusing mechanism for quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed for use in trying environmental conditions and it has a removable rotating tripod collar to benefit working atop a tripod or monopod.
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"Spot On...A beauty...I shoot Bald Eagles and action sports and when I compared how many photos were lost due to lack of quick focus with my Sigma lens compared to my Canon 100-400 L lens I knew I had to bite the bullet and pay the extra to upgrade and get Canon's 70-200 2.8 and I have absolutely no regrets!!...Key thoughts: 1) The experienced photographers along the sidelines all comment on how smooth and crisp the lens is 2) It does exactly what we wanted to do, now our daughter and the action around her fill the frame 3) We don't find the lens that heavy, but will be purchasing a better monopod in the future Any family considering this lens in order to better capture their son or daughter's athletic action will be very pleased with this purchase."

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Top Highlights

  • EF-Mount Lens/Full-Frame Format
  • Aperture Range: f/2.8 to f/32
  • One Fluorite Element & Five UD Elements
  • Super Spectra Coating
  • Ring-Type Ultrasonic Motor AF System
  • Optical Image Stabilizer
  • Internal Focus, Focus Range Limiter
  • Weather-Sealed Construction
  • Detachable, Rotatable Tripod Collar
  • Rounded 8-Blade Diaphragm

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B&H # CA10028LMIS MFR # 3554B002

Primarily designed for close-up shooting, the EF 100mm f/2.8L Macro IS USM from Canon is a versatile L-series short telephoto prime that is also well-suited for portraiture and other mid-range subjects. As a macro lens, however, this 100mm offers a life-size, 1:1 maximum magnification and an 11.8" minimum focusing distance. Complementing close-up shooting, an Image Stabilizer is featured that minimizes camera shake by two stops at full 1:1 magnification, or up to four stops at lower magnifications for sharper handheld shooting. Also contributing to smooth and intuitive handling, a ring-type USM and internal focusing design offers quick, quiet, and accurate autofocus performance along with full-time manual focus override. In regard to its optical assets, one ultra-low dispersion element is featured, to control color fringing and chromatic aberrations, and a Super Spectra coating has been applied to suppress flare and ghosting for improved contrast and color fidelity. Additionally, as an L-series lens, this 100mm f/2.8 is weather-sealed for working in inclement conditions.
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"sharp !...Dead on...* This lens does not work anyway with the x1.4 canon convertor - they won't connect physically * Lens is so lightweighted long handholdings wont bother you're hands at all and thats a great plus while waiting for some time for the great moving macro shot - moving fish's for me * Lens hood works as expected - attached by rotating on lens and is pretty long when mounted....In usage now for about two weeks, Sharpest and highest contrast lens I have ever used so far - after 50mm 1.4, 16-35 2.8 L II, 90mm TS-E, 70-200mm 2.8L IS.What I particularly like about this lens are three things: Image quality - fantasticIS in angle and positionPrice - low for an L.."

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Top Highlights

  • EF-Mount Lens/Full-Frame Format
  • Aperture Range: f/2.8 to f/32
  • One Ultra-Low Dispersion Element
  • Super Spectra Coating
  • 1:1 Magnification, 11.8" Min. Focus
  • Ring-Type Ultrasonic Motor AF System
  • Focus Range Limiter
  • Optical Image Stabilizer
  • Weather-Sealed Construction
  • Rounded 9-Blade Diaphragm

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(1151)

B&H # CA247028LII MFR # 5175B002

Spanning a popular and versatile range of focal lengths, the EF 24-70mm f/2.8L II USM is a Canon L-series zoom commonly thought of as the workhorse of lenses. Ranging from wide-angle to portrait length, this lens is also distinguished by its constant f/2.8 maximum aperture to benefit working in difficult lighting conditions and to afford greater control over depth of field. The lens is also characterized by its sophisticated optical design, which includes one Super UD element and two UD elements, which reduce color fringing and chromatic aberrations in order to realize a high degree of color accuracy and clarity. Three aspherical elements are also featured, and minimize distortion and spherical aberrations for improved sharpness. Additionally, a Super Spectra coating has been applied to individual elements to control flare and ghosting for high contrast and neutral color fidelity.

Balancing the refined optics, this 24-70mm f/2.8 also sports a ring-type USM and internal focusing mechanism to enable quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed and has a protective fluorine coating on the exposed elements for use in trying environmental conditions.
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"pro lens...wow Lens...Pictures are very sharp but not perfect.Daylight pictures are very very sharp and perfect yes I would recommend this lens if you can afford it and I would buy it again.This is going to be my main walk around lens.Of all the Canon L lenses that I own,and I own seven.The sharpest lens is the Canon Ef 100 mm f/2.8 L macro IS usm lenes.Tack sharp, this is only my opinion....This lens is incredibly sharp wide open making it good for portraits on any given time.This is the lens that I now keep on my camera wherever I go reserving my 70-200 for special shots.If you can afford this lens and have enough use to warrant it, get it.I somehow miss the image stabilization on my 70-200!"

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Top Highlights

  • EF-Mount Lens/Full-Frame Format
  • Aperture Range: f/2.8 to f/22
  • One Super UD Element, Two UD Elements
  • Three Aspherical Elements
  • Super Spectra and Fluorine Coatings
  • Ring-Type Ultrasonic Motor AF System
  • Weather-Sealed Construction
  • Rounded 9-Blade Diaphragm

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B&H # CA17404LEF MFR # 8806A002

Spanning a versatile wide-angle range, the EF 17-40mm f/4L USM Lens is a Canon L-series zoom featuring a constant f/4 maximum aperture along with a sophisticated optical design and durable construction. One Super UD element is featured, along with three aspherical elements, which help to reduce both chromatic and spherical aberrations in order to realize high sharpness, clarity, and color accuracy. A Super Spectra coating has also been applied to suppress flare and ghosting for improved contrast in difficult lighting conditions. Complementing the imaging capabilities, this wide-angle zoom also features a ring-type USM and internal focusing mechanism to afford quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed for use in trying environmental conditions.
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"Spot on...Nice pic...Canon tries to give the consumer a chance to own a relatively inexpensive L lens with this one but they also take away some important features in order to make the lens more affordable... There is no IS (image stabilization) There is a 4.0 fixed aperture opening where it should have been a 2.8 fixed....With such a wide lens, obviously the hood must be restricted, but as I use my gear often in tight spaces and make frequent lens changes, I find the hood useful more as an added measure of protection to the lens (better the hood take the impact of hitting a concrete wall than the lens itself) and wish the hood was shaped such to take those impacts."

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Top Highlights

  • EF-Mount Lens/Full-Frame Format
  • Aperture Range: f/4 to f/22
  • One Super Ultra-Low Dispersion Element
  • Three Aspherical Element
  • Super Spectra Coating
  • Ring-Type Ultrasonic Motor AF System
  • Weather-Sealed Construction
  • Rounded 7-Blade Diaphragm

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B&H # CA5012LEF MFR # 1257B002

Clearly distinguished by its bright maximum aperture, the Canon EF 50mm f/1.2L USM is a normal-length L-series prime also sporting a robust physical design and advanced optical layout. The impressively fast f/1.2 maximum aperture affords a great degree of control over depth of field for isolating subjects and producing desirable selective focus effects. Complementing these qualities is a sophisticated optical composition, which includes one aspherical element to suppress spherical aberrations in order to achieve notable sharpness and clarity. A Super Spectra coating has also been applied to limit flare and ghosting and promote greater contrast and color accuracy in a variety of lighting conditions. Complementing the imaging attributes, a ring-type USM is employed to deliver quick and quiet autofocus performance along with full-time manual focus control.
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"Enjoy !!...good lens...After deeply analyzing this lens, I will start by saying that the pro line Canon 50 MM-L with it's extremely fast f1.2 a feat that no one else is replicating even in 2017 has fantastic luminosity, unsurpassed bokelicious backgrounds, truth be told no one is buying this lens to really stop down, but nevertheless it produces unique beautiful hard to define images that cannot be reproduced by any other lens simply because there is something about this bad boy that is very hard to explain, but by al...no other 50mm lens will give you the creamy soft blurred background the 1.2L will bring to the table, there is only one wide aperture F1.2 in the market and this is it, besides this lens is made from a company you can trust and give you peace of mind because you know you are buying quality."

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Top Highlights

  • EF-Mount Lens/Full-Frame Format
  • Aperture Range: f/1.2 to f/16
  • One Aspherical Element
  • Super Spectra Coating
  • Ring-Type Ultrasonic Motor AF System
  • Weather-Sealed Construction
  • Rounded 8-Blade Diaphragm

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