Universal Audio Apollo Twin SOLO Desktop Interface with Realtime UAD Processing for Mac and Windows

Universal Audio Apollo Twin SOLO - Songwriter Recording Kit

Universal Audio Apollo Twin SOLO - Songwriter Recording Kit

B&H # UNAPTWSK (B&H Kit)
Universal Audio Universal Audio Apollo Twin SOLO - Songwriter Recording Kit

Kit includes:


Universal Audio Apollo Twin SOLO Desktop Interface with Realtime UAD Processing for Mac and Windows sE Electronics X1 Large Diaphragm Condenser Microphone Kopul Premium Performance 3000 Series XLR M to XLR F Microphone Cable - 15 Auray PFSS-55 Pop Filter with Gooseneck Auray MS-5230F Tripod Microphone Stand with Fixed Boom Universal Audio Universal Audio Apollo Twin SOLO - Songwriter Recording Kit

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Product Highlights

  • For Project Studio Vocal Recording
  • Large Diaphragm Condenser Microphone
  • Nylon Pop Filter
  • Tripod Microphone Stand
  • XLR Cable
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REBATES See Details
  • Get Free UAD Plug-Ins Via Rebat. Offer ends: DEC 31 '16
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  • 1Description

This B&H Kit consists of the Universal Audio Apollo Twin SOLO Audio Recording Interface as well as a large diaphragm condenser microphone, a nylon pop shield, a tripod microphone stand, and an XLR cable. The microphone can be attached to the tripod microphone stand, and connected to the audio interface via the XLR cable. The pop shield attaches to the microphone stand to reduce the effects of plosives in the vocal recording. The distinguishing feature of the Apollo audio interface is the ability to track vocals through Universal Audio's DSP plug-ins with virtually no latency, including the Unison microphone preamplifier emulations to achieve a wide range of vintage sounds.

  • Universal Audio Apollo Twin SOLO Desktop Interface with Realtime UAD Processing for Mac and Windows

    The Apollo Twin SOLO Desktop Interface with Realtime UAD Processing from Universal Audio is a Thunderbolt audio interface capable of capturing your audio in up to 24-bit/192 kHz with realtime, low-latency UAD plug-in processing. It features Universal Audio's Unison technology, which, in conjunction with their UAD plug-ins, is capable of emulating a range of tube and solid-state microphone preamps, including their impedance and gain-stage sweet spots.

    The Apollo Twin SOLO includes the Realtime Analog Classics UAD plug-in bundle, featuring legacy editions of the LA-2A Classic Audio Leveler, the 1176LN Limiting Amplifier, and Pultec EQP-1A Program Equalizer, plus Softube Amp Room Essentials, and the 610-B Tube Preamp.

    Record and Mix with 24-bit/192 kHz Sound Quality
    The Apollo Twin gives you 24-bit/192 kHz sound and clarity. Its mic preamps, input stage, and audio conversion are identical to the Apollo series, translating into recordings with depth and punch. Digitally controlled analog monitor outputs provide full resolution audio (without digital scaling) at all listening levels - letting you create better mixes in real-world environments
    A Complete Analog Studio with Realtime UAD Plug-In Processing
    Imagine having access to a classic analog recording studio, right on your desktop. Apollo Twin lets you record and mix through the full range of UAD Powered plug-ins - including vintage EQs, compressors, reverbs, tape machines and more - at near-zero latency, regardless of your audio software buffer size. With UAD plug-ins from Ampex, Lexicon, Neve, Moog, Roland, SSL, Studer, and more, Apollo Twin can provide analog tone and warmth.
    The key is its onboard UAD-2 SOLO DSP Processing, which powers the UAD plug-ins while reducing the strain on your host CPU. Apollo Twin includes the "Realtime Analog Classics" plug-in bundle, featuring a choice selection of vintage compressors, EQs and reverb, plus guitar amps and tube mic preamp emulation. From there, you can choose from a vast and expanding collection of plug-ins in the UA Online Store
    Track Through Classic Mic Preamps Using Unison Technology
    Unison technology allows Apollo Twin's mic preamps to sound and behave like the world's most sought-after tube and solid state preamps - including their all-important impedance, gain stage "sweet spots," and circuit behaviors. Based on integration between Apollo's digitally controlled analog mic preamps and its onboard UAD processing, Unison lets you track through colorful preamp emulations like the bundled UA 610-B Tube Preamp plug-in
    Thunderbolt Connection to Your Mac or PC
    Apollo Twin's Thunderbolt connection features PCIe audio drivers for high-bandwidth, low-latency performance on all Thunderbolt-equipped Macs and PCs. Because Thunderbolt offers 12x the bandwidth of FireWire 800, you can connect numerous devices in line with Apollo Twin - including hard drives and HDMI/USB3 hubs
    I/O Connections
    Apollo Twin is a 2-in/6-out interface with two mic/line preamps, two analog line outputs, two digitally controlled analog monitor outputs, and up to eight additional channels of digital inputs via Optical connection. Its conveniently located Hi-Z instrument input and headphone jack allow you to capture inspiration the moment it strikes
    Console Application and Console Recall Plug-In
    The Console application is Apollo Twin's software control interface. Its analog console-style design provides "realtime" tracking and monitoring with UAD Powered Plug-Ins - a feature not found in any other interface. Complete Apollo Twin Console setups can be saved as presets, or even saved within your sessions using the Console Recall plug-in. This enables hardware recall of all Apollo Twin settings, even months and years after you last opened your session
    Key Features
  • Realtime UAD Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero (sub-2ms) latency
  • Two mic/line preamps; two line outputs; front-panel Hi-Z instrument input and headphones output
  • Two digitally controlled analog monitor outputs for full resolution at all listening levels
  • Up to eight channels of additional digital input via Optical connection
  • Runs UAD Powered Plug-Ins via Audio Units, VST, RTAS and AAX64 in all major DAWs
  • Audio Interface
  • Sample rates up to 192 kHz at 24-bit word length
  • Up to 10 x 6 simultaneous input/output channels
  • Two balanced mic/line inputs
  • One Hi-Z instrument input
  • Digitally-controlled stereo monitor outputs
  • Stereo headphone outputs
  • Line outputs 3-4
  • Eight channels ADAT optical with S/MUX for high sample rates, or
  • Two channels S/PDIF optical with sample rate conversion
  • Monitoring
  • Digitally-controlled analog monitor outputs maintains highest fidelity
  • Independently-addressable stereo headphone outputs
  • Independently-addressable line outputs 3-4 can be used for additional cue mix
  • Front panel control of monitor levels and muting
  • UAD-2 Inside
  • Realtime UAD Processing on all analog and digital inputs
  • Same features and functionality as other UAD-2 devices when used with DAW
  • Includes UAD Powered Plug-Ins "Realtime Analog Classics" bundle
  • Complete UAD Powered Plug-Ins library is available online
  • UPC: 819937001031
  • sE Electronics X1 Large Diaphragm Condenser Microphone

    The X1 Large Diaphragm Condenser Microphone from sE Electronics is a high-quality studio microphone with a cardioid polar pattern and wide frequency response. The X1 is great for recording vocals, instruments, and amplifier cabinets. Its -10 dB pad switch maximizes headroom and minimizes distortion caused by peaks. A low-cut filter switch eliminates low-frequency hum and noise.

    1" large diaphragm
    Cardioid polar pattern
    -10 dB pad maximizes headroom
    Its low-cut filter minimizes low frequency hum and noise
    UPC: 850426001675
  • Kopul Premium Performance 3000 Series XLR M to XLR F Microphone Cable - 15' (4.6 m), Black

    The black Kopul Premium Performance 3000 Series XLR M to XLR F Microphone Cable (15') is designed to be an extremely quiet and flexible cable that is ideal for the most demanding live sound and performance applications. The cable is engineered to be durable and to provide protection against EMI, RFI, and static noise. While the cable's color-coding affords the ability to quickly differentiate between multiple connections on stage, it provides a pleasant aesthetic quality at the same time.

    Premium Performance 3000 Series cables are made from 24-AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. 95% dual-spiral shielding makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.

    95% dual-spiral shielding offers protection from EMI and RFI noise
    Twin conductive PVC inner shielding provides 100% coverage of the core conductor. It helps keep the cable's signal from radiating and affecting nearby cables, and also helps prevent external EMI from penetrating to the cable's core
    24-AWG oxygen-free stranded copper inner core provides the best possible conductivity
    Cotton yarn reduces electrostatic and microphonic noise
    All solder points shrink-wrapped for protection
    Neutrik XX silver connectors offer high conductivity
    Caged type contact and improved ground contact
    UPC: 847628558281
  • Auray PFSS-55 Pop Filter with Gooseneck

    The Auray PFSS-55 Pop Filter with Gooseneck features double-layered nylon to greatly reduce noise from aspirated plosives like "p" and "b" sounds. The PFSS-55's double-layered nylon filter gently disperses the explosive rush of air from speaking and breathing, while protecting your microphone from corrosive moisture. The flexible gooseneck makes it easy to position the filter exactly where you need it, the spring-loaded clamp provides fast and easy mounting and the locking bolt holds the PFSS-55 firmly into place. These features make the PFSS-55 Pop Filter ideal for desktops and also compatible with microphone stands.

    UPC: 847628569249
  • Auray MS-5230F Tripod Microphone Stand with Fixed Boom

    The Auray MS-5230F Tripod Microphone Stand with Fixed Boom features durable, steel construction. The 31.5" boom arm allows you to angle the mic however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and non-slip feet keep it firmly and sturdily in place. The Auray MS-5230F mic stand collapses for easy transport.

    UPC: 847628015586
  • Universal Audio Apollo Twin SOLO Desktop Interface with Realtime UAD Processing for Mac and Windows
    System
    I/O 2x Combo XLR/TRS mic/line inputs
    1x 1/4" (6.3 mm) Hi-Z input
    2x 1/4" (6.3 mm) TRS balanced line outputs (independent mix buses)
    2x 1/4" (6.3 mm) TRS balanced (one stereo pair, independent L/R mix buses)
    1x 1/4" (6.3 mm) TRS unbalanced stereo headphone output (independent L/R mix buses)
    1x TOSLINK optical, ADAT or S/PDIF selectable digital input
    1x Thunderbolt port
    Conversion Supported Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
    Bit-Depth per Sample: 24-bits
    Simultaneous A/D Conversion: 2 channels
    Simultaneous D/A Conversion: 6 channels
    Analog Round-Trip Latency: 1.1 ms @ 96 kHz
    Analog Round-Trip Latency with 4 Serial UAD Powered Plug-Ins via Console Application: 1.1 ms @ 96 kHz
    Analog I/O
    Line Inputs Line Inputs 1 & 2:
    Jack Type (combo mic/line balanced inputs): 1/4" (6.3 mm) female TRS balanced
    Dynamic Range: 117.5 dB, A-weighted
    Signal to Noise Ratio: 117.5 dB, A-weighted
    Total Harmonic Distortion + Noise: -108 dBFS
    CMRR: Greater than 60 dB (10' cable)
    Frequency Response: 20 Hz to 20 kHz, ±0.1 dB
    Input Impedance: 10 kOhms
    Gain Range: +10 to +65 dB
    Maximum Input Level (@ Minimum Gain): 18 dBV
    Maximum Input Level (@ Maximum Gain): -37 dBV
    Stereo Level Balance: ±0.05 dB
    Microphone Inputs Microphone Inputs 1 & 2:
    Jack Type (combo mic/line balanced inputs): Female XLR balanced (pin 2 positive)
    Phantom Power: +48 V, switchable per input
    Dynamic Range: 118 dB, A-weighted
    Signal to Noise Ratio: 118 dB, A-weighted
    Total Harmonic Distortion + Noise: -110 dBFS
    Equivalent Input Noise: -127 dB
    Frequency Response: 20 Hz to 20 kHz, ±0.1 dB
    CMRR: Greater than 70 dB (10' cable)
    Default Input Impedance: 5.4 kOhms (variable via Unison preamp model)
    Gain Range: +10 to +65 dB
    Pad Attenuation: 20 dB (variable via Unison preamp model), switchable per input
    Maximum Input Level (@ Minimum Gain, with Pad): 23.8 dBV
    Maximum Input Level (@ Maximum Gain, with Pad): -31.2 dBV
    Hi-Z Input Jack Type: 1/4" (6.3 mm) female TS unbalanced
    Dynamic Range: 117 dB, A-weighted
    Signal-to-Noise Ratio: 117 dB, A-weighted
    Total Harmonic Distortion + Noise: -101 dBFS
    Frequency Response: 20 Hz to 20 kHz, ±0.1 dB
    Input Impedance: 1 MOhms
    Maximum Input Level (@ Minimum Gain): 10 dBV
    Maximum Input Level (@ Maximum Gain): -45 dBV
    Line Outputs Line Outputs 3 & 4:
    Jack Type: 1/4" (6.3 mm) female TRS balanced
    Dynamic Range: 118 dB, A-weighted
    Signal-to-Noise Ratio: 118 dB, A-weighted
    Total Harmonic Distortion + Noise: -107 dBFS
    Frequency Response: 20 Hz to 20 kHz, ±0.1 dB
    Stereo Level Balance: ±0.05 dB
    Channel Separation: Greater than 120 dB
    Output Impedance: 600 ohms
    Maximum Output Level: 18 dBV
    Monitor Outputs Monitor Outputs 1 & 2:
    Jack Type: 1/4" (6.3 mm) female TRS balanced
    Frequency Response: 20 Hz to 20 kHz, ±0.1 dB
    Dynamic Range: 115 dB, A-weighted
    Signal-to-Noise Ratio: 115 dB, A-weighted
    Total Harmonic Distortion + Noise: -105 dBFS
    Channel Separation: Greater than 118 dB
    Stereo Level Balance: ±0.05 dB
    Output Impedance: 600 ohms
    Output Gain Range: -96 to 0 dB
    Maximum Output Level: 18 dBV
    Operating Reference Level: +14 dBu, +20 dBu (selectable)
    Headphone Output Stereo Headphone Output:
    Jack Type: 1/4" (6.3 mm) female TRS stereo, unbalanced
    Frequency Response: 20 Hz to 20 kHz, ±0.1 dB
    Dynamic Range: 113 dB, A-weighted
    Signal-to-Noise Ratio: 113 dB, A-weighted
    Channel Separation: Greater than 110 dB
    Total Harmonic Distortion + Noise: -101 dBFS
    Stereo Level Balance: ±0.11 dB
    Output Impedance: 10 ohms
    Output Gain Range: INF to 0 dB
    Maximum Output Power: 80 mW into 600 ohms
    Digital Audio I/O
    S/PDIF Connector Type: Optical TOSLINK JIS F05 (shared with ADAT)
    Format: IEC958
    Supported Sample Rates: 44.1, 48, 88.2, 96 kHz
    S/PDIF Input Channels: 2 (stereo L/R)
    ADAT Connector Type: Optical TOSLINK JIS F05 (shared with S/PDIF)
    Format: ADAT Digital Lightpipe with S/MUX
    Supported Sample Rates: 44.1, 48, 88.2, 96, 172.4, 192 kHz
    ADAT Input Channels @ 44.1, 48 kHz: 1 to 8
    ADAT Input Channels @ 88.2, 96 kHz: 1 to 4 (S/MUX)
    ADAT Input Channels @ 176.4, 192 kHz: 1 to 2 (S/MUX_
    Clock Sources Internal, S/PDIF, ADAT (digital clock sync source conditional per selected digital input type)
    Electrical
    Power Supply External AC to DC
    Connector Type AC: Changeable blades (UL, VDE, UK, SSA, CCC)
    DC: Male plug, 2.1 mm x 5.5 mm, center positive
    Power Requirements AC: 100~240 VAC, 50/60 Hz
    DC: 12 VDC, ±5%
    Maximum Power Consumption 12 W
    Environmental
    Operating Temperature 32 to 95ºF (0 to 35ºC)
    Storage Temperature -40 to 176ºF (-40 to 80ºC)
    Operating Humidity 20 to 80%
    System Requirements
    System Requirements Mac
    Apple Mac computer with available Thunderbolt port
    Mac OS X 10.9 Mavericks, 10.10 Yosemite, 10.11 El Capitan, or 10.12 Sierra
    Thunderbolt cable (sold separately)
    6 gigabytes available storage
    Internet connection to download software and authorize UAD plug-ins
    Compatible VST, Audio Units, RTAS, or AAX 64 plug-in host DAW software
    Quad Core i7 or better processor recommended

    PC
    PC computer with built-in Thunderbolt 3 via USB-C port
    Windows 10 with Anniversary Update (64-Bit Edition)
    Qualified Thunderbolt 3 to Thunderbolt adapter (sold separately)
    Thunderbolt cable (sold separately)
    6 gigabytes available storage
    Internet connection to download software and authorize UAD plug-ins
    Compatible VST, Audio Units, RTAS, or AAX 64 plug-in host DAW software
    Quad Core i7 or better processor recommended
     
    General
    Dimensions (W x H x D) 6.31 x 2.60 x 5.86" (160.2 x 66.0 x 148.8 mm)
    Depth, Chassis Only: 5.86" (148.8 mm)
    Depth, Including Knob & Jack Protrusions: 6.20" (157.5 mm)
    Weight 2.35 lb (1.06 kg)
    Packaging Info
    Box Dimensions (LxWxH) 7.9 x 7.8 x 5.4"
  • sE Electronics X1 Large Diaphragm Condenser Microphone
    Operating Principle Pressure Gradient
    Transducer Condenser
    Diaphragm 1" (25.40 mm)
    Polar Pattern Cardioid
    Frequency Range 20 Hz to 20 kHz
    Equivalent Noise Level 16 dB A-Weighted
    Maximum SPL 125 dB SPL
    Impedance 200 ohms
    Sensitivity 25.1 mV/PA
    Power Requirements 48 V+/- 4 V
    Pad Yes, 10 dB
    Output Connectors 3-Pin XLR
    Packaging Info
    Box Dimensions (LxWxH) 10.7 x 5.0 x 3.9"
  • Kopul Premium Performance 3000 Series XLR M to XLR F Microphone Cable - 15' (4.6 m), Black
    Cable Type 3-Pin XLR balanced microphone cable
    Length 15' (4.6 m)
    Shielding 95% Dual-Spiral Shielding
    Gauge 24 AWG
    Contacts Silver
    Connector 1 XLR Male
    Connector 2 XLR Female
    Packaging Info
    Box Dimensions (LxWxH) 5.8 x 2.9 x 1.3"
  • Auray PFSS-55 Pop Filter with Gooseneck
    Packaging Info
    Box Dimensions (LxWxH) 14.3 x 6.8 x 2.3"
  • Auray MS-5230F Tripod Microphone Stand with Fixed Boom
    Construction Steel
    Base Type Tripod
    Base Spread 25.6" (65 cm) diameter
    Boom Length 31.5" (80 cm)
    Height Range 36.2 to 63" (92 to 160 cm)
    Weight 4.5 lb (2.04 kg)
    Packaging Info
    Box Dimensions (LxWxH) 33.5 x 4.0 x 4.0"

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