Nikon D810 DSLR Filmmaker's Kit

The Nikon D810 DSLR Camera takes its place as the high resolution option in the Nikon DSLR lineup. It features a 36.3MP FX-format CMOS sensor without an Optical Low Pass Filter for particularly sharp and detailed still imaging. With the addition of the EXPEED 4 Image Processor, performance speed is increased compared to the EXPEED 3 and noise is effectively reduced throughout the ISO range. Continuous shooting speed in FX format is 5 fps and in DX format hits a maximum of 7 fps. In addition, the Full HD video capabilities of the D810 have been upgraded to include 1080p capture at 24, 30 and 60 fps. Also, the improved efficiency of the processor enables up to 1200 shots on one battery charge and 40 minutes of video recording. Low light performance has been upgraded thanks to a wide native ISO sensitivity range that runs from 64 to 12,800 and can be expanded from 32 to 51,200. 

The advanced Multi-CAM 3500FX autofocus sensor offers 51 AF points with 15 cross-type sensors and Group Area AF enables five AF sensors to be used as one group. This is useful when shooting subjects that cannot be tracked easily by one AF point due to lighting conditions. 

As a camera optimized for video capture, the D810 features recording in both FX and DX formats including simultaneous recording to memory cards and an external recorder as well as recording 60p output to an external recorder. The ISO range for video has also been expanded to run from ISO 64 to 12,800 and expand to 51,200. Automatic ISO adjustment in manual mode enables smooth exposure transitions. A built-in stereo microphone is supported as are jacks for an external mic and headphones. A selectable audio frequency range provides exacting control over sound recording.

A 3.2" LCD with 1,229K-dot resolution provides playback viewing and live view, and improved coatings on the optical viewfinder components provide brighter images and more accurate colors. Live View function now includes split screen display zoom for stills, and zebra highlighting display in video mode. Full aperture metering during live view for still shooting is supported.

Interval and time-lapse shooting feature exposure smoothing, and the maximum number of images per sequence is now 9,999. Improved Picture Control settings now offer Flat Picture Control to enable maximum dynamic range and color adjustments in post-production.

The D810 utilizes dual media slots for both Compact Flash and SD cards, and it provides a built-in flash with i-TTL metering as well as a hot shoe mount. A larger grip enables comfortable control for extended shooting, and a secondary "i" button has been added to back panel for faster access to important settings. 

One of the most flexible single focal lengths available, the AF-S NIKKOR 35mm f/1.8G ED from Nikon is a compact prime wide-angle well-suited for everyday shooting. Its bright f/1.8 maximum aperture excels in a variety of lighting conditions and also helps to maintain a relatively compact, lightweight design for walk-around use. The optical design employs both aspherical and extra-low dispersion elements to control both spherical and chromatic aberrations for high sharpness, clarity, and color accuracy. A Super Integrated Coating has also been applied to limit flare and ghosting for improved contrast. Additionally, benefitting the optical assets, a Silent Wave Motor affords fast and precise autofocus performance, along with full-time manual focus override, to benefit both stills and video applications.

An essential lens if ever there was one, the AF-S NIKKOR 50mm f/1.8G from Nikon is the classic normal-length prime featuring a bright maximum aperture and lightweight design. Corresponding to the natural field of view, the 50mm focal length is well-suited for a wide variety of subjects, including everything from landscape to portraiture. The f/1.8 design suits working in difficult lighting conditions and also enables controlling the focus position for using shallow depth of field techniques. One aspherical element is featured in the optical design to minimize spherical aberrations and distortion for high sharpness and accurate rendering. A Super Integrated Coating also suppresses flare and ghosting for improved contrast and color accuracy. Additionally, the Silent Wave Motor affords fast, quiet, and precise autofocus performance as well as full-time manual focus override.

A highly desirable focal length for portraiture, the AF-S NIKKOR 85mm f/1.8G from Nikon is a short-telephoto prime featuring a bright f/1.8 maximum aperture. This design finds balance between a lightweight, compact form factor while also being fast enough to effectively control depth of field and suit working in low light. Individual lens elements feature a Super Integrated Coating, which controls flare and ghosting to produce greater contrast and color fidelity when working in bright and backlit conditions. Additionally, the Silent Wave Motor affords fast and accurate autofocus performance along with full-time manual focus override.

The 1900mAh Nikon EN-EL15 Lithium-Ion Battery is a rechargeable battery for the Nikon D500, D600, D610, D7000, D7100, D750, D800, D800E, D810 and the Nikon 1 V1 cameras. Lithium-ion batteries will not suffer from the adverse memory effects that are normally associated with other battery types.

Create higher-quality audio than your camera can alone with this stereo mic. The Nikon ME-1 Stereo Microphone is designed specifically for recording audio while making DSLR videos. The ME-1 fits into compatible camera shoes, and connects to the camera via the 3.5mm stereo mini-plug. A low-cut filter blocks wind noise, while the cable stop helps prevent noises caused by cable movement.

The Nikon HC-E1 HDMI Cable is an 9.6' HDMI cable with a male type C mini connector designed for attachment to a camera and a male type A connector for connection to optional HDMI devices, such as a display or recorder.

The Full Version of the Atomos Ninja 2 Video Recorder is an HDMI recorder built into an 800 x 480 resolution monitor that records up to 1080/30p/60i resolution directly from your camera's sensor. It records to an optional HDD or SSD in using Apple's ProRes or Avid's DNxHD edit-ready codecs. The Ninja 2 supports 10-bit 4:2:2 color sampling for vivid images superior to most DSLR internal recording capabilities, and you can still record 8-bit video to the Ninja 2. Built-in exposure tools such as false color and zebra bars provide useful aids in exposing your footage, while the built-in focus peaking tool can alert you to out of focus shots may be difficult to see on an on-camera monitor.

The 4.3" touchscreen features a resistive touchscreen that functions using pressure, this allows you to operate the touchscreen with your fingers, even while wearing gloves, which is important when working in the cold. The Ninja 2 incorporates anti-shock technology that allows you to continue to record even if your HDD skips a few frames from being jarred. The Master Caddy system allows you to choose to use optional 2.5" HDDs or SSDs with your Ninja 2. SmartLog editing tools allow you to mark selects during playback or recording, and can save you time when you go to edit. It includes two master drive caddies. a docking station that offloads these drives to your computer via USB 3.0/2.0, as well as a Sony-type NP-F570 battery, charger, AC adapter for continuous power, Canon LP-E6-type battery adapter, and a Nikon EN-EL15-type adapter.

The 58mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field and presents an efficient way to create special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 to 8 stops (0.6-2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light, but will also create movement within the shot. Another major benefit of this filter is that it eliminates having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want, saving money and time.

Simply mount the filter on your lens, set it to "Min" density, then frame and focus. Care must be taken when focusing at heavier densities to make sure focus is accurate. If it isn't, you can switch to manual focus and rotate to the desired degree of filtration.

For example, if your standard exposure without the filter is 1/500 at f/8 and you then set the filter to "Min", you change the shutter speed to 1/125 at the same aperture - thereby losing 2 stops of speed while gaining a hint of blur in the image. If that's not enough filtration, continue rotating the filter until you reach the shutter speed you desire. Using the above example, you can get down to 1/2 second at f/8 (8 stops). It should be noted that the calibration marks on the filter ring are to be used only for reference and should not be regarded as accurate settings for specific densities.

Neutral Density filters are used to create unusual special effects including capturing the blur of rippling water in a waterfall or the swirling effect of city traffic. Since it allows the use of slower shutter speeds in bright light, it becomes possible to create special effects that would normally not be possible without the filter. Since it can also help control your depth of field, it permits you to shoot at wider apertures. Ultimately, its value is in helping to prevent bright, overly washed-out images shot in bright light.

The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration.

The 67mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field and presents an efficient way to create special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 to 8 stops (0.6-2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light, but will also create movement within the shot. Another major benefit of this filter is that it eliminates having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want, saving money and time.

Simply mount the filter on your lens, set it to "Min" density, then frame and focus. Care must be taken when focusing at heavier densities to make sure focus is accurate. If it isn't, you can switch to manual focus and rotate to the desired degree of filtration.

For example, if your standard exposure without the filter is 1/500 at f/8 and you then set the filter to "Min", you change the shutter speed to 1/125 at the same aperture - thereby losing 2 stops of speed while gaining a hint of blur in the image. If that's not enough filtration, continue rotating the filter until you reach the shutter speed you desire. Using the above example, you can get down to 1/2 second at f/8 (8 stops). It should be noted that the calibration marks on the filter ring are to be used only for reference and should not be regarded as accurate settings for specific densities.

Neutral Density filters are used to create unusual special effects including capturing the blur of rippling water in a waterfall or the swirling effect of city traffic. Since it allows the use of slower shutter speeds in bright light, it becomes possible to create special effects that would normally not be possible without the filter. Since it can also help control your depth of field, it permits you to shoot at wider apertures. Ultimately, its value is in helping to prevent bright, overly washed-out images shot in bright light.

The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration.