Orders placed after 4PM on weekdays will not ship until the next business day. Orders placed after 12pm Fridays will not ship until the following Monday.
Faster shipping methods may be available; just upgrade during checkout.
*Some exclusions apply.
Enter new zip code to refresh estimated delivery time.
This B&H Kit leverages the computing power of an iPad, iPad Air, or iPad mini to complete a project vocal recording studio. It consists of a Focusrite iTrack Dock Professional Recording for iPad that functions as an audio interface, a large diaphragm studio cardioid condenser microphone for recording vocals, a shockmount for isolating the vocal microphone from floor vibrations, an XLR microphone cable for connecting the microphone to the dock, a tall tripod stand with telescoping boom for supporting the vocal microphone, a pop filter for controlling vocal sibilance, and a pair of professional studio headphones for monitoring your mix.
Focusrite iTrack Dock Professional Recording for iPad
The Focusrite iTrack Dock Professional Recording for iPad is designed for studio recording directly to a lightning connector iPad (4th generation, Air) or iPad mini (with or without retina display). The dock features two Focusrite Scarlett series preamplifiers with switchable +48V of phantom power for powering condenser microphones. The unit can record two simultaneous channels of audio at up to 24-bit 96 kHz resolution with a dynamic range of 105 dB.
For I/O, input one of the dock features a balanced XLR input for connecting to a microphone, a 1/4" instrument DI input for connecting to a source such as a guitar, and a 1/4" balanced line input for connecting to line level sources such as a synthesizer, drum machine, or CD player. Input two features a balanced XLR input for connecting to a microphone and a 1/4" balanced line input.
For outputs, the dock features two balanced 1/4" outputs for connecting to headphones or powered studio monitors. A USB type A port allows you to connect a MIDI controller and a Kensington port allows you to secure the device with a Kensington lock.
The front panel features separate gain control knobs for inputs 1 and 2 with gain level LED ring halos, a headphone output knob, a monitor output knob, and a direct monitor button for latency-free monitoring. The dock comes with "Tape," Focusrite's iPad application for recording, mastering, and sharing music. The unit is also plug-and-play compatible with CORE audio iPad apps such as Garageband, Auria, and Cubasis.
Connect, charge, and record audio to lighting connector iPads (4th generation, air, mini, mini with retina)
Records audio at up to 24-bit 96 kHz resolution
Provides two Scarlett range microphone pre-amplifiers with +48V phantom power for use with condenser microphones
Provides DI for direct connection to a guitar with soft-clipping circuitry for loud sources
Includes "Tape" by Focusrite app for iPad which can be used for recording, mastering, and sharing music
MIDI Controller Connection and Power
Includes USB port for providing power to and transferring MIDI data from a MIDI controller
Provides 105 dB of dynamic range over balanced 1/4" connections and stereo headphone output
Stereo Line Inputs
Enables connection to a range of stereo sound devices with balanced line outputs such as synthesizers, drum machines, and CD players
CORE Audio Apps on iPad
Supports plug-and-play CORE audio application such as Garageband, Cubasis, Auria, and others to come
MXL V67G Large Diaphragm Cardioid Condenser Microphone (Green with Gold Grill)
The green with gold grill MXL V67G Large Capsule Condenser Microphone is designed mainly for use with vocals and combines Class A FET circuitry and a transformer-coupled output for an open and pure sound. It features a gold-sputtered large diaphragm, providing audio quality well suited for capturing instruments and vocals in project and professional recording applications. Additionally, the microphone offers a 30 Hz to 20 kHz frequency response for accurately reproducing audio signal in a variety of ranges. The green and gold coloring give this microphone a professional vintage appearance.
Solid-state mic for warm vocals
Rich midrange that matches tube microphones
Internally wired with Mogami cables for high-grade connections
Auray SHM-SD1 Clamping Suspension Shockmount for Small Diaphragm & Shotgun Microphones
Designed to prevent vibrations and handling noise from reaching your small diaphragm or shotgun microphone, the SHM-SD1 Clamping Suspension Shockmount for Small Diaphragm & Shotgun Microphones from Auray features all-metal construction with a felt-line cylinder to protect your mic's finish. Its heavy-duty elastic bands suspend your mic in the basket's center, and prevent vibrations and shocks from hitting your mic. It has a 5/8" threaded connector, and includes a 3/8" adapter.
The SHM-SD1 eliminates unwanted vibrations that can travel through a mic stand and affect the performance of your microphone
The clamp-style holder fits many small diaphragm and shotgun microphones and maintains a firm and secure hold on the microphone
The felt-lined cylinder adds to the attenuation of unwanted vibrations from external noise, and protects the microphone's finish
Metal 5/8"-27 Mic Stand Adapter
A metal mic stand adapter assures a durable and secure connection between the shock mount and mic stand. The standard 5/8"-27 thread fits any mic stand with a 5/8" stud, while a 3/8"-16 adapter is included for additional compatibility
The angle of the shock mount can be locked into position with the locking knob
The SSM-SD1 is a durable studio accessory designed to last for years. The all-metal construction assures microphone security
Heavy-Duty Elastic Bands
The heavy-duty elastic bands suspend the microphone in the center of the basket, and prevent shocks and vibrations that can travel through the mic stand from reaching the microphone
Kopul Premium Performance 3000 Series XLR M to XLR F Microphone Cable - 6' (1.8 m), Black
The black Kopul Premium Performance 3000 Series XLR M to XLR F Microphone Cable (6') is designed to be an extremely quiet and flexible cable that is ideal for the most demanding live sound and performance applications. The cable is engineered to be durable and to provide protection against EMI, RFI, and static noise. While the cable's color-coding affords the ability to quickly differentiate between multiple connections on stage, it provides a pleasant aesthetic quality at the same time.
Premium Performance 3000 Series cables are made from 24-AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. 95% dual-spiral shielding makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.
95% dual-spiral shielding offers protection from EMI and RFI noise
Twin conductive PVC inner shielding provides 100% coverage of the core conductor. It helps keep the cable's signal from radiating and affecting nearby cables, and also helps prevent external EMI from penetrating to the cable's core
24-AWG oxygen-free stranded copper inner core provides the best possible conductivity
Cotton yarn reduces electrostatic and microphonic noise
All solder points shrink-wrapped for protection
Neutrik XX silver connectors offer high conductivity
Caged type contact and improved ground contact
Senal SMH-500 Professional Studio Headphones
The SMH-500 Professional Studio Headphones from Senal feature accurate sound, superior comfort, and durable materials. They are designed for studio and light field applications. The over-ear, closed-back design provides ample isolation to block out ambient noise on location, and prevent headphone leakage when recording in the studio. Their soft, replaceable ear cushions, lightweight design and refined sound ensure a comfortable listening experience, even during extended sessions.
Equipped with 40mm neodymium drivers at 58 ohm impedance, the SMH-500 headphones are designed to be loud enough when attached to low-powered devices such as mobile phones and mp3 players, yet robust enough to handle studio headphone amps without distortion.
The headphones are designed with an EQ curve that's been tailored for an enhanced low end that allows engineers to detect rumble and monitor bass frequencies effectively. The excellent high-frequency response has been enhanced to accurately and clearly reproduce spatial detail. There is also a slight bump in the midrange to maintain focus on vocal and dialogue intelligibility.
In addition to great sound, the SMH-500 headphones offer superior comfort with a soft padded headband. The 10' single-sided coiled cable allows freedom of movement for musicians, editors, and engineers.
Whether monitoring in the field, studio or on a portable device, the SMH-500 headphones provide an accurate and comfortable listening experience.
Auray MS-5230T Tripod Microphone Stand with Telescoping Boom
The Auray MS-5230T Tripod Microphone Stand with Telescoping Boom features durable, steel construction. The telescoping boom arm is adjustable from 19.3 to 33.9" in length, allowing you to angle and extend the mic placement however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and non-slip feet keep it firmly and sturdily in place. The Auray MS-5230T mic stand collapses for easy transport.
Auray PFSS-55 Pop Filter with Gooseneck
The Auray PFSS-55 Pop Filter with Gooseneck features double-layered nylon to greatly reduce noise from aspirated plosives like "p" and "b" sounds. The PFSS-55's double-layered nylon filter gently disperses the explosive rush of air from speaking and breathing, while protecting your microphone from corrosive moisture. The flexible gooseneck makes it easy to position the filter exactly where you need it, the spring-loaded clamp provides fast and easy mounting and the locking bolt holds the PFSS-55 firmly into place. These features make the PFSS-55 Pop Filter ideal for desktops and also compatible with microphone stands.
Mic: 20 to 20,000 Hz ±0.2 dB (minimum gain) Line: 20 to 20,000 Hz ±0.2 dB (minimum gain) Instrument: 20 to 20,000 Hz ±0.2 dB (minimum gain)
THD + N
Mic: < -99 dB (minimum gain, -1 dBFS input with 20 Hz/20,000 Hz bandpass filter) Line: < -98 dB (minimum gain, -1 dBFS input with 20 Hz/20,000 Hz bandpass filter) Instrument: < -90 dB (minimum gain, -1 dBFS input with 20 Hz/20,000 Hz bandpass filter)
Mic (EIN): < -125 dBu CCIR-RMS (measured at maximum gain with 150 Ω termination) Line (NiPoS): <-104 dBFS CCIR-RMS (measured at minimum gain with 50 Ω termination) Instrument: < -104 dBu CCIR-RMS (measured at minimum gain)
Mic: -4 dB to +46 dB (dBFS/dBu) ±1 dB Line: -22 dB to +28 dB (dBFS/dBu) ±1 dB Instrument: -16 dB to +34 dB (dBFS/dBu) ±1 dB