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Sony FE PZ 28-135mm f/4 G OSS Lens

BH #SO281354 • MFR #SELP28135G
 57 reviews
Sony FE PZ 28-135mm f/4 G OSS Lens
Key Features
  • E-Mount Lens/Full-Frame Format
  • Aperture Range: f/4 to f/22
  • Five Aspherical & Three ED Elements
  • Smooth Motion Optics Support 4K Video
Designed to satisfy 4K production requirements, the Sony FE PZ 28-135mm f/4 G OSS Lens is a wide-ranging zoom lens that covers wide-angle to telephoto perspectives while adding many features for your full-frame, APS-C, or E-mount camcorder or still photography camera system. The lens features a powered zoom control with a variable speed and zoom rotation direction reversal capability. Powering the zoom function is an SSM (Super Sonic wave Motor) drive that allows precision and quiet operation. Focus noise is also minimized through weight reduction of the focus element group and use of a linear motor. Iris function is also designed to be smooth and silent for cinematography demands.
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$2,498.00
$209/mo. suggested payments for 12 Mos.
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Used for$2,122.95
Configuration
Lens
With UV Filter
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Sony FE PZ 28-135mm f/4.0 G Overview

By B&H Photo's

Designed to satisfy 4K production requirements, the Sony FE PZ 28-135mm f/4 G OSS Lens is a wide-ranging zoom lens that covers wide-angle to telephoto perspectives while adding many features for your full-frame, APS-C, or E-mount camcorder or still photography camera system. The lens features a powered zoom control with a variable speed and zoom rotation direction reversal capability. Powering the zoom function is an SSM (Super Sonic wave Motor) drive that allows precision and quiet operation. Focus noise is also minimized through weight reduction of the focus element group and use of a linear motor. Iris function is also designed to be smooth and silent for cinematography demands.

Angle of view variations while focusing (breathing) and axial displacement while zooming have been reduced while five aspherical elements and three ED elements work with advanced multi-coating technology to minimize distortion and chromatic aberrations while also contributing to sharper overall imagery with enhanced contrast and clarity.

Independent control rings for zoom, focus, and iris (aperture) are provided for and the focus mode can be switched from auto to manual by sliding the focus ring forward so control is maintained at all times. All three control rings have been engineered to provide the right amount of torque for comfortable, responsive operation and the pitch of the scalloping on the rings has been designed for comfortable, slip-free control.

A constant f/4 maximum aperture offers consistent performance throughout the zoom range and is especially beneficial when working with greater zoom magnifications in low-light conditions. Also benefiting working in dim light or at the long end of the zoom range is Optical SteadyShot image stabilization, which works to minimize the appearance of camera shake by up to four shutter speed steps.

Powered 8-speed zoom provides a 28-135mm focal length range, covering wide-angle to telephoto perspectives
Power zoom designed for cinema productions and full frame cameras
Features Sony's original Nano AR Coating technology designed to effectively suppress reflections that can cause flare and ghosting. The precisely defined regular nano-structure allows accurate light transmission, contributing to high-quality images, even more so than lenses with coatings that use an irregular nano-structure
Three control rings (for zoom, focus, iris) offer manual control for demanding large format productions. The focus mode can be switched from auto to manual simply by sliding the focus ring forward so control is maintained at all times. Zoom speed can be precisely controlled over a wide range, with zoom rotation direction reversal capability. All three control rings have been engineered to provide ideal torque for comfortable, responsive operation. Even the pitch of the scalloping on the rings has been designed for comfortable, slip-free control
Sony's advanced iris control and linear AF motor drive system achieve quiet focusing that is also extremely responsive. Part of the reason that focus control is so quiet is that original Sony linear motors are contactless, with no gears or mechanical coupling to generate noise
The world's first SSM (Super Sonic wave Motor) drive in a cinema lens for quiet zoom and smooth iris control
Maintains plane of focus while zooming and maintains field of view while focusing (important for video)
Delivers smooth tracking throughout the zoom range at any speed and eliminates any axial image shifting. Zooming is quiet as well as responsive thanks to advanced mechanical actuator design
Features an optical design and control technology inherited from Sony's professional camcorders that ensure no breathing while focusing
Constant f/4 maximum aperture enables greater consistency throughout the zoom range and benefits working in dim conditions with longer focal lengths
Optical SteadyShot image stabilization works to minimize the appearance of camera shake by up to four shutter speed steps to benefit shooting handheld in dim lighting and with greater zoom magnifications
Three extra-low dispersion elements and five aspherical elements helps to reduce chromatic aberrations and distortion throughout the zoom range while also contributing to overall image sharpness and clarity
UPC: 027242884915

Sony FE PZ 28-135mm f/4.0 G Specs

Focal Length
28 to 135mm (35mm Equivalent: 42 to 202.5mm)
Maximum Aperture
f/4
Minimum Aperture
f/22
Lens Mount
Sony E
Lens Format Coverage
Full Frame
Optical Design
18 Elements in 12 Groups
Filter Thread
95 mm
Minimum Focus Distance
From Camera Sensor: 1.31' / 0.40 m
Maximum Magnification Ratio
1:6.67
Diaphragm Blades
9
Image Stabilization
Yes
Electronic Communication
Yes
Dimensions (W x H)
4.13 x 4.13" / 104.9 x 104.9 mm
Weight
42.9 oz / 1215 g
Packaging Info
Package Weight
4.86 lb
Box Dimensions (LxWxH)
12.05 x 7.1 x 6.95"

Sony FE PZ 28-135mm f/4.0 G Reviews

A good workhorse, but clunky.

By William
Rated 4 out of 5
Date: 2023-01-05

I bought this lens to pair with the FX6 after having used it years ago with FS7 cameras. While it is a good general use video lens that does exactly what it is supposed to, here in the future, I think it is a bit heavy and clunky. Because it makes my camera front heavy, and seemingly requiring me to build the whole system up to a "cinema" rig with rails and all that, I am not sure if I want to keep it. On the one hand, I love using my zoom rocker, but on the other, I could live without that and cut my camera's build weight in half by running a smaller photo lens. Ideally, Sony would release an 18/24mm - 105-135mm range PZ lens that is built to the size of a photo lens, like the newer PZ 16-35mm. With any luck we see something like that here in 2023! I know I will jump on that immediately if it comes out! - one star because this is beginning to become a dated design, that is begging to be upgraded. Also I don't trust it on my camera without a 15mm rail and lens support. Probably would only buy again if the camera were to always live in studio on a tripod.

GREAT LENS!!

By Jeff
Rated 5 out of 5
Date: 2022-05-06

For Our Sony PXW-FX9, Sony Full Frame Cameras!!! Buying our 3rd one this week!! Anyone who puts this lens down does not Understand it! Simply, THIS IS A SERVO ZOOM, FOR SONY FULL SENSORS. If you don't need that look at another Lens! If you do, This and the Sony FE C 16-35mm are your only choices in the price range!! You can put the features down all you want, but show me another option?? That said it is an Amazing Lens!

Excellent for Low Light Video

By Vladimir
Rated 5 out of 5
Date: 2021-12-16

I'm using this lens on Sony a7s III to shoot video. Excellent quality, no noise up to ISO 51200, no color distortion. I love this lens. The sample of video you can see here: https://www.youtube.com/watch?v=40i9r_j6E0w&t=33s

Great Lens for Video Interviews and Documentary

By gjeannit
Rated 5 out of 5
Date: 2021-04-29

this lens is great to use for its intended purpose. I have also used for picture if used on the A7 series.

great image, zoom speed is not cinematic for the $

By dsol1980
Rated 3 out of 5
Date: 2021-01-04

The image is worth the price, but only if you are shooting video journalism or still angles. Unfortunately for my style of shooting (cinematic on a budget) this lens zoom speed is much too fast even on the "slow" setting. If I am going to pay more money than, for example, Sony's power zoom SELP18200 lens, I'm going to want it to be better than the SELP18200 lens. So I was expecting that I could make the servo zoom on this lens more cinematic and slow, for super slow creeps in and out - isn't that a primary thing everyone wants in a servo zoom? The speed of this servo reminds me of 1990s camcorders to be honest. But the image is pretty. So maybe use this fancy servo zoom lens as a primary lens?

great zoom slide

By dhardjo
Rated 5 out of 5
Date: 2020-01-27

well bild easy manual focus easy zoom with slider on side. nice feature from auto focus to manual . long reach i can zoom to 135 mm get grat close up

sharp lens, but autofocus is only as good as your camera

By Brian
Rated 4 out of 5
Date: 2022-12-01

This is advertised as a parfocal lens, but in my experience it doesn't seem completely so. I need to do more experimentation to really be sure. But for the money, it is a very solid build and is better than my Sony stills 24-240mm, which has a long reach but would go out of focus momentarily when zooming out from all the way zoomed in, (even in AF mode) which can spoil a shot when recording never-to-be-repeated events such as dance or sports. My Sony FS7 has a decent autofocus, (although I think the FX6 is better) and this lens does not exhibit the same loss of focus during a zoom that the stills lens does. Just wish Sony had made this a little faster, and longer. Still, you can go into crop mode on the camera to get some extra reach. Is it a bit pricey? Yes, but I don't think you're going to find anything comparable in capabilities at this price. That's just the state of things at the moment.

Great lens

By Andrew
Rated 5 out of 5
Date: 2022-10-19

Works perfectly, prompt delivery

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YOUR RECENTLY VIEWED ITEMS

Is there any kind of pause when zoom transitions ...

Is there any kind of pause when zoom transitions from optical to clear image on newer Sony bodies (FX3/6/9 and A7Siii/A7iv)? I'm looking for a completely continuous zoom pull from wide to clear image 1.5x
Asked by: Philip
The lens doesn't technically stop but there's an obvious jump/difference between the optical and the digital range.
Answered by: Victor
Date published: 2021-11-29

How does this lens compare with Sony G Master ...

How does this lens compare with Sony G Master lenses such as 16-35mm GM in sharpness and minimizing focus breathing especially at the 28mm focal range?
Asked by: Derek
This compares well with the 16-35mm GM. You will see some lens breathing though.
Answered by: Joseph
Date published: 2021-02-18

question

Will this have full functionality on Sony Fs700?
Asked by: Alex
I use it principally with my Sony FS700 and also on a Sony A7S. The wide angle is not as wide as needed in some situations but it's a really nice lens.
Answered by: David M.
Date published: 2018-08-25

question

How quickly does it zoom in and out? Can it go super quickly? And if not, does anyone have a recommendation for a lens that does?
Asked by: Jon I.
This lenses motor will go moderately fast. In order that we may better assist you, please write us with further detail as to what camera you have and your budget. [email protected].
Answered by: Dennis A L.
Date published: 2018-08-25

question

Sony FE PZ 28-135mm f/4 G OSS Lenshoping this style lens would be released with micro 4/3 mount now or near futurehave you had any feedback from Sony that they would be releasing a M4/3 mount lens for 4K video, would suit Blackmagic?regardsKarl
Asked by: Anonymous
Why would Sony release a lens to work on a competing system?
Answered by: Stacy R.
Date published: 2018-08-25

Is the body of the lens metal?

Is the body of the lens metal?
Asked by: Christopher
The Sony FE PZ 28-135mm f/4 G OSS Lens is very well constructed and made of a strong composite material. It is not metal.
Answered by: Chris H
Date published: 2022-01-28

question

I used this on a rental camera and found that it is very susceptible to flare from a hairlight. I also used an EX1R right next to the camera with the 28-135, and it didn't flare at all. I'm curious as to whether anyone else has noticed this?
Asked by: Arthur
In my years as a motion picture camera assistant, it was a given that each model of lens had it's own behavior that must be observed and dealt with. The two lenses mentioned are for very different sensors and have very different designs so I would not be surprised by different behavior. In my experience, I have found lenses that hadn't flared at all suddenly having issues when presented with an entirely different light source. While no one wants to deal with flare I would say in this instance you have to do what you have to do to flag off the light causing the flare.
Answered by: Dennis A L.
Date published: 2018-08-25

question

Will this lens work with a follow focus unit, do you need to attach gear rings?
Asked by: Hans V.
I own this lens and can first had say YES, a follow focus can work directly with the lens without a lens gear. The focusing ring is rubber and has indentations. By pressing a follow focus against the rubber focusing ring, it indeed works by friction. I'm using a Chrosziel FF and have no problems hitting marks repeatedly. While a true gear would be ideal, this still is useable without.
Answered by: Christian d.
Date published: 2018-08-25
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