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The Electronic Beat Making Bundle is a B&H Kit for the electronic drum groove producer, providing a large sound library of evocative synthetic drum samples that can be loaded into any program that accepts WAV or SF2 files, or Akai S5000/S6000 programs. The resulting sounds provide the perfect underscore for the multi-timbral polyphonic virtual synthesizer that is modeled after analog hardware units.
To add character to all or parts of any compositions, the Ohm Force Predatohm overdrive plug-in features distortion types with compressor/expander parameters on each of four frequency bands, a stereo widener for mono-to-stereo processing, while a creative feedback generator can further color any sounds.
D16 Group Plasticlicks Drum Sound Library
The D16 Group Plasticlicks Drum Sound Library is composed of over 1GB of 44.1kHz/24-bit wave files, 754MB of Sound Font 2 files, and .akp files for compatibility with Akai S5000 and S6000 programs. The library features over 1500 drum sounds including kicks, snares, claps, hi-hats, hits, percussion, and more.
Included Drum Sounds
Claps: 39 patches
Closed Hi-Hats: 298 patches
Cowbells: 19 patches
FX Hi-Hats: 99 patches
Hits: 60 patches
Kicks: 300 patches
Metal Percussion: 16 patches
Mini Percussion: 20 patches
Open Hi-Hats: 227 patches
Percussion: 74 patches
SFX: 33 patches
Shakers: 40 patches
Snare Drum Substitutes: 51 patches
Snare Drums: 216 patches
Synthetic Percussion: 109 patches
Tambourines: 10 patches
D16 Group LuSH-101 Multitimbral Polyphonic Synthesizer Software (Download)
The LuSH-101 Multitimbral Polyphonic Synthesizer Software from D16 Group is a VST and AU synthesizer plug-in that features 8 synthesizer modules that can be layered, assigned to separate MIDI channels, or set up as separate keyboard zones. The synthesizer modules feature 32-note polyphony and are modeled after analog units. They are designed to be alias-free, producing clear audio up to 22kHz.
The 8 modules are routed to a built-in mixer that features layer-independent parametric EQ and compression as well as 3 effect sends. You can further shape and effect your tone with the built-in arpeggiators or via the modulation matrix. The LuSH-101's filters can be controlled by the LFOs, allowing you to create Dubstep and Drum & Bass tones. Over 1600 presets are included to help you get started and to show what the LuSH-101 is capable of sonically. The software requires a VST or AU compatible host application and can operate in 32- or 64-bit modes.
8 Independent layers
Up to 32 voices of polyphony
Oscillators (Saw, PWM, Noise), with Supersaw and HardSync options
Sub Oscillator (5 waveforms)
Self-oscillating, multimode filter
Passive high-pass filter
Up to 8 voice unison with Tune, Cutoff and Panorama spread
2 LFOs with optional tempo synchronization and re-triggering modes (Trig, Gate, Arp, None)
2 envelopes with re-triggering modes (Trig, Gate, LFO1, LFO2)
Step sequencer (Gate and Tie per step)
6 Run modes (Up, Down, Up and Down, Down and Up, Random, Manual)
Chord mode (Gater)
3 Hold modes (Normal, Toggle, Trigger)
Tempo multiplier (Full Notes, Dotted Notes, Triplets)
Parametric EQs (1 per channel strip)
Compressors (1 per channel strip)
Up to 11 freely-assignable stereo output busses per instance
Send FX's (Reverb, Chorus, Delay with tempo sync)
Over 1600 factory presets
5 preset categories (whole synth, single layer, arpeggiator, reverb, delay)
Advanced, file-based preset browser
Ohm Force Predatohm Multi-Band Overdrive Plug-In (Native)
The native Predatohm Multi-Band Overdrive Plug-In from Ohm Force features 13 distortion types with compressor/expander parameters on each of 4 frequency bands. An integrated stereo widener for mono-to-stereo processing allows you to enhance the spectral aspects of a track, while the creative feedback generator can further color it.
Despite a large palette of controls and possibilities, Predatohm remains simple to use. It works well on any source that sounds too dry or thin. All of the parameters can be automated via MIDI. Predatohm will immediately add bass punch to your rhythmic section. You can also give any guitar signal that tube amp character. When used on vocals, you can go as far as to create megaphone or radio effects.
Ohm Force plug-ins come with two skins: the classic one gives you all the controls in a neat, analog-rack-like interface. The other one, called "funky," embodies the true spirit of Ohm Force.
Arturia Spark 2 - Beat Creation Software
Spark 2 from Arturia is a drum production solution with a sound library, multiple synthesis engines and advanced sequencing functionalities. Also included are real time performance tools and effects for use in the studio or on stage. The software functions standalone, or as an AAX Native, Audio Units and VST plug-in, for both Mac and Windows computers.
Beat creation software combining elements from analog drum machines, sample based beat boxes and physical modeling
Audio engine contains multiple synthesis modes - sample engine, multiple physical models, and a modular, virtual analog drum synthesizer
TAE (True Analog Emulation) synthesis for creating the sounds of classic analog synthesizers
The modular synthesizer can be used to create a vast array of sounds including, kick drums, snares, hats, cymbals, as well as more traditional synthesizer sounds using:
Up to nine variable shape VA oscillators
Up to four 8-mode filters
Up to six envelopes
Up to two LFOs
Up to four mixers
Up to two ring modulators
Up to two CV modulators
Up to two Karplus Strong based filters
Spring Mass physical modeling engine
The modular synthesizer contains six assignable macros knobs which allow for controlling multiple aspects of the sound in real time - for each macro four parameters can be assigned from any of the modules within a patch, as well as determining the minimum and maximum values the parameter can take
Song mode allows for organizing patterns into up to sixteen color-coded mini songs, each up to eight patterns long
Allows for simple visualizing of the various sections of a song (intro chorus, verse, breakdown)
Dedicated buttons can trigger mini songs in any order for creating on-the-fly remixes
Interface has been organized to make it as user friendly as possible by placing all the major features at the user's fingertips
Tabbed layout drastically reduces scrolling and provides the user with faster access to all features
Supports REX files - import a REX file and split the slices across the sixteen pads, or use single pad playback for live looping possibilities
Samples and REX files can be used as sources for the modular synthesizer
Built-in step sequencer
Mixer provides a familiar interface for controlling the level, pan, insert effects and sends of instruments with each of these parameters automatable in the pattern page
Each drum instrument can be processed through fourteen digital effects:
Automation input is available using the XY pad or the Pencil and Line tools in the pattern/automation page
All instrument and effect parameters from the inserts can be automated
Each track of the step sequencer allows for fifteen different parameters to be automated per instrument plus full automation of all the insert effects parameters for that given instrument
Functions standalone or as a plug-in within a host sequencer
Plug-in use supports sixteen audio outputs that can be routed and assigned within the host
Import AIFF, WAV, MIDI and REX2 files
Simple drag and drop export of patterns in WAV format, as well as MIDI sequence formats into a DAW
All of the parameters available on the main panel are MIDI assignable and can be controlled via any external MIDI device