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The Tascam DR-60DMKII 4-Channel Portable Recorder and Rode NTG-2 Shotgun Mic Kit with Boompole & Accessories comes with everything you need to get started recording professional audio for ENG, interviews and videos made with your DSLR. The kit includes the Tascam DR-60DmkII 4-Channel Portable Recorder for DSLR, Rode NTG2 Condenser Shotgun Mic, two 4-packs of 1.5V AA Alkaline batteries, 8GB Ultra SDHC memory card, 7" custom windbuster for shotgun mics, universal shockmount, 20' XLR M to angled XLR F mic cable, 10' 3.5mm to 3.5mm stereo cable, and a 10' boompole for the Rode NTG2.
Tascam DR-60DmkII 4-Channel Portable Recorder for DSLR
Designed to cater to the needs of DSLR audio for video recording, the DR-60DmkII 4-Channel Portable Recorder for DSLR from Tascam is the latest generation of their popular audio recording device. Capable of recording 4 channels of audio simultaneously in up to 24-bit/96 kHz WAV/BWF files, the DR-60DmkII boasts Tascam's High Definition Discrete Architecture (HDDA) preamps and a Cirrus Logic analog-to-digital converter chip for accurate and pristine audio capture. It features 2 combination XLR/TRS microphone/line-level inputs with selectable phantom power, and a stereo 1/8" microphone input, capable of handling high-output microphones and supplying plug-in power.
A built-in digital mixer gives you control over panning and level for each track, and allows you to insert a limiter or high-pass filter in addition to setting individual channel delay for distance adjustment. The DR-60DmkII gives you multiple output options as well. The dedicated camera out features adjustable level control to cater to DSLRs that lack input level control. The 1/8" line output can be used to feed a mixer or secondary recorder, while your monitoring is handled by a dedicated 1/8" headphone jack.
The device records to SD and SDHC cards and is powered by 4 AA batteries, or an optional battery pack or AC adapter. A 2.5mm remote control input allows you to integrate an optional remote or footswitch control.
HDDA Mic Preamps
Quality mic preamps are a necessity for quality sound. The DR-60DmkII's HDDA mic preamplifiers (High Definition Discrete Architecture) employ discrete circuitry and parts, approved after months of evaluation testing by Tascam. The HDDA's circuit achieves a high equivalent-input noise (EIN) of -120 dBu for low input noise. The DR-60DmkII mic preamps have been upgraded from their predecessor for up to 64 dB of gain with XLR input jacks for greater cable compatibility.
A Cirrus Logic AD converter is used to ensure detailed recording from any input signal
A Variety Inputs and Outputs with Internal Mixing
The DR-60DmkII can record up to 4-tracks simultaneously, allowing multiple microphones to be used while filming. Inputs 1/L and 2/R can be selected for mono or stereo link operation.
3 sets of stereo outputs are provided. A Camera Out sends a reference track recording to the camera. The Line Out can feed a mixer or recorder. Finally, a Headphone Out is available for direct monitoring. Each of these outputs has its own level control, and the Camera Out can be attenuated to microphone level without the need for an attenuating cable
The DR-60DmkII has an internal digital mixer for all 4 tracks. Adjust pan and level, add a limiter or hi-pass filter (40/80/120 Hz), and set individual channel delay from the user setup. The DR-60DmkII is ready to use right out of the box with its external, non-menu-intensive controls
Multiple Record Modes for On-Set Challenges
Mono/Dual Mono Mode: For single source microphones, like using a shotgun together with a clip-on lavaliere mic
Stereo/Dual Stereo Mode: These modes are designed for shooting with a stereo or mid-side microphone. A Mid-Side Decoder is built in, and can be added either during monitoring or before recording
4CH Mode: This mode records all four microphone inputs to their own tracks
Dual Mono And Dual Stereo Mode: Records a back-up safety track in case levels are set too high and clipping occurs. The safety track can be set to record from -6 to -12 dB below the initial take. If an actor suddenly screams a line, you have a backup recording that isn't distorted
Custom Designed for DSLR Shooters
Every aspect of the DR-60DmkII is designed specifically for DSLR audio for video recording. The keys of the unit are designed specifically for quiet operation to eliminate handling noise. The Slate feature is designed to mark tracks easily while in production. The input and output layout is designed for versatile use. The device can be used under a camera, on a rig or strapped around a solitary sound engineer
Dedicated Camera Output
The Camera Out connector sends the mix from the DR-60DmkII to your camera. An adjustable level control is provided, as many DSLR cameras lack an input control. The camera audio gets a clean mix from the DR-60DmkII to assist syncing tracks in post
The internal slate-tone generator produces various tones for easy track making and recognition. Slate tones can be generated two ways:
Automatic: Tones are added to the head or the head and tail of each clip (from 0.5 - 3 s)
Manual: Push the Slate button to record a tone
Channels 3 & 4 Support High-Output Microphones
The channel 3/4 input connector supports a high-level maximum input, up to +10 dBV. Many microphones designed for use with video cameras have a high-level output and a 1/8" (3.5 mm) output connector. Plug-in power is also available for microphones that need it
Tripod Mounting on Top and Bottom
The DR-60DmkII can be placed between a DSLR Camera and a tripod, or mounted to a cage or follow-focus rig. A tripod socket is on the bottom of the unit, and a (removable) tripod bracket is mounted on the top
Lightweight Body Designed for Rugged Portability
The DR-60DmkII's body was manufactured with very rigid plastic for a durable but lightweight design. Tascam understands how important weight is to steady camera movement when filmmaking. In addition to its light weight, the DR-60DmkII is extremely compact. Only 5.25" wide, the DR-60DmkII won't interfere with camera operation. All batteries can be replaced without removing the device from the camera or tripod/rig
Record to SD/SDHC card (Up to 32GB)
Record Modes: Mono, Stereo, Dual Mono, Dual Stereo, 4-Channel
Recording format: 44.1/48/96 kHz, 16 or 24-bit, WAV/BWF
Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
Two combo XLR/TRS inputs support +4 dBu mic/line level input
Phantom power to channels 1/2 (24 V or 48 VDC on XLRF)
Plug-in power and high-output mic input supported on inputs 3-4
Camera Out connector for output from the DR-60DmkII mixer (adjustable gain)
Camera In connector for sound monitoring from the camera
Independent adjustable line out and headphone jacks
50mW/channel headphone amplifier
Tripod-mounting socket (bottom) and mounting-screw attachment (top)
Handles protect the screen and can be used to attach a shoulder strap
Soft-Touch Rubber Keys for silent operation
Hold switch to prevent accidental operation
QUICK button feature for easy access to various functions
128x64 pixel LCD with backlight
USB 2.0 connection for high-speed transferring of files
Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
Internal mixer: Pan and Level controls
Low-cut filter (40/80/120 Hz)
Limiter (1/L and 2/R can be selected for linked operation)
Delay function for microphone distance adjustment (up to 150 ms)
M-S decode function
Slate-tone generator (Auto/Manual)
Selectable duration of slate tone from four positions (0.5/1/2/3 s, when auto-generated)
Selectable slate-tone generation. (3 positions: Off/Head/Head+Tail, when auto-generated)
File naming format can be set to use a user-defined word or date
Dual-recording function allows two files to be recorded simultaneously at different levels
Auto-record function can automatically start and stop recording at set level
Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
Self-timer function for solo recording
New file starts recording automatically without interruption when maximum file size is reached
Track incrementing function allows a recording to be split by creating a new file when desired
Jump back and play function
Equalizer function for playback, and level-alignment function to enhance the perceived overall sound pressure
Resume function to memorize the playback position before the unit is turned off
Mark function up to 99 points per audio track
2 x Varta High-Energy 1.5V AA LR6 Alkaline Battery (4-Pack)
Power any device that accepts AA cells with this 4-pack of standard, all-purpose High-Energy 1.5V AA LR6 Alkaline Batteries from Varta. These German-made cells are non-rechargeable and feature an output of 1.5V. Additionally, they offer up to 80% more power in digital cameras than Varta Simply Alkaline batteries. The "Single Press Out" type packaging enables easy opening, allowing you to extract one at a time and providing storage for unused cells.
Rode NTG2 Battery or Phantom Powered Condenser Shotgun Microphone
The Rode NTG2 is a condenser shotgun microphone designed for professional audio capturing in the field or indoors. With a history of manufacturing quality studio microphones, Rode has implemented low noise output electronics and wide bandwidth, both of which attribute to the NTG2's broadcast sound quality.
The super-cardioid polar pattern and line plus gradient acoustic principle effectively minimize audio and noise at the off-axis (sides) of the microphone, while the front of the capsule accurately reproduces incoming audio signal. The result is greater intelligibility and signal-to-noise ratio when using the NTG2 in noisy environments.
The NTG2 is powered with an internal 1.5V AA size battery or an external +48 Volt phantom power source. The output is a standard 3-pin XLR male connector.
The microphone features a rugged, all metal, lightweight enclosure that is ideal for camera mounting yet durable enough to withstand the rigors of heavy road use. The Rode NTG2 is packaged with a microphone stand mount and windscreen.
Battery Or Phantom Powered
The Rode NTG2 can be powered with an internal 1.5V AA battery or external +48V phantom power source.
Super-Cardioid Polar Pattern
The super-cardioid polar pattern and line gradient acoustic principle allow for a narrow pick up pattern at the front of the capsule while minimizing noise at the off-axis sections.
Lightweight Durable Construction
The NTG2 features a lightweight metal housing that is ideal for camera mounting.
Low Handling Noise
Low noise output electronics provide high signal-to-noise ratio. The NTG2 is designed to also reduce noise caused by handling, rigid mounting hardware, loose cabling etc.
Record Full HD 1080p video with this Class 10 compliant 8GB Ultra UHS-I SDHC Memory Card from SanDisk. With enhanced data read speeds of up to 40 MB/s this Ultra SDHC memory card is designed to suit the needs of compact and mid-range point and shoot cameras. You can also save and store a variety of files such as music, movies, documents and more. The writable label found on the card allows you to write down what is saved to the card while the built-in write protect switch helps to prevent accidental data loss. This card, as with most SanDisk cards, comes shock, temperature, x-ray, magnet, and waterproof to take your files with you nearly anywhere you go.
Class 10 performance for Full HD Video (1080p)
Read speeds up to 40 MB/s
Writable label for easy identification and organization
Engineered with UHS-I bus architecture
This SD memory card comes shock, temperature, x-ray, magnet, and waterproof proof
Auray WSW-007MKII Custom Windbuster for Shotgun Microphones- 7" (18cm)
The Auray WSW Series Custom Windbusters provide dual layered wind protection and are designed to substantially reduce unwanted broadband wind noise and vocal pops with minimal high frequency loss.
This WSW-007MKII Custom Windbuster fits shotgun mics up to 7"(18cm) in length and is designed to be slipped over existing foam windscreens up to 5cm in thickness. The simulated fur outer layer works in tandem with the acoustic cloth inner lining to protect the microphone element from air bursts without muffling the sound.
When used on a shotgun mic, this windbuster is effective in minimizing wind noise and plosive sounds. It is most effective in light breeze to moderate breeze conditions (4-17 mph) and users can generally expect a 30dB to 40dB reduction in wind noise with modest dampening of high frequencies. For most applications, the modest high frequency dampening is a worthwhile exchange for the substantial wind noise reduction. In addition to dual layered wind protection, the WSW-007MKII helps prevent moisture and dirt from damaging your microphone.
The WSW-007MKII Custom Windbuster for Shotgun Microphones offers an extremely effective dual layered solution for wind protection.
Rode VideoMic with Lyre Suspension, VideoMic & NTG-2
Auray DUSM-1 Universal Shock Mount for Camera Shoes and Boompoles
The Auray DUSM-1 Universal Shockmount features a four-point suspension to accommodate shotgun and other cylindrical microphones measuring 0.74-0.98" (19-25mm) in diameter. The shockmount is easily angled with its rubberized adjustment knob. There is a built-in shoe for camera mounting, and a 3/8"-16 thread connection at the base mounts the shockmount to boompoles and universal hand-grips.
Pearstone PM Series XLR M to Angled XLR F Professional Microphone Cable - 20' (6.1 m)
The Pearstone PM Series XLR M to Angled XLR F Professional Microphone Cable (20') features 24-gauge oxygen-free copper conductors and spiral shielding to protect against EMI and RFI noise. It also features a Rean straight connector and a Yongsheng angled connector. Both are professional grade connectors with silver-plated contacts. The twin conductive PVC shield reduces electrostatic noise, and distinguishes the PM series from the rest of its class.
Professional quality, field-serviceable, cast-zinc connectors with silver-plated contacts
The CMM-110RR from Hosa Technology is a stereo audio cable ideal for professional applications, such as connecting a shotgun mic to a DV camera. The cable has oxygen-free copper conductors for excellent signal clarity, and nickel-plated plugs for efficient signal transfer and lasting durability. The cable has an OFC spiral shield for EMI and RFI rejection and flexibility. The cable is 10' long and has a right-angle 3.5mm male TRS connector on each end.
Rode Boompole for Rode NTG1, NTG2 and Video Mic (10')
Rode's Boompole provides up to 10' of extension for shotgun microphones. The pole uses a 3/8" industry-standard thread and is designed to fit SM3 Shockmounts, RMS Stand Mounts (NT5, NTG1 & NTG2), and VideoMic. The five-section pole collapses down to 33" for easy portability.
Five sections adjust the length of the boom between 33" and 10' (84cm - 3 m).
The boom uses an industry-standard 3/8" thread, and mates with most shockmounts and stands.
SM3 Shockmounts, RMS Stand Mounts (NT5, NTG1 & NTG2), and VideoMic.