Convergent Design Odyssey7Q+ OLED Monitor & 4K Recorder

Convergent Design Odyssey7Q+ OLED Monitor & 4K Recorder

Convergent Design Odyssey7Q+ OLED Monitor & 4K Recorder

B&H # COO7QP MFR # 100-10003-100
More on the Way
Expected availability: 7-14 business days

Product Highlights

  • 7.7" 1280x800 OLED Touchscreen Monitor
  • DCI & UHD 4K Recording over HDMI or SDI
  • ProRes 4444 12-Bit RGB, ProRes 422
  • Full Uncompressed DPX 10-Bit and 12-Bit
  • DCI & UHD 4K 60fps to Apple ProRes 422
  • 3G/6G-SDI Inputs. 3G-SDI Outputs
  • Image Analysis Tools
  • Includes Titan HD Extract Option
  • Built-in LUTs & Custom 3D LUT Support
  • Compatible with Select Samsung SSDs
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Convergent Design 100-10003-100 overview

  • 1Description

Convergent Design's Odyssey7Q+ is a monitor/recorder that provides all of the features and functionality of the Odyssey7Q but adds support for 4K recording over HDMI. It features a 7.7", 1280 x 800, OLED, touchscreen display with a 3400:1 contrast ratio, true blacks, and professional monitoring features such as waveform, histogram, vectorscope, anamorphic de-squeeze, and 3D LUT support. Out-of-the-box, the Odyssey7Q+ can record up to DCI 4K (4096 x 2160) and Ultra HD (3840 x 2160) in the compressed Apple ProRes 422 HQ format or up to 2K/1080p using the uncompressed DPX file format. The Titan Extract option, which allows you to create multiple HD windows from a single 4K source, is included. Additionally, it supports several RAW recording options for ARRI, Canon, Sony, and POV cameras, which are available for purchase or rental from Convergent Design's website.

The Odyssey7Q+ has two 3G-SDI inputs (6G-SDI compatibility requires firmware v2016.01), two 3G-SDI outputs, and two bi-directional 3G-SDI connectors which can be assigned as either inputs or outputs via menu selection. It also has a 4K-capable HDMI input and an HDMI output that supports up to 1080p30 4:2:2. Most of the inputs/outputs are on the bottom of the monitor, with 1/4"-20 mounting threads on the sides. Dual SSD slots are provided for recording video to Convergent Design Premium 2.5" SSDs, which offer high speeds, reliability, and power-loss protection. Select Samsung SSDs are also supported for more cost-effective recording media. An AC adapter is included for powering the device, with optional battery plates available. Also included is a 36" Micro HDMI to HDMI cable and a HDMI to Mini HDMI adapter, useful for using the Odyssey7Q+ with DSLRs and mirrorless cameras with Micro HDMI outputs.

Titan HD Extract Option
The Titan HD Extract option allows you to take one camera to a shoot and obtain three separate recordings (plus a live switch between the three images). This feature can add a multi-cam look to single-camera shoots without the expense of multiple cameras or recorders. One view is an HD downscale/super-sample of the full image area, and two views are windows selected from the full image area. These views can be panned smoothly through the 4K field, and the three views can be Live-Switched. All four HD views (The master/wide, the two windowed views, and the live-swtiched/program) can be recorded simultaneously in Apple ProRes with matching timecode and file names.
Firmware 2016.1
The following features have been added to the Odyssey 7Q+ with the release of firmware update 2016.1:
  • SDI inputs now support 6G-SDI in addition to 3G-SDI.
  • 4K@60 can be recorded to Apple ProRes 422.
  • The Odyssey now supports 4K@30 from Blackmagic Design cameras.
  • Record 4:4:4 2K and HD video signals in 10- & 12-bit Apple ProRes 4444 or 4444(XQ). This supports many cameras, including Sony F3/F5/F23/F35/F55, Canon C300 Mark II/C500, Panasonic HPX3100, and more. (The HD or 2K input stream must be video, not raw, to use the Apple ProRes 4444 modes at this time.)
  • View two HD video signals while recording one in Apple ProRes
  • Spot Meter - advanced monitoring tool - comprehensive exposure meter
  • Additional & improved Preset LUTs New and improved LUTs for Canon C-Log, C-Log2, and Panasonic V-Log
  • FS7/FS700 2K HS RAW->2K Apple ProRes: Capture 2K Apple ProRes 422, up to 240 fps from the FS700 or FS7 camera with the XDCA Expansion unit. (Requires optional Odyssey Raw Bundle)
  • Monitoring

    Professional Monitor
    7.7" 1280x800 OLED touchscreen panel featuring true blacks and accurate color with a full range color gamut for REC709 or DCI-P3 viewing.
    Flexible I/O
    The Odyssey7Q+ features two dedicated 3G-SDI inputs, two dedicated 3G-SDI outputs, two switchable 3G-SDI input/outputs, one HDMI input, one HDMI output (up to 1080p 30fps). Active Cross-Conversion means that all outputs are always active regardless of which input is used.
    Multi-Stream Monitoring
    Up to four HD video signals can be input and viewed simultaneously (quad-split) or live-switched (choose between inputs for full screen display). A future paid update will allow Multi-Stream Recording of up to four simultaneous Apple ProRes 422 (HQ) files and an XML log file of the live switch.
    Image Analysis Tools
    Waveform— Luma only, RGB Parade, Red only, Blue only, Green only, Full Size and Compact Size options
    Histogram — Luma only, RGB Parade, Red only, Blue only, Green only, Full Size and Compact Size options
    Vectorscope — Analog or digital; Trace display in green or color (true CbCr); Variable Zoom 1.0x - 15.0x (finger drag left-right); Zoom Presets 1, 2, 5, 10, 15x (finger drag up-down)
    False Color — six programmable levels & adjustable ranges
    Zebras — Dual adjustable zebra exposure indicators, selectable colors
    LUT Support — LUTs for Log formats from ARRI, Blackmagic Design, Canon Panasonic and Sony, plus up to 140 custom 3D-LUTs in .CUBE format
    Focus Assist & Pixel Zoom
    Focus Assist — Video + Edges (Peaking), Edges Only, Enhanced Edges, user choice of color: Red, Green, or Blue
    Pixel Zoom — 1:1 and 2:1 Pixel Zoom with moveable image
    Hyper Zoom — 4, 6, 8, 10, and 12x Pixel Zoom on selected portion of image displayed in the lower right corner of the OLED display with selectable color reference frame
    Anamorphic De-Squeeze
    2.0x, 1.5x, 1.33x de-squeeze options for monitoring anamorphic footage. Adjusted image sent to video outputs; recording unaffected.

    Center Extraction mode de-squeezes and magnifies center portion of image for common anamorphic formats. Adjusted image sent to video output; recording unaffected.
    • 1.33x (1.78:1) — Stretches center 4:3 image to cover 16:9 frame
    • 2.0x (2.39:1) — 2.0x stretch with image zoom and crop to 2.39:1
    • 2.0x (2.67:1) — 2.0x stretch with image zoom to 2.67:1
    LUT System & Custom 3D LUT Support
    • Expanded set of Preset LUTs
    • Support for user-loadable custom 3D LUTs (up to 140)
    • 17x, 32x, 33x, 64x, 65x 3D-LUT .CUBE formats supported
    • .CUBE LUTs translated for Odyssey using Convergent Design 3D-LUT Converter App
    • LUTs are currently for monitoring only, not recording
    • LUTs viewed during recording noted in XML file metadata (new CD Apple ProRes Transfer Utility 1.7 required)
    • Extended and Legal Range LUTs supported (EE vs LL)
    • Image Analysis Tools can measure "LUTTED" image or original source
    • Video outputs can independently turn ON/OFF LUT or Mirror OLED
    Built-in Preset 3D LUTs
    ARRI_EE_LOG_R709 — Standard Alexa LogC to Video LUT (camera default)
    Blackmagic Design
    BMD_CC_EE_FILM_V — Blackmagic Cinema Camera LUT from DaVinci Resolve (Version 2)
    BMD_PC_EE_FILM_V2 — Version 2 Blackmagic Production Camera 4K LUT from DaVinci Resolve
    Canon_EE_709_LOG_WDR — Canon Log/Rec.709 to Wide Dynamic Range Rec.709
    Canon_EE_Cin_LOG_WDR — Canon Log/CinemaGamut to Wide Dynamic Range Rec.709
    PANASONIC_EE_LOG_709 — Duplicate of the ALEXA Rec.709 LUT
    RED_EE_RLF_RG3 — REDlogFilm to REDgamma3 with color space as input, e.g. REDcolor3
    SONY_EE_Slog1_R800 — S-Log1 to Rec.709 (800%) with no color space change, matching the in-camera MLUT
    SONY_EE_Slog2_LC709A — Alexa style Low Contrast Rec.709, converted from the Sony original to Extended range in and out, to match the in-camera MLUT
    SONY_EE_Slog3C_L709A — Alexa-style Low Contrast Rec.709, converted from the Sony original to Extended range in and out, to match the in-camera MLUT
    SONY_EE_Slog2_R800 — S-Log1 to Rec.709 (800%) with no color space change, matching the in-camera MLUT
    SONY_EE_SL2_L709A-1 — S-Log2 to Rec.709 when rating the FS700 at 1000ISO (1 stop over)
    SONY_EE_SL2_L709A-2— — S-Log2 to Rec.709 when rating the FS700 at 500ISO (2 stops over)
    SONY_EE_SL3C_L709A-1 — S-Log2 to Rec.709 when rating the FS7 at 1000ISO (1 stop over)
    SONY_EE_SL3C_L709A-2 — S-Log2 to Rec.709 when rating the FS7 at 500ISO (2 stops over)

    Note: All LUTs listed are in the industry-standard .cube format and are available with firmware v2015.7 or later. They must be loaded through the CD 3D-LUT Converter App and then loaded onto an Odyssey SSD or Odyssey Utility Drive in order to then be loaded into the Odyssey7Q+. Additional LUTs can be downloaded from Convergent Design's website.
    Additional Monitoring Features
    4K / 2K Monitoring Modes — 17:9 Letterboxed within 16:9 image or Center-Cut to 16:9. Letterbox or Center-Cut image is sent to video outputs, full image frame is recorded
    Monochrome Monitoring Mode — View Luma only or individual Red, Green, or Blue channel in grey tone
    Aspect Ratio Guides — Standard and Custom (user adjustable), may be used for framing guides, Horizontal/Vertical framing guides available


    4K / UHD / 2K / HD Video Recording
    Record 4K (4096x2160), UHD (3840x2160), 2K (2048x1080) and HD (1920x1080, 1280x720) Video in Apple ProRes 422 (HQ) over SDI. The Odyssey7Q+ can record 4K/UHD 10-bit or 1080p60 10-bit over HDMI.
    Uncompressed DPX 4:4:4 RGB Video Recording
    Record 2K (2048x1080) and HD (1920x1080) Video in 12-bit or 10-bit uncompressed DPX files.
    HDMI 4K/UHD to 2K/HD Supersampling
    An HDMI-based 4K (4096x2160) or UHD (3840x2160) video signal can be supersampled in real time in the Odyssey7Q+ to a 2K (2048x1080) or HD (1920x1080) video signal and recorded in Apple ProRes (HQ, 422, or LT). The resulting images out-resolve the 2K/HD image that many smaller cameras can produce internally. Another advantage is if the camera is limited to 8-bit output, the Odyssey7Q+ supersampling will result in a pseudo-10-bit color sampling for improved color reproduction.
    Included Recording Options
    Compressed Formats:
    4K/UHD 10-bit YCC 4:2:2 up to 30fps in Apple ProRes 422 HQ, 422, 422 LT
    2K/1080p 12-bit RGB 4:4:4: up to 30fps in Apple ProRes 4444 Regular and XQ
    2K/1080p 12-bit RGB 4:4:4: up to 60fps with Canon C500 in Apple ProRes 4444 Regular and XQ
    2K/1080p 10-bit YCC 4:2:2 up to 60fps in Apple ProRes 422 HQ, 422, 422 LT
    1080i 10-bit YCC 4:2:2 up to 60i in Apple ProRes 422 HQ, 422, 422 LT
    720p 10-bit YCC 4:2:2 up to 60fps in Apple ProRes 422 HQ, 422, 422 LT

    Uncompressed Formats:
    2K/1080p RGB 10/12-bit 4:4:4 up to 30fps in DPX file format
    1080p RGB 10-bit 4:4:4 up to 60fps in DPX file format
    Record Options for Purchase or Rental
    ARRIRAW (16:9) up to 60fps

    Canon Cinema Raw (C500/C300 Mark II)
    4K/UHD RAW up to 60fps (30fps for C300 Mark II)
    2K/HD 12-bit up to 30fps
    QHD RAW up to 30fps (C300 Mark II only)
    4K RAW to 4K Apple ProRes up to 30fps (C300 Mark II only)
    QHD RAW to UHD Apple ProRes up to 30fps (C300 Mark II only)

    Sony FS RAW (FS7/FS700)
    4K RAW up to 60fps
    2K RAW up to 240fps
    4K RAW to 4K/UHD Apple ProRes up to 60fps
    4K RAW to HD Apple ProRess up to 240fps
    4K RAW Burst to 4K/UHD Apple ProRes at 100 and 120fps (FS700 only)

    POV 2K 10-bit RAW
    POV HD 10-bit RAW
    POV HD 12-bit RAW

    Note: ARRIRAW above 30fps, Canon RAW 50/60fps, and Sony FS 2K RAW 200fps and 240fps require two SSDs
    Record Triggers
    SDI record trigger (ARRI, Canon, Panasonic, Red, Sony)
    HDMI (with compatible cameras)
    SSD Recording Media
    To enable recording on the Odyssey, Convergent Design Premium SSDs (Odyssey SSDs) or third party SSDs qualified by Convergent Design must be used.
    Third-Party SSD Support
    The Odyssey 7Q+ supports approved third party SSDs (optional SSD Handle kits required to mount). Qualified third-party SSDs include:
    • Samsung 850 Evo PRO in 128GB, 512GB, and 1TB
    • Samsung 850 Evo 1000GB

    Note: Samsung SSDs draw more power than Odyssey SSDs. Convergent Design recommends using an AC-powered USB3 adapter or a Thunderbolt adapter when connecting Samsung SSDs to a computer.
    Designed, Built, and Tested in the USA
    Convergent Design monitors/recorders are designed and built in the United States and each model is thoroughly test before they are shipped. They go through a lengthy burn-in, where they are heat cycled while operating, and then endure another lengthy period where they are repeatedly turned on and off. They are also drop tested, then individually tested, all in Convergent Design's factory in Colorado Springs, Colorado, USA.
    UPC: 722301479605
    In the Box
    Convergent Design Odyssey7Q+ OLED Monitor & 4K Recorder
  • Micro HDMI to HDMI Cable (36")
  • HDMI to Mini HDMI Adapter
  • 36" HD-SDI 3G Ultra-Thin Cable
  • USB 3.0 SSD Reader
  • Plastic Case for SSD
  • SSD Handle Pack (5 Handles)
  • AC Adapter
  • Limited 1-Year Warranty
  • Table of Contents
    • 1Description

    Convergent Design 100-10003-100 specs

    Panel Type OLED
    Display Size 7.7" / 19.5 cm
    Screen Resolution 1280 x 800
    Viewing Angle Horizontal: 176°
    Touchscreen Yes
    Contrast Ratio 3400:1
    Bit Depth / Color Support 8-Bit (16.7 Million Colors)
    Video 4 x 3G-SDI (BNC) Input
    1 x HDMI 1.4b (HDMI Type C) Input
    2 x 3G-SDI (BNC) Output
    1 x HDMI 1.4a (HDMI Type C) Output
    Embedded Audio HDMI: 2-Channel
    SDI: 2-Channel
    Audio 1 x 3.5 mm Line Input
    1 x 3.5 mm Headphone Output
    Built-In Speaker 1
    Power 1 x Barrel Input
    Other I/O 1 x Micro-USB
    1 x Proprietary
    Card Slot None
    Format Support
    Camera Trigger SDI, HDMI
    Encoding Formats 4096 x 2160
    ProRes 422 HQ, 422, LT 10-Bit 4:2:2 at up to 60 fps 
    DNxHD 10-Bit 4:2:2 at up to 60 fps 
    3840 x 2160
    ProRes 422 HQ, 422, LT 10-Bit 4:2:2 at up to 60 fps 
    DNxHD 10-Bit 4:2:2 at up to 60 fps 
    2048 x 1080
    ProRes 422 HQ, 422, LT 10-Bit 4:2:2 at up to 60 fps 
    DNxHD 10-Bit 4:2:2 at up to 60 fps 
    1920 x 1080
    DPX 12-Bit 4:4:4 at up to 30 fps 
    DPX 10-Bit 4:4:4 at up to 60 fps 
    ProRes 4444 XQ 12-Bit 4:4:4 at up to 60 fps 
    1280 x 720
    ProRes 422 HQ, 422, LT 10-Bit 4:2:2 at up to 60 fps 
    DNxHD 10-Bit 4:2:2 at up to 60 fps 
    Recording Media 2 x 2.5" SSD (SATA III)
    DC Input Power 6.5 to 34 VDC
    Battery Type None
    Power Consumption 8 W (Typical)
    15 W (Maximum)
    Operating Temperature 14 to 104°F / -10 to 40°C
    Storage Temperature -4 to 128°F / -20 to 70°C
    Material of Construction Magnesium
    Dimensions (W x H x D) 7.9 x 6.1 x 1" / 20 x 15.5 x 2.5 cm
    Weight 1.2 lb / 0.56 kg
    Packaging Info
    Package Weight 3.05 lb
    Box Dimensions (LxWxH) 11.5 x 7.4 x 2.3"

    Convergent Design 100-10003-100 reviews

    Odyssey7Q+ OLED Monitor & 4K Recorder is rated 3.9 out of 5 by 54.
    Rated 3 out of 5 by from Beta Company I just purchased my second unit (formally owned the 7Q). The unit is pretty excellent once you get passed dealing with convergent-design. For the second time in a row they have advertised a working unit that does not work. You only get video out of the Canon video cameras (5D, c300, xf105) but no audio. Hmmm. What's the point of this again? Convergent-Design knew this but refused to let anyone know. They blame canon--which is fine--if they let us know before buying it. So I'm in the same boat as with the first go round, where the HDMI out wouldn't send audio. Here I am again, paying full price for a beta product.
    Date published: 2016-08-23
    Rated 1 out of 5 by from Nothing but problems I've had this unit for 6 months and it is completely unreliable. For the price, you'd think they'd have all the bugs worked out, but no. I've had several issues, all I've addressed with them and although they quickly respond, no help is given, other than, we are aware of that issue and the next firmware upgrade with fix it List of problems: intermittent screen lock intermittent picture loss and distortion wavy lines on the top few pixels of the picture pink and red vertical lines over the entire screen camera trigger won't trigger the record on the unit battery gauge is primitive I would not recommend this unit at all
    Date published: 2015-10-20
    Rated 4 out of 5 by from Big pros, small cons... Turns my A7s into a incredibly powerful, low-light 4k camera. I love the quality of the pro-res files and love the upgrade to 3D LUTS (I found the built-in 709 LUT a little funky). It feels rugged and like it could take some abuse (a metal housing), which is why I opted for this over the Atomos Shogun. The placement of the mounts is annoying. I would have appreciated a custom built HDMI cable (running out of a DSLR means you've got 3 different sizes of HDMI in play). It's a bummer that the drives cost so much. They fill up fairly quickly in 4k, but it just forces you to work film-style (shoot less, don't keep the camera rolling).
    Date published: 2015-06-17
    Rated 5 out of 5 by from Like the product, love the support! Just had my first shoot with the Odyssey 7Q+ on my a7s, and was very impressed. It pretty much turned my pro-sumer DSLR into a fully equipped production camera outputting post production friendly HQ Prores files. I would love to have the DNXHD option as well, but that will hopefully come soon with a simple firmware update (fingers crossed). What I liked most about this product is the technical support. Dan Keaton has always been willing to help with any simple or complex question I've had so far. Customer support on these types of products are always very important to me, so Dan really has me very happy so far with my Odyssey experience.
    Date published: 2015-10-04
    Rated 1 out of 5 by from Inexcusable The 7Q+ feels clunkier and more dated than the Shogun in every way (we have both.) The UI is ugly, the screen is lower resolution (are 1080p screens so hard to make these days?) Even small things like the fact that the mount for the noga arm is in such an inconvenient place, the splitting of files, no included battery plate, and the lack of full size HDMI all make this a nuisance to work with. The biggest issues, things that are simply inexcusable, are definitely the split files and the lack of Samsung SSD support that we should have had last month. These guys don't even make any kind of nod to them screwing over everyone who already purchased the SSDs. It's been an all around lousy experience.
    Date published: 2015-06-07
    Rated 5 out of 5 by from Not what I expected This unit has been touted as the best on the market...if that's the case we definitely need some new players. We just shot a music video with this and the c500 and it was a nightmare. Constant issues with the device shutting off, tons of split files, loading new profiles took forever (prores and raw), on and on. I really hope shogun gets their c500 support out soon. I'd be happy to move to a company who seems to care more about their customers. I called CD about some other issues and asked about their plans to compete with shogun and all they could do was bash the other device saying how superior theirs was and that they 'don't miss dates on firmware'. Hah!
    Date published: 2015-06-16
    Rated 1 out of 5 by from Why don't you tell people all you need extra for this item? Why don't you tell people that many of the features of this item are extra and impossible to use if don't buy them from Convegent Design such as: SSD's, you also need to pay almost $1,000 usd more for being able to record 4K. This item is almost a fraud, from a guy who doesn't respect his clients and, of course, if you live outside the USA... NEVER BUY this item! Cause you will need to travel several times back in order to have a complete functioning item. In other words this items costs 2 times more of what B & H offers spent on peripherals
    Date published: 2016-04-24
    Rated 2 out of 5 by from To good to be true I was attracted by the OLED screen and the multi-inputs, recording camera program by switching live, I usually shot with 2 or 3 cameras, I was very enthusiastic, and the price seem to be low for what it offered, but it was to good to be true, the software has a lot of bug, lines everywhere. I need it to reset the monitor several times during 10 hr job, but most important it has latency of 1 to 5 frames, which is unacceptable of a professional monitor now days. It really bugged me, to see the image out sync, against the realtime sound. The monitor seem to have a green color shift, which you need to ajust. I would recommend this monitor if you don't need to be that picky about the image and need a reference monitor.
    Date published: 2016-03-02
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