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Blackmagic Design URSA Mini 4.6K Digital Cinema Camera (PL-Mount)

BH #BLURSAM46KPL • MFR #CINEURSAM46K/PL
Key Features
  • Super-35mm CMOS Sensor
  • 4608 x 2592 Video up to 60p
  • Compressed Raw Recording
  • Ready-to-Edit ProRes 444 + 422 Recording
Now in a smaller, more handheld-friendly form factor, the URSA Mini 4.6K Digital Cinema Camera from Blackmagic Design can record cinematic images with its Super-35mm 4.6K, sensor with 15 stops of dynamic range. The ergonomic body design is balanced and can be used for many different styles of filmmaking. The PL-Mount is compatible with a plethora of popular lenses, opening different aesthetic options. A rosette on the side of the camera accepts the included side handle, which can control Start/Stop via a LANC connection.
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Blackmagic Design URSA Mini 4.6K Overview

Now in a smaller, more handheld-friendly form factor, the URSA Mini 4.6K Digital Cinema Camera from Blackmagic Design can record cinematic images with its Super-35mm 4.6K, sensor with 15 stops of dynamic range. The ergonomic body design is balanced and can be used for many different styles of filmmaking. The PL-Mount is compatible with a plethora of popular lenses, opening different aesthetic options. A rosette on the side of the camera accepts the included side handle, which can control Start/Stop via a LANC connection.

To produce cinematic images, the URSA Mini can record raw sensor data in the CinemaDNG format onto CFast 2.0 memory cards at up to 60 fps. The raw files preserve the full dynamic range and color tonality output from the sensor, so you can have greater control over the look in post-production. However, data-heavy uncompressed raw files aren't always easy to deal with on set, so in addition to uncompressed raw recording, the 4.6K URSA Mini provides compressed raw recording at 3:1 and 4:1 compression ratios to save space while retaining post-production flexibility.

The URSA Mini also records UHD 4K (3840 x 2160) and 1080p video using ready-to-edit ProRes files in many different flavors within the 444 and 422 chroma subsampling variations, depending on your workflow. Starting at the high end, UHD footage can be recorded in ProRes 444 XQ at a rate of 312.5 MB/s all the way down to 1080p in a ProRes 422 Proxy file coming in at a relatively paltry 5.6 MB/s data rate. Since the camera accepts dual CFast cards, you can record for long periods of time by having the camera switch cards when one is full.

Power for the URSA Mini can be supplied via a 4-pin XLR jack at the rear of the camera. With an optional plate, the URSA will accept professional V-Mount or Gold Mount batteries on the back. Once connected to power, the URSA can even distribute power through a second 4-pin XLR jack.

Camera Features
Compact Handheld Design
Sizing down the familiar URSA shape enables the URSA Mini to fit into feature and indie film, broadcast TV, commercial, documentary, and music video workflows with crews of any size. Using the optional shoulder mount with a built-in quick release plate, the URSA Mini can go from handheld to shoulder to tripod in a matter of seconds. Despite its size, the URSA Mini still fits essential I/O for professional workflows.

The body is made from magnesium alloys to keep the URSA Mini lightweight at 5 lb. To make the camera more acceptable for handheld usage, a side handle is included. With the optional shoulder mount, the handle can be extended off the side of the camera to be used in a doc-style configuration.
4.6K Super-35mm Sensor
With an effective resolution of 4608 x 2592, the sensor housed inside the URSA Mini can capture motion pictures that have greater-than 4k resolution with a film-like 15 stops of dynamic range. A wide exposure latitude allows for greater control in post, enabling highlight recovery while keeping the shadows clean from artifacting.

The URSA Mini can record the entire sensor at up to 60 fps to fit television or other workflows which require higher frame rates. Using a smaller portion of the sensor, the URSA Mini can also record slow-motion footage at up to 120 fps in 1080p resolution. When recording high frame rates, the URSA Mini will conform captured footage to the set standard frame rate, resulting in smooth footage that doesn't require post-processing before editing.

Touchscreen Control
In addition to more traditional button-driven menus, the URSA Mini features a foldout 5-inch, 1920 x 1080 resolution capacitive touchscreen LCD monitor. Using the easily navigable touchscreen menu, you can see and change all camera settings, view timecode, histograms, audio levels, and focus peaking, as well as add shot metadata with an on-screen keyboard.
Professional Connections
The URSA Mini features multiple connections such as 12G-SDI out, HD-SDI monitoring out, two LANC inputs, balanced XLR audio with phantom power, timecode-in, and reference input. On the front right side of the camera, the 4-pin XLR DC and HD-SDI monitoring output are located in the perfect position for connecting to an optional viewfinder or on set monitor. The 12G-SDI output handles up to 2160p60 using a single BNC cable, and switches to 6G-SDI or HD-SDI depending on the shooting format.
Quality Sound Recording
With high-quality built-in microphones and professional audio recording features, you don't have to carry around extra sound equipment. You can use the built-in stereo microphone to record natural location sound or connect professional microphones using the two XLR mic inputs. The XLR connections have 48V of switchable phantom power, so you can plug shotgun or wireless lavalier mics for capturing more detail. You can quickly adjust levels using the physical knobs, while monitoring the audio using the onscreen audio meters and headphones.
Multiple Power Options
On its own, the URSA Mini includes a 4-pin XLR industry standard power connector that works with 12 to 30V external power supplies. That means it's easy to use the camera with existing professional power supplies and batteries. The camera uses the same battery power connector and mounting points on the rear of the camera as used on the original URSA, so you can use the same range of battery plates from a wide range of manufacturers such as IDX, Frezzi, Anton Bauer, and more. You can also add the optional Blackmagic URSA V-Lock Battery Plate for using popular V-Mount batteries.
DaVinci Resolve Software Included
Included with the camera is a DaVinci Resolve USB dongle, which contains a license to unlock the full feature-set within the software. The full version of DaVinci Resolve is compatible with Mac and Windows, and can be used for editing, color grading, media management, mastering, and delivery. DaVinci Resolve can easily handle the 12-bit log RAW images from URSA Mini so you can take advantage of the URSA Mini's amazing image quality and wide dynamic range. DaVinci Resolve features advanced, multi-layer timeline editing with powerful trimming tools, along with the industry's leading suite of creative grading tools

Blackmagic Design URSA Mini 4.6KSpecs

Lens Communication
Yes, Cooke /i
Built-In ND Filter
Mechanical Filter Wheel with Clear, 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters
Shutter Angle
11 to 360°
Built-In Microphone
Stereo
Audio Recording
2-Channel
Video I/O
1x BNC (12G-SDI) Output
Audio I/O
2x XLR 3-Pin Mic/Line (+48 V Phantom Power) Input
Other I/O
1x Mini-USB
1x BNC (Timecode) Input
1x BNC (Reference) Input
2x 2.5 mm Sub-Mini (LANC) Control Input
Accessory Mounting Thread
2x
1x
1x 1/4"-20
Packaging Info
Package Weight
8.85 lb
Box Dimensions (LxWxH)
12.9 x 10 x 7.9"

Blackmagic Design URSA Mini 4.6K Reviews

See any errors on this page? Let us know

Will this camera shoot in BM Raw? WIll it ...

Will this camera shoot in BM Raw? WIll it continue to recieve updates and codecs?
Asked by: Sean
At the moment, Blackmagic RAW is not supported on this camera model.
Answered by: BMD Product Specialist
Date published: 2019-06-24

Can you switch out the Pl for the Ef mount ...

Can you switch out the Pl for the Ef mount Adapter
Asked by: Julian
The URSA Mini 4.6K has a fixed mount. The URSA Mini Pro has interchangeable mounts.
Answered by: BMD Product Specialist
Date published: 2019-06-21

Can you switch out the Pl for the F mount ...

Can you switch out the Pl for the F mount Adapter?
Asked by: Dancing Grass
This bundle only comes with the PL mount version of the URSA Mini 4.6K. The Blackmagic URSA Mini Pro F Mount adapter only works with the URSA Mini Pro cameras, not the URSA Mini models.
Answered by: BMD Product Specialist
Date published: 2019-05-23

Must one include the Fujinon XK20-120mmCabro ...

Must one include the Fujinon XK20-120mmCabro premier lens, ? are there other lens options?
Asked by: Edyth
The Fujinon XK20-120mm is just one of many lens options that will work with this camera. This camera has a PL mount and will work with any number of PL Lenses. https://bhpho.to/2LpWBM1
Answered by: Joseph
Date published: 2019-05-05

question

Can a servo lens be added along side all of these additions? I didn't know if the view finder might take the power spot the servo would use.
Asked by: Jon E.
Yes, you can use the EVF and a servo lens at the same time. The Viewfinder will use the 4-pin XLR and SDI ports on the side of the camera while the servo lens can use the 12-pin Hirose port that is also on the side of the camera.
Answered by: AskBMD Black magic Design Expert
Date published: 2018-08-27

question

Why has this been discontinued?
Asked by: Arthur
The Blackmagic Design URSA Mini 4.6K Digital Cinema Camera (PL-Mount) is no longer manufactured because it has been supplanted by the newer and better Blackmagic Design URSA Mini Pro 4.6K Digital Cinema Camera. That camera allows you to change the lens mount to EF, PL and B4. This is an incredible feature. I know of no camera in the history of cinema that allows the user to do this. In the past, expert technicians would be needed to make mount change that were invariably permanent. Now with the URSA Mini Pro 4.6K, you can choose between the three most popular professional lens mounts all by yourself, even during a shoot day. Amazing.
Answered by: Dennis A L.
Date published: 2018-08-26

question

Whats the maximum Frame Rate it can shoot for slow motion?
Asked by: Jebin R.
The maximum frame rate is 120fps, but only up to a 2048 x 1152 resolution, when you're shooting in RAW. There are many other combinations of formats, resolutions, and sensor windowing that have different caps on the frame rate. Full 4.6k ProRes XQ, for example, tops out at 30fps, while Ultra HD (3840 x 2160) ProRes 422 tops out at 60fps. Lots of combinations to fit your needs.
Answered by: Joel M D.
Date published: 2018-08-26

question

What kind of focus assist does this camera have?
Asked by: Luciano C.
I can't speak the firmware update as we are still running what it came with to avoid issues matching previously shot footage. That said, what it comes with is green focus peaking that appears anywhere the contrast is sharp enough. Very reliable in well lit situations but in a low light environment it barely registers. The camera also has a double tap digital zoom magnification to help pull focus by eye. That said, you can't select what area it zooms in on like you can on a Canon DSLR. You are stuck with dead center. Many times in a locked off tripod situation I found myself having to pan up to focus on the actor eyes and then find my composition again before relocking the tripod head. Also it doesn't zoom in twice, just once. Don't know for sure the exact magnification number but I would guess it's x5 (Canon does x5 and x10). All of this may have changed with the most recent firmware updates so I would google it and check their forums for an updated answer.
Answered by: Bryan R.
Date published: 2018-08-26
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