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RX Final Mix from iZotope is aimed at audio post production professionals and video editors who need to deliver broadcast compliant mixes without degrading the quality of the source audio. The real-time plug-in can control peaks and provides mixes and sub-mixes with a smooth sonic balance while ensuring clearer dialogue, maximum sonic impact, and more accurate mix compliance. The Dynamic EQ and True Peak limiter are optimized with intelligent DSP for true peak compliance with the latest loudness standards (BS.1770-2/3, EBU R128, and more).
Dynamic EQ is essentially an EQ with the ballistics of a compressor
Surround sound, program-dependent EQ provides intelligent dynamic control over EQ adjustments
Control gain, frequency, Q and the shape of up to eight nodes
Each node can operate in a dynamic mode, in which the shape and depth of the EQ curve will change in response to the audio, allowing an EQ adjustment to behave differently in different scenarios - for example a large explosion, a sudden gunshot, or a dialogue sibilance reduction
User-definable threshold sets the point at which the dynamic ballistics start to operate
Incoming frequencies located at the EQ node/band are used to trigger the amount of EQ applied - the further it falls above or below the threshold, the greater the adjustment
The attack and release times for the trajectory of the dynamic behavior scale in accordance to the type of audio passing through
Accentuate sections of the spectrum with the Dynamic EQ - Expand mode
True peak, BS.1770-2/3 compliant limiter provides intelligent digital loudness maximization of the signal, while ensuring there are no true peak overflows to keep mixes compliant to delivery specs
Three user-definable characters (clear, smooth, thick) allow for more direct control over the adaptive, transparent nature of the limiting algorithm, tuned specifically for post production audio
Processor analyzes incoming source material and leverages a psycho-acoustically pleasing algorithm, reacting quickly to transients and reacting more slowly to steady, lower frequency tones
Optimized to preserve transients and present them more clearly in the output signal, even when aggressive limiting is taking place
Stem and Master Bus Processing
Provides up to 7.1 surround support with control over LFE channel processing, for use on both stems and master busses
For delivering discrete stems, use the frequency control and true peak limiting (it is not recommended to use the processors on both stems and the master bus as this changes the relationship between the two)
For delivering a final stereo or surround mix without stems, the plug-in contains specific master bus presets designed to prepare the mix for optimum sound quality, and even specific playback scenarios such as video streaming
Table of Contents
Mac OS X 10.7 to 10.10 (Intel only) Host software that supports AAX Native, AudioSuite, Audio Units, RTAS, VST, or VST3 plug-in formats
Windows Windows 7 or later Host software that supports AAX Native, AudioSuite, RTAS, VST, or VST3 plug-in formats
Note VST, VST 3, AAX, RTAS, and AudioSuite will support mono, stereo, 5.0, 5.1, 7.0, and 7.1. Audio Units will support mono up to stereo only. For hosts that support both VST and Audio Units, surround functionality can be used via VST. For Audio Units-exclusive hosts, namely Final Cut and Logic, RX Final Mix supports stereo only.
iZotope RX Final Mix - Post Production Processing Plug-In (Download) Review