Roland M-200i 32-Channel Live Digital V-Mixer Console

Roland M200i 32-Channel Digital Mixer with S-1608 Digital Snake Kit

Roland M200i 32-Channel Digital Mixer with S-1608 Digital Snake Kit

B&H # ROM200IEXP MFR # M200I-EXP
Roland M200i 32-Channel Digital Mixer with S-1608 Digital Snake Kit

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Roland M-200i 32-Channel Live Digital V-Mixer Console Roland S-1608 16x8 Stage Unit Digital Snake System Roland M200i 32-Channel Digital Mixer with S-1608 Digital Snake Kit

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Product Highlights

  • 32-Channel Digital Mixer
  • S-1608 Digital Snake
  • 24-Bit/96 kHz Audio Quality
  • Remote Controllable with or without iPad
  • Mixer with 17 Motorized Faders
  • REAC Low-Latency Digital Transmission
  • Multi-Channel Recording
  • Compact Floor-Based or Rack Design
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Configuration: With S-1608 Snake

Mixer With S-1608 Snake
Man Behind Layer

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  • 1Description

The Roland M200i 32-Channel Digital Mixer with S-1608 Digital Snake Kit from B&H is a sound reinforcement solution that provides a comfortable mixing environment with 24 analog inputs, 12 analog outputs, and a stereo digital output (AES/EBU), and is bundled with a digital snake with 24-bit/96 kHz audio quality. It can be used for several applications such as bands, corporate A/V events, seminars, rental and staging houses, houses of worship, broadcasters, and more.

The M200i features 17 motorized faders and combines with an iPad (sold separately) that functions as a large touch screen display. All input channels are equipped with two dynamics processors and a 4-band parametric EQ and the Main/8 Aux/4 Matrix output buses are all built with a compressor, 4-band parametric EQ, limiter, and delay. It is ready to go straight out-of-the box.

In addition, the S-1608 digital snake system is easy to use and quick to install and offers 16 input x 8 output configuration. It is a compact floor-based or rack-mountable design and has remote controllable preamps using an S-4000R remote unit (sold separately) or free Windows/Mac RCS software. Furthermore, by using Cat5E cable instead of multi-core copper cables, it is immune to the "hums and buzzes" caused by ground issues and the high frequency losses inherent in analog snakes.

  • Roland M-200i 32-Channel Live Digital V-Mixer Console

    The M-200i 32-Channel Live Digital Mixing Console from Roland is a V-Mixer with 24 analog inputs, 12 analog outputs, and stereo digital output (AES/EBU), all built-in to the main unit and it is ready to perform out of the box. It can be used in sound reinforcement applications such as rehearsals, live stage, theater, houses of worship, and more.

    The basics of any mix starts with good channel processing and all input channels are equipped with two dynamics processors and 4-band parametric equalizers. The Main, 8 Aux, and 4 Matrix output busses are also equipped with a compressor, 4-band parametric EQ, limiter, and delay.

    The M-200i features 17 motorized faders, dedicated buttons and knobs for key functions, and can interface with an iPad (sold separately) as a large touch screen display. Use the iPad for intuitive control of effects and other graphical manipulation, while physically controlling the volume with the motorized faders.

    In addition, the M-200i incorporates a built-in REAC port that allows you to expand using any other device from the REAC family including Personal Mixers and/or Multi-channel Recorder/Player technology (sold separately).

    Hybrid Surface that Combines an iPad with a Physical Controller
    The iPad functions as a large touch screen display. Use the iPad for intuitive control of effects and other graphical adjustments, while physically controlling the volume with the motorized faders. The advanced "Touch & Turn" surface provides a more convenient mixing environment than ever before by allowing you to touch a control on the iPad and control it with a physical knob
    All Functions Required for High-End Live Audio Production
    The M-200i has a comfortable mixing capacity with its 32 channel inputs + Main/8 AUX/4 Matrix outputs. Despite its compact size, the M-200i ensures a comfortable 32 channel input mix capacity. The output has the full specifications of Main (LR)/8 AUX/4 Matrix, which supports many mixing applications. Any of the built-in 24 analog inputs, the 40x40 channels on the REAC port, the effect outputs, and USB memory recorder can be assigned to the 32 channels
    Effect Types
    Stereo Reverb, Reverb+gate, Delay X 2, Long Delay, Multi Tap Delay, Cross-modulation Delay, Stereo Chorus, Stereo Flanger, Stereo Phaser, Channel Strip X 2, Pitch Shifter X 2, GEQ, Stereo Flanger SBF-325, Phase Shifter SPH-323, Dimension D SDD-320
    Built-in USB Memory Recorder for Uncompressed WAV Recording
    Any two of the Main/8 AUX/4 Matrix outputs can be recorded as a 16-bit, uncompressed WAV file by inserting a USB memory stick in the back panel. WAV files stored in USB memory can be also be played from any input channel. In addition, the USB memory can be used for saving/loading configuration files on the M-200i
    UPC: 761294502747
  • Roland S-1608 16x8 Stage Unit Digital Snake System

    The S-1608 16x8 Stage Unit Digital Snake System from Roland is a small format audio snake solution that offers 24-bit/96 kHz audio quality. It can be used in applications for bands, corporate A/V events, seminars, rental and staging houses, and broadcasters who need the best possible sound quality from their audio without the high frequency losses and bulk of an analog snake.

    The S-1608 features 16-XLR microphone preamps with 48V phantom power and 8 XLR outputs. There is one digital output connector, an REAC (Roland Ethernet Audio Communication) output connector, an RS-232C, and DB-9 output connectors built into the unit.

    Connections to the microphone preamps are made on stage where it is controlled using the S-4000R (sold separately), or the free PC/Mac RCS software. The audio is then amplified and converted at the closest point to the sound source and sent using Cat5e cables to the front of house mixer instead of using large multi-core copper cables. As a result, the S-1608 Digital Snake system is immune to the hums and buzzes caused by electrical noises inherent in analog snakes.

    REAC Technology
    The REAC (Roland Ethernet Audio Communication) protocol is a low-latency, high-quality 24-bit/ 96 kHz audio transport protocol used by the S-1608. It allows the Digital Snake's signal to be "split" to as many positions as required, such as monitor, broadcast, and recording splits using the S-4000D or any standard gigabit Ethernet switch (sold separately)
    High Resolution Sound Quality
    By placing high quality mic-pres on stage, the sound is amplified and converted at the closest point to the sound source, providing the best possible quality audio. The mic preamps can be controlled using the S-4000R (sold separately) or the free PC/Mac RCS software. By using Cat5e cable instead of large multi-core copper cable, the S-1608 Digital Snake system is immune to the "hums and buzzes" caused by electrical noise, ground issues, and the high frequency losses inherent in analog snakes
    For Monitoring, Broadcasting, or Recording Applications
    With the S-1608 Digital Snake system, the source audio can be digitally split using the S-4000-SP (sold separately) or any standard Ethernet switch. The loss-less digital splits can be routed over CAT5 cable to a monitoring console or a broadcast truck for recording
    UPC: 761294405086
In the Box
Table of Contents
  • 1Description
  • Roland M-200i 32-Channel Live Digital V-Mixer Console
    Processing
    Channels 32
    Buses Main L/R
    8 Aux
    4 Matrix
    Inputs/Outputs Inputs: 24 (64 when using optional REAC devices)
    Outputs: 14 (Max 54 ports when using REAC Devices)
    Signal Processing AD/DA Conversion: 24-bit
    Sample Rate: 48 kHz or 44.1 kHz
    Console Latency Console: 2.0 ms (typ.)
    Sample Rate: 48 kHz
    Effects: No insert effects
    Total Latency of audio signal from M-200i's console inputs to M-200i's outputs.
    Network Latency 2.5 ms (typ.)
    Sample Rate: 48 kHz
    Effects: No insert effects
    Total System Latency of audio signal from S-1608 inputs to outputs via M-200i's REAC ports.
    Connectors
    Input/Output Input Jacks (1 to 16): XLR-3-31 type (balanced, phantom power)
    Input Jacks (17 to 22): 1/4" (6.3 mm) phone jack type (balanced)
    Input Jacks (23 to 24): RCA phone type
    Assignable Output Jacks (1 to 6): XLR-3-32 type (balanced)
    Assignable Output Jacks (7 to 10): 1/4" (6.3 mm) phone jack type (balanced)
    Main Output Jacks (L,R): XLR-3-32 type (balanced)
    Headphones Jack: Stereo 1/4: (6.3 mm) phone type, 1/8" (3.5 mm) mini-jack type
    AES/EBU Out Jacks: XLR-3-32 type (110 ohms balanced)
    REAC port: RJ-45 EtherCon type
    RS-232C Connector: 9-pin D-sub type
    MIDI Connectors (Out/Thru, In): 5-pin DIN type
    USB Memory Port: USB type A
    USB WLAN Adapter Port: USB type A
    USB Computer Port: USB type B
    Lan Port: RJ45 type
    DOC Cable Port: 10-pin mini DIN type
    DOC Cable Port: 10-pin mini DIN type DC In jack
    Grounding Terminal XLR type: 1 GND, 2 HOT, 3: Cold
    Phantom power: DC+48V (unloaded maximum), 14 mA (maximum load, All XLR type inputs)
    Input/Output Characteristics
    Frequency Response Assignable Output Jacks (1 to 10): -2 dB/+0 dB (20 kOhms load, +4 dBu, typ.)
    Main Output Jacks (L, R): -2 dB / +0 dB (20 kOhms load, +4 dBu, typ.)
    Phones Jack: -3 dB / +0 dB (40 ohms load, 150 mW, typ.)
    Sample Rate: 48 kHz or 44.1 kHz
    Input Connector: Input 1 to 24 (Pad: ON, Input Sens: +4 dBu, 20 Hz to 20 kHz
    Total Harmonic Distortion (THD) + N Assignable Output Jacks (1 to 10): 0.05 % (+4 dBu, typ.)
    Main Output Jacks (L, R): 0.05 % (+4 dBu, typ.)
    Phones Jack: 0.05 % (40 ohms load, 150 mW, typ.)
    Sample Rate: 48 kHz or 44.1 kHz
    Input Connector: Input 1 to 24 (Input sens: +4 dBu, 20 Hz to 20 kHz)
    Dynamic Range Assignable Output Jacks (1 to 10): 102 dB (typ.)
    Main Output Jacks (L, R): 102 dB (typ.)
    Sample Rate: 48 kHz or 44.1 kHz
    Input Connector: Input 1 to 24 (Input sens: +4 dBu, 20 Hz to 20 kHz)
    Crosstalk @ 1 kHz Input Jacks (1 to 24): -80 dB (Input sens: +4 dBu, IHF-A, typ.)
    Assignable Output Jacks (1 to 10): -88 dB (typ.)
    Main Output Jacks (L, R): -88 dB (typ.)
    Sample Rate: 48 Khz or 44.1 kHz
    Nominal Input Level Variable:
    Input Jacks (1 to 16): -65 to +4 dBu
    Input Jacks (17 to 24): -28 to +4 dBu
    Input Impedance Input Jacks (1 to 16): 14 kOhms
    Input Jacks (17 to 24): 10 kOhms
    Maximum Input Level Non Clip: Input Jacks (1 to 24 +22 dBu (1 kHz, 20 kOhms load, typ.)
    Nominal Output Level Assignable Output Jacks (1 to 10): +4 dBu (Load impedance: 10 kOhms, typ.)
    Main Output Jacks (L, R): +4 dBu (Load impedance: 10 kOhms, typ.)
    Output Impedance Assignable Output Jacks (1 to 10): 600 ohms (typ.) Main Output Jacks (L, R): 600 ohms (typ.)
    Headphone jack: 49 ohms (typ.)
    Minimum Load Impedance Phones Jack: 16 ohms
    Maximum Output Level Non Clip:
    Assignable Output Jacks (1 to 10): +22 dBu (1 kHz, 10 kOhms load, typ.)
    Main Output Jacks (1 to 10): +22 dBu (1 kHz, 10 kOhms load, typ.)
    Headphones Jack: 150 mW + 150 mW (1 kHz, 40 ohms load, typ.)
    Residual Noise Level (IHF-A, typ.) -88 dBu (All faders: Min)
    -80 dBu (Main Fader: Unity, Channel faders: Unity only one Input 1 channel, Preamp sens: Min)
    -61 dBu (Main Fader: Unity, Channel faders: Unity only one Input 1 channel, Preamp sens: Max)
    Input 150 ohms terminate
    Output Connector: Assignable Output Jacks (1 to 10), Main Output Jacks (L, R)
    Sample Rate: 48 kHz or 44.1 kHz
    Equivalent Input Noise Level -126 dBu (Main Fader: Unity, Channel faders: Unity only one channel, Preamp sens: Max)
    Output Connector: Assignable Output Jacks (1 to 10), Main Output Jacks (L, R)
    Sample Rate: 48 kHz or 44.1 kHz
    Others
    Display Graphic LCD 132 x 64 dots with backlight
    Current Draw 3.6 A
    Operation Temperature 32 to 104°F (5 to 40°C)
    Size & Weight
    Dimensions (W x D x H) 19.3 x 19.3 x 7.8" (49 x 49 x 20 cm)
    Weight 22 lb (9.8 kg)
    Packaging Info
    Box Dimensions (LxWxH) 24.0 x 23.0 x 11.0"
  • Roland S-1608 16x8 Stage Unit Digital Snake System
    Number of Channels 16 in 8 out
    AD/DA Conversion 24-Bit/96 kHz
    Frequency Response -2 dB / +0 dB (@ +4 dBu, 20 Hz to 20 kHz)
    Total Harmonic Distortion (THD) + N 0.05 % or less (Pad: On, Input Gain: +4 dBu, 22 Hz to 20 kHz)
    Dynamic Range 110 dB
    Cross Talk -80 dB or less (Input Gain: +4 dBu, typ.)
    Nominal Input Level 65 to -10 dBu
    PAD Off: -45 to +10 dBu
    PAD On: 1 dB step, Max. +28 dBu)
    Pad 20 dB On/Off
    Input Impedance 14 kOhms
    Nominal Output Level +4 dBu, max. +22 dBu
    Output Impedance 600 ohms
    Recommended Load Impedance 10 kOhms or greater
    Residual Noise IHF-A, Typ: -80 dBu or less
    Equivalent Input Noise -128 dB
    Network Latency 375 ms when using REAC cable only (AD > REAC > DA Latency: approx 1.2 ms)
    Input Connectors Analog: 16x XLR type, balanced, phantom power
    Output Connectors Analog: 8x XLR type, balanced
    Digital Output Connector: 1 (optical type)
    REAC Connector: 1 RJ-45 EtherCon type
    Remote Connector: RS-232C, DB-9 type
    Indicators 1x Power
    1x REAC
    1x Remote
    1x Mute all outputs indicator
    Power Supply AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz)
    Power Consumption 45 W
    Phantom Power +48 V / 14 mA (each input, remote controlled)
    Operation Temperature 32 to 104°F (0 to 40°C)
    Dimensions (W x D x H) 15.8 x 5.31 x 6.97" (401 x 135 x 177 mm)
    Weight 12.1 lb (5.5 kg)
    Packaging Info
    Box Dimensions (LxWxH) 20.0 x 11.0 x 10.0"

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