This Cine DS Wide-Angle Lens Kit with Fisheye features Rokinon's 12, 14, 24, and 35mm focal length Cine DS lenses, all in a Sony E mount. All four of the included lenses cover full-frame-sized sensors, with the 12mm providing a fisheye effect. The lenses all feature a multi-layer coating to improve contrast and reduce flare, and each lens is compared to a standard at the factory, minimizing differences in color that may arise from the multi-layer coating process. This makes for smoother intercutting between the lenses.
The internal focus design, common with cine-style lenses, means that the lens front does not rotate as you change focus. This enables the use of screw-in filters such as polarizers as well as clip-on matte boxes to be used, facilitating video shooting. The lenses feature a de-clicked iris, which is an important feature for a cine lens to have, as it allows you to pull the aperture and make smooth exposure adjustments in the shot. The lenses feature focus scales on both sides, which is a helpful aid for focus pullers, who can then pull focus from either side of the lens without having to spend time marking it up for operation from either side.
The 12mm T3.1 ED AS IF NCS UMC Cine DS Fisheye Lens for Sony E-Mount from Rokinon is a lens optimized for digital cinematography and as such provides a de-clicked manual aperture for smooth and silent adjustment and unified focus and aperture gears for use with follow focus accessories. Also, focus, aperture, and depth of field markings are on the side of the lens to aid focus pullers who typically operate on the side of the camera. Aperture is measured in absolute T-stops to provide accurate and consistent exposure across lenses and color rendition is matched with other Rokinon cine lenses for consistency.
This fisheye lens provides a 180º diagonal angle of view on full-frame cameras for an ultra-wide angle, distorted perspective that is useful for architectural interiors, landscapes and creative experimentation in any application. The T3.1 maximum aperture is effective in low light situations and enables some measure of shallow depth of field control.
The lens' optical design consists of 12 lens elements arranged in 8 groups including three elements made of low dispersion ED glass and two aspherical lens elements to minimize coma and chromatic aberrations. Highly effective nano crystal anti-reflection (NCS) coating applied together with UMC coatings improve light transmission and reduce ghosting. Its internal focus system does not extend the front elements during focus and minimizes the effects of lens breathing.
Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 24mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in a Sony E-Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
This 24mm lens produces a 84.1° FOV when used with full-frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.
Please note that some cameras may require that Shutter Lock be disengaged when using this lens.
Full-Frame: 84.1°
APS-C: 61.8°
Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 35mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Sony E-Mount and features industry standard geared focus and iris rings that share a common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
This 35mm lens produces a 63.1° angle-of-view when used with a full-frame sensor camera. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 12" from the lens. A removable petal-shaped lens hood provides flare protection when shooting without a matte box, the lens' threaded front accepts a 77mm filter ring.
Please note that some cameras may require that Shutter Lock be disengaged when using this lens.