Sony Alpha a7 II Mirrorless Digital Camera with FE 28-70mm f/3.5-5.6 OSS Lens

Sony Alpha a7 II Mirrorless Digital Camera with 28-70mm Lens and 6-Track Field Recorder Kit

Sony Alpha a7 II Mirrorless Digital Camera with 28-70mm Lens and 6-Track Field Recorder Kit

B&H # SOA72K6TRK (B&H Kit)
Sony Alpha a7 II Mirrorless Digital Camera with 28-70mm Lens and 6-Track Field Recorder Kit

Kit includes:


Sony Alpha a7 II Mirrorless Digital Camera with FE 28-70mm f/3.5-5.6 OSS Lens Tascam DR-701D 6-Track Field Recorder for DSLR with SMPTE Timecode Sony Alpha a7 II Mirrorless Digital Camera with 28-70mm Lens and 6-Track Field Recorder Kit

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Product Highlights

  • 24.3MP Full-Frame Exmor CMOS Sensor
  • BIONZ X Image Processor
  • 5-Axis SteadyShot INSIDE Stabilization
  • Enhanced Fast Hybrid AF and 5 fps Burst
  • Full HD XAVC S Video and S-Log2 Gamma
  • 3.0" 1,228.8k-Dot Tilting LCD Monitor
  • XGA 2.36m-Dot OLED Electronic Viewfinder
  • FE 28-70mm f/3.5-5.6 OSS Lens
  • Tascam DR-701D 6-Track Field Recorder
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  • 1Description

Pairing a multimedia camera with a field recorder for enhanced audio control, the Sony Alpha a7 II Mirrorless Digital Camera with 28-70mm Lens and 6-Track Field Recorder Kit from B&H bundles the versatile mirrorless body and standard zoom lens with the Tascam DR-701D 6-Track Field Recorder, which features dual built-in omnidirectional microphones and four XLR/TRS inputs with phantom power and is capable of simultaneously recording six audio tracks.

The a7 II features a full-frame 24.3MP CMOS sensor and BIONZ X image processor to enable high-resolution stills shooting up to 5 fps, full HD 1080p video recording in the high-bit-rate XAVC S format at up to 60 fps, and sensitivity to ISO 25600 for working in difficult lighting conditions. Sensor-shift type 5-axis SteadyShot INSIDE image stabilization compensates for up to 4.5 stops of camera shake with any mounted lens and a Fast Hybrid AF system employs 117 phase-detection points and 25 contrast-detection areas to provide quick and accurate focusing performance. The a7 II is also characterized by its compact form factor and durable, weather-resistant design that features a tilting 3.0" 1,228.8k-dot LCD monitor, 2.36m-dot OLED electronic viewfinder, and built-in Wi-Fi with NFC.

Bundled with the a7 II in this kit is the FE 28-70mm f/3.5-5.6 OSS E-mount lens. This wide-to-portrait zoom incorporates three aspherical elements and one extra-low dispersion element into its design to minimize chromatic aberrations and enhance overall image clarity. An optical SteadyShot image stabilization system has also been added to minimize the appearance of camera shake to suit working in dim lighting and with low shutter speeds. This stabilization will work with the in-body stabilization found in the camera. It has a minimum focus distance of 11.8".

  • Sony Alpha a7 II Mirrorless Digital Camera with FE 28-70mm f/3.5-5.6 OSS Lens

    Sony has taken their line of full-frame cameras to the next level with the Alpha a7 II Mirrorless Digital Camera with FE 28-70mm f/3.5-5.6 OSS Lens, which features 5-axis SteadyShot INSIDE image stabilization with 4.5 stops of compensation for pitch, yaw, horizontal shift, vertical shift, and roll. Operation of the 24.3-megapixel series has been streamlined with a redesigned grip, shutter release button, and customizable controls. The a7 II also features a moisture- and dust-resistant design with a magnesium alloy body and a more robust lens mount. And, with refined algorithms and better utilization of the BIONZ X image processor, the a7 II has an enhanced Fast Hybrid AF system that is about 30% faster than the previous model along with a 5 fps burst rate with continuous autofocus as well as a 40% faster start time.

    The 24.3-megapixel sensor enables high resolution images and low light effectiveness with its standard ISO sensitivity range of 100-25600. The BIONZ X image processor offers fast processing and operation speeds and front-end LSI (large-scale integration) improves the early stages of image processing resulting in more natural details and richer tones. And, 16-bit image processing and 14-bit RAW output preserves the detail provided by the sensor.

    In addition to highly detailed stills with smooth gradations, the a7 II now has access to the high-bit-rate XAVC S format with 60p, 30p, and 24p recording options, all at 50 Mbps. The look of movies can also be adjusted with picture profiles, including the addition of the S-Log2 gamma setting with a dynamic range approximately 1,300% of the standard sRGB spectrum. Timecode and user bit settings are available as well as clean HDMI output for a variety of recording options.

    The advanced Sony Multi-Interface shoe expands compatibility options for flash, microphone, and other accessories and, as an E-mount full-frame camera, the a7 II is compatible with all present APS-C E-mount lenses in APS-C crop mode as well as new E-mount full-frame Zeiss and Sony G-series lenses. Lens mount adapters with a tripod mount are also available to use A-mount lenses on E-mount cameras, and an optional dedicated battery grip enables stable extended shooting and vertical orientation stability.

    Rounding out the a7 II's imaging capabilities, both a 3.0" 1,228.8k-dot tilting LCD monitor and 2.36 million-dot OLED electronic viewfinder are available for image monitoring and review. Built-in Wi-Fi connectivity, with support for NFC, is available, too, for instant sharing of imagery from the camera as well as remote camera control from a linked mobile device.

    Bundled with the a7 II in this kit is the FE 28-70mm f/3.5-5.6 OSS E-mount lens. This wide-to-portrait zoom incorporates three aspherical elements and one extra-low dispersion element into its design to minimize chromatic aberrations and enhance overall image clarity. An optical SteadyShot image stabilization system has also been added to minimize the appearance of camera shake to suit working in dim lighting and with low shutter speeds. This stabilization will work with the in-body stabilization found in the camera. It has a minimum focus distance of 11.8".

    24.3MP Exmor CMOS Image Sensor and BIONZ X Image Processor
    Incorporated into the a7II's redesigned body are a 24.3-megapixel Exmor CMOS image sensor and BIONZ X image processor, which work together to enable a wide dynamic range with minimal noise and rich, subtle gradations. The camera features an ISO range of 100-51,200 which can be expanded down to ISO 50. Also, this combination allows the a7II to reproduce details with excellent clarity.

    Benefitting image quality is the use of detail reproduction technology and diffraction-reducing technology which suppresses the effects of diffraction to reproduce fine details at small aperture settings. Add to this area-specific noise reduction to selectively apply different noise reduction to each area for clear imagery. Also, the sensor features 16-bit image processing with a 14-bit RAW output to preserve detail and ensure optimal quality for later adjustment.

    Further improved in this generation is metering performance, which is now possible down to a rated -1 EV. Also, the a7II will start up approximately 40% faster than the previous generation for almost instant on.
    5-Axis SteadyShot INSIDE Image Stabilization
    Packed into the svelte a7II is a remarkable 5-axis SteadyShot INSIDE image stabilization system. This compensates for five types of camera shake encountered during handheld shooting of still images and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake. This system will compensate for approximately 4.5 stops of shutter speed for working with a huge variety of subjects.

    For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high magnification imagery on the other hand will benefit from the inclusion of horizontal and vertical shift compensation. And, all shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.

    When using lenses that do not transmit imaging data to the camera, manual settings can be used to input the correct focal length and ensure proper stabilization. Also, the viewfinder can be used to preview the amount of compensation by pressing the shutter release button halfway or magnifying the image.
    Enhanced Fast Hybrid AF
    Utilizing 117 phase-detection and 25 contrast-detection autofocus points with a wide area of coverage, the a7II can smoothly and quickly track fast-moving subjects throughout the frame. It optimizes for both speed and accuracy with an enhanced algorithm that improves performance by about 30% when compared to previous generations. This just developed algorithm will also more accurately predict subject movement for tracking that is 1.5x more accurate. Additionally, it can capture images at a rate of 5 fps while using continuous autofocus and automatic exposure. This can be captured in a burst of up to 77 frames when shooting in JPEG Fine L format and a continuous AF Display allows users to view the active AF points.

    Another feature available with this AF system is a Lock-on AF tracking that will analyze more information from the scene to provide dramatically improved accuracy and stability. Eye AF is also available which will prioritize a subject's pupil for excellent portraits even with a shallow depth of field.
    Full HD Video Recording and XAVC S Format
    Shoot full HD 1920 x 1080 video at frame rates of 60p, 30p, and 24p with the high-bit-rate 50Mbps XAVC S format. This results in excellent image quality with minimal noise and artifacts without requiring a large amount of disk space. Additionally, the system using linear PCM sound for high quality audio.

    When recording internally, users will record video with a 4:2:0 sampling at 8-bit, however, to even further improve image quality the a7II has clean HDMI output for use with an external recorder. This allows users to capture 4:2:2 uncompressed video and save in an edit-ready format.
    Timecode and User Bit Settings
    The a7II has multiple timecode recording options to meet different workflows. It has the standard 'Record Run" mode that only advances the timecode when recording, as well as "Free Run" timecode that advances the timecode even when not recording, which can be great for syncing multiple cameras at live events. It can also record timecode in both drop frame and non-drop frame modes. When recording internally the a7II is also able to output timecode via HDMI.
    Customizable Color Profiles and S-Log2 Gamma
    To make sure the a7II is able to use its extensive dynamic range while recording video it incorporates extensive customizable color and gamma controls. Users can adjust the gamma, black level, knee, color level, and more. Also users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility.
    3.0" 1,228.8k-Dot Tilting LCD Monitor
    With a higher 1,228.8k-dot resolution, the LCD screen will provide shooters with an excellent screen for composing images, adjusting settings, and reviewing video and photos. It also tilts upward 107° and downward 41° for working with multiple shooting angles. Use in sunlight is improved with the implementation of WhiteMagic technology which doubles the brightness of the display through a RGBW pixel structure.
    0.5" 2.36M-Dot XGA OLED Tru-Finder Electronic Viewfinder
    With its 3-lens optical system the viewfinder faithfully displays what will appear in your recording, including the effects of your camera settings. You'll enjoy rich tonal gradations and improved contrast. High-end features like 100% frame coverage and a wide viewing angle enable comfortable and stable eye-level composition.
    Redesigned Grip, Shutter Release Button, and Controls
    With a larger, more refined shape to the grip, users will find the a7II to have a more secure feel and grasp even when large lenses are mounted. Also, the shutter release button has been reshaped and moved forward for a more natural shooting position and a decrease in camera shake. The controls also have been refined with new position for easier handling and improved operation. Button customization is available with the ability to assign any of 56 functions to any of the 10 customizable buttons for a more personalized setup.
    Magnesium Alloy Construction and Robust Lens Mount
    The compact form is well-built with a magnesium allow top cover, front cover, and internal structure. The lens mount has been redesigned with a greater strength and rigidity for extra security when using larger or longer lenses. The body itself also features greater sealing for dust and moisture resistance, providing more protection when shooting out in the elements. Additionally, the optical filter on the sensor has an anti-static coating and there is an anti-dust mechanism to prevent dust from adhering to the sensor.
    Audio Input & Headphone Jack
    The a7II features a 3.5mm microphone input jack for compatibility with external microphones. And for users needing more the a7II is also compatible with the Sony XLR-K2M XLR Adapter for recording professional balanced XLR audio signals with phantom power and adjustable mic/line inputs. For monitoring audio the a7II features a 3.5mm headphone jack as well as real time audio levels for a visual reference.
    Built-In Wi-Fi Connectivity with NFC
    Built-in Wi-Fi connectivity enables the a7II to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.

    Additionally, PlayMemories Camera Apps are also supported via the built-in Wi-Fi connection, and allow you to personalize the camera's features depending on specific shooting styles. Apps are available to suit creating portraits, detailed close-ups, sports, time lapse, motion shot, and other specific types of imagery.
    Other Camera Features
    • Picture Effect modes: Posterization (Color, B&W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera, Soft High-Key, Soft Focus, HDR Painting, Rich-Tone Monochrome, Miniature, Watercolor, and Illustration.
    • Creative Style settings: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, and Sepia (all with +/- 3 step contrast, saturation, and sharpness adjustment).
    • Color space: sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINOS Color.
    • Picture Profile parameters: Black Level, Gamma (Movie, Still, Cine 1-4, ITU709, ITU709 [800%], S-Log2), Black Gamma, Knee, Color Mode, Color Level, Color Phase, Color Depth, Detail, Copy, and Reset.
    • Scene Selection modes: Portrait, Landscape, Macro, Sports Action, Sunset, Night Portrait, Night Scene, Hand-held Twilight, and Anti Motion Blur.
    • Face Detection is available to base exposure and focus on up to eight recognized faces. Furthermore, Eye AF can be used for even greater precision by maintaining critical focus on a subject's eye.
    • 2x Clear Image Zoom can be used to effectively double the magnification afforded by any lens in use with minimal image degradation. For even greater magnification, 1.5x and 2x Smart zoom is available, as well as 4x digital zoom.
    • Pre-flash TTL control with flash bracketing available and a variety of flash modes, including: Flash off, auto, fill-flash, rear sync, slow sync, red-eye reduction, hi-speed sync, and wireless control
    UPC: 027242888739
  • Tascam DR-701D 6-Track Field Recorder for DSLR with SMPTE Timecode

    Designed specifically as an audio recording solution for DSLR video applications, the DR-701D 6-Track Field Recorder from Tascam features dual built-in omnidirectional microphones and four XLR/TRS inputs with phantom power and is capable of recording up to 6 tracks simultaneously. It supports a variety of mounting configurations, featuring a 1/4"-20 thread on the bottom for tripod mounting, as well as a removable camera or cage system attachment bracket with a 1/4"-20 screw.

    The DR-701D features an HDMI input that can be connected to your camera's HDMI output, allowing you to start and stop recording remotely via the camera's record button if your camera sends HDMI signal triggering. If your camera sends timecode via HDMI, the DR-701D will follow it and write it to the recorded file. Your NLE software will then read that embedded timecode to lock sound and picture together in post. Additionally, audio being recorded on the DR-701D can be added to the incoming video and timecode from the HDMI In port and sent from the DR-701D's HDMI Out to an HDMI monitor recorder. The recorder can also lock to SMPTE timecode coming into its BNC connector. 

    The DR-701D features a rugged build quality yet weighs less than a pound and a half including the 4 AA batteries that power it. Battery life depends on usage, but with 4 lithium batteries, internal clock, and phantom power on two inputs, the unit is designed to record for over 5 hours at 16-bit/48kHz. The unit can also be powered using the optional PS-P515U AC adapter. Audio is recorded to SD, SDHC, or SDXC cards up to 128 GB and can be recorded at resolutions of up to 24-bit, 192kHz. In addition to the four XLR/TRS inputs, a 3.5mm stereo mini-jack input with optional plug-in power is provided for connecting an external stereo mic.

    The recorder also features a camera out mini-jack that allows you to record the output of the DR-701D to your camera to use as a sync reference, and a camera-in mini-jack allows you to playback the camera's audio and monitor from the 3.5mm line out or 3.5mm headphone out jacks.

    Note: For a full list of tested cameras and the most current firmware, please visit manufacturer's website.

    6 maximum simultaneous recording tracks
    SD/SDHC/SDXC cards used for recording media
    MONO, STEREO, 2MIX, DUAL MONO, DUAL ST and DUAL2MIX recording modes
    Recording formats: 16/24-bit, 44.1/48/96/192kHz (WAV/BWF) (192kHz only for two-track recording)
    Built-in original TASCAM HDDA mic preamps provide high audio quality
    Input levels can be adjusted separately for each track
    XLR/TRS inputs support +4dBu line level and 24/48V phantom power
    Clock and record start/stop can be synchronized with a camera using the HDMI port
    DR-701D audio signal can be output to an external camera or recorder from the HDMI OUT or line output
    Cascade function using HDMI connections allows multiple DR-701D transport and monitoring operations
    SMPTE Timecode can be input through the TC IN connector to add recording start times to files
    Timecode generator (RTC) allows recording start times to be added to files even when there is no timecode input
    Plug-in power mics and high output mics (EXT IN 1/2) supported
    CAMERA OUT connector can output audio mixed by the DR-701D to a DSLR camera
    CAMERA IN connector enables monitoring the sound from a DSLR camera through the DR-701D
    High quality audio output through a line output jack separate from the headphones jack
    Headphones jack with 50mW+50mW maximum output
    Tripod attachment threads (bottom), camera screw attachment that can be installed or removed with a coin (top) and shoe mount (top) included
    Handles on the left and right sides of the front protect the control surface and also enable attachment of a shoulder strap
    Transport and SLATE buttons made of rubber suppress noise during operation
    HOLD switch prevents inadvertent control adjustments
    128×64-dot graphic LCD with backlight
    LED lights have high visibility even in direct sunlight
    High-speed transfer of files to computers possible using USB 2.0
    Micro-B type USB cable included
    Powered by 4 AA batteries, USB bus power or a PS-P515U AC adapter (sold separately)
    BP-6AA external battery pack (sold separately) enables operation for even longer times
    Optional RC-3F foot switch and RC-10 wireless remote control can be connected (both sold separately)
    Built-in mixer enables pan and level adjustments as well as solo monitoring and can output a mix of 4 channels
    GANG function allows the levels of multiple channels to be controlled simultaneously
    Individual channel trim settings shown
    5-position low-cut filter (50/80/120/180/220 Hz) cuts unwanted low frequencies
    Multi-band limiter automatically adjusts input overloads (stereo-linking possible with 1/L and 2/R)
    Delay function can compensate for distances between mics (+/-150 ms)
    Mid-side decoder function enables use with mid-side stereo mics
    Slate tone insertion functions (AUTO/MANUAL)
    Slate tone insertion points can be selected (recording start or recording start and stop when slate AUTO function used)
    DR-701D Tested Camera List
    HDMI Clock Sync, Start/Stop Trigger & HDMI Timecode Supported Cameras:

    • CANON EOS 5D Mark III
    • Panasonic DMC-GH4
    • SONY α7S
    • SONY α7 II

    HDMI Clock Sync & Start/Stop Trigger Supported Cameras (HDMI Timecode Not Supported):

    • Nikon D810

     

    UPC: 043774031986
In the Box
  • FE 28-70mm f/3.5-5.6 OSS Lens
  • NP-FW50 Lithium-Ion Rechargeable Battery (1020mAh)
  • AC-UUD11 AC Adaptor
  • Shoulder Strap
  • Body Cap
  • Multi-Interface Shoe Cover
  • Eyepiece Cup
  • Micro-USB Cable
  • Limited 1-Year Warranty
  • Table of Contents
    • 1Description
    • Sony Alpha a7 II Mirrorless Digital Camera with FE 28-70mm f/3.5-5.6 OSS Lens
      Imaging
      Lens Mount Sony E-Mount
      Camera Format Full-Frame
      Pixels Actual: 24.7 Megapixel
      Effective: 24.3 Megapixel
      Max Resolution 24 MP: 6000 x 4000
      Aspect Ratio 3:2, 16:9
      Sensor Type / Size CMOS, 35.8 x 23.9 mm
      File Formats Still Images: JPEG, RAW
      Movies: AVCHD Ver. 2.0, MPEG-4, XAVC S
      Audio: AAC LC, Dolby Digital 2ch, Linear PCM (Stereo)
      Bit Depth 14-bit
      Dust Reduction System Yes
      Memory Card Type SDXC
      SDHC
      SD
      Memory Stick PRO Duo (High Speed)
      Memory Stick PRO HG-Duo
      Memory Stick XC-HG Duo
      Image Stabilization Sensor-Shift, 5-Way
      AV Recording
      Video Recording Yes
      Resolution 1920 x 1080: 60 fps, 30 fps, 24 fps
      1440 x 1080: 30 fps
      640 x 480: 30 fps
      Video Format XAVC S
      1920 x 1080p / 60 fps (50 Mbps)
      1920 x 1080p / 30 fps (50 Mbps)
      1920 x 1080p / 24 fps (50 Mbps)
      AVCHD
      1920 x 1080p / 60 fps (28 Mbps)
      1920 x 1080i / 60 fps (24 Mbps)
      1920 x 1080i / 60 fps (17 Mbps)
      AVCHD
      1920 x 1080p / 24 fps (24 Mbps)
      1920 x 1080p / 24 fps (17 Mbps)
      MP4
      1440 x 1080 / 30 fps (12 Mbps)
      640 x 480 / 30 fps (3 Mbps)
      Aspect Ratio 16:9
      Video Clip Length Up to 29 Minutes
      Audio Recording Built-in Mic: With Video, Stereo
      Focus Control
      Focus Type Auto
      Focus Mode Continuous-servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-servo AF (S)
      Autofocus Points Phase Detection: 117
      Contrast Detection: 25
      Viewfinder/Display
      Viewfinder Type Electronic
      Viewfinder Size 0.5"
      Viewfinder Pixel Count 2,359,296
      Viewfinder Eye Point 27.00 mm
      Viewfinder Coverage 100%
      Viewfinder Magnification Approx. 0.71x
      Diopter Adjustment - 4 to +3 m
      Display Screen 3"  Tilting  LCD (1,228,800)
      Screen Coverage 100%
      Exposure Control
      ISO Sensitivity 100-25600 (Extended Mode: 50-25600)
      Shutter Type: Electronic & Mechanical
      Speed: 1/8000 - 30 second,  Bulb Mode
      Metering Method Center-weighted average metering, Multi-zone metering, Spot metering
      Exposure Modes Modes: Aperture Priority, Auto, Manual, Programmed Auto, Scene Selection, Shutter Priority, Sweep Panorama
      Metering Range: EV -1.0 - EV 20.0
      Compensation: -5 EV to +5 EV (in 1/3 or 1/2 EV steps)
      White Balance Modes Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
      Continuous Shooting Up to 5 fps at 24 MP for up to 50 frames
      Flash
      Flash Modes Auto
      Fill-in
      Hi-Speed Sync
      Off
      Rear Sync
      Red-eye Reduction
      Slow Sync
      Wireless
      Built-in Flash No
      Max Sync Speed 1 / 250 seconds
      Flash Compensation -3 EV to +3 EV (in 1/3 or 1/2 EV steps)
      Dedicated Flash System P-TTL
      External Flash Connection Hot Shoe
      Performance
      Self Timer 10 seconds, 2 seconds
      Number of Shots: 1-5
      Interval Recording No
      Internal Memory None
      Connectivity 1/8" Headphone, 1/8" Microphone, HDMI D (Micro), Micro-USB, Multi Interface Terminal
      Wi-Fi Capable Yes
      Power
      Battery 1x NP-FW50 Rechargeable Lithium-ion Battery Pack 1020 mAh
      AC Power Adapter AC-PW20 (Optional)
      Physical
      Dimensions (WxHxD) 5.0 x 3.8 x 2.4" / 126.9 x 95.7 x 59.7 mm
      Weight 1.22 lb / 556 g
      Kit Lens
      Focal Length 28 - 70mm
      Comparable APS-C Focal Length: 42 - 105 mm
      Aperture Maximum: f/3.5 - 5.6
      Minimum: f/22 - 36
      Angle of View 75° - 34°
      APS-C Picture Angle: 54° - 23°
      Minimum Focus Distance 11.81" (.3 m)
      Magnification 0.19x
      Maximum Reproduction Ratio 1:5.26
      Elements/Groups 9/8
      Diaphragm Blades 7, Rounded
      Autofocus Yes
      Image Stabilization Yes
      Filter Thread Front: 55 mm
      Dimensions (DxL) Approx. 2.85 x 3.27" (72.5 x 83 mm)
      Weight 10.41 oz (295 g)
      Packaging Info
      Box Dimensions (LxWxH) 9.528 x 6.142 x 5.669"
    • Tascam DR-701D 6-Track Field Recorder for DSLR with SMPTE Timecode
      Recording Media
      Media SD card (64 MB to 2 GB)
      SDHC card (4 to 32 GB)
      SDXC card (48 to 128 GB)
      Recording Format
      Recording Format WAV: 44.1/48/96/192 kHz, 16/24-bit
      BWF: 44.1/48/96/192 kHz, 16/24-bit
      Channels
      Number of Channels 4 maximum (stereo × 2, mono × 4)
      I/O
      Analog Inputs IN 1/2/3/4: XLR-3-31, 1/4" standard TRS jacks (phantom power supplied only to XLR)
      EXT IN 1/2: 1/8" stereo mini-jack (can provide plug-in power)
      CAMERA IN: 1/8" stereo mini-jack
      Analog Outputs PHONES: 1/8" stereo mini-jack
      CAMERA OUT: 1/8" stereo mini-jack
      LINE OUT: 1/8" stereo mini-jack
      HDMI I/O Type A receptacle
      USB Connector type: Micro-B
      Format: USB 2.0 HIGH SPEED mass storage class
      Timecode Input BNC
      Remote Input 3/32" (2.5 mm) TRS jack
      Power
      Power Source 4x AA batteries (alkaline, NiMH or lithium)
      AC adapter (TASCAM PS-P515U, sold separately)
      External battery pack (TASCAM BP-6AA, sold separately)
      Power Consumption 5 W (maximum)
      Consumption Current 1 A (maximum)
      Battery Operation Time Using alkaline batteries (EVOLTA)
      Use conditions:
      Channels 1/2 unused
      Channels 3/4 use built-in mic
      Phantom power off
      HDMI not connected
      Recording 2ch 48 kHz/16-bit WAV files
      Operation time: About 3:45

      Use conditions:
      Channels 1/2 used
      Channels 3/4 unused
      3mA phantom power used for 2 channels
      HDMI not connected
      Recording 2ch 48kHz/16-bit WAV files
      Operation time: About 2:00

      Use conditions:
      Channels 1/2 used
      Channels 3/4 unused
      3mA phantom power used for 2 channels
      HDMI input connected (1080/60i)
      Recording 2ch 48 kHz/16-bit WAV files
      Operation time: About 1:30

      Using NiMH batteries (eneloop)
      Use conditions:
      Channels 1/2 unused
      Channels 3/4 use built-in mic
      Phantom power off
      HDMI not connected
      Recording 2ch 48 kHz/16-bit WAV files
      Operation time: About 4:00

      Channels 1/2 used
      Channels 3/4 unused
      3mA phantom power used for 2 channels
      HDMI not connected
      Recording 2ch 48 kHz/16-bit WAV files
      Operation time: About 2:30

      Channels 1/2 used
      Channels 3/4 unused
      3mA phantom power used for 2 channels
      HDMI input connected (1080/60i)
      Recording 2ch 48 kHz/16-bit WAV files
      Operation time: About 2:00

      Using lithium batteries (Energizer ULTIMATE LITHIUM)
      Use conditions:
      Channels 1/2 unused
      Channels 3/4 use built-in mic
      Phantom power off
      HDMI not connected
      Recording 2ch 48 kHz/16-bit WAV files
      Operation time: About 7:30

      Channels 1/2 used
      Channels 3/4 unused
      3mA phantom power used for 2 channels
      HDMI not connected
      Recording 2ch 48 kHz/16-bit WAV files
      Operation time: About 6:30

      Channels 1/2 used
      Channels 3/4 unused
      3mA phantom power used for 2 channels
      HDMI input connected (1080/60i)
      Recording 2ch 48 kHz/16-bit WAV files
      Operation time: About 3:30

      NOTE: When using phantom power, the operation time might be reduced depending on the mic being used
      Audio Performance
      Frequency Response 20 Hz - 20 kHz +0.5/-1 dB (LINE IN or MIC IN to LINE OUT, 44.1/48kHz sampling frequency, JEITA)
      20 Hz - 40 kHz +0.5/-1 dB (LINE IN or MIC IN to LINE OUT, 96kHz sampling frequency, JEITA)
      20 Hz - 80 kHz +0.5/-5 dB (LINE IN or MIC IN to LINE OUT, 192 kHz sampling frequency, JEITA)
      Distortion 0.007% or less (LINE IN or MIC IN to LINE OUT, 44.1/48/96/192kHz sampling frequency, JEITA)
      Signal to Noise Ratio 100 dB or more (LINE IN or MIC IN to LINE OUT, 44.1/48/96/192kHz sampling frequency, JEITA)
      Equivalent Input Noise -124 dBu or lower
      Recording Time WAV/BWF 16-bit (Stereo) 44.1 kHz: 6:17
      WAV/BWF 24-bit (Stereo) 96 kHz: 1:55
      WAV/BWF 24-bit (Stereo) 192 kHz: 0:57

      (SDHC card capacity 4 GB)
      General
      Operating Temperature 32 to 104°F (0 to 40°C)
      Dimensions (W × H × D) With top adapter attached: 6.7 x 2.3 x 4.5" (169.0 x 57.3 x 113.5 mm)
      Weight With Batteries: 23.1 oz (654.0 g)
      Without Batteries: 19.8 oz (561.0 g)
      Packaging Info
      Box Dimensions (LxWxH) 9.9 x 7.2 x 4.2"

    Sony Alpha a7 II Mirrorless Digital Camera with 28-70mm Lens and 6-Track Field Recorder Kit Review

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