Sony Alpha a7S Mirrorless Digital Camera

Sony Alpha a7S Mirrorless Digital Camera Body with 6-Track Field Recorder Kit

Sony Alpha a7S Mirrorless Digital Camera Body with 6-Track Field Recorder Kit

B&H # SOA7SBTFRK (B&H Kit)
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Product Highlights

  • 12.2MP Full-Frame Exmor CMOS Sensor
  • BIONZ X Image Processor
  • XGA 2.36m-Dot OLED Electronic Viewfinder
  • 3.0" 921.6k-Dot Tilting LCD Monitor
  • Full HD Recording in XAVC S
  • 4:2:2 UHD 4K Output via HDMI
  • Full Pixel Read-Out, S-Log2 Gamma
  • Expandable Sensitivity: ISO 50-409600
  • Spare Rechargeable Lithium-Ion Battery
  • Tascam DR-701D 6-Track Field Recorder
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  • 1Description

Pairing a multimedia camera with a field recorder for enhanced audio control, the Sony Alpha a7S Mirrorless Digital Camera Body with 6-Track Field Recorder Kit from B&H bundles the versatile camera body with the Tascam DR-701D 6-Track Field Recorder, which features dual built-in omnidirectional microphones and four XLR/TRS inputs with phantom power and is capable of simultaneously recording six audio tracks.

The a7S features a full-frame 12.2MP Exmor CMOS sensor and BIONZ X image processor to enable notable video and still image quality with an expansive dynamic range, low noise, and extended sensitivity to ISO 409600. At the sensor level, this full-frame sensor features a unique on-chip gapless lens design, which incorporates small lenses between neighboring pixels in order to increase light-gathering efficiency and promote greater image quality across the entirety of the sensor plane. Additionally, the a7S is able to output uncompressed 4:2:2 UHD 4K video to an optional external recorder over HDMI, as well as record full HD 1080p video in-camera in the high-quality XAVC S format at 50 Mbps in multiple frame rates. Extending the video recording capabilities is support for S-Log2 gamma, which helps to expand the effective dynamic range during recording, as well as picture profile options, time code, and zebra marker display aids. In regard to handling, the a7S features both a 3.0" 921.6k-dot tilting LCD and a 2.36m-dot OLED electronic viewfinder, and built-in Wi-Fi with NFC permits wireless image sharing to, and remote control from, linked mobile devices.

  • Sony Alpha a7S Mirrorless Digital Camera

    The Sony Alpha a7S Mirrorless Digital Camera features a full-frame 12.2MP Exmor CMOS sensor and BIONZ X image processor to enable notable video and still image quality with an expansive dynamic range, low noise, and extended sensitivity to ISO 409600. At the sensor level, this full-frame sensor features a unique on-chip gapless lens design, which incorporates small lenses between neighboring pixels in order to increase light-gathering efficiency and promote greater image quality across the entirety of the sensor plane. The sensor and processor combination also avails a wealth of speed throughout the camera system, including a top continuous shooting rate of 5 fps, support for 4K video recording, and a fast 25-point contrast-detection AF system with sensitivity to -4 EV.

    Beyond its still image performance, the a7S is also quite adept in regard to recording video. It is able to output uncompressed 4:2:2 UHD 4K video to an optional external recorder over HDMI, as well as record full HD 1080p video in the high-quality XAVC S format at 50 Mbps in multiple frame rates. Extending the video recording capabilities is support for S-Log2 gamma, which helps to expand the effective dynamic range during recording, as well as picture profile options, time code, and zebra marker display aids. Sound can be recorded in the AAC/Linear PCM format via the internal stereo microphone, with a built-in headphone jack for on-board monitoring, or via an external microphone.

    Rounding out the a7S's imaging capabilities, both a 3.0" 921.6k-dot tilting LCD monitor and 2.36 million-dot OLED electronic viewfinder are available for image monitoring and review. Built-in Wi-Fi connectivity, with support for NFC, is available, too, for instant sharing of imagery from the camera as well as remote camera control from a linked mobile device.

    Full-Frame Exmor Sensor and BIONZ X Image Processor
    Incorporated within the sleek body design is a 12.2MP full-frame Exmor CMOS sensor and BIONZ X image processor, which work together to enable an expansive dynamic range with minimal noise and notable sensitivity. The a7S features a native sensitivity range from ISO 100-102400, which is further expandable to ISO 50-409600. Coupled with the large individual pixel size the 12.2MP sensor affords, this camera is well-suited to use in low-light conditions.

    The sensor's design also features a new-generation RGB color filter array, as well as a gapless on-chip lens design. Together, these two technologies enable truly efficient light-gathering abilities that further reinforce the low noise, high-sensitivity design. Furthermore, an anti-reflective coating has also been applied to the seal glass of the image sensor to minimize surface reflections, glare, and ghosting for contrast-rich, color-neutral imagery.

    The sensor and processor combination also avail a wealth of performance-related benefits to still shooting, including a Speed Priority continuous shooting rate of 5 fps, or a 2.5 fps shooting rate with continuous AF. The contrast-detection AF system employs 25 distinct points to quickly and precisely acquire focus in light levels as low as -4 EV to support working in a wide variety of shooting conditions.
    Full Pixel Read-Out with Clean HDMI Out for 4K Recording
    Line-Skipping has been the Achilles Heel of video recording DSLR and Mirrorless cameras since video recording was first introduced. Most full-frame and APS-C still cameras have extremely high pixel counts, which is great for still photography, but makes utilizing the whole sensor technically infeasible when recording video since scaling down, say a 36 megapixel image in real time would require a much more expensive image processor and generate more heat than such a compact body could handle. So traditionally these cameras skip lines when recording video, leading to major aliasing and moiré from the large sample gaps as well as decreased resolution and increased noise. However, the lower resolution sensor of the a7S is designed for video recording and features a full sensor readout without any line skipping. This means you will see a sharp image devoid of major aliasing and moiré whether recording internally at 1080p or externally in UHD 4K.

    For times when the high quality 50 Mbps XAVC S Codec is not enough the a7S is able to output uncompressed UHD 4K (3840 x 2160) at a 4:2:2 color depth over HDMI to compatible third party recorders. Or, if recording internally to a memory card the HDMI can output 1080p at 4:2:2 for external recorders or HD monitors that don't support 4K inputs. The full list of supported HDMI output signals is:

    • 3840 x 2160 (30p/24p)
    • 1920 x 1080 (60p/24p)
    • 1920 x 1080 (60i), YCbCr 4:2:2 8-bit/RGB 8-bit
    Up to 120 fps High Speed Video Recording
    In addition to the standard 24p/30p/60i recording formats the a7S is also able to record at much higher frame rates for slow motion playback, albeit at lower resolutions. 1080p video can be recorded in up to 60p using the entire sensor. And 120 fps is possible at 720p using an approximately APS-C sized center crop of the sensor. 120 fps recording allows for about 5x slow motion when played back in 24p.
    Customizable Color Profiles and S-Log2 Gamma
    To make sure the a7S is able to use its extensive dynamic range while recording video it incorporates extensive customizable color and gamma controls. Users can adjust the gamma, black level, knee, color level, and more. Also users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility.
    Flexible Timecode Options
    The a7S has multiple timecode recording options to meet different workflows. It has the standard 'Record Run" mode that only advances the timecode when recording, as well as "Free Run" timecode that advances the timecode even when not recording, which can be great for syncing multiple cameras at live events. It can also record timecode in both drop frame and non-drop frame modes. When recording internally the a7S is also able to output timecode via HDMI, and timecode output is also supported when outputting 4K over HDMI.
    Live Video Overlays
    The a7S features many of the same real-time visual overlays and aids that professional video users have come to rely on. These include focus peaking to aid in manual focusing, zebra markers to help judge overexposure, and an audio level overlay for mixing audio. Also focus magnification is available for checking critical focus. These are available in both viewfinder and LCD display.
    Audio Input & Headphone Jack
    The a7S features a 3.5mm microphone input jack for compatibility with external microphones. And for users needing more the a7S is also compatible with the Sony XLR-k1M XLR Adapter for recording professional balanced XLR audio signals with phantom power and adjustable mic/line inputs.
    For monitoring audio the a7S features a 3.5mm headphone jack as well as real time audio levels for a visual reference.
    Body Design
    Revolving around a compact, sleek body design, the a7S features both a large rear LCD monitor as well as a bright electronic viewfinder. The rear 3.0" 921.6k-dot Xtra Fine LCD features a tilting design (up 90° and down 45°) to benefit working from both high and low angles. Also benefitting visibility with the rear monitor is the incorporation of WhiteMagic technology, which noticeably increases brightness for easier viewing in sunlit conditions. When shooting at eye-level, the 0.5" XGA OLED electronic viewfinder features a high 0.71x magnification and a 2.36 million-dot resolution for precise monitoring capabilities.
    Built-In Wi-Fi Connectivity with NFC
    Built-in Wi-Fi connectivity enables the a7S to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.

    Additionally, PlayMemories Camera Apps are also supported via the built-in Wi-Fi connection, and allow you to personalize the camera's features depending on specific shooting styles. Apps are available to suit creating portraits, detailed close-ups, sports, time lapse, motion shot, and other specific types of imagery.
    Other Camera Features
    • Picture Effect modes: Posterization (Color, B&W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera, Soft High-Key, Soft Focus, HDR Painting, Rich-Tone Monochrome, Miniature, Watercolor, and Illustration.
    • Create Style settings: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, and Sepia (all with +/- 3 step contrast, saturation, and sharpness adjustment).
    • Color space: sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINOS Color.
    • Picture Profile parameters: Black Level, Gamma (Movie, Still, Cine 1-4, ITU709, ITU709 [800%], S-Log2), Black Gamma, Knee, Color Mode, Color Level, Color Phase, Color Depth, Detail, Copy, and Reset.
    • Scene Selection modes: Portrait, Landscape, Macro, Sports Action, Sunset, Night Portrait, Night Scene, Hand-held Twilight, and Anti Motion Blur.
    • Face Detection is available to base exposure and focus on up to eight recognized faces. Furthermore, Eye AF can be used for even greater precision by maintaining critical focus on a subject's eye.
    • Auto Object Framing automatically creates compositions revolving around portrait and still life subjects and aesthetically crops imagery based on the rule of thirds, where the subject is located within the frame, exposure on your subject, and, in the case of portraiture, the direction he or she is looking.
    • 2x Clear Image Zoom can be used to effectively double the magnification afforded by any lens in use with minimal image degradation. For even greater magnification, 1.5x and 2x Smart zoom is available, as well as 4x digital zoom.
    • Playback modes: Single (with or without shooting information, Y RGB histogram & highlight/shadow warning), 9/25-frame index view, Enlarged display mode (Maximum magnification L: 13.3x, M: 8.7x, S: 6.7x), Auto Review (10/5/2 sec., off), Image orientation (Auto/Manual/Off selectable), Slideshow, Panorama scrolling, Folder selection (Still/Date/MP4/AVCHD/XAVC S), Forward/Rewind (Movie), Delete, and Protect.
    UPC: 027242881730
  • Tascam DR-701D 6-Track Field Recorder for DSLR with SMPTE Timecode

    Designed specifically as an audio recording solution for DSLR video applications, the DR-701D 6-Track Field Recorder from Tascam features dual built-in omnidirectional microphones and four XLR/TRS inputs with phantom power and is capable of recording up to 6 tracks simultaneously. It supports a variety of mounting configurations, featuring a 1/4"-20 thread on the bottom for tripod mounting, as well as a removable camera or cage system attachment bracket with a 1/4"-20 screw.

    The DR-701D features an HDMI input that can be connected to your camera's HDMI output, allowing you to start and stop recording remotely via the camera's record button if your camera sends HDMI signal triggering. If your camera sends timecode via HDMI, the DR-701D will follow it and write it to the recorded file. Your NLE software will then read that embedded timecode to lock sound and picture together in post. Additionally, audio being recorded on the DR-701D can be added to the incoming video and timecode from the HDMI In port and sent from the DR-701D's HDMI Out to an HDMI monitor recorder. The recorder can also lock to SMPTE timecode coming into its BNC connector. 

    The DR-701D features a rugged build quality yet weighs less than a pound and a half including the 4 AA batteries that power it. Battery life depends on usage, but with 4 lithium batteries, internal clock, and phantom power on two inputs, the unit is designed to record for over 5 hours at 16-bit/48kHz. The unit can also be powered using the optional PS-P515U AC adapter. Audio is recorded to SD, SDHC, or SDXC cards up to 128 GB and can be recorded at resolutions of up to 24-bit, 192kHz. In addition to the four XLR/TRS inputs, a 3.5mm stereo mini-jack input with optional plug-in power is provided for connecting an external stereo mic.

    The recorder also features a camera out mini-jack that allows you to record the output of the DR-701D to your camera to use as a sync reference, and a camera-in mini-jack allows you to playback the camera's audio and monitor from the 3.5mm line out or 3.5mm headphone out jacks.

    Note: For a full list of tested cameras and the most current firmware, please visit manufacturer's website.

    6 maximum simultaneous recording tracks
    SD/SDHC/SDXC cards used for recording media
    MONO, STEREO, 2MIX, DUAL MONO, DUAL ST and DUAL2MIX recording modes
    Recording formats: 16/24-bit, 44.1/48/96/192kHz (WAV/BWF) (192kHz only for two-track recording)
    Built-in original TASCAM HDDA mic preamps provide high audio quality
    Input levels can be adjusted separately for each track
    XLR/TRS inputs support +4dBu line level and 24/48V phantom power
    Clock and record start/stop can be synchronized with a camera using the HDMI port
    DR-701D audio signal can be output to an external camera or recorder from the HDMI OUT or line output
    Cascade function using HDMI connections allows multiple DR-701D transport and monitoring operations
    SMPTE Timecode can be input through the TC IN connector to add recording start times to files
    Timecode generator (RTC) allows recording start times to be added to files even when there is no timecode input
    Plug-in power mics and high output mics (EXT IN 1/2) supported
    CAMERA OUT connector can output audio mixed by the DR-701D to a DSLR camera
    CAMERA IN connector enables monitoring the sound from a DSLR camera through the DR-701D
    High quality audio output through a line output jack separate from the headphones jack
    Headphones jack with 50mW+50mW maximum output
    Tripod attachment threads (bottom), camera screw attachment that can be installed or removed with a coin (top) and shoe mount (top) included
    Handles on the left and right sides of the front protect the control surface and also enable attachment of a shoulder strap
    Transport and SLATE buttons made of rubber suppress noise during operation
    HOLD switch prevents inadvertent control adjustments
    128×64-dot graphic LCD with backlight
    LED lights have high visibility even in direct sunlight
    High-speed transfer of files to computers possible using USB 2.0
    Micro-B type USB cable included
    Powered by 4 AA batteries, USB bus power or a PS-P515U AC adapter (sold separately)
    BP-6AA external battery pack (sold separately) enables operation for even longer times
    Optional RC-3F foot switch and RC-10 wireless remote control can be connected (both sold separately)
    Built-in mixer enables pan and level adjustments as well as solo monitoring and can output a mix of 4 channels
    GANG function allows the levels of multiple channels to be controlled simultaneously
    Individual channel trim settings shown
    5-position low-cut filter (50/80/120/180/220 Hz) cuts unwanted low frequencies
    Multi-band limiter automatically adjusts input overloads (stereo-linking possible with 1/L and 2/R)
    Delay function can compensate for distances between mics (+/-150 ms)
    Mid-side decoder function enables use with mid-side stereo mics
    Slate tone insertion functions (AUTO/MANUAL)
    Slate tone insertion points can be selected (recording start or recording start and stop when slate AUTO function used)
    DR-701D Tested Camera List
    HDMI Clock Sync, Start/Stop Trigger & HDMI Timecode Supported Cameras:

    • CANON EOS 5D Mark III
    • Panasonic DMC-GH4
    • SONY α7S
    • SONY α7 II

    HDMI Clock Sync & Start/Stop Trigger Supported Cameras (HDMI Timecode Not Supported):

    • Nikon D810

     

    UPC: 043774031986
In the Box
  • 2 x NP-FW50 Lithium-Ion Rechargeable Battery (1020mAh)
  • BC-TRW W Series Battery Charger (Black)
  • AC Adapter
  • Micro USB Cable
  • Body Cap
  • Shoulder Strap
  • Cable Protector
  • Limited 1-Year Warranty
  • Table of Contents
    • 1Description
    • Sony Alpha a7S Mirrorless Digital Camera
      Imaging
      Lens Mount Sony E-Mount
      Camera Format Full-Frame
      Pixels Actual: 12.4 Megapixel
      Effective: 12.2 Megapixel
      Max Resolution 12 MP: 4240 x 2832
      Aspect Ratio 3:2, 4:3
      Sensor Type / Size CMOS, 35.8 x 23.9 mm
      File Formats Still Images: JPEG, RAW
      Movies: MP4, MPEG-4 AVC/H.264
      Audio: AAC LC, AC3, Dolby Digital 2ch, Linear PCM
      Bit Depth 14-Bit
      Dust Reduction System Yes
      Memory Card Type SD
      SDHC
      SDXC
      Memory Stick PRO Duo (High Speed)
      Memory Stick PRO HG-Duo
      Memory Stick XC-HG Duo
      AV Recording
      Video Recording Yes, NTSC
      Video Format 1920 x 1080p at 24, 30, 60 fps (50 Mbps XAVC S)
      1280 x 720p at 120 fps (50 Mbps XAVC S)
      1920 x 1080p at 60 fps (28 Mbps AVCHD)
      1920 x 1080i at 60 fps (24 Mbps AVCHD)
      1920 x 1080i at 60 fps (17 Mbps AVCHD)
      1920 x 1080p at 24 fps (24 Mbps AVCHD)
      1920 x 1080p at 24 fps (17 Mbps AVCHD)
      1440 x 1080p at 30 fps (12 Mbps MP4)
      640 x 480p at 30 fps (3 Mbps MP4)
      Aspect Ratio 4:3, 16:9
      Video Clip Length Not specified by manufacturer
      Audio Recording Built-In Mic: With Video (Stereo)
      Optional External Mic: With Video)
      Focus Control
      Focus Type Auto & Manual
      Focus Mode Continuous-servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-servo AF (S)
      Autofocus Points Contrast Detection: 25
      Viewfinder/Display
      Viewfinder Type Electronic
      Viewfinder Size 0.5"
      Viewfinder Pixel Count 2,359,296
      Viewfinder Eye Point 27.00 mm
      Viewfinder Coverage 100%
      Viewfinder Magnification Approx. 0.71x
      Diopter Adjustment -4 to +3 m
      Display Screen 3" Rear Screen Tilting LCD (921,600)
      Screen Coverage 100%
      Exposure Controlebxtwzscxxdtwcx
      ISO Sensitivity Auto, 100-102400 (Extended Mode: Auto, 50-409600)
      Shutter Type: Electronic & Mechanical
      Speed: 30 - 1/8000 Second , Bulb Mode
      Type: Electronic & Mechanical
      Speed: 1/4 - 1/8000 Second in Movie Mode
      Remote Control RM-VPR1 (Optional)
      Metering Method Center-weighted average metering, Multi-zone metering, Spot metering
      Exposure Modes Modes: Aperture Priority, Auto, Intelligent Auto, Manual, Movie, Programmed Auto, Scene Selection, Shutter Priority, Superior Auto, Sweep Panorama
      Metering Range: EV 3.0 - EV 20.0
      Compensation: -5 EV to +5 EV (in 1/3 or 1/2 EV Steps)
      White Balance Modes Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
      Continuous Shooting Up to 5 fps at 12.2 MP for up to 200 frames
      Up to 2.5 fps at 12.2 MP for up to 200 frames
      Flash
      Flash Modes Auto
      Fill-in
      Hi-Speed Sync
      Off
      Rear Sync
      Red-eye Reduction
      Slow Sync
      Wireless
      Built-in Flash No
      Max Sync Speed 1 / 250 Second
      Flash Compensation -3 EV to +3 EV (in 1/3 or 1/2 EV steps)
      External Flash Connection Hot Shoe, Proprietary
      Performance
      Self Timer 10 seconds, 2 seconds
      Connectivity 1/8" Headphone, 1/8" Microphone, DC Input, HDMI D (Micro), Micro-USB
      Wi-Fi Capable Yes
      Software System Requirements Windows: Vista (SP2), 7 (SP1), 8
      Mac: OS X 10.6 or later
      Power
      Battery 1 x NP-FW50 Rechargeable Lithium-ion Battery Pack, 7.2 VDC, 1080 mAh
      AC Power Adapter AC-PW20 (Optional)
      Operating/Storage Temperature Operating
      32 to 104°F (0 to 40°C)
      Physical
      Dimensions (WxHxD) 5.0 x 3.7 x 1.9" / 126.9 x 94.4 x 48.2 mm
      Weight 1.08 lb / 489.88 g with battery and memory card
      Packaging Info
      Box Dimensions (LxWxH) 8.976 x 6.299 x 5.984"
    • Tascam DR-701D 6-Track Field Recorder for DSLR with SMPTE Timecode
      Recording Media
      Media SD card (64 MB to 2 GB)
      SDHC card (4 to 32 GB)
      SDXC card (48 to 128 GB)
      Recording Format
      Recording Format WAV: 44.1/48/96/192 kHz, 16/24-bit
      BWF: 44.1/48/96/192 kHz, 16/24-bit
      Channels
      Number of Channels 4 maximum (stereo × 2, mono × 4)
      I/O
      Analog Inputs IN 1/2/3/4: XLR-3-31, 1/4" standard TRS jacks (phantom power supplied only to XLR)
      EXT IN 1/2: 1/8" stereo mini-jack (can provide plug-in power)
      CAMERA IN: 1/8" stereo mini-jack
      Analog Outputs PHONES: 1/8" stereo mini-jack
      CAMERA OUT: 1/8" stereo mini-jack
      LINE OUT: 1/8" stereo mini-jack
      HDMI I/O Type A receptacle
      USB Connector type: Micro-B
      Format: USB 2.0 HIGH SPEED mass storage class
      Timecode Input BNC
      Remote Input 3/32" (2.5 mm) TRS jack
      Powerebxtwzscxxdtwcx
      Power Source 4x AA batteries (alkaline, NiMH or lithium)
      AC adapter (TASCAM PS-P515U, sold separately)
      External battery pack (TASCAM BP-6AA, sold separately)
      Power Consumption 5 W (maximum)
      Consumption Current 1 A (maximum)
      Battery Operation Time Using alkaline batteries (EVOLTA)
      Use conditions:
      Channels 1/2 unused
      Channels 3/4 use built-in mic
      Phantom power off
      HDMI not connected
      Recording 2ch 48 kHz/16-bit WAV files
      Operation time: About 3:45

      Use conditions:
      Channels 1/2 used
      Channels 3/4 unused
      3mA phantom power used for 2 channels
      HDMI not connected
      Recording 2ch 48kHz/16-bit WAV files
      Operation time: About 2:00

      Use conditions:
      Channels 1/2 used
      Channels 3/4 unused
      3mA phantom power used for 2 channels
      HDMI input connected (1080/60i)
      Recording 2ch 48 kHz/16-bit WAV files
      Operation time: About 1:30

      Using NiMH batteries (eneloop)
      Use conditions:
      Channels 1/2 unused
      Channels 3/4 use built-in mic
      Phantom power off
      HDMI not connected
      Recording 2ch 48 kHz/16-bit WAV files
      Operation time: About 4:00

      Channels 1/2 used
      Channels 3/4 unused
      3mA phantom power used for 2 channels
      HDMI not connected
      Recording 2ch 48 kHz/16-bit WAV files
      Operation time: About 2:30

      Channels 1/2 used
      Channels 3/4 unused
      3mA phantom power used for 2 channels
      HDMI input connected (1080/60i)
      Recording 2ch 48 kHz/16-bit WAV files
      Operation time: About 2:00

      Using lithium batteries (Energizer ULTIMATE LITHIUM)
      Use conditions:
      Channels 1/2 unused
      Channels 3/4 use built-in mic
      Phantom power off
      HDMI not connected
      Recording 2ch 48 kHz/16-bit WAV files
      Operation time: About 7:30

      Channels 1/2 used
      Channels 3/4 unused
      3mA phantom power used for 2 channels
      HDMI not connected
      Recording 2ch 48 kHz/16-bit WAV files
      Operation time: About 6:30

      Channels 1/2 used
      Channels 3/4 unused
      3mA phantom power used for 2 channels
      HDMI input connected (1080/60i)
      Recording 2ch 48 kHz/16-bit WAV files
      Operation time: About 3:30

      NOTE: When using phantom power, the operation time might be reduced depending on the mic being used
      Audio Performance
      Frequency Response 20 Hz - 20 kHz +0.5/-1 dB (LINE IN or MIC IN to LINE OUT, 44.1/48kHz sampling frequency, JEITA)
      20 Hz - 40 kHz +0.5/-1 dB (LINE IN or MIC IN to LINE OUT, 96kHz sampling frequency, JEITA)
      20 Hz - 80 kHz +0.5/-5 dB (LINE IN or MIC IN to LINE OUT, 192 kHz sampling frequency, JEITA)
      Distortion 0.007% or less (LINE IN or MIC IN to LINE OUT, 44.1/48/96/192kHz sampling frequency, JEITA)
      Signal to Noise Ratio 100 dB or more (LINE IN or MIC IN to LINE OUT, 44.1/48/96/192kHz sampling frequency, JEITA)
      Equivalent Input Noise -124 dBu or lower
      Recording Time WAV/BWF 16-bit (Stereo) 44.1 kHz: 6:17
      WAV/BWF 24-bit (Stereo) 96 kHz: 1:55
      WAV/BWF 24-bit (Stereo) 192 kHz: 0:57

      (SDHC card capacity 4 GB)
      General
      Operating Temperature 32 to 104°F (0 to 40°C)
      Dimensions (W × H × D) With top adapter attached: 6.7 x 2.3 x 4.5" (169.0 x 57.3 x 113.5 mm)
      Weight With Batteries: 23.1 oz (654.0 g)
      Without Batteries: 19.8 oz (561.0 g)
      Packaging Info
      Box Dimensions (LxWxH) 9.9 x 7.2 x 4.2"

    Sony Alpha a7S Mirrorless Digital Camera Body with 6-Track Field Recorder Kit Review

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