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The Presonus iTwo Studio Kit with MXL Vocal and Instrumental Microphones is a B&H Kit that supplies a complete voice and instrument recording solution, once paired with an iPad or choice of a Mac or Windows computer. The USB interface ships with the company's DAW software, and monitoring is provided by a set of headphones and a pair of self-powered, two-way desktop speakers. The MXL 870 condenser microphone is great for recording vocals, whereas a pair of MXL 840 small diaphragm microphones excel at capturing instruments. A regular microphone stand with a fixed boom is complemented by a short stand with a telescoping boom. Microphone cables are also included.
PreSonus AudioBox iTwo USB 2.0 & iPad Recording Interface
The AudioBox iTwo from PreSonus is a USB 2.0 recording interface for Windows, Mac and iPad that is designed for recording guitars, basses, keyboards and more for band rehearsals, vocal demos, podcasts and other applications. It features high-performance Class A preamplifiers with phantom power, and records audio at up to 24-bit, 96 kHz sampling resolution.
Ideal for recording band rehearsals, demos, keyboard workstations and more, the AudioBox iTwo is equipped with two combo mic/instrument/line inputs for connecting dynamic or condenser microphones as well as guitars, basses and keyboards. The unit also features a stereo headphone output with dedicated level control, ultra-low-latency monitoring, and balanced main outputs for connecting studio monitors.
Additionally, the AudioBox iTwo doubles as a full-functioned MIDI interface, including standard MIDI in and MIDI out ports. This is great for integrating MIDI sound modules, drum machines and sequencers that use 5-pin MIDI connectivity into your studio setup.
Includes Studio One Artist DAW software and 6+ GB of third-party sample content
Download Capture Duo for iPad for free for one-tap iPad recording with wireless transfer to Studio One
Compatible with almost all recording software for Mac, Windows, and iPad
Free Nimbit account to distribute and sell your music
Ultra-low-latency monitoring via internal analog mixer (mix knob)
USB-A input for connecting iPad, USB-B input for connecting to Mac or PC
MXL 870 Studio Condenser Microphone
Designed for recording vocals and instruments in a studio setting, the 870 is a large-diaphragm condenser microphone from MXL. Its capsule features an on-board FET preamp with a balanced out. The microphone picks up sound in a cardioid polar pattern, rendering this unit suitable for situations in which minimizing sound directly behind the mic is a must.
Also, it includes a high-isolation shockmount to mitigate any noise coming from the floor, such as foot stamps and leaning sounds. A microfiber cloth is provided to clean the unit. Note that the microphone requires 48V phantom power, available in most preamps and recorders.
The 840 Pair from MXL comprises two small-diaphragm condenser microphones suitable for stereo recording of drum sets, acoustic guitars, pianos, strings or anything else that requires stereo attention. A set of shockmounts is included with this pair of microphones, allowing you to utilize the 840s right out of the box. Fast transient response ensures accuracy of sonic impact, while a high SPL of 137 dB allows you to capture truly loud sound sources. Additionally, the microphones' cardioid polar pattern gives you the ability to truly hone in on the sonic sweet spot of any given sound.
2 x PreSonus Eris E5 Two-Way Active 5.25" Studio Monitor (Each)
The Eris E5 Two-Way Active 5.25" Studio Monitor from PreSonus delivers an accurate response with tight bass and a clear upper end. The Kevlar low frequency transducers, low-mass silk-dome tweeters and responsive Class AB amplification combine with acoustic-adjustment controls to create a versatile and adaptable listening system.
The E5 begins with a front-ported enclosure made of vinyl-laminated MDF. It features a 5.25" Kevlar low-frequency driver mated with a 45W, Class AB amplifier. For the highs, Eris employs a 1" silk-dome tweeter powered by a 35W, Class AB amplifier. The E5 outputs a clean 102 dB peak SPL. Its frequency response is rated at 64Hz to 22kHz.
The Eris E5 provides a balanced XLR, a balanced ¼" TRS, and an unbalanced RCA line-level input. Once you're plugged in, set the Input Gain and you're ready to go!
Acoustic Tuning Controls
The Eris provides three EQ controls in its Acoustic Tuning section: High, Mid, and Low Cutoff. These controls enable you to fine-tune the monitors to your space. The Low control also is useful when using the E5 with a subwoofer.
The High control is a shelving filter that boosts or cuts all frequencies above 4.5kHz by as much as 6dB. The Mid control is a mid-frequency peak filter that boosts or cuts frequencies centered at 1kHz and extending about one octave above and below that frequency. The Low Cutoff control rolls off frequencies below either 80 or 100Hz at a slope of 12dB/octave. This control is especially useful if you also have a connected subwoofer.
Acoustic Space Control
A three-position Acoustic Space switch controls a second-order, low shelving filter that cuts frequencies below 800 Hz by either 2 or 4dB to compensate for the boundary bass boost that occurs in close proximity to walls or corners.
Thorough Protection Circuitry
RF shielding protects against radio frequencies that could be introduced to the signal and become audible. Eris monitors also provide overheat protection, current-output limiting and subsonic protection. "Soft startup" amplifiers prevent damaging pops from sounding through the speakers when you power them up.
PreSonus HD7 Professional On-Ear Monitoring Headphones
The HD7 headphones from PreSonus provide high-quality audio in a durable and affordable design. The headphones feature high-resolution neodymium drivers and precision-tuned acoustic chambers to deliver crisp, detailed audio with a wide frequency response and extended bass performance. The rugged construction is designed to withstand the rigors of professional use.
The headphones feature a self-adjusting headband and thick on-ear cushions to provide a snug and comfortable fit with the perfect amount of pressure. The cushions also help to block out unwanted environmental noise. The single-sided cable is 8.2' long to provide plenty of slack, giving you freedom to move about your workstation or console. The 1/4" stereo plug lets you connect to a variety of professional audio devices.
High-resolution neodymium drivers and precision-tuned acoustic chambers deliver crisp, detailed audio with a wide frequency response and extended bass performance
The lightweight and rugged construction is designed to withstand the rigors of professional use
A self-adjusting headband and thick on-ear cushions provide a snug and comfortable fit with the perfect amount of pressure. The cushions also help to block out unwanted environmental noise
The single-sided cable is 8.2' long to provide plenty of slack, giving you freedom to move about your workstation or console
The 1/4" stereo plug lets you connect to a variety of professional audio devices
2 x Kopul Performance 2000 Series XLR M to XLR F Microphone Cable - 10' (3.0 m), Black
The Kopul Performance 2000 Series XLR M to XLR F Microphone Cable (10') is engineered for exceptional value and superb protection against EMI, RFI and static noise. Quiet and flexible, the cable is suitable for most live sound and performance applications.
Performance 2000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. 92% dual-spiral shielding makes the cable resistant to EMI and RFI noise and Rean silver plated connectors provide a high level of connectivity.
92% dual-spiral shielding offers protection from EMI and RFI noise.
Twin-conductive PVC inner shielding provides 100% coverage of the core conductor. It helps keep the cable's signal from radiating and affecting nearby cables, and also helps prevent external EMI from penetrating to the cable's core.
24 AWG oxygen-free stranded copper inner core.
Cotton yarn reduces electrostatic and microphonic noise.
Rean silver plated connectors offer high conductivity.
Cast zinc shell and chuck style strain relief.
Auray MS-5230F Tripod Microphone Stand with Fixed Boom
The Auray MS-5230F Tripod Microphone Stand with Fixed Boom features durable, steel construction. The 31.5" boom arm allows you to angle the mic however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and non-slip feet keep it firmly and sturdily in place. The Auray MS-5230F mic stand collapses for easy transport.
Auray MS-5220T Short Tripod Microphone Stand with Telescoping Boom
The Auray MS-5220T Short Tripod Microphone Stand with Telescoping Boom features durable, steel construction. The telescoping boom arm is adjustable from 19.3 to 33.9" in length, allowing you to angle and extend the mic placement however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and non-slip feet keep it firmly and sturdily in place. The Auray MS-5220T mic stand collapses for easy transport.