FXHOME HitFilm 4 Pro (Download)

FXHOME HitFilm 4 Pro (Download)

FXHOME HitFilm 4 Pro (Download)

B&H # FXHF4P MFR # HITFILM 4 PRO
FXHOME HitFilm 4 Pro (Download)

FXHOME HitFilm 4 Pro (Download)

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Product Highlights

  • Editing, VFX, and 3D Compositing in One
  • Simple-to-Use for Users of All Levels
  • Create Epic Movies On a Small Budget
  • Add Interactive Animations to Your Vlogs
  • New Animation System, 3D Titler & More
  • 200+ VFX (Fire, Lightning, Etc.)
  • Improved 3D Objects (Helicopters, Etc.)
  • Includes mocha & Boris FX 3D Objects
  • Includes Ignite Plug-Ins for Other NLEs
  • Mac & PC Compatible on up to 3 Computers
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  • 1Description
HitFilm 4 Pro from FXHOME combines video editing, visual effects, and 3D compositing in one application for users of all levels (on Mac and PC). Featuring a large library of 3D objects, such as helicopters, and visual effects, like fire and lighting, HitFilm is suitable for any user who wants to edit and apply motion graphics. For example, the filmmaker will be able to create epic videos, with robots and dinosaurs, on a small budget, and the vlogger can edit a video and add interactive animations to it, such as a magic wand directing the audience to the "Subscribe" button.

HitFilm 4 Pro introduces a completely new animation system, major improvements to 3D model realism, a new 3D titler, and much more. In addition to fast and simple animation of groups within HitFilm, you can now import advanced animations from dedicated applications such as 3ds Max and Maya using the Alembic 3D format. Pre-animated models can still be rotated and manipulated in full 3D. The timeline now features the value graph, which shows the temporal interpolation of your keyframes. This simplifies adjusting how one keyframe blends into the next, allowing for greater variety and subtlety of movement, such as when you're spinning a helicopter's rotors or fine-tuning the motion of a title sequence. Also, transforming layers can now be adjusted intuitively in the Viewer using bezier controls. Creating a gentle curve is now just as easy as creating a sharp angle.

3D lighting and realistic materials have also been taken to a new level. You can diffuse lighting reflected from objects in the scene to achieve natural, bounced light which more closely resembles real world lighting. Combine this with on-set photography to perfectly match a 3D model to the lighting in your video. A new real-time specular reflection feature allows you to have your 3D models reflect the actual 3D scene, creating more realistic surfaces. This is essential for reflective metal and glass surfaces and is far more convincing than a simple environment map. Much requested bump map and normal map support has also been incorporated. This feature enables you to apply bump or normal maps to materials, adding the impression of additional surface detail without impacting on rendering times with higher poly counts. Objects can now also refract an environment map or their surroundings, with an adjustable refraction index to cater for different substances (e.g. water or perspex). There's also a new lighting model, the Cook Torrance model, which is designed for a wider range of materials and produces more sophisticated specularity, especially with metallic surfaces. Furthermore, specular texture improvements now let you restrict specular reflection, enabling you to create varying levels of reflection on the same material. This is very useful for the illusion of a partially dirty surface. Also, ambient occlusion is now cast between different types of 3D layers, resulting in more realistic lighting where objects are in close proximity. Position a 3D car on a 3D plane and the plane will now receive ambient occlusion shadowing, which can then be composited back onto a live action plate.

Major new particle engine features have been built-in, centered on soft particles and grid emitters. When particles come into contact with 3D model surfaces they can now have soft edges, allowing you to a lot more easily have a 3D model move through a cloud of particles without revealing the texture edges. A new emitter option restricts particle spawning to regimented grid positions. This one feature adds a huge amount of power to the particle simulator and introduces a new range of creative options. Creating procedural city blocks and swarms of 3D models is now easy to achieve without particles intersecting. Motion graphic artists will love the ability to set up cubic and spherical grid patterns.

There are also new audio effects and filters, so you can now process your audio inside HitFilm. These include audio noise reduction, doppler shift (for audio attached to animated 3D layers), echo/echo delay, pitch adjustment, 14 preset equalizer, ambience, reverse, and balance, and there's a new audio effects library.

HitFilm 4 Pro also includes the latest mocha motion graphics application from Imagineer Systems as an integrated plug-in, Boris FX 3D Objects 3D titling plug-in, and HitFilm Ignite, which is a comprehensive collection of over 140 plug-ins that you can use outside of HitFilm, in NLEs and compositing systems such as FCP X and NUKE, in case you want to incorporate these into your workflow.

The video editor has also been considerably upgraded, with industry-standard variable playback, a new rate stretch tool, and a streamlined timeline. Other new features include retina support, keyword search, timeline layout improvements, Vine and Instagram project templates, improved rendering, support for up to 10 hour projects, transition swapping and other workflow improvements, improved compatibility with Mac hardware, such as the Track Pad, and support for industry standard JKL functionality for playback control.
New in HitFilm 4 Pro
HitFilm 4 Pro introduces a completely new animation system, massive improvements to 3D model realism, a stunning new 3D titler, and much more.

Animation Controls
Graph and curve controls for easier, more fine-grained movement.

Alembic 3D
Import pre-animated models created in 3D Studio Max, Maya, and Cinema4D.

Boris FX 3D Objects Included
3D titling with extrusion, bevelling, and animation.

Realistic 3D Lighting
Completely overhauled for HitFilm 4 Pro.

Grid Particles
Soft particles and new grid emitters.

Audio Effects
Equalizer, doppler shift, echoes, ambience, pitch, and balance.

Rate Stretch
Adjust the playback speed of clips and layers.

Global Ambient Occlusion
Ambient shadowing between all 3D layers.

Higher Quality Rendering
Greater definition and reduced aliasing.

New Version of mocha Included
Easy surface tracking for corner pinning.

Workflow Improvements
Faster editing and a more intuitive interface.

HitFilm Ignite Included
More effects plug-ins for your other software.
Editing
You can cut together all kinds of projects in HitFilm. The clean, intuitive layout and responsive tools let you focus on your ideas while HitFilm takes care of the technical stuff.

The Essentials
Quickly organize your media, trim your clips, and add transitions.

Unlimited Tracks
As many video and audio tracks as you need.

Audio Mixing
Craft an exciting soundscape with a range of ambience effects and audio mixing features.

Flexible and Adaptive
Mix different formats, resolutions, and framerates on the same timeline without any problems.

Go Further
HitFilm isn't just an editor. At any point you can start adding visual effects, without changing software.

Complete Editing Toolset
- Editing tools: trim, ripple, roll, slice, roll, slip, slide
- Rate stretch for retiming
- Insert and overlay edits
- Separate video and audio for J and L cuts
- Transitions: dissolves, push, slide, split, wipe, zoom, fade, iris
- Audio meters with peaking monitor
- Easy media organization
- Trimmer window
- Add quick effects to clips
- Switch between your edit and your effects like changing tabs in your web browser
- Mix formats, resolutions, and frame rates
- Upload direct to YouTube
- Audio effects: reverse, cathedral, channel levels, echo, equalizer, large/medium/small room, pitch, shortwave radio, telephone, tone
Professional Compositing
What you shoot with your camera is only the beginning. Once you get your videos into HitFilm you can entirely transform them, changing backgrounds, adding or removing elements, and generating professional quality visual effects. You'll become your own VFX studio.

2D & 3D Layer Compositing
Design your visual effects shots in 2D and 3D, mixing together videos, images, text, and 3D models.

Simple and Easy
Compositing can be as fast as adding a title or a logo. HitFilm's interface makes getting started simple and easy, and you can explore the more advanced features when you're ready.

Professional Green Screen
HitFilm's broadcast quality chroma keyer makes using green screen footage easy. The unique spill simulation feature replaces unwanted reflected light from your green screen with realistic simulated light from your new background.

Track Movement
Fast feature tracking makes it easy to attach effects and layers to moving objects in your videos, while the integrated mocha will let you tackle sophisticated planar tracking and camera solving for handheld and moving shots.

Masking & Roto
Draw masks to isolate and manipulate specific areas of a layer, and use the integrated mocha to automatically rotoscope movement, saving you a lot of time.

Go 3D
HitFilm works in true 3D. If you want to put your green screened actors into a spaceship cockpit, you just put the video layer inside the 3D model. Simple as that.

All Compositing Features
- 2D layer compositing
- 3D compositing with cameras and lights
- mocha integrated (from Imagineer Systems)
- Broadcast quality chroma key
- Spill simulation for perfect lighting match between layers
- Automatic light wrap for realistic blooming
- Matte cleaning and transferring
- Shadow casting from 3D lights
- Multiple light types: point, direction, ambient, spot
- Depth of field
- Motion blur
- 3D depth fog
- Optical flow feature tracking
- Planar tracking of moving surfaces
- 3D camera solving
- Ellipse, rectangle, and freehand masks
- Roto assist with masks
- Plane (solid) layers for hosting effects and creating mattes
- Grade layers for applying effects to multiple layers simultaneously
- 3D text creation and animation
- Import .MA camera tracking data (Boujou, SynthEyes, PFTrack, etc.)
- Live rendering of 3D models
- Video stabilization
- 3D camera projection onto planes
- Unified 3D space - 3D layers, models and particle simulations all interact
- Create multiple composite shot timelines
- Embed (nest) composite shots inside other composite shots (pre-comp)
- Point (null) layers for referencing
- Parent-child links between layers
- Keyframe animation
- Value graph for temporal interpolation
- Bezier controls for spatial interpolation
- Multiple camera, perspective, and orthographic views
- Multiple blend modes
- Material properties for 3D layers: ambient, diffuse, specular, shininess, emissive
- Ambient occlusion casting and receiving between layers
- Cast reflections onto 3D models
- Automatic doppler shift for audio based on 3D positioning
3D Objects
Add 3D objects to your scenes - such as helicopters, spaceships, the Empire State Building, and more, including your company logo in 3D. Animate these objects and shoot with virtual cameras and lights, real-time shadows, reflections, and physically-based lighting.

Virtual Lighting
Creating fancy virtual environments can be simple. If you know how to light a real set, you'll know how to light a virtual one.

Freedom of Movement
Animate individual parts of a 3D model, such as a car's wheels, directly inside HitFilm, or bring in pre-animated Alembic animations for increased fidelity.

Advanced 3D Technology
3D models cast shadows, reflect other objects in the scene, and have multiple material slots for adjusting lighting properties and environment maps.

Realistic Rendering
Compositing 3D models into live action video is easy with HitFilm. HitFilm includes mocha (from Imagineer Systems) as a plug-in for 3D camera solving, and HitFilm simulates imperfections such as lens flaring from specular highlights, dirt on the camera lens, and anamorphic streaks.

Unified 3D Space
HitFilm's 3D models, particles, and layers all exist in the same 3D space. That means you can easily put a green screen actor inside a cockpit or a fighter jet inside a particle cloud without needing awkward compositing tricks.

Everything You Need for 3D Realism
- Multiple light types: directional, spotlight, point, ambient
- Shadow casting and self-shadowing
- Ambient occlusion
- Texture slots: diffuse, specular, normal, bump
- Animation of individual model groups
- Pre-animated, real-time Alembic animations
- Lighting models: Phong and Cook-Torrance
- Diffuse and specular reflectivity
- Real-time reflections and environment mapping
- Unified 3D space, enabling easy compositing with other 3D layers
- Refraction maps
- Depth fog
- Multiple 3D cameras with motion blur and depth of field
- Wireframe rendering
- Particle simulator integration: use 3D models as particle textures
- Post-processing effects
- Generate wraparound 3D environments from panoramas
- Format support: OBJ, LWO, 3DS, ABC
Particles
HitFilm 4 Pro has two particle engines. Create weather systems, grow your own cities or marching armies, summon swarms of creatures, and much more, from grid patterns and fractally-warped, audio-influenced 3D forms to chaotic, physics-driven simulation.

Form & Physics
HitFilm includes multiple world class particle engines, one for form-based fractal shapes with audio-driven animation and the other for advanced physics simulation.

Particle Simulator
Particles interact with gravity and turbulence forces, bounce off deflectors, and have complex behavior based on events such as birth, death and collisions.

3D Models as Particles
The simulator optionally uses 3D models for particles, enabling fast creation of vast, procedural cityscapes, fleets of vehicles, and swarms of creatures.

Unified 3D Space
The simulator exists in the same space as other 3D layers, making it easy to envelop your scenes in atmospheric fog or composite layers inside your 3D cityscape.

Atomize
Form-based shapes can be generated from a 3D model or a point grid. Forms can be fractally distorted and dispersed to create beautiful new shapes, or be animated to an audio track.

All Particle Features
- True 3D particle simulator
- Texture options: static image, animated sequence, 3D model
- Physics-powered: adjustable bounce, friction, and mass
- Full integration with 3D cameras, lights, and shadow casting
- Global and local physics forces: direction, attractor, detractor, and turbulence
- Deflectors for creating particle collisions
- Create multiple emitters and particle systems
- Emitter types: sphere, cube, grid, ellipse, quad, point
- Random variance for all major properties
- Generate sub-emitters - perfect for complex behavior such as fireworks
- Adjust particle behavior over lifetime
- Add post-processing effects - perfect for intense lighting enhancements
- Particle simulator exists in a unified 3D space, enabling easy compositing with other 3D layers
- Form-based particles can be created from grid or 3D model shape
- Audio-driven animation
- Fractal warping and dispersal for organic shapes and animation
- Shatter video and image layers into bricks, shards, or any other shape
Visual Effects
HitFilm 4 Pro features a library of over 200 visual effects, all of which can be re-mixed and customized in high detail.

Guns
Create realistic, infinitely variable muzzle flashes for any weapon in your prop collection. Shoot-outs just got a lot easier.

Fire
Set your layers on fire, with controllable fuel sources and flame behavior.

Lightning
Forked, animated lightning with full control of complexity and shape.

Heat Distortion
Instant heat haze for jet exhausts and hot days.

Cloning
Hide or duplicate objects in your videos by cloning an area from a different frame on your timeline.

Lasers and Flying Through Hyperspace
Create authentic sci-fi visuals.

VFX Library
- Gunfire
- Fire
- Heat distortion
- Blurs: Angle, bilateral, diffuse, lens bokeh, motion, radial, zoom
- Distort: bulge, chromenator, insect vision, magnify, mosaic, twirl, waves, witness protection
- Displacement
- Derez (from VGHS)
- Animated lasers
- Audio visuals: Spectrum and waveform
- Volumetric light rays
- Caustic for liquid surfaces
- Dimension rift for portals and wormholes
- Hyperdrive
- Lightswords
- Pond ripple
- Sphere
- Lens dirt
- Shake
- Blood spray
- Lightning and electricity
- Rain on glass
- Parallax
- Motion trails
- Time displacement
- Echo
- Clone stamp
- Warps: Bezier, spherical, perspective, polar, quad, vortex displacement
Grading
HitFilm is packed full of color correction and styling tools. Enhance your entire frame or specify custom areas, such as an actor's eyes or the sky in a wide landscape shot.

Instant Looks
When you need quick results you can automatically apply a fast, cinematic film look, bring in your own LUT, or perfectly match the lighting from another clip or image.

Create Your Own Style
If you prefer to craft your own look you can experiment with over 30 powerful tools including curves and intuitive color wheels.

Lens Flares
Paint atmosphere onto your shots with flares, anamorphic effects, realistic lens dirt and other lighting effects.

Repair
Professional noise removal and easy digital make-up for your actors.

Grading Toolkit
- Channel control: blur, mixer, swapper, time shift, color space converter
- Quick fixes: auto color/contrast/levels
- Essentials: brightness/contrast, balance, temperature, crush b&w, custom gray, exposure, gamma, hotspots, w/b
- Color correction wheels
- Curves
- Levels histogram
- LUT
- Looks: cine style, bleach bypass, day for night, grading transfer, three strip color, two strip color, film grain
- Grading: cycle, map, phase, vibrance, duo tone, hue colorize/shift, invert, shadows, highlights, vibrance, vignette, tint
- Damage simulation: Film damage, TV damage, flicker, jitter, shake, stutter
- Repair: sharpen, unsharpen, denoise, rolling shutter, pro skin retouch
- Stylize: cartoon, emboss, find edges, glow darks, leave color, oil painting, posterize, solarize, threshold
- Apply to selective parts of the frame
Motion Graphics & Animation
Use precise animation, advanced titling, and procedural effects to design exciting motion graphics. You have complete control over your animations, with a powerful keyframe graph editor and bezier paths. If you're working with 3D models you can animate inside HitFilm or import elaborate, pre-made Alembic sequences.

Keyframes & Graphs
Fine-tune your hand-crafted animation using the timeline graph and on-screen bezier controls.

Alembic 3D
3D models with advanced animation can be imported. Think of it as fully 3D stock footage - for example, a 3D character complete with walk cycle.

Grid Particles
Switch the particle simulator to grid mode to create regimented shapes, clusters of products, abstract patterns, and much more.

Procedural Generation
All of HitFim's effects are fully customizable. Experiment and combine effects together to create complex procedural visuals.

All Animation Features
- Keyframe animation
- Bezier controls for spatial interpolation
- Value graph for temporal interpolation
- Point/null layers for rigging
- 2D and 3D planes for creating solids
- Import 3D models of character and product mock-ups
- Animation of 3D model groups
- Full 3D model and particle engine integration
- Advanced grid emitters for particle effects
- Create particle shapes using 3D model forms
- 3D unified space for particles, 3D models, and 3D layers
- Audio-powered visuals: waveform, spectrum, and atomic particles
- Procedural textures: radio waves, caustics, clouds, fractal noise
- Alembic support for importing complex animation of 3D models from other software
Titling
HitFilm 4 Pro includes the premium 3D Objects plug-in from Boris FX for all your titling needs, including advertisements, elaborate title sequences, end credits, and lower-thirds. Furthermore, your titles can be customized using all of HitFilm's advanced compositing and effects tools.

3D Objects from Boris FX
Boris FX's 3D Objects plug-in is included, making it easy to create advanced 3D text.

Professional End Credits
A purpose-built end credits tool makes it easy to layout professional, scrolling text complete with departments, names, roles, and groups.

Turn EPS Files into 3D
Convert your EPS logos and designs into 3D objects.

Design Lower Thirds
All of HitFilm's compositing features are at your disposal for creating unique lower thirds, complete with animation.

All Titling Features
- Boris FX 3D Objects
- 2D and 3D text
- 3D lighting and cameras
- 3D extrusion with adjustable bevel and surface materials
- Material presets (e.g. chrome, brick, marble, brushed metal)
- Textured surfaces with bump maps
- Distort and warp text with twists, tapers, curling, shattering, and ripple animation
- Easy scrolling end credits
- Built-in depth of field and motion blur
- Create animated lower thirds and idents
- Sci-fi pulp opening crawl
- Combine and customize titles using HitFilm's huge effects library
Plug-Ins
HitFilm 4 Pro includes HitFilm Ignite, which provides over 140 plug-ins that you can use in traditional NLEs and compositors outside of HitFilm, in case you want to incorporate these in your workflow.

Highly Flexible
HitFilm Ignite fits into any workflow. Install the plug-ins on a Mac or PC, to all hosts, on up to 3 computers.

Professional Keying
The best chroma key in the business, with project-saving spill replacement for 100% realistic composites.

Atomic Particles
Form-based particle system with fractal and audio-driven animation.

Light Flares
A comprehensive lens flare collection, with flares, streaks, highlights, leaks, artificial lens dirt, and anamorphic artifacts.

Advanced Effects Inside Your NLE
HitFilm Ignite plug-ins transform editors like Premiere Pro CC and Final Cut Pro X, turning them into powerful visual effects toolkits.

Colorist's Toolkit
Expand your color correction and grading potential.

Wide Compatibility
HitFilm Ignite is compatible with Premiere Pro CC, After Effects CC, Final Cut Pro X, Motion, DaVinci Resolve, Catalyst, Vegas Pro, and NUKE.

Select Plug-Ins
- Bilateral blur
- Pro skin retouch
- Cine style
- Cartoon
- Find edges
- Glow darks
- Echo
- Motion trails
- Time reverse
- Insect vision
- Twirl
- 3D extrusion
- Animated lasers
- Audio waveform
- Clouds
- Lightsword (glow / 2-point auto / 4-point manual)
- Pond ripple
- Split screen masking
- Film grain
- Stutter
- Projector
- Hue & RGB key
- Light rays
- Anamorphic lens flares
- Neon glow
- Invert alpha
- Rain on glass
- Shatter
- Clone stamp
- Spherical warp
Table of Contents
  • 1Description
System Requirements Windows 7, 8, 10
Mac OS X 10.9 Mavericks, 10.10 Yosemite, or 10.11 El Capitan
64-bit operating system
1.2 GB free hard disk space for installation
Intel Core i3, i5, i7, or Intel Xeon (Nehalem) processor or AMD equivalent
4 GB RAM
OpenGL 2.0 capable hardware with at least 512 MB video memory (NVIDIA GeForce 9 series, Radeon HD 5000 series, Intel HD 4000)

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