IK Multimedia Total Studio MAX - Plug-In and Virtual Instrument Bundle (Upgrade, Download)

IK Multimedia Total Studio MAX - Plug-In and Virtual Instrument Bundle (Upgrade, Download)

IK Multimedia Total Studio MAX - Plug-In and Virtual Instrument Bundle (Upgrade, Download)

No Longer Available

Product Highlights

  • AmpliTube MAX
  • 300+ Emulations of Amps, Cabs & Pedals
  • T-RackS MAX
  • 33 Mixing and Mastering Plugins
  • SampleTank MAX & Miroslav Philharmonik 2
  • 110GB of 7,300 Virtual Instruments
  • Stand-Alone, AU, VST, & AAX
  • Mac and Windows Compatible
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IK Multimedia IK-TBMAX-DDU-IN overview

  • 1Description

Available for download, this upgrade of Total Studio MAX from IK Multimedia is a bundle of plug-ins and virtual instruments comprising the totality of IK Multimedia's digital slate. You get AmpliTube MAX for your guitars; you get SampleTank MAX for your pianos, drums, electric instruments, and more; you get Miroslav Philharmonik 2 for a full orchestral palette; and you get T-RackS MAX to mix and master it all.

Ostensibly this download will give you the ability to create total productions from scratch in conjunction with any compatible Mac- or Windows-based computer. Software included in this bundle can operate in stand-alone, AU, VST, and AAX formats.

Note: To qualify for this download, you must have purchased and registered at least one of the following:

  • T-RackS Grand
  • SampleTank 3 (full, upgrade, or crossgrade)
  • Miroslav Philharmonik 2 (full, upgrade, or crossgrade)
  • Total Studio 3 Bundle
  • Total Workstation XL Bundle
  • SampleTank All-In Bundle
  • T-RackS All-In Bundle
  • AmpliTube 4 Deluxe
  • Any AmpliTube Power DUO Bundle

  • AmpliTube MAX - Total Bundle of Guitar Amplifier and Cabinet Emulation Software (Full Version, Download)

    Available for download, this full version of AmpliTube MAX from IK Multimedia provides IK Multimedia's entire line of amplifier, cabinet, stompbox, and effects-rack emulations for electric guitars and electric basses. Orange, metal, Fender, Ampeg—they're all represented here. In stand-alone mode, this software can function as an 8-channel DAW with full recording, looping, editing, mixing, and exporting capabilities. Instant preset-switching, compatible with any appropriate MIDI controller, makes the stand-alone application of this software especially useful for live scenarios, as you can switch from a convincing, crunchy Marshall sound to a Fender twang in however long it takes you to tap your toes. Used in any DAW such as Pro Tools or Logic, AmpliTube MAX allows you to process DI'd guitar and bass through simulations of various guitar-related gear pieces, and thus approximate a more realistic tone.

    Essentially, this software provides you with an emulated pedalboard, a simulated effects loop, a modeled amplifier, a cabinet stage, and an effects rack, all of which are yours to tweak however you see fit. Not only that—you get two sets of the aforementioned items, and you're able to route your signal through each model in any manner you choose; mono chains, stereo setups, and dual stages of amplification are possible, as are creative combinations in practically any assortment you could cobble together.

    It is also worth noting that the tools in AmpliTube MAX work well in conjunction with analog synths, electric pianos, drums, and even soft-synths. This software is compatible with Mac and Windows platforms, and will work in VST2, VST3, AU, and AAX formats running at 64-bit.

    All AmpliTube Products in One Package

    Signature Emulations Licensed from Renowned Brands
    • Orange
    • Fender
    • MESA/Boogie
    • Ampeg
    • ENGL
    80 Amplifier Emulations in Total
    • Fender amplifiers
    • Orange amplifiers
    • MESA/Boogie amplifiers
    • Jimi Hendrix Anniversary Collection amplifiers
    • Ampeg amplifiers
    • AmpliTube Metal amplifiers
    • AmpliTube 4 amplifiers
    92 Cabinet Simulations
    • 4x12 Brit 8000
    • 4x12 Brit 9000
    • 4x12 Red Pig 
    • 4x12 Brit Silver
    • 4x10 Open Vintage
    • 2x12 Closed Vintage
    • 4x12 Closed Vintage
    • 4x12 Recto Traditional Slant
    • 2x12 Rectifier Horizontal
    • 1x12 Mark III
    • 1x12 Mark IV
    • 2x12 TA-30
    • OBC115 1x15
    • OBC410 4x10
    • OBC810 8x10
    • PPC112 1x12
    • PPC212 2x12
    • PPC212 Open-Back 2x12
    • PPC412 4x12
    • Tiny Terror 1x12 combo
    • AD30TC 2x12 combo
    • And many more
    19 Microphone Emulations
    • Double Dynamic 57
    • Dynamic 57
    • Condenser 414
    • Condenser 87
    • And many more
    24 Rack-Effect Models
    • Digital Delay
    • Parametric EQ
    • Rotary Speaker
    • Tube Compressor
    • Triangle Chorus
    • Tape Echo
    • Tap Delay
    • Swell
    • Stereo Enhancer
    • Sine Flange
    • Fender '63 Reverb
    • Harmonator
    • Rezo
    • And more
    88 Stompbox Models in Total
    Pedals include:
    • Acoustic Sim
    • Chorus
    • Flanger
    • Opto Tremolo
    • Delay
    • Wah Pedal
    • Diode Overdrive
    • Compressor
    • Graphic EQ
    • Volume Pedal
    • All pedals in AmpliTube Fender
    • All pedals in AmpliTube Metal
    • All pedals in Ampeg SVX
    • All pedals in AmpliTube Jimi Hendrix Anniversary Edition
    Vintage and Modern Individual Speakers
    • 29 in total
    Dynamic Response through Sponge & Sag
    The amplifier/cabinet combinations in AmpliTube MAX utilize "Sponge and Sag" processing to replicate, in a more faithful manner, the dynamic interaction between the power amp and the speakers, aiming to eliminate the "harshness" found in the upper frequencies of other software
    Acoustic Simulator
    AmpliTube MAX features an Acoustic Sim pedal that aims to transmute your electric guitar into an acoustic; it is tweakable with on-board controls and features three styles of acoustic body and body-tops
    Effects-Loop Stage
    AmpliTube MAX has a slot in the signal chain right after the pre-amp section but before the power stage; this slot lets you add in up to four daisy-chained effects (including all of the stompboxes) for signal processing before hitting the power section
    Put Effects Anywhere in the Chain
    You can use many of the stompbox and rack effects in any of the rack-effects slots; conversely, you can use rack effects in the stompbox slots too
    8-Channel Recorder
    AmpliTube MAX can operate as an 8-channel DAW, allowing you to capture, loop, edit, mix, and export audio in the stand-alone application
    MIDI-Controllable Looper
    Dubbed the Super Looper, this feature is a 4-part looping station suitable for laying down multi-part backing tracks; each track includes level and panning controls, and can be instantiated by MIDI-foot controller or mouse-click
    AmpliTube MAX features an upgraded tune section which delivers accuracy down to 0.01 of a cent
    British Series Amps
    • Brit 8000 (based on the JCM800)
    • Brit 9000 (based on the JCM900)
    • Red Pig (based on the Marshall Major)
    • Brit Silver (based on the Silver Jubilee) 
    • Brit Valve-Pre (based on the JMP-1)
    3-Dimensional Cab Room with Selectable Simulators
    • 3D Room environment emulation
    • Select different speaker cabinets from different amps
    • Change individual speakers in the same cabinet
    • Dual-Mic Placement on any speaker in the cabinet
    • 18 microphones can be used in the Cab Room (three standard, 15 available in Custom Shop)
    • 29 individual speaker models
    • 6 different room scenes
    • Cabinet Mixer section to fine-tune and mix all elements

    Notable Features

    Signal-Chain Flexibility
    Eight different series/parallel routing options give you flexible signal-chain control, allowing you to configure and customize stereo and mono tones as you see fit; additionally, you can select and customize different configurations on the fly as you see fit
    Easily Switchable Presets for Live Performance
    Any AmpliTube chain can be saved, organized, and recalled through the preset browser, and then triggered—via universal MIDI control—during live performances or studio sessions, thus enabling you to switch entire amp-sounds throughout your gig or record on the fly
    4 Microphones
    • Double Dynamic 57
    • Dynamic 57
    • Condenser 414
    • Condenser 87
    Additional Features
    • Up to 96 kHz sample rate supported
    • DAW automation and BPM Synchronization
    • Preset database with multiple guitar- and bass-oriented tags, keywords, as well as advanced search
    • Online sharing service for user presets called “Preset XChange”
    • Integration with IK’s range of audio interfaces and controllers such as iRig HD, iRig Pro, iRig 2
    • Export loops to hard drive and import into the DAW section; import audio to track 1 in looper for playing over backing track loop
    • Imports any WAV, AIFF, SD2, Apple CAF, FLAC, or MP3 audio file (stand-alone version)
    • SpeedTrainer for speeding up/slowing down imported tracks without affecting the pitch - useful for practicing and transcribing (standalone version)
  • SampleTank MAX - Sample-Based Virtual Instrument Bundle (Full Version, Download)

    Available for download, this full version of SampleTank MAX from IK Multimedia is a virtual instrument comprising the entirety of SampleTank 3 and 22 additional instrument collections. This virtual instrument features over 52GB worth of sound samples organized into over 4,600 instruments in 21 categories, giving you plenty of drum/percussion-loops to boot. Instruments emulated in SampleTank MAX range from acoustic/electronic drums to acoustic/electric basses, guitars, pianos, strings, woodwinds, vocals, percussions, loops, and more. Additionally, SampleTank boasts over 7,400 drum, percussion, and full construction kit loops, as well as an excess of 3,500 MIDI patterns to help inspire your compositional pursuits.

    For sonic manipulation, SampleTank MAX features 55 integrated effects, including EQ, compression, guitar amp modulation, reverb, delay, and filters—of which many are derived from IK Multimedia's T-RackS and AmpliTube software. Its interface is composed of Play, Mix, and Edit environments, providing you streamlined locales for sound selection, editing, and mixing capabilities. The software can run stand-alone and supports 64-bit AAX, VST, and AU plug-in formats.

    Notable SampleTank Features
    • Play Environment: Browse through thousands of instruments from hip hop to classical
    • Browser: A streamlined environment to help you locate sounds, including an INFO tab for important details, a PATTERN tab for auditioning loops, and search functionality
    • Part Viewer: Provides overview over the 16 parts in a given Multi, loading of individual instruments, and access to macro controls / insert effects
    • Patterns: Pre-made MIDI loops ready for integration within your project
    • Articulation: Round robin sample triggering, multiple articulations in acoustic-modeled instruments, and assignable controls over articulations are all offered
    • Layers, splits, and multi-timbral sequencing: use and combine multiple instruments simultaneously how you see fit; assign instruments to different MIDI channels; split your keyboard among instruments via the Edit page
    • Macro Panel: Provides eight extensive controls, all of them different depending on the instrument you intend to manipulate
    • Mix Environment: Gives you an interface similar to a DAW for marking sounds within the engine itself
    Additional SampleTank Features
    • Part and Return channels
    • Master channel
    • Edit Environment
    • 3 distinct sample engines (STRETCH, Pitch-Shift/Time-Stretch, Resampling)
    • Formant preservation via STRETCH engine 
    • 10 filters
    • Assignable LFOs and envelopes
    • All the sounds, loops, and patterns of SampleTank 3
    22 Instrument Collections Included
    • Art Deco Piano 
    • Brandenburg Piano
    • Alan Parsons Imperial Grand
    • Cinematic Percussion
    • Future Synths
    • American Acoustic
    • Hugh Padgham Drums
    • Terry Bozzio Drums
    • Billy Cobham Drums
    • Neil Peart Drums
    • Nanotube
    • NRG
    • Power Up
    • The Grid
    • Chillout
    • Deep House
    • Drum'n'Bass
    • Hardcore
    • Indie Dance
    • Minimal
    • Techno
    • Trance
    Multiple Effects at Your Disposal
    • Amplification Section: American Vintage T, Amp Combo, British Tube Lead 2, Jazz Amp 120, Modern Tube Lead, SVT Classic
    • Amp Components: Cabinet, Preamp, Tone Control
    • Distortion: Overscream, Distortion, Crusher, Overdrive
    • EQ and Dynamics: Black 76, Model 670, White 2A, Vintage EQ-1A, Compressor, Parametric EQ, EQ Comp, Limiter
    • Modulation: Chorus C1, Opto Tremolo, Electric Flanger, Rotary Speaker, Uni-V, Small Phazer, AM Modulation, Multi Chorus, Chorus, Phaser, Env Flanger, Tremolo, Flanger, FM Modulation
    • Reverb and Delay: Acoustic Resonance, Tape Echo, Hall Reverb, ConvoRoom, Plate Reverb, Reverb, Ambience, Reverb Delay, Delay, Spring Reverb
    • Filters / Other: Piano Lid, Stereo Imager, Auto Pan, Multi Filter, LFO Filter, Phonograph, Env Filter, Slicer, Lo-Fi, Wah
    Additional Features
    • Works as a stand-alone application and a multi-platform plug-in (AAX, VST, and AU) 
    • Content structured in Instruments, Multis, and MIDI Patterns
    • Compatible with Mac OS X and Windows
    • 16 part multi-timbral
    • 16 individual stereo outputs
    • Info view with specific information and 3D icon for each instrument
    • Mix view and full-mix parameters control
    • Live mode for quick sound-loading, organized into set-lists and songs
    • Expandable instrument library via the Custom Shop
    • Pad interface allows you to launch patterns, loops or single notes seamlessly from iRig Pads or any MIDI controller
    • 55 effects
    • Part Range Controls allows for creating splits and layers
    • Edit view for in depth editing of all synth-engine parameters, independently for all the elements or articulations that are included in the instrument
    • Instrument browsing
    • BPM-syncable time-based effects, audio loop instruments, and LFOs
    • Four play modes including mono legato with portamento
    • Zone switch allows editing individual key-zones for the selected sound-element or articulation
    • Multi-Articulation and Key Switch instrument control
    • Easily assign MIDI-controls to any parameter with MIDI Learn
    • Instrument and Multi saving
    • Convenient search function for Instruments, Multis, and Patterns
    • Compatible with all previous “Powered by SampleTank” sound modules and sounds (can import all previous sounds and Combis
  • T-RackS Max - Mastering Plug-In Bundle (Full Version, Download)

    Available for download, the T-RackS Max from IK Multimedia is a plug-in collection featuring every processor available for sale within the T-RackS CS engine. It comprises 33 plug-ins in total, which have been designed for mixing and mastering applications. Included in the Deluxe Collection are the Vintage Tube Compressor/Limiter Model 670; Opto Compressor; Vintage Tube Program Equalizer; Brickwall Limiter; Linear Phase Equalizer; Classic T-RackS Compressor, Clipper, Multi-Band Limiter, and Equalizer; a full metering suite, mic-emulation room, and a suite of reverbs. The plug-ins can be configured in the order you need them in a processing chain. T-RackS supports AU, VST, RTAS, and AAX plug-in formats on Mac and Windows platforms. It also functions as a standalone program.

    Vintage Tube Compressor/Limiter Model 670
    Based on the Fairchild 670. With a faithful reproduction of every control, this is a model that captures the nuance of a sought-after Fairchild unit. It was analyzed for months over every detail for accurate reproduction
    Opto Compressor
    Optical compression has a special sonic character that audiophiles can truly appreciate. This analog-modeled module faithfully recreates that particular (and extremely musical) "movement" that characterizes opto compressors. An important characteristic of optical compression is the absence of distortion and coloration during gain reduction, and you can expect the same character and performance from this digital recreation
    Vintage Tube Program Equalizer
    Based on what is known as a studio-favorite EQ, the Pultec EQP-1A. Accurate modeling of two real-world units, with sonic performance that is designed to be indistinguishable from the originals, thanks to IK's DSM and SCC technology
    Brickwall Limiter
    This multi-algorithm Brickwall Limiter can make your masters loud without squashing them to a lifeless sound (unless you want that). Selectable algorithms allow you to match the best limiting style for each program type
    Linear Phase Equalizer
    The T-RackS Linear Phase equalizer is a precision tool that allows for detailed, clean, and transparent tonal intervention on your audio material. The T-RackS Linear Phase EQ is comprised of six bands of fully parametric equalization. Each band can be configured to work as a high-pass, low-shelving, peaking, high-shelving, or low-pass EQ, thus making the module extremely flexible. This equalizer enables you to make EQ adjustments on the audio program that don't "feel" equalized; this keeps the audio sounding as natural as possible, as if it were never touched
    Classic T-RackS Compressor
    The T-RackS classic tube compressor emulates that classic, analog, vintage gear used in mastering applications. This will give you that warm sound typical of highly acclaimed hardware devices
    Classic T-RackS Clipper
    This clipping stage module is useful every time you need to cut out all the peaks that keep the average level of a signal too low. Peak clipping is often used in mastering because it tends to be more transparent than peak limiting
    Classic T-RackS Multi-Band Limiter
    This three-band peak limiter can make the mix even louder by reducing unwanted peaks. The peak-limiting action is performed separately on three bands (low, mid, high). As a result, you will have a very loud master without clipping. As with any of these processors, however, take care not to overuse it. Leaving the output knob set to 0 dB means that the limiter output signal can't go beyond -0.05 dBfs
    Classic T-RackS Equalizer
    The T-RackS Classic Equalizer consists of a high-quality, six-band parametric EQ, specially designed to achieve high-end performance in a mastering environment. Its flexibility allows you to perform broad EQing down to narrow and very precise interventions. It comprises:
    • 4th-order, high-pass filter, from 16 Hz to 5.3 kHz
    • Low-shelving-type filter, from 30 to 200 Hz
    • Low-mid-peaking-type filter, from 33 Hz to 5.4 kHz, variable Q
    • High-mid-peaking-type filter, from 200 Hz to 17.5 kHz, variable Q
    • High-shelving-type filter, from 750 Hz to 8.5 kHz
    • 4th-order, low-pass filter, from 200 Hz to 18 kHz


    Quad Comp
    Dynamically processes four independently controlled frequency bands with optical-modeled compression, adjustable ratio, and time constants
    Quad Lim
    This is the limiter version of Quad Comp, and it features a master brickwall limiter (post multi-band processing) that can be engaged to avoid overshoots. It features a compression ratio of infinity-to-1
    Quad Image
    Independently processes the width of the stereo image on four separate frequency bands
    Enables up to three frequency bands of sibilant suppression and overly bright treble attenuation
    Other Plug-Ins Included
    • Stealth Limiter - provides transparent limiting
    • EQ PA - American-style discrete proportional 3-band EQ and preamp
    • EQ PB - American-style discrete proportional 4-band EQ and preamp
    • EQ PG - American-style discrete proportional 10-band graphic EQ and preamp
    • EQ 73 - British-style, Class-A preamp and equalizer
    • EQ 81 - British-style, Class-A preamp and equalizer
    • Master EQ 432 - high-precision parametric mastering equalizer
    • Black 76 Leveling Amplifier - FET-style compressor / limiter
    • White 2A Leveling Amplifier - tube-opto compressor / limiter
    • Precision Comp/Limiter - British-style limiter emulating bridged-diode, gain-reduction circuitry
    • Bus Compressor - solid-state-style compressor for adding "glue" to mixes
    • British Channel - solid-state channel strip 
    • White Channel - modern-style channel strip with EQ, compressor, and gate
    • Tape Echo - vintage tape-delay emulation
    • Mic Room - microphone modeling to "re-mike" your signal to emulate classic capsules
    • CSR Plate Reverb - models electromechanical plate reverb
    • CSR Hall Reverb - models concert-hall acoustics
    • CSR Room Reverb - models small to medium acoustic spaces
    • CSR Inverse Reverb - envelope-controlled reverse reverb
    T-RackS Shell
    Allows you to open up to 12 modules at a time in 8 plug-in slots
    Complete metering section to have level, phase, and frequency under a single, easy-to-read display for immediate access
  • Miroslav Philharmonik 2 - Virtual Instrument Collection (Full Version, Download)

    Available for download, this full version of Miroslav Philharmonik 2 from IK Multimedia is a virtual instrument collection comprising orchestral sounds produced and recorded by Miroslav Vitous, an upright bassist of some renown. Each sound was recorded at CNSO Studios in Prague, and the sum total of this sample library is over 58GB, providing you with 24-bit/96 kHz samples. This version gives you 2,700 individual instruments, including the complete original library of Mirsolav Philharmonik.

    Mirsolav Philharmonik 2 allows you to program many different articulations straight from the keyboard, so you can switch on the fly between detache, staccato, legato, and more when playing a violin, for example. Likewise, mallet instruments have been recorded with various sizes of mallets to allow you more freedom in timbre selection. Eight macro controls, the nature of which change depending of the instrument loaded, are provided, as are 34 effects from SampleTank 3 and four T-RackS mastering modules, giving you tonal flexibility in the mixing process. Indeed, should you decide to the mix your orchestral sound within this software, you can do so via the multichannel, DAW-like interface, which offers 16 tracks, five insert effects per channel, four stereo effect sends per channel, four stereo effect returns with five insert effects each, and a master channel also with five insert effects.

    This software is based on SampleTank 3 technology, and as such, it can be integrated as an instrument collection within SampleTank 3. However, you can use it in stand-alone mode as well, and of course, as a plug-in within many DAWs. The virtual instrument is compatible with Mac and Windows platforms, and operates in AU, VST, or AAX formats.

    Notable Features
    • Over 58GB of 24-bit / 96 kHz samples
    • Recorded and produced by Miroslav Vitous, an upright bassist of some renown
    • Over 2,700 instruments
    • Includes the complete original Miroslav Philharmonik sound library optimized for more control with articulation switching and enhanced macros
    • Multiple articulations per instrument with articulation switching
    • Included ConvoRoom convolution reverb with 3D GUI
    • 34 effects from SampleTank 3
    • 4 mastering processors from T-RackS
    • DAW-like Mix interface
    • Access to the instrument Edit page with 3 sample engines (including formant-preserving pitch-shifting and time-stretching engines), 10 filter types, and 8 macro controls per instrument for quick multi-parameter editing
    • Based on SampleTank 3’s 64-bit engine
    • Recorded at CNSO Studios in Prague
    • Stand-alone workstation, DAW plug-in, or add-on instrument collection for SampleTank 3
    Three Synth Engines
    • Pitch-Shift/Time-Stretch
    • Resampling
    Four Play Modes
    • Poly
    • Mono
    • Legato 1
    • Legato 2
    Effect List
    • Amp Components: Tone Control
    • EQ and Dynamics: Black 76, Model 670, White 2A, Vintage EQ-1A, Compressor, Parametric EQ, EQ Comp, Limiter
    • Modulation: Chorus C1, Electric Flanger, Rotary Speaker, Uni-V, Small Phazer, Chorus, Phaser, Tremolo, Flanger
    • Reverb and Delay: Acoustic Resonance, Tape Echo, Hall Reverb, ConvoRoom, Plate Reverb, Reverb, Ambience, Delay, Spring Reverb
    • Filters / Other: Piano Lid, Stereo Imager, LFO Filter, Phonograph, Env Filter, Slicer, Lo-Fi
  • AmpliTube MAX - Total Bundle of Guitar Amplifier and Cabinet Emulation Software (Full Version, Download)
    General Requirements 2 GB RAM (4 GB recommended) Internet connection for purchasing within Custom shop
    System Requirements Mac
    Intel Core 2 Duo
    Mac OS X 10.7 or later

    Intel Core 2 Duo or AMD Athlon™ 64 X2
    Windows 7, 8, or 10
    ASIO-compatible sound card
    Supported Interfaces Stand-alone, AU, VST2, VST3, AAX
  • SampleTank MAX - Sample-Based Virtual Instrument Bundle (Full Version, Download)
    General Requirements 34 GB of hard drive space
    4 GB of RAM (8 GB suggested)
    Internet Connection for product registration
    System Requirements Mac
    Intel Core 2 Duo
    Mac OS X 10.7 or later

    Intel Core 2 Duo or AMD Athlon 64 X2
    Windows 7, Windows 8, or Windows 10
    ASIO-compatible sound card
    Supported Interfaces Stand-alone, AU, VST 2, VST 3, AAX (all 64-bit)
  • T-RackS Max - Mastering Plug-In Bundle (Full Version, Download)
    System Requirements Windows:
    OS: Windows XP, Vista, 7, 8, 10
    Processor: Intel Pentium 4, 2.4 GHz or Intel Core Duo or AMD Athlon 64
    RAM: 2 GB (4 GB suggested)

    Supported Plug-In Formats: VST, RTAS, AAX (32- and 64-bit)

    OS: 10.6 or later
    Processor: 1.5 GHz Intel processor
    RAM: 2 GB (4 GB suggested)
    Supported Plug-In Formats: Audio Units, VST, RTAS, AAX (32- and 64-bit)
    Note: On 64-bit systems, the plug-in also works in 32-bit-compatibility mode
  • Miroslav Philharmonik 2 - Virtual Instrument Collection (Full Version, Download)
    General Requirements 58 GB of hard drive space
    4 GB of RAM (8 GB suggested)
    Internet Connection for product registration
    System Requirements Mac
    Intel Core 2 Duo
    Mac OS X 10.7 or later

    Intel Core 2 Duo or AMD Athlon 64 X2
    Windows 7, Windows 8, or Windows 10
    ASIO-compatible sound card
    Supported Interfaces Stand-Alone, Audio Units, VST 2, VST 3, AAX, or for use in SampleTank 3 Engine

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