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Unfiltered Audio Fault - Pitch and Time Manipulation Plug-In (Download)
Fault - Pitch and Time Manipulation Plug-In (Download)
B&H # UNPAUAFAULT
MFR # PA-UA-FAULT
Emailed within 1-3 Business Days
This product may only be downloaded from the manufacturer's website. You'll receive an email with the license code to complete your order within 1-3 Business Days. Orders placed on weekends or holidays are processed the next business day. This item is noncancelable and nonreturnable.
Fault from Unfiltered Audio is a plug-in that provides the ability to manipulate pitch and time, whether during mix down to fortify weak tracks, or in sound design to totally mangle instruments beyond recognition. The software features three main processors. Dual-channel pitch shifters musically retune sounds up or down up to a full octave, in steps as small as 0.1 semitone. The stereo frequency shifter can be modulated by precision FM controls to create beautiful and discordant sounds alike; and stereo delays use cross-channel feedback and filters to add depth.
Freely assignable modulators can create realistic-sounding ADT (Automatic Double Tracking) effects for vocals, while modulating an LFO patched into the stereo pitch shifters with a second LFO can create tape recorder-style varispeed ADT effects. For hard rock and alt-rock productions, the plug-in can create sub-octave effects on drum room microphones. With the use of the frequency shifters' FM controls, it can make a grand piano track sound like an electric keyboard under water, or like tiny birds chirping.
Conventional effects are also possible, including ping-pong delays, chorus, flanging, and more. Independent stereo parameters facilitate the ability to broaden sounds while an internal M/S matrix allows for width control and optional output to mid and side components for further processing. On top of everything, every control knob and switch setting can itself be controlled by up to six modulators.
Artifact-free frequency and pitch modulation
Over 100 presets featuring settings from Richard Devine, The Crystal Method, Mirrorball Entertainment, and Toby Pitman of Air Studios
Dual-channel pitch shifters can be stereo-linked and quantized to whole-integer semitones
Stereo frequency shifter can be modulated using high-resolution FM frequency and depth controls
Stereo delays can be synced to host's tempo
Six feedback paths, three each for the frequency shifter and delays, including cross-channel feedback
Modulation system provides six freely assignable and fully automatable modulators—sine, sawtooth/triangle and square-wave LFOs, input follower, sample-and-hold noise, and macro control knob, with drag-and-drop virtual patching to every control knob
Mid/Side processing adjusts stereo image from mono to super-wide, and provides optional output in M/S for further processing
High and low-pass filters can be switched to process just the wet signal, or both wet and dry