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This B&H Kit combines the Tascam MiNiSTUDIO Personal US-32 USB audio interface with a large-diaphragm condenser microphone, a mic stand, a pair of studio monitors, and a 10' XLR cable to create the primary components of a single-person podcast setup. The MiNiSTUDIO is a high-speed USB 2.0 interface, capable of capturing 24-bit/96 kHz audio and is compatible with Mac and Windows computers. The interface works with most DAW software and can even interface with iOS devices using an optional adapter.
The cardioid condenser microphone is designed for vocal and general-instrument capturing in project and professional studio environments. The capsule features a low-mass, side-address diaphragm with a cardioid polar pattern for rejecting ambiance and noise at the off-axis sections of the microphone capsule. The studio monitor headphones are tuned for accurate music reproduction and studio monitoring and include a closed-back, over-the-ear, foldable design and feature interchangeable twist-locking cables, extra-deep ear cushions, and a refined musical frequency response. The 10' XLR cable features 24-gauge oxygen-free copper conductors, spiral shielding to protect against EMI and RFI noise, and professional-grade cast-zinc Rean connectors with silver-plated contacts. The desktop microphone stand is designed to minimize unwanted vibrations from affecting your microphone by decoupling the stand from your desktop or studio floor.
Tascam MiNiSTUDIO Personal US-32 Audio Interface for Online Broadcasts
Designed for personal and aspiring broadcasters and gamecasters (i.e. those who broadcast their gaming prowess over the web), the Tascam MiNiSTUDIO Personal US-32 is a high-speed USB 2.0 interface. It's capable of capturing 24-bit/96 kHz audio, compatible with Mac and Windows computers, works with most DAW software, and can even interface with iOS devices using an adapter (available separately). With its intuitive layout and various inputs for recording the human voice, it's suitable for those looking to get into podcasting, gamecasting, and broadcasting—though its included software and high-resolution digital capacity renders it useful for all levels of broadcasters as well.
For inputs, the US-32 sports a combination XLR/TRS input, a 3.5mm jack suitable for headset mics, and an auxiliary 3.5mm stereo input most agreeable for looping in the signal of consumer-grade audio equipment. A built-in omnidirectional condenser mic bypasses the need for extrinsic microphones, should you wish to speak directly into the interface. The unit provides two headphone outputs—one 1/4", one 3.5mm—as well as 48V phantom power for condenser microphones and support for 4-pole headphone/mic configurations.
The US-32 features an efficient hardware layout that clearly displays its various features. Glancing at the tabletop interface, you'll see the combo XLR / 1/4" jack on the left, the built-in microphone in the center, and a sizable level meter to monitor the incoming signal. The reverb-blend knob sits prominently between the input-selector switch and on-air button, which commences transmission to your computer or device.
The lower portion of the interface clearly shows its output knob, three pads for triggering on-board sound effects, and an effect on/off pad. Thus, while creating your personal broadcast, you'll have the tools you need to keep the show running at your fingertips.
This device comes with software for better utilizing the hardware component of the US-32. The software features two panels, giving you an Easy view into the system and an Expert peak behind the curtain, so to speak.
The Easy panel breaks down your options for manipulating signal into three overarching categories: Sound (presets for your particular sonic setup), Effect (presets for manipulating your vocals upon pressing the effect on/off pad), and Reverb (types of ambiance with which you can effect your vocal). Beneath these knobs, you can assign the sounds of the trigger pads, and set their volume as well.
The Expert panel, on the other hand, gives you comprehensive controls of the US-32's compressor, equalizer, and reverb. In this panel, you also have control over buffer size, as well as the ability to manipulate the trigger pad's settings further; for example, you can set the rate of fade-in and fade-out for the sample being triggered.
Notable Features at a Glance
XLR/TRS input jack for balanced inputs
48V phantom-power support for condenser microphones
3.5mm input for headset microphones
Supports connection of 4-pole earphone with mic
3.5mm stereo aux input for connecting portable audio players, game devices, etc.
Built-in omnidirectional condenser mic
Support for low-level dynamic-mic input signals
On-board DSP effects, including equalizer, compressor, several types of reverb, and special vocal effects
Input monitoring allows you to hear incoming signal before it's transmitted
3 self-lighting, velocity-sensitive trigger pads
Reverb knob allows you to manually adjust amount of wet signal
Voice Effect on/off button
Clearly labeled "ON AIR" button to start transmission to your computer
The AT2020 Cardioid Condenser Microphone from Audio-Technica is designed for vocal and general instrument capturing in project and professional studio environments. The capsule features a low-mass, side-address diaphragm with a cardioid polar pattern for rejecting ambiance and noise at the off-axis sections of the microphone capsule. A linear frequency response of 20 Hz to 20 kHz enables the flexibility to accurately reproduce signals from a wide variety of sources. High SPL handling and wide dynamic range allow the AT2020 to capture loud signals with minimal noise and distortion. The microphone includes a pivoting, threaded stand mount for accurate positioning.
Suitable for project/home-studio applications
High SPL handling and wide dynamic range provide maximum versatility
Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response
Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone
Senal SMH-500 Professional Studio Headphones
The SMH-500 Professional Studio Headphones from Senal feature accurate sound, superior comfort, and durable materials. They are designed for studio and light field applications. The over-ear, closed-back design provides ample isolation to block out ambient noise on location, and prevent headphone leakage when recording in the studio. Their soft, replaceable ear cushions, lightweight design and refined sound ensure a comfortable listening experience, even during extended sessions.
Equipped with 40mm neodymium drivers at 58 ohm impedance, the SMH-500 headphones are designed to be loud enough when attached to low-powered devices such as mobile phones and mp3 players, yet robust enough to handle studio headphone amps without distortion.
The headphones are designed with an EQ curve that's been tailored for an enhanced low end that allows engineers to detect rumble and monitor bass frequencies effectively. The excellent high-frequency response has been enhanced to accurately and clearly reproduce spatial detail. There is also a slight bump in the midrange to maintain focus on vocal and dialogue intelligibility.
In addition to great sound, the SMH-500 headphones offer superior comfort with a soft padded headband. The 10' single-sided coiled cable allows freedom of movement for musicians, editors, and engineers.
Whether monitoring in the field, studio or on a portable device, the SMH-500 headphones provide an accurate and comfortable listening experience.
Kopul Premium Performance 3000 Series XLR M to XLR F Microphone Cable - 10' (3.0 m), Black
The black Kopul Premium Performance 3000 Series XLR M to XLR F Microphone Cable (10') is designed to be an extremely quiet and flexible cable that is ideal for the most demanding live sound and performance applications. The cable is engineered to be durable and to provide protection against EMI, RFI, and static noise. While the cable's color-coding affords the ability to quickly differentiate between multiple connections on stage, it provides a pleasant aesthetic quality at the same time.
Premium Performance 3000 Series cables are made from 24-AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. 95% dual-spiral shielding makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.
95% dual-spiral shielding offers protection from EMI and RFI noise
Twin conductive PVC inner shielding provides 100% coverage of the core conductor. It helps keep the cable's signal from radiating and affecting nearby cables, and also helps prevent external EMI from penetrating to the cable's core
24-AWG oxygen-free stranded copper inner core provides the best possible conductivity
Cotton yarn reduces electrostatic and microphonic noise
All solder points shrink-wrapped for protection
Neutrik XX silver connectors offer high conductivity
Caged type contact and improved ground contact
Auray TT-ISO Isolating Desktop Microphone Stand
The TT-ISO Isolating Desktop Microphone Stand from Auray is designed to minimize unwanted vibrations from affecting your microphone by decoupling the stand from your desktop or studio floor. It is optimized for use in podcasting, kick drum, and guitar amplifier miking applications.
Its base is constructed of 1.5" of high-density acoustic foam, and features a heavy aluminum plate which provides stability for your mic. The stand has a telescoping shaft that can be adjusted up to 13.5" high, allowing for precise mic placement. The TT-ISO has a standard 5/8"-27 thread for compatibility with most mic clips, shockmounts, boom arms, and goosenecks.
The TT-ISO is designed for desktop recording applications such as podcasting, broadcast, and voiceovers. It is also an integral tool when capturing kick drums or guitar amps on stage as well as in professional or home studios
High-Density Acoustic Foam
1.5" (3.8 cm) of high-density acoustic foam padding on the base of the stand minimizes unwanted vibrations by decoupling the stand from a desktop, studio floor, or stage
The aluminum plate provides stability for the microphone and keeps the stand in place.
The telescoping shaft with twist lock adjusts from 9.5" (24.1 cm) to a maximum height of 13.5" (34.3 cm) for precise microphone placement
Standard 5/8" Threaded Mount
Standard 5/8" threaded mount on the shaft fits most mic clips and shock mounts. The 5/8" threaded mount on the base is compatible with most goosenecks and boom arms for close miking applications