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This B&H Kit combines the Tascam MiNiSTUDIO Personal US-32 USB audio interface with a large-diaphragm condenser microphone, a mic stand, a pair of studio monitors, a 10' XLR cable, and an on-camera single light kit to create the primary components of a single-person video blogging setup. The MiNiSTUDO is a high-speed USB 2.0 interface, capable of capturing 24-bit/96 kHz audio and is compatible with Mac and Windows computers. The interface works with most DAW software and can even interface with iOS devices using an optional adapter.
The large-diaphragm, true condenser microphone is equipped with a 1.3" gold-plated transducer element and offers a full, rich tone, making it an ideal choice for studio recording, broadcasting, podcasting, or live recording. The studio monitor headphones are tuned for accurate music reproduction and studio monitoring and include a closed-back, over-the-ear, foldable design and feature interchangeable twist-locking cables, extra-deep ear cushions, and a refined musical frequency response. The 10' XLR cable features 24-gauge oxygen-free copper conductors, spiral shielding to protect against EMI and RFI noise, and professional-grade cast-zinc Rean connectors with silver-plated contacts.
The desktop microphone stand is designed to minimize unwanted vibrations from affecting your microphone by decoupling the stand from your desktop or studio floor. The on-camera single light kit is comprised of a FP-180 variable color light, articulating mount, 74" air-cushioned light stand, multi-voltage AC adapter, and a metal hook for hanging the light. The stands length when fully collapsed is just 28".
Tascam MiNiSTUDIO Personal US-32 Audio Interface for Online Broadcasts
Designed for personal and aspiring broadcasters and gamecasters (i.e. those who broadcast their gaming prowess over the web), the Tascam MiNiSTUDIO Personal US-32 is a high-speed USB 2.0 interface. It's capable of capturing 24-bit/96 kHz audio, compatible with Mac and Windows computers, works with most DAW software, and can even interface with iOS devices using an adapter (available separately). With its intuitive layout and various inputs for recording the human voice, it's suitable for those looking to get into podcasting, gamecasting, and broadcasting—though its included software and high-resolution digital capacity renders it useful for all levels of broadcasters as well.
For inputs, the US-32 sports a combination XLR/TRS input, a 3.5mm jack suitable for headset mics, and an auxiliary 3.5mm stereo input most agreeable for looping in the signal of consumer-grade audio equipment. A built-in omnidirectional condenser mic bypasses the need for extrinsic microphones, should you wish to speak directly into the interface. The unit provides two headphone outputs—one 1/4", one 3.5mm—as well as 48V phantom power for condenser microphones and support for 4-pole headphone/mic configurations.
The US-32 features an efficient hardware layout that clearly displays its various features. Glancing at the tabletop interface, you'll see the combo XLR / 1/4" jack on the left, the built-in microphone in the center, and a sizable level meter to monitor the incoming signal. The reverb-blend knob sits prominently between the input-selector switch and on-air button, which commences transmission to your computer or device.
The lower portion of the interface clearly shows its output knob, three pads for triggering on-board sound effects, and an effect on/off pad. Thus, while creating your personal broadcast, you'll have the tools you need to keep the show running at your fingertips.
This device comes with software for better utilizing the hardware component of the US-32. The software features two panels, giving you an Easy view into the system and an Expert peak behind the curtain, so to speak.
The Easy panel breaks down your options for manipulating signal into three overarching categories: Sound (presets for your particular sonic setup), Effect (presets for manipulating your vocals upon pressing the effect on/off pad), and Reverb (types of ambiance with which you can effect your vocal). Beneath these knobs, you can assign the sounds of the trigger pads, and set their volume as well.
The Expert panel, on the other hand, gives you comprehensive controls of the US-32's compressor, equalizer, and reverb. In this panel, you also have control over buffer size, as well as the ability to manipulate the trigger pad's settings further; for example, you can set the rate of fade-in and fade-out for the sample being triggered.
Notable Features at a Glance
XLR/TRS input jack for balanced inputs
48V phantom-power support for condenser microphones
3.5mm input for headset microphones
Supports connection of 4-pole earphone with mic
3.5mm stereo aux input for connecting portable audio players, game devices, etc.
Built-in omnidirectional condenser mic
Support for low-level dynamic-mic input signals
On-board DSP effects, including equalizer, compressor, several types of reverb, and special vocal effects
Input monitoring allows you to hear incoming signal before it's transmitted
3 self-lighting, velocity-sensitive trigger pads
Reverb knob allows you to manually adjust amount of wet signal
Voice Effect on/off button
Clearly labeled "ON AIR" button to start transmission to your computer
The Senal SCM-600 is a professional-grade, large-diaphragm, true condenser microphone that's equipped with a 1.3" gold-plated transducer element. The microphone offers a full, rich tone, making it an ideal choice for studio recording, broadcasting, podcasting, or live recording. With an SPL handling of 140 dB, the SCM-600 captures vocals and instruments accurately and with pristine clarity.
The cardioid polar pattern minimizes off-axis noise and reflections, while the on-board -10 dB attenuation pad allows you to achieve optimal signal levels when in front of loud sound sources, such as guitar cabinets or singers. The 110 Hz high-pass filter removes low-frequency noise and rumble caused by room noise, air conditioners, fans, or microphone movement.
The rugged all-metal enclosure provides durability during transport or demanding studio conditions. The included shockmount reduces unwanted vibration that can radiate up through the mic stand. The SCM-600 ships with a protective carry pouch and an aluminum case fitted with high-density foam cutouts.
Large Gold-Plated Diaphragm
The 1.3ʺ transducer element gives detailed and accurate sound that is ideal for a wide variety of broadcast, podcast, or studio applications. Gold plating assures superb conductivity for accurate sound reproduction
Cardioid Polar Pattern
The SCM-600's cardioid polar pattern provides a generous pickup area while minimizing off-axis noise and reflections. It's ideal for recording vocals or voice-overs as well as providing clarity and accuracy when recording guitars, brass, or strings
The 110 Hz high-pass filter rolls off low-frequency noise from air conditioners, fans, and general room noise that can add unwanted rumble to your recording
The selectable -10 dB pad provides additional headroom for capturing louder sound sources such as a guitar cabinet, a singer, brass instruments, or drums without distortion
The included basket-style shockmount minimizes vibrations that can radiate up through the mic stand and adversely affect your recording with preventable mic noise
A rugged aluminum carry case with high-density foam cutouts cradle and protect the microphone. For extra protection from dust and moisture, a carry pouch is included
Senal SMH-1200 - Enhanced Studio Monitor Headphones (Nautical Blue)
The nautical blue version of the SMH-1200 Enhanced Studio Monitor Headphones from Senal is tuned for accurate music reproduction and studio monitoring. With a closed-back, over-the-ear, foldable design and features like interchangeable twist-locking cables, extra deep ear cushions, and a refined musical frequency response, the SMH-1200s are suitable for both audio professionals and enthusiasts.
Using 40mm Neodymium drivers, the headphones deliver a wide frequency response of 10 to 20,000 Hz with minimal distortion, a slightly boosted low end for well-defined bass and sub-bass, a smooth and pronounced midrange, and a clear intelligible high end. The extra deep ear pads provide comfort while wearing the headphones for extended listening sessions and help passively isolate the sound from external noise.
Physically the SMH-1200s are designed to be robust and appropriate for use with professional audio equipment such as mixing consoles and headphone amplifiers. Their 58-ohm impedance can also operate with lower-power devices such as smart phones or mp3 players for mobile listening. Color-matched elements combine for an elegant look.
They come with two twist-lock detachable cables that can be easily swapped depending on the application. The coiled cable can extend from 4 to 10 feet and is intended for studio use. The 4-foot, tangle-free, fabric cable includes an in-line microphone for phone calls and a control button for operating smart phones and other mobile devices. A wide range of accessories is supported.
To ensure years of reliable operation, the earcups feature wire guides to protect the cabling and maintain the performance of the SMH-1200.
Note: Due to variations in cell phone manufacturing, the included mobile cable may not work on all models of cell phones. For full functionality on Android phones, a third-party app such as Headset Button Controller may be required.
Tuned for Accurate Music Reproduction
Provides a musical sound signature suitable for studio mixing and critical listening
Slightly Boosted Low End
Delivers well-defined bass and sub-bass frequencies without over emphasis
Smooth Mid Range
Articulates subtle details and production nuances in complex recordings without becoming harsh
Clear High End
Reproduces spatial details in the stereo image without artificial brightness and less than 0.5% distortion
Close -Back, Circumaural Design
Isolates the headphones from external noise and limits bleed when recording in the studio
Extra-Deep Replaceable Ear Cushions
Provides additional acoustic isolation and improves overall comfort during extended listening sessions
40mm Neodymium Drivers
Delivers a wide frequency response of 10 to 20,000 Hz with fast clearly defined transients
Removable Locking Cable Design
Enables fast swapping of the included 4' to 10' coiled and 4' tangle-free cables depending on the application as well as accessory attachment
Prevent pinching and damage to the ear cup cables to ensure years of reliable operation
Stretches from 4 to 10' and is suitable for studio use
4-Foot Mobile Cable
Features tangle-free fabric housing, an in-line microphone for making calls, and a control button for compatibility with smart phones and other mobile devices
Adjustable Headband with Thick Padding
Provides a custom secure fit and assures comfort throughout monitoring session
Foldable Design and Included Carry/Storage Pouch
Allows for convenient transport and storage of the headphones
Included 1/4" Adapter
Enables connection of the headphones to professional audio equipment such as headphone amplifiers, keyboards, drum machines, mixing consoles, and more
Kopul Premium Performance 3000 Series XLR M to XLR F Microphone Cable - 10' (3.0 m), Black
The black Kopul Premium Performance 3000 Series XLR M to XLR F Microphone Cable (10') is designed to be an extremely quiet and flexible cable that is ideal for the most demanding live sound and performance applications. The cable is engineered to be durable and to provide protection against EMI, RFI, and static noise. While the cable's color-coding affords the ability to quickly differentiate between multiple connections on stage, it provides a pleasant aesthetic quality at the same time.
Premium Performance 3000 Series cables are made from 24-AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. 95% dual-spiral shielding makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.
95% dual-spiral shielding offers protection from EMI and RFI noise
Twin conductive PVC inner shielding provides 100% coverage of the core conductor. It helps keep the cable's signal from radiating and affecting nearby cables, and also helps prevent external EMI from penetrating to the cable's core
24-AWG oxygen-free stranded copper inner core provides the best possible conductivity
Cotton yarn reduces electrostatic and microphonic noise
All solder points shrink-wrapped for protection
Neutrik XX silver connectors offer high conductivity
Caged type contact and improved ground contact
Auray TT-ISO Isolating Desktop Microphone Stand
The TT-ISO Isolating Desktop Microphone Stand from Auray is designed to minimize unwanted vibrations from affecting your microphone by decoupling the stand from your desktop or studio floor. It is optimized for use in podcasting, kick drum, and guitar amplifier miking applications.
Its base is constructed of 1.5" of high-density acoustic foam, and features a heavy aluminum plate which provides stability for your mic. The stand has a telescoping shaft that can be adjusted up to 13.5" high, allowing for precise mic placement. The TT-ISO has a standard 5/8"-27 thread for compatibility with most mic clips, shockmounts, boom arms, and goosenecks.
The TT-ISO is designed for desktop recording applications such as podcasting, broadcast, and voiceovers. It is also an integral tool when capturing kick drums or guitar amps on stage as well as in professional or home studios
High-Density Acoustic Foam
1.5" (3.8 cm) of high-density acoustic foam padding on the base of the stand minimizes unwanted vibrations by decoupling the stand from a desktop, studio floor, or stage
The aluminum plate provides stability for the microphone and keeps the stand in place.
The telescoping shaft with twist lock adjusts from 9.5" (24.1 cm) to a maximum height of 13.5" (34.3 cm) for precise microphone placement
Standard 5/8" Threaded Mount
Standard 5/8" threaded mount on the shaft fits most mic clips and shock mounts. The 5/8" threaded mount on the base is compatible with most goosenecks and boom arms for close miking applications
Bescor Field Pro FP-180S Bi-Color On-Camera 1 Light Kit
The Field Pro FP-180S Bi-Color On-Camera 1 Light Kit from Bescor is comprised of a FP-180 variable color light, articulating mount, 74" air cushioned light stand, multi-voltage AC adapter and a metal hook for hanging the light. The stands length when fully collapsed is just 28".
The FP-180's panel has 90 daylight-balanced and 90 tungsten-balanced LEDs that permit the color output to be varied from 3200 to 5400K to match prevailing light conditions or integrate seamlessly with other light sources. For further versatility a separate control allows you to adjust the light intensity from 100 - 10% without flicker at all levels.
The FP-180 can be powered by 8 AA batteries, 14.4V Lithium-ion battery packs or with a multi-voltage AC adapter. A diffusion filter and orange color correction filter are included to allow you soften or adjust the color temperature of the light.
The FP-180's articulating mount enables on-camera use or stand mounting via a 1/4"-20 tap in the mount's base.