SLR Magic APO HyperPrime CINE 50mm T2.1 Lens (PL Mount)

SLR Magic APO HyperPrime CINE 50mm T2.1 Lens (PL Mount)

SLR Magic APO HyperPrime CINE 50mm T2.1 Lens (PL Mount)

B&H # SLRAPO50PL MFR # SLR-APO50PL
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Product Highlights

  • Covers Full-Frame Sensors
  • 44mm Image Circle
  • T2.1 to T22 Aperture Range
  • Suitable for 6K Resolution Sensors
  • Cine-Style Focus and Iris Gears
  • 300° Focus Rotation
  • Internal Focus, Non-Rotating Front
  • 95mm Front Diameter
  • PL Mount
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Mount: PL

PL PL with EF Adapter

Special Order

Focal Length: 50mm

25mm 32mm

Not available with current selections

50mm 85mm
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Price:  $1,799.00

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SLR Magic SLR-APO50PL overview

  • 1Description

A cine-style lens that covers full-frame sensors, the SLR Magic APO HyperPrime CINE 50mm T2.1 Lens projects a 44mm image circle and is suitable for use with select cameras that have a 6K sensor. It features cine-style focus and iris gears and an internal focus design that allows you to pull focus without the length of the lens changing. This makes it well-suited for use with rod-mounted lens accessories and matte boxes.

The 300° of focus rotation provides for precise focus pulls especially when working at close focus. The lens focuses in the industry standard direction and has a 95mm front diameter. The front of the lens does not rotate as you change focus, which may allow for the use of clip-on matte boxes and sunshades (depending on weight) as well as polarizing filters. The lens incorporates an ARRI PL mount that provides a simple, strong, and highly reliable mount.

Coverage
The lens covers full-frame sensors.
Internal Focus
The internal focus design allows you to pull focus without the length of the lens changing. This is especially important when working with rod-mounted lens accessories such as follow focus units so that the gears remain engaged as focus changes. The consistent lens length also makes using a rod-mounted matte box simpler, as there is no concern for pushing into or pulling out of the matte box, and you don't need a bellows-style anti-reflection ring.
Industry Standard Focus and Iris Gears
Built-in iris and focus gears follow industry standards, allowing you to work with optional follow focus units and lens gear motors.
300° of Lens Rotation
300° of focus rotation enables precise focus adjustment, especially as you focus close to the lens.
In the Box
SLR Magic APO HyperPrime CINE 50mm T2.1 Lens (PL Mount)
  • Front Cap
  • Rear Cap
  • Limited 1-Year Warranty
  • Table of Contents
    • 1Description

    SLR Magic SLR-APO50PL specs

    Focal Length 50mm
    Lens Mount ARRI PL
    Format Full Frame
    Image Circle 44.0 mm
    Maximum T-Stop T2.1
    Minimum T-Stop T22
    Minimum Focus Distance from Image Plane 24" / 31 cm
    Optical Design Not Specified by Manufacturer
    Iris Blades Not Specified by Manufacturer
    Gear MOD & Pitch Focus: 0.8 MOD / 32 Pitch
    Iris: 0.8 MOD / 32 Pitch
    Front Diameter 95 mm
    Filter Thread 58 mm
    Focus Scales Imperial
    Focus Rotation 300°
    Iris Rotation Not Specified by Manufacturer
    Electronic Communication No
    Tripod Mounting Thread Not Specified by Manufacturer
    Dimensions (W x H) Not Specified by Manufacturer
    Length 3.7" / 9.4 cm
    Weight 2.4 lb / 1.1 kg
    Packaging Info
    Package Weight 3.35 lb
    Box Dimensions (LxWxH) 7.4 x 5.7 x 5.5"

    SLR Magic SLR-APO50PL reviews

    APO HyperPrime CINE 50mm T2.1 Lens (PL Mount) is rated 5.0 out of 5 by 2.
    Rated 5 out of 5 by from An absolute bargain for quality PL glass. Such a lovely lens. I compared it directly with a Zeiss CP.2 50mm I'd been using over the years, and the difference in purple fringing at high contrast points was jaw dropping. The Zeiss had a quite a fair bit of fringing, while there was no fringing whatsoever with the SLR Magic APO. This is a true, legit APO lens. A nice surprise considering how loose many manufacturers are with the 'APO' moniker. The lens has a really lovely, cinematic rendering. Finds a nice balance between the hyper crisp, clinical look of modern lenses and the flattering character of a classic cinema lens. Just the slightest hint of veiling flare when wide open. Incredibly clean, smooth bokeh thanks to the spherical optics (no aspherical elements), and 13 aperture blades with rounded edges. Very little focus breathing. Adapting these lenses to EF is crazy fast and easy with SLR Magic's optional matching PL-EF adapter. It's quite compact for a cine lens, however it is very dense due to the amount of glass. The only items I can fault it on are a rather pedestrian minimum focussing distance of 2', and a fair amount of vignetting when shooting wide open on vista vision/full frame (don't notice any real vignetting when shooting 135/APS-C). Unlike the CP.2's, CP.3's, Xeen's, Sigma Cine, and Canon Cine lenses (which are almost completely photo optics rehoused in cine bodies), these were designed for cine use from the optical design on up.
    Date published: 2017-07-26
    Rated 5 out of 5 by from Great Lens, incorrect filter thread listed in specs I have the set of these including the 50, 85, and 25mm, lenses; they are lovely. However, I'd like to note that the filter thread diameter for the 50mm lens is 62mm, not 58mm as described in the specs. The 85 and 25mm lenses have a filter thread diameter of 82mm.
    Date published: 2018-09-06
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    SLR Magic SLR-APO50PL Q&A

    SLR Magic SLR-APO50PL accessories

    Designed for use with:

    • AJA CION
    • ARRI ALEXA SXT
    • ARRI ALEXA SXT Plus
    • ARRI ALEXA SXT Studio
    • ARRI AMIRA
    • Blackmagic Design Production 4K
    • Blackmagic Design URSA Mini
    • Blackmagic Design URSA Mini 4.6K
    • Blackmagic Design URSA Mini 4K
    • Canon EOS C200 PL
    • Canon EOS C300 Cinema
    • Canon EOS C300 Mark II PL
    • Canon EOS C500 4K Cinema
    • Canon EOS C700 FF PL
    • Canon EOS C700 GS PL
    • Canon EOS C700 PL
    • Digital Bolex D16
    • For.A FT-ONE
    • For.A FT-ONE-OPT
    • Panasonic VariCam 35
    • Panasonic VariCam 35B
    • Panasonic VariCam LT
    • RED DIGITAL CINEMA DSMC2 MONSTRO
    • RED DIGITAL CINEMA WEAPON
    • RED DIGITAL CINEMA WEAPON HELIUM Monochrome
    • RED DIGITAL CINEMA WEAPON MONSTRO
    • RED DIGITAL CINEMA Weapon
    • Sony PMW-F5
    • Sony PMW-F55
    • Sony CineAlta PMW-F5
    • Sony CineAlta PMW-F55
    • Sony Cinealta PMW-F5
    • Sony Cinealta PMW-F5/A7S MARK II
    • Sony PMW-F3
    • Sony PMW-F5
    • Sony PMW-F55
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