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Archival Storytelling - What do you do when you're making a movie and need still images or music? Do you know how to go about legally obtaining them? Do you even know where to get them?
In this book, the authors examine in depth how to solve this problem without getting yourself in a tangle of legal issues. In addition, the various terms you need to know are explained in detail - public domain, copyright, fair use, orphan work, and others. Using conversations with known personalities such as Patricia Aufderheide, Hubert Best, Peter Jaszi, Jan Krawitz, Lawrence Lessig, Stanley Nelson, Rick Prelinger, Geoffrey C. Ward and many others, this book will successfully guide you through the maze of issues you'll be dealing with.
Audience Documentary filmmakers; producers; students of film and media studies
Introduction PART I: FINDING IT
What are archival materials?
Finding what you need
Should you hire a professional?
A global perspective: Conversations with researchers in Moscow, Sydney, Toronto, and Washington
PART II: USING IT
Ordering what you need
An ongoing process: A conversation with Geoffrey C. Ward
Ethical considerations: A round table
PART III: LICENSING IT
Introduction to rights and licenses
The public domain
Getting things right: A conversation with Lawrence Lessig
Fair dealing, moral rights, and more: A conversation with Hubert Best
Legal considerations: A round table
PART IV: ADDITIONAL MATERIAL Sources and Notes Books and Films About the authors Index
Table of Contents
Non-Photographic General Interest
Sheila Bernard, Kenn Rabin
Not Specified by Publisher
Focal Press Book: Archival Storytelling: A Filmmaker's Guide to Finding, Using and Licensing Third-Party Visuals and Music (Hardback) Review