Sennheiser MKH-416 - Short Shotgun Interference Tube Microphone

Sennheiser MKH 416 Short Shotgun Interference Tube Microphone with Zoom F8 Multi-Track Recorder Kit

Sennheiser MKH 416 Short Shotgun Interference Tube Microphone with Zoom F8 Multi-Track Recorder Kit

B&H # SEMKH416P4ZK (B&H Kit)
Sennheiser Sennheiser MKH 416 Short Shotgun Interference Tube Microphone with Zoom F8 Multi-Track Recorder Kit

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Sennheiser MKH-416 - Short Shotgun Interference Tube Microphone Zoom F8 Multi-Track Field Recorder Sennheiser Sennheiser MKH 416 Short Shotgun Interference Tube Microphone with Zoom F8 Multi-Track Recorder Kit

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Product Highlights

  • For Film, Radio, Television
  • Sennheiser MKH 416 Shotgun Microphone
  • Hypercardioid at Low and Mid Frequencies
  • Shotgun Highly Immune to Humidity
  • Includes MZ415 Windscreen
  • Zoom F8 Multi-Track Field Recorder
  • 8 x XLR/TRS Combo Jacks with +75 dB Gain
  • Up to 192 kHz/ 24-Bit PCM Recording
  • Supports SMPTE Timecode I/O
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  • 1Description

The Sennheiser MKH 416 Short Shotgun Interference Tube Microphone with Zoom F8 Multi-Track Recorder Kit from B&H provides filmmakers and reporting teams with a portable solution for capturing high-resolution audio in the field, for applications such as interviews, ENG, video, and more.

The kit includes a Sennheiser MKH 416 shotgun microphone with foam windscreen and stand adapter, along with a Zoom F8 multi-track recorder. The classic MKH 416 is a compact, pressure-gradient microphone highly immune to humidity. It features high directivity, low self-noise, high consonant articulation, and feedback rejection, making it well suited for handling difficult exterior filming and reporting conditions. The Zoom F8 provides 8 mic/line inputs, 10-track recording, low-noise preamps, time code, and supports 24-bit/192 kHz resolution for superior audio.

  • Sennheiser MKH-416 - Short Shotgun Interference Tube Microphone

    Designed for recording audio in film, radio, and television the MKH 416 from Sennheiser is a short shotgun interference microphone optimized for outdoor applications. It offers excellent directional control in a compact design with high consonant articulation and rejection of feedback. The unit is highly immune to humidity because of its RF condenser design. It operates as a hypercardioid at low and medium frequencies with a lobar pattern above 2 kHz.

    Pressure gradient receiver with short interference tube
    Employs RF-technology to control residual microphone noise. Optimizing the transducer's acoustic impedance results in a further improvement in low noise performance
    The RF-design yields low noise levels and high immunity to humidity and moisture
    The comparatively low RF-voltage across the elements of the transducer also eliminates arcing and DC-bias creeping currents
    Hypercardioid at low and medium frequency, above 2 kHz approaches lobar pattern
    Very low inherent self-noise
    High sensitivity
    Transformerless and fully floating balanced output
    Rugged, suitable for adverse climatic conditions
    Matt black all-metal body
    Increased directivity
    UPC: 615104015111
  • Zoom F8 Multi-Track Field Recorder

    The Zoom F8 Multi-Track Field Recorder is designed for professional and enthusiast recording applications on set and in the field, including music, filmmaking, and electronics news gathering (ENG). Designed to be carried by a shoulder strap or in a bag, the unit features eight analog input channels with lockable XLR/TRS combo jacks that provide +75 dB maximum input gain, and support for +4 dB inputs with an EIN of -127 dBu or less. It can record up to 10 tracks simultaneously (channels 1-8 plus a stereo mix), or up to eight channels when recording at the A/D converter's maximum 24-bit 192 kHz resolution.

    Alternatively, you can perform dual-channel recording of separate files at lower volume levels to ensure you have backup recordings to use when unexpected loud noises distort the primary recording. A newly designed limiter provides up to 10 dB of headroom. The unit supports SMPTE time code input and output. Included in the outputs is a powerful 100 mW + 100 mW headphone jack, as well as the MAIN OUT 1/2 and SUB OUT 1/2 jacks so you can send the audio signal to a video camera or other device while monitoring with headphones.

    The unit's internal mixing capability enables flexible routing, and the inclusion of individually selectable +24V/+48V phantom power ensures you can use your favorite condenser microphones.

    Power to the recorder can be supplied in one of three ways: via AA batteries, an AC adapter, or a 9 to 16V external DC power supply. Two SDXC card slots can be used simultaneously for recording even longer sessions, and can also be used as card readers when connected to a computer via USB.

    When operating via USB, the unit can be used in a 2-in/2-out configuration as well as an 8-in/4-out audio interface (driver required for windows). A built-in slate mic allows you to make voice memos and the unit's slate tone can be used to confirm specific levels.

    Among the most innovative features of the recorder is support for the company's interchangeable microphone capsules.

    Analog Inputs
    Provides two sets of lockable XLR/TRS combo jacks with EIN of -127 dBu or less, +75 dB maximum input gain and support for +4 dB input
    Audio Resolution
    Records up to 192 kHz at 24-bit resolution
    Simultaneous Recording
    Records up to 10 tracks simultaneously with channels 1-8 and a stereo mix (left and right). Up to eight tracks can be recorded at a sampling rate of 192 kHz
    Dual-Channel Recording of Separate Files at Lower Levels
    Records backup recordings at a lower input level to help prevent unexpected loud noises from distorting the recording
    Limiter
    Provides 10 dB of headroom with a threshold that can be set by the user
    Supports SMPTE Timecode I/O
    Uses a high-precision oscillator that enables the generation of accurate time code with a discrepancy of less than 0.2 frames per 24 hours
    Outputs
    Allows you to send the audio signal to a video camera or other device while simultaneously monitoring
    Mixer Functionality
    Allows for inputs 1-8 to be routed to outputs freely
    Phantom Power
    Supports +24V and +48V phantom power
    Three Possible Power Supplies
    Can operate on AA batteries, an AC adaptor, or a 9 to 16 V external DC power supply (not included) with automatic switching between power supplies
    Two SDXC Card Slots
    Allows for SD card recording, and the use of SDXC cards enables extended recording capability. The unit can also be used as a card reader by connecting it to a computer via USB
    USB Audio Interface Capabilities with up to 8 Ins and 4 Outs
    Allows the unit to be used as a 2-in/2-out audio interface as well as an 8-in/4-out audio interface (driver required for Windows, not required for Mac)
    Built-In Microphone
    Works as both a slate mic as well as a tool for voice memos
    Zoom Mic Capsule Functionality
    Supports the company's line of interchangeable mic capsules that can be used instead of inputs 1/2
    UPC: 884354015374
In the Box
Table of Contents
  • 1Description
  • Sennheiser MKH-416 - Short Shotgun Interference Tube Microphone
    Transducer Pressure Gradient/Interference Receiver Condenser
    Polar Pattern Low, Mid: Hypercardioid Above 2 kHz: Lobar
    Frequency Response 40 to 20,000 Hz
    Dynamic Range (Typical) 117 dB
    Signal-to-Noise Ratio 81 dB
    Maximum Input Sound Level 130 dB, (@ 1 KHz)
    Sensitivity 25 mV/Pa +/- 1dB
    Power Requirements Phantom Power 48 v, (± 12 v)
    Output Impedance Nominal Impedance: 25 Ohms
    Minimum Terminating Impedance: 800 Ohms
    Output Connectors XLR-3M Type
    Pad None
    Low Frequency Roll-Off None
    Applications Film, Radio and Television, Especially for Outside Broadcast Applications.
    Dimensions (L x Diam) 9.84 x 0.74" (250 x 19 mm)
    Weight 5.82 oz (175 g)
    Packaging Info
    Box Dimensions (LxWxH) 13.9 x 5.4 x 2.6"
  • Zoom F8 Multi-Track Field Recorder
    Inputs
    Connectors 8x XLR/TRS combo jacks
    XLR Inputs
    Input Gain +10 to +75 dB
    Input Impedance 3.3 kOhms
    Maximum Input Level +14 dBu (at 0 dBFS, limiter ON)
    Phantom Power +24/+48 V 10 mA maximum for each channel
    Line Inputs
    Input Gain -10 to 55 dB
    Input Impedance 22 kOhms
    Maximum Input Level +34 dBu (at 0 dBFS, limiter on)
    Equivalent Input Noise -127 dBu or less (A-weighted, +75 dB input gain, 150 ohms)
    Frequency Response 10 Hz to 80 kHz
    Dynamic Range 120 dB typ (-60 dBFS input, A-weighted)
    Crosstalk -69 dB or less (between adjacent channels, 1 kHz)
    Mic Capsule: Zoom mic capsule input (use disables inputs 1/2)
    Slate Mic: Built-in mic for voice memos can be assigned to tracks freely
    Main Outputs
    Connectors Main Out 1/2: TA-3 Connectors, balanced output (2: hot)
    Sub Out 1/2: 3.5 mm stereo mini unbalanced output jack
    Headphone: 1/4" unbalanced stereo output jack
    Output Impedance Main Out 1/2: 150 ohms or less
    Sub Out 1/2: 150 ohms or less
    Headphones: 15 ohms or less
    Reference Output Main Out 1/2: -10 dBV (normal output types), -40 dBV (mic output type, 1 kHz, 600 ohms load
    Sub Out 1/2: -10 dBV (normal output types), -40 dBV (mic output type, 1 kHz, 10 kOhms load
    Maximum Output Level Main Out 1/2: +10 dBV (normal output type), -20 dBV (mic output type), 1 kHz, 600 ohms load
    Sub Out 1/2: +10 dBV (normal output type), -20 dBV (mic output type), 1 kHz, 600 ohms load
    Headphone: 100 mW + 100 mW (1% or lower THD+N, 32 ohm load)
    Dynamic Range D/A: 106 dB typ (-60 dBFS input, A-weighted)
    Recording Formats
    Supported Formats WAV: 44.1/47.952/48/48.048/88.2/96/192 kHz, 16/24-bit, mono/stereo//2-10 ch poly, BWF and iXML
    MP3: 128/192/320 kbps, 44.1/48 kHz, ID3v1 tags
    # Of Simultaneous Record Tracks WAV: 10 (8 inputs + stereo mix)
    MP3: 2
    Recording
    Time Using a 32 GB card: 30:51:00 (48 kHz/24-bit stereo WAV), 7:42:00 (192 kHz/24-bit stereo WAV)
    Time Code
    Connector BNC
    Modes Off, Int Free Run, Int Record Run, Int RTC Run, Ext, Ext Auto Rec (audio clock can be synchronized to Timecode)
    Frame Rates 23.976ND, 24ND, 25ND, 29.97ND, 29.97D, 30ND, 30D
    Precision ±0.2 ppm
    Input Level 0.2 - 5.0 Vpp
    Input Impedance 4.6 kOhms
    Output Level 3.3 Vpp
    Output Impedance 50 ohms or less
    Power
    Batteries 8x AA
    AC Adapter AD-19 DC12V 2A (center plus)
    External DC Source HIROSE HR10A-7R-4S 4-pin connector (1 pin: −, 4 pin: +), 9-16 V
    Battery / Runtime When recording 2 channels at 48 kHz/16-bit
    Alkaline Batteries: 7 hours or more
    NiMH (2450 mAh): 9.5 hours or more

    When recording 8 channels at 48 kHz/24-bit
    Alkaline batteries: 2.5 hours or more
    NiMH: 7 hours or more

    When recording 8 channels at 192 kHz/24-bit with headphones, phantom power and display backlighting
    NiMH (2450 mAH): 1.5 hours or more
    Display 2.4" full-color LCD (320 x 240)
    USB Class: USB 2.0 high speed
    Interface As multi-track audio interface operation
    Class: USB 2.0 high speed
    Specifications: 44.1/48/96 kHz sampling rate, 16/24-bit bit rate, 8 in/4 out

    Stereo Mix audio interface operation (no driver required)
    Class: USB 2.0 full speed
    Specification: 44.1/48 kHz sampling rate, 16-bit rate, 2 in/2 out
    Dimensions (W x D x H) 7.02 x 5.50 x 2.16" (178.2 x 139.8 x 54.8 mm)
    Weight 2.1 lb (0.95 kg)
    Packaging Info
    Box Dimensions (LxWxH) 11.575 x 10.394 x 4.882"

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