ARRI Ultra16 6mm T1.3 Prime Lens (PL Mount, Meters)

ARRI Ultra16 6mm T1.3 Prime Lens (PL Mount, Meters)

ARRI Ultra16 6mm T1.3 Prime Lens (PL Mount, Meters)

B&H # ARU166T13M MFR # K2.47560.0
Special Order
Expected availability: 2-4 weeks

Product Highlights

  • Covers Super 16 Format
  • Color Matched to Other ARRI Lenses
  • T* XP Lens Coatings
  • T1.3 Maximum Aperture
  • Minimal Breathing
  • Dual Focus Markings
  • Integrated 0.8 MOD Lens Gears
  • Consistent Gear Positions Among Series
  • Consistent 95mm Lens Front Among Series
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This item is noncancelable and nonreturnable.

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You Pay: $19,610.00

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ARRI K2.47560.0 overview

  • 1Description

The ARRI Ultra16 6mm T1.3 Prime Lens is a manual focus prime lens with a PL mount that covers the Super 16 format and is color matched to the Ultra Primes, Master Primes, Variable Primes and LWZ-1 zoom lens. The T* XP provides rich contrast, veiling glare protection, and helps deliver that well-known ARRI look to your image. Featuring a fast maximum aperture of T1.3, the lens allows for shallow depth of field cinematography, which can be difficult to achieve in Super 16. Minimal focus breathing does not draw attention to focus pulls and helps preserve the cinematic feel of your footage.

The lens is marked in meters and has focus markings on both sides of the barrel, so your focus puller can work either side of the lens. Integrated 0.8 Mod (cine standard) focus and iris gears interface with standard follow focus units or lens control motors. All lenses in the Ultra16 series share common focus and iris gear positions for fast lens swaps, with no need to reposition lens accessories. Likewise, each lens in the series features a 95mm front for consistency and speed when using matte boxes and changing lenses.

Lens Coating
The T* XP multi-layer anti-reflex coating reduces flares and internal reflections. Compared to conventional coatings it has a better transmission and a more uniform performance from optical center all the way to the edges, resulting in higher contrast and deeper, richer blacks.
High Speed
Each lens in the series has a maximum aperture of T1.3, allowing for shallow depth of field without sacrificing sharpness or contrast, and without needing to adjust lighting or exposure when changing from one lens in the Ultra16 series to another.
  • High contrast and resolution
  • Image geometry free of distortions even at wide angles
  • Minimized chromatic aberration
  • Minimal breathing
  • Color matches other ARRI/Zeiss Lenses
In the Box
ARRI Ultra16 6mm T1.3 Prime Lens (PL Mount, Meters)
  • Lens Cap
  • Rear Lens Cap
  • Table of Contents
    • 1Description

    ARRI K2.47560.0 specs

    Focal Length 6mm
    Lens Mount ARRI PL
    Format Super 16
    Image Circle Not Specified by Manufacturer
    Maximum T-Stop T1.3
    Minimum T-Stop T16
    Horizontal Angle of View Super16: 90.22°
    Minimum Focus Distance from Image Plane 8" / 20.32 cm
    Optical Design Not Specified by Manufacturer
    Iris Blades Not Specified by Manufacturer
    Gear MOD & Pitch Focus: 0.8 MOD / 32 Pitch
    Front Diameter 95 mm
    Filter Thread Not Specified by Manufacturer
    Focus Scales Metric
    Focus Rotation Not Specified by Manufacturer
    Iris Rotation Not Specified by Manufacturer
    Electronic Communication Not Specified by Manufacturer
    Tripod Mounting Thread None
    Dimensions (W x H) Not Specified by Manufacturer
    Length 3.6" / 9.14 cm
    Weight 2.20 lb / 1 kg

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    ARRI K2.47560.0 Q&A

    ARRI K2.47560.0 accessories

    Designed for use with:

    • AJA CION
    • ARRI ALEXA SXT
    • ARRI ALEXA SXT Plus
    • ARRI ALEXA SXT Studio
    • ARRI AMIRA
    • Blackmagic Design Production 4K
    • Blackmagic Design URSA Mini
    • Blackmagic Design URSA Mini 4.6K
    • Blackmagic Design URSA Mini 4K
    • Canon EOS C200 PL
    • Canon EOS C300 Cinema
    • Canon EOS C300 Mark II PL
    • Canon EOS C500 4K Cinema
    • Canon EOS C700 FF PL
    • Canon EOS C700 GS PL
    • Canon EOS C700 PL
    • Digital Bolex D16
    • For.A FT-ONE
    • For.A FT-ONE-OPT
    • Panasonic VariCam 35
    • Panasonic VariCam 35B
    • Panasonic VariCam LT
    • RED DIGITAL CINEMA DSMC2 MONSTRO
    • RED DIGITAL CINEMA WEAPON
    • RED DIGITAL CINEMA WEAPON HELIUM Monochrome
    • RED DIGITAL CINEMA WEAPON MONSTRO
    • RED DIGITAL CINEMA Weapon
    • Sony PMW-F5
    • Sony PMW-F55
    • Sony CineAlta PMW-F5
    • Sony CineAlta PMW-F55
    • Sony Cinealta PMW-F5
    • Sony Cinealta PMW-F5/A7S MARK II
    • Sony PMW-F3
    • Sony PMW-F5
    • Sony PMW-F55
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