Softube Volume 1 Plug-In Bundle - Upgrade from Summit Audio Grand Channel (Download)

Softube Volume 1 Plug-In Bundle - Upgrade from Summit Audio Grand Channel (Download)

Softube Volume 1 Plug-In Bundle - Upgrade from Summit Audio Grand Channel (Download)

B&H # SOSFTGCHV1U MFR # SFT-GCH-VOL1-UP
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Product Highlights

  • For Owners of Summit Audio Grand Channel
  • 16 x Plug-Ins Included
  • For Composing, Producing, and Mixing
  • EQ and Compressor Plug-Ins
  • Reverb, Delay, Flanger, Doubler Plug-Ins
  • Drum and Modular Synthesizers Plug-Ins
  • Virtual Guitar & Bass Amplifier Plug-Ins
  • 90-Minute Mix Tutorial Video
  • AAX Native, Audio Units, VST, VST3
  • Mac OS X, Windows
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This item is noncancelable and nonreturnable

$0.00 Tax Collected Outside NY and NJ

Sugg Retail Price:  $179.00

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  • 1Description

Conceived by identifying the eleven most common tasks in modern-day music production, Volume 1 from Softube is a bundle which includes sixteen plug-ins designed to give you the tools to create drum machine and synth tracks, record electric guitars and basses, mix vocals and acoustic guitars, and finalize your mixes.


This version lets you upgrade to Volume 1 from your version of the Summit Audio Grand Channel plug-in. It comes with a 90-minute mix tutorial video featuring Grammy-nominated engineer Ryan West.

Plug-Ins At-a-Glance:
- Summit Audio Grand Channel
- Summit Audio EQF-100 Full Range Equalizer
- Summit Audio TLA-100A Leveling Amp Compressor
- TSAR-1 Reverb, Stereo Reverb
- TSAR-1R Reverb
- FET Compressor, "Solid State" Compressor
- Modular, Virtual Modular Synthesizer
- Trident A-Range EQ, Equalizer
- Vintage Amp Room, Virtual Guitar Amplifiers
- Drawmer S73 Intelligent Master Processor, Dynamics
- Fix Flanger and Doubler, Modulation and Vocal Doubling
- Heartbeat, Drum Synthesizer
- Tube Delay, Valve Preamp Delay Effect
- Bass Amp Room, Bass Amplifier and Speaker Emulation
- Saturation Knob, Output Distortion

Note: This product is available to owners of the Summit Audio Grand Channel plug-in.

  • Summit Audio Grand Channel Plug-In (Native)

    The Summit Audio Grand Channel Plug-In from Softube combines the EQF-100 Full Range Equalizer and TLA-100A Compressor plug-ins for DAW (Digital Audio Workstation) software. Having the two combined in a single native-based plug-in makes adjustments easier, as you will often find that the compressor affects the equalizer and vice versa.

    The user interface of the Grand Channel plug-in features the Bypass and Routing panel, TLA-100A Compressor, and EQF-100 Full Range Equalizer stacked one on top of the other, in that order. The user interfaces of the individual units are the same as the individual plug-ins.

    The EQF-100 equalizer features 4 fully parametric bands of equalization, 2 cut filters, and input and output VU meters. The TLA-100A Compressor features adjustable attack and release times and a smooth soft knee character. Its additional panel offers low cut, parallel compression, and adjustable saturation. The Bypass and Routing panel is used for engaging or bypassing the separate units, and also to select the processing order. By default, the sound reaches the equalizer before the compressor, but you can easily reverse the order with a single switch.

    The characteristics of distortion yielded by the EQF-100 and TLA-100A are different. The TLA-100A has a separate saturation control which lets you adjust the headroom of the unit, so you can go from a clean sound with almost no audible distortion to a fully saturated, leave-no-transients-intact sound. The distortion in the TLA-100A is suited for taming transients in drums, but maybe not the first choice when you need to warm up a vocal track. On the other hand, the distortion of the EQF-100 has a totally different character. Boosting the EQ or cranking the output volume yields a warm and fat type of distortion that is suited for vocals, bass, or brass.

    The signal routing is very straightforward except for the VU meters on the EQF-100, which are always placed at the master input and output. In addition, there are two main volume controls on the unit, the Output Volume on the EQF-100 and the gain knob on the TLA-100A.

    Flexible and easy to use with huge sonic range
    Individual bypass for each of the two units saves CPU power
    Change the order of the equalizer and compressor with a single switch
    Analog behavior of frequencies, phase, distortion, attack, release, etc.
    Carefully modeled components
  • Summit Audio EQF-100 Full Range Equalizer Plug-In (Native)

    The Summit Audio EQF-100 Full Range Equalizer Plug-In from Softube is modeled from the EQF-100 tube-driven passive equalizer. This native based plug-in can be used in your DAW (Digital Audio Workstation) software to boost frequencies and not limit yourself to cutting.

    The user interface consists of 4 separate bands of equalization (low, low mid, high mid, and high), two cut filters (high and low), the VU meter section, and the Output Volume. Each of the 4 frequency bands consists of 7 fixed frequencies with fully adjustable bandwidth (Q) and gain. All bands can be bypassed separately. The lowest and highest bands can also be set to shelving mode. Each cut filter consists of 3 set frequencies and bypass.

    The 4 fully parametric bands of equalization plus the low and high cut gives you plenty of flexibility for virtually any track or style. Driving the output VU meter into the red area yields a warm and fat distortion coming from the output stage–similar to the effect of tube stage amplification added to the output from the passive EQ design in the original hardware.

    The EQF-100 plug-in can operate in both stereo and mono modes. In stereo, both channels are linked but processed individually. How the different modes (stereo, mono and mono-to- stereo) are selected depends on your host software.

    Four fully parametric bands of equalization with fixed frequency bands
    High and low filters can be switched from bell to shelf
    Three-position low and high cut filters
    Smooth sound and flexible operation
    Modeled output stage distortion
    Carefully modeled components
  • TLA-100A Leveling Amp Compressor Plug-In (Native)

    The TLA-100A Leveling Amp Compressor Plug-In from Softube is modeled from the classic Summit Audio outboard processor. The TLA-100A creates gentle and natural sounding gain reduction, keeping dynamics controlled without "squashing" the sound.

    The compression works in a program dependent manner; you set it and forget it. It can provide anything from transparent leveling to soft, warm distortion if driven really hard. For ease of use, Softube's TLA-100A plug-in incorporates a Saturation knob not found on the original unit. Additionally, the plug-in provides a parallel compression wet/dry balance and a low cut filter that can either be applied to the program or just the detection circuit.

    Controls

    • Attack: fast, slow
    • Release: fast, slow
    • Meter: output, reduction
    • Gain: 0 to 10
    • Gain Reduction: 0 to 10
    • Sidechain: internal, external
    • Low Cut: Off to 600 Hz
    • Low Cut Select: input or detector
    • Saturation: clean, normal, high
    • Parallel Inject: wet, 50/50, dry
  • TSAR-1 Reverb - Stereo Reverb Plug-In (Native)

    TSAR-1 from Softube is a true stereo reverb plug-in that features a powerful and modern algorithm. A comprehensive and easy-to-use interface makes operation effortless with five parameters making up the reverb section, with additional controls for fine tuning the reverb effect.

    Pre Delay is often used to achieve a subtle rhythmic effect or to carefully match the tail with the early reflections. Time provides for longer or shorter reverb tails while density adjusts the character - modern and dense, or sparse, lush and vintage. Tone and High Cut together adjust the overall sound of the reverb.

    Secondary controls include Early Reflections Type, Early Reflections Mix, Diffusion, Modulation, and Reverb Mix and Output Volume. Forty-one well designed presets categorized into a "modern" and a "vintage" set make full use of the parameters. The modern set focuses on the classy reverb sounds of today, while the vintage set mimics the characters of old school reverbs.

    In situations where full control over reverb is not required, the included TSAR-1R plug-in delivers the same sound using just three reverb parameters, Pre Delay, Time and Color, along with the required Mix and Volume knobs.

    Modern and powerful high-end reverb plug-in
    True stereo algorithm (not convolution)
    Very versatile
    Comprehensive user interface
    Extensive preset library
    Bundled with the TSAR-1R Reverb
  • FET Compressor - "Solid State" Compressor Plug-In (Native)

    The FET Compressor from Softube is a native based compressor plug-in modeled after what is arguably considered the most famous solid state hardware compressor. The company realized that simply approximating the most apparent features is not enough to capture the uniqueness of the original hardware, so instead of modeling individual features and putting them together digitally, they modeled the unit in its entirety - input and output stages, gain reduction feedback loops, bias differences of different transistors, etc.

    Unlike the original, the plug-in features a fully variable ratio although it can still function the standard way with fixed ratios. And of course the "All Buttons In" mode has been included. The signature attack that the original is famous for is faster than a single sample, and a look-ahead detector can make it function even faster. Parallel compression functions within the plug-in and since the "Dry" signal also spends some time inside the algorithms, it can take on the subtle distortion derived from pushing the input and output stages.

    Added features not found on the original hardware include external side chain support, detector look-ahead with low- and high-cut filters for the detector, two modeled VU meters, and a stereo peak meter that allows for controlling the output signal. In case there is no use for the extra features, they can be simply switched off.

    Famous solid state analog compressor model including modeled input and output stages
    "All Buttons In" mode
    Continuous adjustable ratio (even between 20:1 and ALL)
    Super fast attack time, just like on the original hardware
    Input and output stage distortion
    Parallel compression
    Detector low- and high-cut filters
    External side chain
    Detector look ahead
    Stereo with synchronized gain reduction
    Low CPU usage
  • Modular - Virtual Modular Synthesizer Plug-In (Download)

    Modular from Softube is a virtual modular synthesizer, created in close collaboration with Doepfer, that provides the sound, flexibility, and expandability of a true analog modular synthesizer, but as a software plug-in. The basic system includes six modeled Doepfer modules and over twenty utility modules.

    Modular's workflow is very close to the use of physical Eurorack modular synths—add modules, connect them using virtual patch cords, adjust knobs and switches. Get MIDI connectivity with the MIDI to CV/Gate Converter, and add any of the included step sequencers. Additional modules from quality Eurorack vendors are available for separate purchase.

    The plug-in offers a wide range of presets for those unfamiliar with modular synthesizers, but both experts and beginners can benefit from using the Performance modules. These give the user a limited set of knobs and buttons that can be freely assigned to control any parameter on any module in the current patch.

    Cross-platform modular synthesizer plug-in standard, featuring authorized emulations of modules from well-known hardware Eurorack brands
    True dynamic circuit-emulation—looks, functions, and sounds like its hardware counterparts
    Basic system contains six Doepfer modules (A-110-1 VCO, A-108 VCF, A-132-3 Dual VCA, A-140 ADSR, A-118 Noise/Random, A-147 VCLFO)
    Also contains over twenty utility modules (including MIDI to CV/gate, mixers, slew, sample and hold, switches, multiples, delay, offset, sequencers, clock dividers, logic and signal tools, as well as a polyphonic MIDI to CV/gate module)
    Additional authorized emulations from Intellijel are available as add-ons (uFold II, Korgasmatron II, Rubicon)
    Simple to design a custom interaction layout using the Performance modules in a classic synthesizer style
    Softube Heartbeat drum channels and EQ can be used as separate modules for owners of Heartbeat
    More than 200 presets included covering a huge range of styles and sounds
    Use as an effect and instrument within a DAW
    Integrates well with any hardware Eurorack modular systems
    High internal sample rate enables true feedback
  • Trident A-Range EQ - Equalizer Plug-In (Native)

    The Trident A-Range EQ from Softube is a native based EQ plug-in based on the EQ section of the Trident A-Range console, and created in collaboration with Malcolm Toft, its original designer. Although many seminal records were recorded through the A-Range consoles, only thirteen of them were ever made. The plug-in is a model of channel 15 from one of these console currently located at Sweet Silence Studio 'B' in Denmark.

    The channel features four-bands of EQ along with switchable high- and low-pass filters. Top and bottom bands are shelving, while the mid filters are bell shaped with the choice of bands often referred to as sounding "musical". When running a hot enough signal through the original unit and boosting the bands, it is possible to get it to distort. That functionality is reflected in the plug-in, but instead of using an input volume to drive the signal, a Saturation knob is used, alleviating the need to constantly adjust output volume.

    EQ plug-in modeled after the original A-Range console EQ
    Created with Malcolm Toft, the original designer of the A-Range
    Every component carefully modeled
    Same EQ filters that made the original legendary sounding
    Features interaction between the different bands
    Saturation control
    Low CPU usage
  • Vintage Amp Room - Virtual Guitar Amplifiers Plug-In (Native)

    Vintage Amp Room from Softube is a native based plug-in that emulates three vintage guitar amplifiers and speaker cabinets in a studio set-up, along with fully flexible microphone positioning. Straightforward and simple, the plug-in is perfect for live performances and recordings, as well as for re-amping and last-minute tweaking.

    White is based on an all-round amplifier that set the industry standard for classic, distorted rock n' roll sounds. The model features the bare essentials only - all tubes, one channel, and no reverb or any other built-in effects. Sound-wise, it goes from screaming preamp "shred", to warm, speakers-about-to-break power amp distortion.

    Brown is based on one of the most versatile amplifiers in music history. Suitable for all kinds of genres and instruments, the sound it produces is clean, crisp and clear, but also warm, thick and punchy. From the clearest country-style sound for steel guitars, to a dirty bluesy guitar noise, it works for both funky rhythms and mellow chords.

    Green produces a pleasant guitar sound with warm yet intense power amp distortion. Its character makes it shine through in mixes, without drowning out other instruments. The modeling is based on an adaptable three-channel amplifier model that has been widely used during the last forty years, from classic pop recordings in the 60's, through to today's independent and alternative rock.

    Three great-sounding vintage amplifier models that handle like real amplifiers
    Raw and authentic sound
    Flexible and continuous click-and-drag microphone positioning
    Fully automatable parameters
    3-D rendered photo-realistic user interface
    Compatible with all effects that work with real amplifiers
  • Drawmer S73 Intelligent Master Processor - Dynamics Plug-In (Download)

    The Drawmer S73 Intelligent Master Processor from Softube is a dynamics plug-in based on the renowned hardware Drawmer 1973 three-band FET stereo compressor. The software features an enhanced multi-band compressor, and by making the choices a mastering engineer would make, the plug-in is able to fine tune and improve mixes with a minimum of tweaking. Simply use the Style parameter to switch between ready-made mastering processing techniques to quickly find the sound that best suits the mix.

    Built-in mastering processing techniques
    Delivers Drawmer compressor analog sound
    Three groups of different mastering algorithms – clean, bass control, and spatial
    Parallel compression
    VU-style meters
  • Fix Flanger and Doubler - Modulation and Vocal Doubling Plug-Ins (Download)

    The Fix Flanger and Doubler from Softube is a plug-in package that handles hands-on flanging with unique stereo-widening methods, as well as vocal doubling with lush chorus and rich textures. The plug-in is based on the Real Time Auto Doubler AD-2 originally created by Paul Wolff.

    The Fix Flanger is capable of both classic guitar pedal-style flanging with an automatically swept flange, as well as direct control in the manual mode. The VSO mode features hands-on control with emulated servo motor bounce and true cross zero flanging, just like a tape machine.

    The Fix Doubler provides texture and richness to vocals and polyphonic instruments. The algorithms of the Fix Flanger combined with a streamlined interface, and Paul Wolff's Auto Double algorithm, makes it easy to get lush chorus and rich layers on vocal tracks. Auto Double delivers smooth doubling without flanging at delays as low as 3 ms.

    Fix Flanger delivers the sound of classic flanging, with extensive control and flexibility
    Hands-on VSO flange control, with servo motor bounce emulation
    Tap tempo sweep, stereo widening methods, and selectable delay polarity
    Fix Doubler provides lush chorus and rich textures to vocals
    "Auto Double" uses a unique method of accurate phase-cancellation to make a natural-sounding doubler effect
    VU-style meters
  • Heartbeat - Drum Synthesizer Plug-in (Download)

    Heartbeat from Softube is a software drum synthesizer, mostly based on modeled analog synthesis. At its center, the plug-in contains eight instrument channels with two different bass drum channels, delivering a variety of textures. Two snare drum channels have six parameters each, which allows for producing anything from edgy rim shots, soft snare rolls, to machine-like claps. The hi-hat and cymbal channels include flexible synthesis engines, while the identical percussion channels can be used to model anything from 80's-style synthetic toms, to cowbells and noise drops.

    The effects section includes slightly adapted versions of the company's Valley People Dyna-mite dynamic shaping model and the TSAR-1 Reverb. Filter Echo is a filtered delay effect with adjustable cut off and resonance parameters. Adjustable output saturation is also available. Each of the eight channels has a dedicated mixer channel with controls for volume, pan, ping-pong (auto panning), EQ (adapted specifically for each instrument), and send levels to the reverb and delay effects.

    For additional interaction, the software features an Auto Layer Machine with four channels that can each be used to layer sounds or trigger a chain of events. A Chaos slider insures things don't stay too predictable. Flexible global velocity parameter knobs for volume, pitch, attack and decay allow for responsive velocity changes, and a Time Gate shortens the overall decay to create a stuttery and stiff machine sound.

    Eight channels of drum sounds, mostly based on modeled analog synthesis
    Mixer with volume, EQ, effect sends, and panning for each channel
    Four-channel Auto Layer Machine for layering sounds or triggering beat patterns
    Chaos slider adds randomness to the behavior of Auto Layer Machine
    Adapted versions of TSAR-1 Reverb and Valley People Dyna-mite included, as well as Filter Echo and output saturation
    Supports Native Instruments's Native Kontrol Standard for intuitive hands-on control of Heartbeat's functions
  • Tube Delay - Valve Preamp Delay Effect Plug-In (Native)

    Spring Reverb from Softube is a native based plug-in that recreates the authentic sound of a spring reverb, brining instant vintage character and grit to any audio track. A feature of the original hardware units was that if the reverb was accidently hit, it emitted a thunderous sound. The software emulates this with the Shake control, while a Tension control tightens or loosens the springs to cover a wide range of spring reverb sounds.

    An additional control allows the user to engage from one to three springs. Set the control to ONE for a more pronounced springy sound and to THREE for a smoother sound. Authentic tube emulation and a treble and bass EQ add further depth to the sound of the plug-in which can also used both as a send and an insert effect.

    • Shake control that shakes the springs around for that "springs-being-shaken" sound
    • Tension control to shape the spring character and reverb length
    • Number of spring pairs continuously adjustable from one to three
    • Tube driver simulation in the reverb section, with bass and treble EQ
  • Bass Amp Room - Bass Amplifier and Speaker Emulation Plug-In (Native)

    Bass Amp Room from Softube is a native based plug-in that delivers authentic amplifier and cabinet modeling and is designed to handle all bass amplifier needs, from dirty rock to a modern clean sound. The plug-in consists of a model of a classic bass amplifier, three speaker cabinets with click-and-drag microphone positions, and a DI section with tone controls and a limiter. The DI section can be blended with the amplifier sound for even more versatility.

    Although designed as a guitar amplifier, the 70's amplifier that is model here is an excellent choice for bass players, delivering a thick and solid preamp distortion, which when pushed does not give up the low end. The power amp has a more traditional distortion that will at extreme settings start to sound more "broken". A high/low switch (not part of the original amplifier) adds a cleaner and fatter sound when necessary.

    The cabinets include an industry standard 8 x 10" for fat rock solid bass tones with lots of low end and definition. For rock sounds, the 4 x 12" delivers a focused and hard sound. The third cabinet is an open back 1 x 12" that isn't traditionally the usual choice for a bass player, but nonetheless represents an option that could be used in a studio setting.

    Authentic amplifier and cabinet modeling
    Three versatile and good-sounding cabinets
    Designed for excellent results and fast work flow
    Built-in one-knob limiter in DI (Direct Inject) panel
    Easy to use mix and DI panel
    Flexible and continuous click-and-drag microphone positioning
    Fully automatable parameters
    3-D rendered photo-realistic user interface
    Compatible with all effects that work with real amplifiers
    Amp/Cab Bypass allows for use of cabinets from other Amp Room products
  • Summit Audio Grand Channel Plug-In (Native)
    System Requirements
    Operating System Mac OS X 10.6, 10.7 or 10.8, with the latest updates
    Windows 8, Windows 7 (latest Service Pack)

    Supports both 32- and 64-bit hosts and operating systems. Windows XP and Vista are no longer officially supported.

    Processor (CPU) Intel Core Duo, AMD Athlon 64 X2 or newer
    Screen Resolution Higher than 1280 x 800
    RAM 1 GB
    Sample Rates Supported: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo
    Other Requirements Any VST, VST3, AU, RTAS (Pro Tools 9) or AAX (Pro Tools 10.3.7, 11.0.2 or higher) compatible host application
    iLok USB key and the latest iLok License Manager
    Broadband Internet access for downloading installer and register licenses

    Make sure that you always use the latest iLok License Manager. It is not included in the Softube installer, but can be downloaded from the iLok website.

  • Summit Audio EQF-100 Full Range Equalizer Plug-In (Native)
    System Requirements
    Operating System Mac OS X 10.6, 10.7 or 10.8, with the latest updates
    Windows 8, Windows 7 (latest Service Pack)

    Supports both 32- and 64-bit hosts and operating systems. Windows XP and Vista are no longer officially supported.

    Processor (CPU) Intel Core Duo, AMD Athlon 64 X2 or newer
    Screen Resolution Higher than 1280 x 800
    RAM 1 GB
    Sample Rates Supported: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo
    Other Requirements Any VST, VST3, AU, RTAS (Pro Tools 9) or AAX (Pro Tools 10.3.7, 11.0.2 or higher) compatible host application
    iLok USB key and the latest iLok License Manager
    Broadband Internet access for downloading installer and register licenses

    Make sure that you always use the latest iLok License Manager. It is not included in the Softube installer, but can be downloaded from the iLok website.

  • TLA-100A Leveling Amp Compressor Plug-In (Native)
    Windows System Requirements Windows XP (32-bit only), Windows Vista, Windows 7
    CPU that supports SSE2 instruction set including DAZ flag (most Intel and AMD processors since 2003)
    Mac System Requirements Mac OS X 10.5 or higher
    Intel processor
    Additional System Requirements 1 GB RAM or more
    Minimum screen resolution: 1024 x 768 pixels
    iLok USB key and the latest Pace Interlok drivers

    Any VST, VST3, AudioUnits, AAX, or RTAS compatible host application
    Pro Tools: version higher than 7.0 for RTAS/TDM. Higher than 10.0 for AAX
    Compatibility 32- or 64-bit recording software; 64-bit is fully supported without bridging
  • TSAR-1 Reverb - Stereo Reverb Plug-In (Native)
    System Requirements Mac
    Intel processor
    OS X 10.5 or higher
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports Audio Units, AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers

    PC
    CPU that supports SSE2 instruction set including DAZ flag (most Intel and AMD processors since 2003 supports this)
    Windows XP (32-bit only), Vista, Windows 7
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools use requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers
  • FET Compressor - "Solid State" Compressor Plug-In (Native)
    Attack 20 microsecs to 0.8 ms
    Release 50 ms to about a second
    System Requirements Mac
    Intel processor
    OS X 10.5 or higher
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports Audio Units, AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers

    PC
    CPU that supports SSE2 instruction set including DAZ flag (most Intel and AMD processors since 2003 supports this)
    Windows XP (32-bit only), Vista, Windows 7
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools use requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers
  • Modular - Virtual Modular Synthesizer Plug-In (Download)
    System Requirements 1 GB RAM or more
    6 GB available hard drive space for installation
    1280x800 minimum screen resolution
    iLok License Manager (iLok USB key is NOT required)
    Broadband internet access for downloading installer and register licenses

    Mac
    Intel Core 2 Duo
    Intel Core i5 or faster CPU recommended
    OS X 10.8 or newer
    Host software that supports AAX Native (Pro Tools 11.0.3 or higher), Audio Units, VST, or VST3 plug-in formats

    Windows
    Intel Core 2 Duo, AMD Athlon 64 X2 or newer
    Intel Core i5 or faster CPU recommended
    Windows 7 (latest SP, 32-/64-bit), Windows 8 or newer
    Host software that supports AAX Native (Pro Tools 11.0.3 or higher), VST, or VST3 plug-in formats
     
  • Trident A-Range EQ - Equalizer Plug-In (Native)
    System Requirements Mac
    Intel processor
    OS X 10.5 or higher
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports Audio Units, AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers

    PC
    CPU that supports SSE2 instruction set including DAZ flag (most Intel and AMD processors since 2003 supports this)
    Windows XP (32-bit only), Vista, Windows 7
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools use requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers
  • Vintage Amp Room - Virtual Guitar Amplifiers Plug-In (Native)
    System Requirements Mac
    Intel processor
    OS X 10.5 or higher
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports Audio Units, AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers

    PC
    CPU that supports SSE2 instruction set including DAZ flag (most Intel and AMD processors since 2003 supports this)
    Windows XP (32-bit only), Vista, Windows 7
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools use requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers
  • Drawmer S73 Intelligent Master Processor - Dynamics Plug-In (Download)
    System Requirements Mac
    Intel Core Duo
    OS X 10.8 or newer
    1 GB RAM or more
    900 MB available hard drive space
    1280x800 minimum screen resolution
    Host software that supports AAX Native (Pro Tools 10.3.7, 11.0.2 or higher), Audio Units, VST, or VST3 plug-in formats
    iLok License Manager (iLok USB key is NOT required)
    Broadband internet access for downloading installer and register licenses

    Windows
    Intel Core Duo, AMD Athlon 64 X2 or newer
    Windows 7 (latest SP, 32-/64-bit), Windows 8 or newer
    1 GB RAM or more
    900 MB available hard drive space
    1280x800 minimum screen resolution
    Host software that supports AAX Native (Pro Tools 10.3.7, 11.0.2 or higher), VST, or VST3 plug-in formats
    iLok License Manager (iLok USB key is NOT required)
    Broadband internet access for downloading installer and register licenses
  • Fix Flanger and Doubler - Modulation and Vocal Doubling Plug-Ins (Download)
    System Requirements Mac
    Intel Core Duo
    OS X 10.8 or newer
    1 GB RAM or more
    900 MB available hard drive space
    1280x800 minimum screen resolution
    Host software that supports AAX Native (Pro Tools 10.3.7, 11.0.2 or higher), Audio Units, VST, or VST3 plug-in formats
    iLok License Manager (iLok USB key is NOT required)
    Broadband internet access for downloading installer and register licenses

    Windows
    Intel Core Duo, AMD Athlon 64 X2 or newer
    Windows 7 (latest SP, 32-/64-bit), Windows 8 or newer
    1 GB RAM or more
    900 MB available hard drive space
    1280x800 minimum screen resolution
    Host software that supports AAX Native (Pro Tools 10.3.7, 11.0.2 or higher), VST, or VST3 plug-in formats
    iLok License Manager (iLok USB key is NOT required)
    Broadband internet access for downloading installer and register licenses
  • Heartbeat - Drum Synthesizer Plug-in (Download)
    System Requirements Mac
    Intel Core Duo
    OS X 10.8 or newer
    1 GB RAM or more
    900 MB available hard drive space
    1280x800 minimum screen resolution
    Host software that supports AAX Native (Pro Tools 10.3.7, 11.0.2 or higher), Audio Units, VST, or VST3 plug-in formats
    iLok License Manager (iLok USB key is NOT required)
    Broadband internet access for downloading installer and register licenses

    Windows
    Intel Core Duo, AMD Athlon 64 X2 or newer
    Windows 7 (latest SP, 32-/64-bit), Windows 8 or newer
    1 GB RAM or more
    900 MB available hard drive space
    1280x800 minimum screen resolution
    Host software that supports AAX Native (Pro Tools 10.3.7, 11.0.2 or higher), VST, or VST3 plug-in formats
    iLok License Manager (iLok USB key is NOT required)
    Broadband internet access for downloading installer and register licenses
  • Tube Delay - Valve Preamp Delay Effect Plug-In (Native)
    System Requirements Mac
    Intel processor
    OS X 10.5 or higher
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports Audio Units, AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers

    PC
    CPU that supports SSE2 instruction set including DAZ flag (most Intel and AMD processors since 2003 supports this)
    Windows XP (32-bit only), Vista, Windows 7
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools use requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers
  • Bass Amp Room - Bass Amplifier and Speaker Emulation Plug-In (Native)
    System Requirements Mac
    Intel processor
    OS X 10.5 or higher
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports Audio Units, AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers

    PC
    CPU that supports SSE2 instruction set including DAZ flag (most Intel and AMD processors since 2003 supports this)
    Windows XP (32-bit only), Vista, Windows 7
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools use requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers
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