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Sigma 50-100mm T2 High-Speed Zoom Lens (Sony E, Feet)

BH #SI50100T2SEM • MFR #693967
 4 reviews
Sigma 50-100mm T2 High-Speed Zoom Lens (Sony E, Feet)
Key Features
  • Covers Super 35mm Sensors
  • 28.4mm Image Circle
  • Internal Focus Design
  • 180° Focus Barrel Rotation
The Sigma 50-100mm T2 Cine High-Speed Zoom Lens (Feet) with a Sony E-mount provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High Speed Zoom lineup, which makes for rapid lens changes.
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Expected availability: 2-4 weeks
$3,999.00
$334/mo. suggested payments for 12 Mos.
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Focal Length Range
18-35mm
18-35mm Lens and 50-100mm Lens and Case
50-100mm
Lens Mount
ARRI PL
Canon EF
Sony E
Lens Scale Markings
Fully Luminous, Feet
Standard, Feet
Standard, Meters
Financing ProgramOffer Ends: Dec 31 '23
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Sigma 50-100mm T2.0 (ft) Overview

  • 1Description
  • 2Color Balance
  • 3Dust-Proof and Splash-Proof Design
  • 4All Metal Body Construction
  • 5Lens Markings
  • 6Lens Front
  • 7Lens Gears
  • 8Support Foot

The Sigma 50-100mm T2 Cine High-Speed Zoom Lens (Feet) with a Sony E-mount provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High Speed Zoom lineup, which makes for rapid lens changes.

The 9-bladed iris provides round out of focus highlights for a natural-looking bokeh. The lens barrel features 180° of rotation from close focus to infinity, and the zoom barrel rotates 160°, and the clickless iris ring features 60° of rotation. All three lens control rings are geared with cine-standard 0.8 Mod gears and the focus scale is marked in feet. The front of the lens is 95mm in diameter with a removable 1/4"-20 support foot that helps support the lens with the aid of a 1/4"-20 rod-mounted lens support (not included).

Color Balance
All the lenses in the lineup are designed to comply with SIGMA's CCI standard simplifying when intercutting between lenses.
Dust-Proof and Splash-Proof Design
Sharing the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports, each ring and mount is sealed to prevent water and dust from entering.
All Metal Body Construction
The lens body is made completely of metal to stand up to the rigors of the production day.
Lens Markings
The main lens markings are in luminous paint for easy visibility in low light situations. The intermediate markings are laser-engraved for durability. The focus and zoom markings are readable from either side of the lens.
Lens Front
The lens features a 95mm front diameter for compatibility with a wide variety of matte boxes and incorporates an 82mm front filter thread.
Lens Gears
All three lens gears are standard 0.8 MOD and feature a damper that eliminates metallic sounds when you reach the end of the lens travel.
Support Foot
The lens includes a removable support foot.
UPC: 085126693671

Sigma 50-100mm T2.0 (ft) Specs

Focal Length
50 to 100mm
Maximum Aperture
T2
Minimum Aperture
T16
Lens Mount
Sony E
Lens Format Coverage
Super35/APS-C
Image Circle
28.4 mm
Focus Scales
Imperial
Filter Thread
82 mm
Minimum Focus Distance
From : 3.2' / 96.5 cm
Diaphragm Blades
9
Image Stabilization
No
Electronic Communication
Yes
Weight
4.27 lb / 1940 g
Packaging Info
Package Weight
5.2 lb
Box Dimensions (LxWxH)
11.65 x 7 x 6.85"

Sigma 50-100mm T2.0 (ft) Reviews

Great Cine Lens

By Jeff
Rated 5 out of 5
Date: 2021-11-23

This lenses is fast and amazingly sharp. Great addition for the money.

This is Photo lens - not for Cinema

By Akhmt
Rated 1 out of 5
Date: 2018-07-22

1. Too noticeable focus breath .... Not usable for serious cinema .... 2 . None Lens Data System ( LDS ) that now very need for post - production works with augmented reality 3. Too overpriced ( " cinema " version with lens gear ) Version for photo with EF ( about $1000 ) mount much better for use with RED . Really .

Great Lens!

By Cary
Rated 4 out of 5
Date: 2019-10-27

I use this with Ursa Mini Pro 4.6k and Pocket 6k for a lot of applications. Most of what I do is doc style and corporate video. The quality of glass that sigma has been putting out the last few years is exceptional. I also own the Cine 18-35mm. Having these two lenses to cover everything from 18-100mm at T2 (F1.8) is fantastic. While the 18-35mm is nearly parfocal, the 50-100mm is not. It’s biggest weakness is the breathing. It hasn’t ruined any shots for me personally, but I imagine if you were doing a more complicated follow focusing shot, it might be frustrating. Still, having 50mm/85mm/100mm and everything in between with one lens is super valuable. Especially when I’m run & gunning on a doc. Greatest strength is having the 50-100mm focal lengths in a single fast lens. Biggest weakness is focus breathing. I’ve heard a few complaints that it’s the same glass as the art series but in a cine housing and 4-5x the price, but when it comes to great/fast cinema glass, I still think its a great value in comparison to a lot of other lenses out there. If you really don’t need to control it with a FIZ, you’ll probably be fine with the art series, but if you have a capable AC at your side, the cine version is the way to go.

Versatile lens w/ excellent performance for Doc and TV

By Michael
Rated 5 out of 5
Date: 2019-07-01

I work in documentary and TV, shooting on the FS7. I shoot a lot of b-roll and interviews on the fly, but am always looking for that extra edge to make my imagery look better than the next DP, and this lens (plus the 18-35mm sister lens) help me achieve that goal. I can say that for interviews, this lens is irreplaceable. In doc scenarios, primes aren't really ideal, as you are stuck with one focal length in an environment where you need to work quickly and often are making changes. In my experience with this lens, I've found that sometimes I'll settle on 77mm or 86mm or 92mm (or whatever) for interviews, a point of flexibility that isn't possible with primes. The fact that it's T/2 throughout the range is a major bonus, as you are getting the best of both of the zoom/prime worlds. Shooting outdoors in changing light conditions, being able to ride the aperture without the iris-stepping of a stills lens is also an irreplaceable quality. Some people complain that this is just a stills lens with cine gears but in real world shooting conditions, I don't find that to be the case. For pixel peepers, maybe they are right, but you simply can't replace focus markings, smooth aperture, and cinema grade build quality. Last note: I rented the PL and E-mount version of this lens. With the PL to E-mount adapter on the PL version, both lenses are the exact same length, so I'd recommend buying the PL version for resale value and general usability.

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YOUR RECENTLY VIEWED ITEMS

Does this lens have auto focus?

Does this lens have auto focus?
Asked by: Carrie
It does not. This is a Cinema lens, which is manual focus only. You also need to control the zoom and aperture on the lens itself. It is a fully manual lens.
Answered by: Joseph
Date published: 2019-05-29

How much does this weigh ?

How much does this weigh ?
Asked by: Kwesi
The Sigma 50-100mm T2 High-Speed Zoom Lens (PL, Feet) weighs 4.03 Lbs.
Answered by: Paige K
Date published: 2023-07-12

will autofocus work properlly with canon c 100 ...

will autofocus work properlly with canon c 100 m2?
Asked by: ARKADY /SERGEY
This is a manual focus lens. It does not offer auto focus at all.
Answered by: Joseph
Date published: 2021-02-07

will this lens fit a blackmagic ursa mini?

will this lens fit a blackmagic ursa mini?
Asked by: richard
Yes, as long as it is the Mini with the EF mount.
Answered by: Bruno
Date published: 2021-06-04

question

There is a typo in the first line of the description?
Asked by: Anonymous
There was error and we have since corrected it. We thank you for pointing this out and apologize for any confusion.
Answered by: Dennis A L.
Date published: 2018-08-27

Is this lens parfocal or the same as the non cine ...

Is this lens parfocal or the same as the non cine version?
Asked by: Joseph
It is not parfocal. I have used both the 18-35 and the 50-100. I ended up getting the DZO pictor Zooms instead. While they are t2.8 vs the T on this lens, they are parfocal and come with both PL and EF mounts.
Answered by: juan
Date published: 2023-02-09

Could you mount this on a 5DIV for taking still ...

Could you mount this on a 5DIV for taking still images?
Asked by: Jordan
We're afraid not. This lens only covers up to a Super 35mm sensor, it will not cover the Full Frame of the 5D Mark IV.
Answered by: Joseph
Date published: 2019-08-13

What is the difference between the normal lens ...

What is the difference between the normal lens kit, and the kit that says fully luminous feet?
Asked by: Juan
The Sigma 50-100mm T2 Fully Luminous High-Speed Zoom Lens (Canon EF, Feet) (BH# SI50100T2CE) is the version of the lens with markings that glow in the dark. The standard version has non glow-in-the-dark markings only. The only difference is the type of paint that is used for those markings.
Answered by: Yoni
Date published: 2022-03-25
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