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SLR Magic Anamorphot-40 1.33x Anamorphic Adapter (Compact)

BH #SLRAC40133 • MFR #SLRAC-40133
SLR Magic Anamorphot-40 1.33x Anamorphic Adapter (Compact)
Key Features
  • 1.33x Anamorphic Squeeze Adapter
  • For up to 40mm Front Diameter Lenses
  • Mounts to Lenses with 52mm Front Thread
  • Creates 2.35:1 Images on 16:9 Sensors
The SLR Magic Anamorphot-40 1.33x Anamorphic Adapter enables you to capture footage with a 2.35:1 aspect ratio on your camera with a 16:9 sensor. This results in an image that out of the camera will look distorted, as if your subjects were stretched taller and thinner than normal. This is easily corrected in post with virtually any modern NLE, creating an image suitable for viewing on wide-screen. The SLR Magic Anamorphot-40 1.33x works with lenses that have a front element physically no larger than 40mm in diameter. For full-frame sensors, SLR Magic recommends that the Anamorphot-40 1.33x be used with 40mm or longer focal length lenses; it is compatible with select wider lenses when using S35 and Micro Four Thirds sensors.
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SLR Magic SLRAC-40133 Overview

The SLR Magic Anamorphot-40 1.33x Anamorphic Adapter enables you to capture footage with a 2.35:1 aspect ratio on your camera with a 16:9 sensor. This results in an image that out of the camera will look distorted, as if your subjects were stretched taller and thinner than normal. This is easily corrected in post with virtually any modern NLE, creating an image suitable for viewing on wide-screen. The SLR Magic Anamorphot-40 1.33x works with lenses that have a front element physically no larger than 40mm in diameter. For full-frame sensors, SLR Magic recommends that the Anamorphot-40 1.33x be used with 40mm or longer focal length lenses; it is compatible with select wider lenses when using S35 and Micro Four Thirds sensors.

The Anamorphot-40 features adjustable focus marked normal and near. The near adjustment allows you to focus on subjects two feet away; setting the adapter to normal allows you to focus on subjects from three feet to infinity. The Anamorphot-40 mounts to lenses with a non-rotating front and a 52mm front filter thread. This adapter is compatible with full-frame and APS-C camera sensors, and with both automatic and manual focus lenses.

Compatible Lenses
Including but not limited to:

Canon EF Mount:

  • Canon EF 40mm f/2.8 STM (full-frame or APS-C sensor)
  • Canon EF 50mm f/1.8 STM at f/2.8 or smaller (full-frame or APS-C sensor)
  • Canon EF 50mm f/1.8 II at f/2.8 or smaller (full-frame or APS-C sensor)

Sony E-Mount:

  • Sony FE 28mm f/2 at f/2.8 or smaller (APS-C sensor)
  • Sony FE 35mm f/2.8 ZA (APS-C sensor)
  • Zeiss Sonnar FE 35mm f/2.8 ZA (APS-C sensor)
  • Zeiss Loxia 2/35 at f/2.8 or smaller (APS-C sensor)
  • Zeiss Loxia 2/50 at f/2.8 or smaller (full-frame sensor)
  • SLR Magic 75mm f/1.4 at f/2.8 or smaller (full-frame sensor)
  • SLR Magic 35mm f/1.2 CINE at f/4 (APS-C sensor)
  • SLR Magic 50mm f/1.1 CINE at f/4 (full-frame or APS-C sensor)
Features
Anamorphic adapter enables you to capture your image using your entire sensor, so there is no loss in resolution when compared with cropping your image
For 40mm or longer MF and AF prime lenses in full-frame, with a front element diameter of less than 40mm
Works with full-frame and APS-C camera sensors
The Anamorphot-40 1.33x screws onto your lens's front, providing the classic anamorphic effect
The normal/near adjustments ring allows you to fine-tune the focus of your lens for shooting subjects closer than 3'
62mm filter thread for attaching optional filters, diopters, or the SLR Magic Rangefinder Cine for improved focus functionality

SLR Magic SLRAC-40133 Specs

Maximum Front Element Diameter
1.6" / 40 mm
Mounting
Front Filter Thread: 62 mm
Rear Mounting Thread: 52 mm
Maximum Diameter
2.95" / 75 mm
Length
1.74" / 4.41 cm
Weight
8.8 oz / 250 g
Packaging Info
Package Weight
0.8 lb
Box Dimensions (LxWxH)
4.5 x 4.5 x 4.4"

SLR Magic SLRAC-40133 Reviews

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Which is the BEST focal length for the best/most ...

Which is the BEST focal length for the best/most anamorphic look? (A6400 APSC camera)
Asked by: Yi
What people don't about anamorphic 1.33x is that you need a camera that can shoot video at 4:3 aspect ration. When 4:3 is used with a 1.33x anamorphic lens, and then desqueezed, it comes out to the proper 2.35 cinemascope. The only cameras that can do that in 4K are smartphones (with apps like Filmic Pro) and the Panasonic GH4 and GH5. OR... if you have an older Canon camera that can use Magic Lantern, this app unlocks hidden features like 4:3 aspect ration. Another benefit of older cameras is that they shoot in 640x480, with is 4:3. Sure, it's not HD... but if you're trying to achieve that old school cinematic look, 640x480 @ 24 or 25 fps and edited in post using sepia or B&W may be the ticket.
Answered by: Richard
Date published: 2020-09-06

question

Can you use a rangefinder with this?
Asked by: Mitch H.
The SLR Magic Anamorphot-40 1.33x Anamorphic Adapter has a 62mm filter thread for attaching optional filters, diopters, or the SLR Magic Rangefinder Cine for improved focus functionality. So yes, you can use the Rangefinder with this.
Answered by: Dennis A L.
Date published: 2020-04-25

can I use this adopter with sony 24mm 1.4 gm??

can I use this adopter with sony 24mm 1.4 gm??
Asked by: E
You cannot. For an adapter like this to work it needs to have the proper filter thread, size of of the outer diameter of the lens itself and finally the focal length needs to be correct for the camera. At 24mm it is too wide of a lens for a full frame camera, along with it not fitting the filter thread or outer diameter of the lens. To use this adapter with a Full Frame Sony E-Mount camera your best option will be the SLR Magic Cine II 50mm f/1.1 Lens (Sony E-Mount), B&H # SL5011FE2. This has the proper thread, outer diameter and focal length. https://bhpho.to/2KAhLG2
Answered by: Joseph
Date published: 2019-06-24

question

Is the bokeh rectangular or oval?
Asked by: Charles D.
Depending on what type of footage. The bokeh at normal lighting have very soft, oval type bookeh.At stronger lighting and when its darker. It gives some good citynight footage with the more long lensflare and lots of visual with wide lens. Giving its the unique footage.
Answered by: William H.
Date published: 2018-08-27

Will this work for a 6k red dragon camera using ...

Will this work for a 6k red dragon camera using these Rokinon cine kit lenses? DS1.5 ,24mm,35mm50mm,85mm with max focal 50mm
Asked by: Matt
Is there another cost-effective adapter like it, which would work that I should consider then?
Answered by: Matt
Date published: 2022-07-08

question

just received mine- how do you adjust to ensure this adapter is tightly and securely screwed onto the taking lens whilst still being oriented correctly (with the rectangle on the front in 'landscape' orientation- as by default when screwed tightly/securely to my taking lens it's at the wrong angle and at the correct angle it's too loose..)? Thank you for any feedback!
Asked by: Justin
The rear has a sliding locking ring. Set up a point light source in the frame of your taking lens. Mount the Anamorphot. Move the rear sliding locking ring forward then rotate the Anamorphot until the blue line created by your point source is horizontal. Then let go the ring and the Anamorphot is locked in place.
Answered by: Dennis A L.
Date published: 2021-04-07

Will this work with Black Magic Pock Cinema ...

Will this work with Black Magic Pock Cinema Camera and Metabones Canon EF Lens to Blackmagic Pocket Cinema Camera T Speed Booster?
Asked by: Rosay
This will depend on the lens itself that is used in this scenario as this adapter only works with lenses that have up to a 40mm front diameter. So that we may best assist you finding the proper product for your needs feel free to email us directly at [email protected].
Answered by: Joseph
Date published: 2019-02-08

question

Can you mix desqueezed anamorphic footage with regular 16:9 footage in or do you have to stick to one or the other for a project?
Asked by: Mitch H.
While you will have to stick with one final format, usually 16:9, there are many cases where film makers have switched between aspect ratios in a film for effect. You can have a 16:9 project that occasionally switches to 2:35:1 footage with a letter box.
Answered by: Joseph P.
Date published: 2018-08-27
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