Olympus OM-D E-M1 Mark II Mirrorless Micro Four Thirds Digital Camera (Body Only)

Olympus OM-D E-M1 Mark II Mirrorless Micro Four Thirds Digital Camera Body with 40-150mm Lens Kit

Olympus OM-D E-M1 Mark II Mirrorless Micro Four Thirds Digital Camera Body with 40-150mm Lens Kit

B&H # OLEM1240150K MFR # V207060BU000/40-150LK
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Product Highlights

  • 20.4MP Live MOS Sensor
  • TruePic VIII Dual Quad Core Processor
  • Micro Four Thirds System
  • 2.36m-Dot LCD Electronic Viewfinder
  • 3.0" 1.04m-Dot Vari-Angle Touchscreen
  • DCI 4K/24p & UHD 4K/30p Video Recording
  • 5-Axis Sensor-Shift Image Stabilization
  • 15 fps Shooting and Expanded ISO 25600
  • Dual F.A.S.T. 121-Point Autofocus System
  • M.Zuiko 40-150mm f/2.8 PRO Lens
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  • 1Description

Comprising an advanced camera and a versatile telephoto zoom, the Olympus OM-D E-M1 Mark II Mirrorless Micro Four Thirds Digital Camera Body with 40-150mm Lens Kit from B&H bundles the MFT camera with the M.Zuiko Digital ED 40-150mm f/2.8 PRO lens.

  • Olympus OM-D E-M1 Mark II Mirrorless Micro Four Thirds Digital Camera (Body Only)

    Fast, durable, and versatile, the OM-D E-M1 Mark II from Olympus is a workhorse Micro Four Thirds mirrorless camera, offering a broad range of stills and video-minded functionality. Revolving around a high-resolution 20.4MP Live MOS sensor and TruePic VIII image processor, the E-M1 Mark II sports a truly fast 60 fps continuous shooting rate with an electronic shutter, 18 fps with continuous autofocus, and 15 fps with a mechanical shutter. For video shooters, both DCI and UHD 4K recording modes can be used, along with a Time-lapse Movie mode for producing in-camera 4K time-lapse sequences. The sensor and processor also avail a top expanded sensitivity of ISO 25600 to support shooting in difficult lighting conditions, and sensor-shift-type 5-axis image stabilization also helps to minimize the appearance of camera shake for sharper handheld shooting. Additionally, the sensor's design also incorporates 121 on-chip phase-detection points, all of which are cross-type, along with 121 contrast-detection areas for fast and precise focusing and subject tracking performance.

    Complementing the imaging capabilities, the E-M1 Mark II also sports a durable magnesium alloy design that is weather-resistant for working in harsh climates. The body also features both a 2.36m-dot electronic viewfinder and 3.0" 1.04m-dot vari-angle LCD touchscreen for intuitive control and working from a variety of angles. Built-in Wi-Fi further expands sharing and remote shooting capabilities, and dual SD card slots and a USB 3.0 Type C port expand file saving and tethered shooting options.

    20.4MP Live MOS Sensor and TruePic VIII Image Processor
    A high-resolution 20.4MP Live MOS sensor and TruePic VIII image processor pair to avail notably fast shooting performance, along with impressive image quality, an expanded sensitivity range up to ISO 25600, and 4K video recording capabilities. Ideal for sports and wildlife shooting, the sensor and processor combination avails a full-resolution, raw file continuous shooting rate of 60 fps when working with the silent electronic shutter function and single-shot AF, or 18 fps with continuous autofocus. If working with the mechanical shutter, up to 15 fps with single-shot AF is possible.
    DCI and UHD 4K Video Recording and Time-Lapse Movie Mode
    The sensor and processor also support recording both DCI (4096 x 2160) and UHD (3840 x 2160) 4K movies. When working in DCI, a true 24.00 fps frame rate is used, along with IPB compression and a 237 Mbps bit-rate, and UHD 4K is available in frame rates up to 30p and a 102 Mbps bit-rate. Full HD 1080p and HD 720p recording is also supported. Audio recording is possible using the built-in stereo microphone, however both an external mic jack and headphone jack are available for improved audio monitoring.

    In addition to video recording, a Time-lapse Movie mode is also available for recording up to 4K UHD resolution with a 5 fps shooting rate to highlight subject changes or movement over a longer period of time. Full HD and HD time-lapse settings are available, too.
    Pro Capture Mode
    Helping to ensure you don't miss the shot, Pro Capture Mode is a unique setting that starts recording and buffering full-resolution JPEG or raw images prior to fully depressing the shutter. As soon as you press the shutter button halfway, frames will begin to be recorded, and once you fully press the shutter, the image will be saved in addition to the previous 14 frames. Additionally, you can hold the shutter button in this mode to keep shooting continuously using the silent electronic shutter function.
    Dual F.A.S.T. Autofocus and Focus Controls
    A Dual F.A.S.T. autofocus system combines both 121 on-chip phase-detection points and 121 contrast detection areas for focusing performance that is both quick and accurate. All 121 phase-detection points are cross-type, too, for improved precision in mixed lighting conditions, as well as enhanced subject tracking capabilities. A single button can be used to switch between focusing modes, including all point, single point, 9-point group, and 5-point cross, and a Subject Tracking Cluster Display utilized continuous AF for fast-moving subject tracking. In contrast, manual focus users are benefitted by live view magnification and focus peaking controls for greater accuracy.
    5-Axis Sensor-Shift Image Stabilization
    In-body, sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 5.5 stops with any lens in use and compensates for camera movements that become especially noticeable when working with telephoto shots, macro imagery, and long exposures. Furthermore, this unique image stabilization system works across five axes to compensate for vertical angle rotation, horizontal angle rotation, horizontal shift, vertical shift, and rolling camera shake movement. This range of detected movements serves to benefit traditional still image shooting as well as movie recording and working with moving subjects more effectively. Additionally, image stabilization can also be used when framing shots, for more accurate compositions, by half-pressing the shutter button.
    Body Design and Built-In Wi-Fi
    • High-resolution 2.36m-dot electronic viewfinder is available for eye-level monitoring, and an S-OVF (Simulated Optical Viewfinder) mode can be used to expand the live view dynamic range to suit working in bright, contrast-rich lighting.
    • Rear 3.0" 1.04m-dot touchscreen LCD features a vari-angle design to support working from a variety of angles, as well as making front-facing selfies.
    • Magnesium-alloy body design is hermetically-sealed for resistance against dust and moisture to better enable working in harsh environments, as well as freezing temperatures down to 14°F.
    • The included FL-LM3 external flash is also dust and splashproof to match the camera's resistance to harsh weather.
    • Dual SD memory card slots afford greater flexibility in regard to how files are saved, and also enable a greater overall capacity for longer shooting sessions.
    • USB 3.0 Type-C port avails fast connection and transfer speeds, as well as enables tethered shooting capabilities with Olympus Capture.
    • Built-in Wi-Fi permits wireless image sharing and remote camera control from a linked smartphone or tablet.
    Other Camera Features
    • High Res Shot Mode offers the equivalent output of a 50MP image by combining eight single JPEG frames, which are recorded within one second, into a single, larger image. In between each of the eight exposures, the sensor-shift stabilization mechanism moves slightly in order to acquire more information than in a single exposure and these frames are then composited into a final JPEG with greater resolution and color detail. The TruePic VIII processor aids this process by compensating for any subject movement blur and this feature can also be configured to record 25MP images for file size flexibility.
    • Silent Shutter Mode completely eliminates shutter noise and other electronic sounds to benefit working in nature, concert halls, or other sound-sensitivity locations.
    • Live Bulb and Live Time settings can be used to produce creative long exposure imagery. Live Bulb lets you hold the shutter open for up to one minute and Live Time lets you press the shutter button once to open the shutter and then press again within a minute to end the exposure.
    • Live Composite is a unique long exposure mode that allows you to gradually build up an exposure over time without overexposing key elements within the frame. This mode works to only record newly detected light sources over time, and allows you to watch as an image develops, making it ideally suited for photographing star trails or other moving light sources.
    • Interval shooting is supported for up to 999 frames with 1 second to 24-hour exposure intervals.
    • In-Camera Focus Stacking will automatically record eight images of a subject while shifting the plane of focus slightly, then composite these exposures into a single frame to exhibit an extended depth of field. Alternatively, Focus Bracketing allows you to record between 3-999 frames with adjustable focus steps in a 1-10 range for manual compositing during post-production. These modes are only available when working with M.Zuiko Digital ED 60mm f/2.8 Macro, 12-40mm f/2.8 PRO, 40-150mm f/2.8 PRO, 30mm f/3.5 Macro, 7-14mm f/2.8 PRO, 8mm f/1.8 Fisheye PRO, and 300mm f/4 IS PRO lenses.
    • Picture Modes: i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, and Art Filters.
    • Fourteen different in-camera Art Filters are available, and include Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Watercolor, Vintage, and Partial Color, and these modes can be further adjusted through the use of Art Effects, which include a Soft Focus Effect, Pin-Hole Effect, White Edge Effect, Frame Effect, Star Light Effect, Defocus Effect, B&W Effect (Yellow, Orange, Red, and Green), Picture Tone (Sepia, Blue, Purple, and Green), and Shade Effect (Top & Bottom, Left & Right).
    • Keystone Compensation allows you to correct for convergence when working in live view.
    • A multi-exposure mode blends two frames using an auto gain to maintain a controlled exposure value.
    • Language support: English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, and Thai.
    UPC: 050332191181
  • Olympus M.Zuiko Digital ED 40-150mm f/2.8 PRO Lens

    With a premium metal construction and a variety of specialized lens elements the M.Zuiko Digital ED 40-150mm f/2.8 PRO Lens from Olympus will provide Micro Four Thirds users with a compact, yet durable and sharp telephoto zoom lens. It has a 35mm equivalent focal length of 80-300mm for covering a wide range of telephoto lengths and has a fast constant f/2.8 aperture that matches other professional grade lenses. Additionally, it utilizes a Dual Voice Coil Motor, or VCM, autofocus system that features two separate lens groups that are each controlled by their own linear drive motor. This results in incredibly fast performance that is nearly friction-free and very quiet.

    Inside the dust-free and splash-proof lens body are a variety of specialized elements that feature the ZERO lens coating, including one aspherical, one high refractive index, and five extra-low dispersion elements for improved imaging performance. There is also a floating mechanism that allows users to focus as close as 27.6" for a maximum magnification of 0.42x. Additionally, the outside of the lens body features a manual focus clutch for rapidly switching from auto to manual focus as well as an L-Fn button that can be programmed to change a specific setting. Included with the lens are a lens hood and a case.

    The Zuiko Extra-low Reflection Optical, or ZERO, coating features a thin-coating technology works to produce a clear and high contrast image due to reduced reflection on its surface. The coating also benefits from the vacuum deposition method to prevent scratches to ensure stable low-reflective performance.
    Lens construction features 16 elements in 10 groups for maintaining a compact form factor.
    Specialized elements include extra-low dispersion aspherical, super extra-low dispersion, extra-low dispersion, and a high refractive index for control over aberrations and distortion.
    The MC-14 1.4x Teleconverter is available for further extending the reach of this lens.
    The lens hood can retract where it can lock to prevent extension during user. Also, it will automatically lock when slid to the fully extended position.
    Hermetically sealed in 11 places for complete splash-, dust-, and freeze-resistance.
    Features a rotatable tripod collar for when additional support is needed.
    UPC: 050332188778
In the Box
Table of Contents
  • 1Description
  • Olympus OM-D E-M1 Mark II Mirrorless Micro Four Thirds Digital Camera (Body Only)
    Imaging
    Lens Mount Micro Four Thirds
    Camera Format Micro Four Thirds (2x Crop Factor)
    Pixels Actual: 21.8 Megapixel
    Effective: 20.4 Megapixel
    Max Resolution 5184 x 3888
    Aspect Ratio 4:3
    Sensor Type / Size MOS, 17.4 x 13.0 mm
    File Formats Still Images: JPEG, RAW
    Movies: AVI, MJPEG, MOV, MPEG-4 AVC/H.264
    Audio: Linear PCM (Stereo), WAV
    Bit Depth 12-Bit
    Dust Reduction System Yes
    Memory Card Type SD
    SDHC
    SDXC
    Image Stabilization Sensor-Shift, 5-Way
    AV Recording
    Video Recording Yes, NTSC/PAL
    Video Format 4096 x 2160p at 24 fps237 Mbps 
    3840 x 2160p at 23.98, 25, 29.97 fps102 Mbps 
    1920 x 1080p at 23.98, 25, 29.97, 50, 59.94 fps
    1280 x 720p at 23.98, 25, 29.97, 50, 59.94 fps
    Aspect Ratio 16:9
    Video Clip Length Up to 29 Min
    Audio Recording Built-In Mic: With Video (Stereo)
    Optional External Mic: With Video)
    Focus Control
    Focus Type Auto & Manual
    Focus Mode Continuous-Servo AF (C), Manual Focus (M), Single-servo AF (S)
    Autofocus Points Phase Detection: 121 (121 Cross-Type)
    Contrast Detection: 121
    Viewfinder/Display
    Viewfinder Type Electronic
    Viewfinder Pixel Count 2,360,000
    Viewfinder Eye Point 21.00 mm
    Viewfinder Coverage 100%
    Viewfinder Magnification Approx. 1.3x
    Diopter Adjustment -4 to +2 m
    Display Screen 3" Rear Touchscreen Swivel LCD (1,037,000)
    Screen Coverage 100%
    Exposure Control
    ISO Sensitivity Auto, 200-6400 (Extended Mode: 64-25600)
    Shutter Type: Mechanical
    Speed: 60 - 1/8000 Second 
    Type: Electronic
    Speed: 60 - 1/32000 Second 
    30 - 1 Minute in Bulb Mode
    Remote Control RM-CB2 (Optional)
    Metering Method Center-Weighted Average Metering, Multi-Zone Metering, Spot Metering
    Exposure Modes Modes: Aperture Priority, Art Filter, Custom, Intelligent Auto, Manual, Program, Shutter Priority, Underwater
    Metering Range: EV -2.0 - EV 20.0
    Compensation: -5 EV to +5 EV (in 1/3, 1/2 or 1 EV Steps)
    White Balance Modes Auto, Cloudy, Custom, Fluorescent, Incandescent, Shade, Sunlight, Underwater
    Continuous Shooting Up to 15 fps at 20.4 MP in raw format
    Up to 10 fps at 20.4 MP in raw format
    Up to 8.5 fps at 20.4 MP in raw format
    Up to 60 fps at 20.4 MP in raw format
    Up to 18 fps at 20.4 MP in raw format
    Flash
    Flash Modes Fill-In
    Manual
    Off
    Red-Eye Reduction
    Second-Curtain Sync
    Slow Sync
    Slow Sync/Red-Eye Reduction
    Built-in Flash No
    Max Sync Speed 1 / 250 Second
    Flash Compensation -3 EV to +3 EV (in 1/3, 1/2 or 1 EV steps)
    Dedicated Flash System TTL Remote Firing Groups: 4 Channels: 4
    External Flash Connection Hot Shoe, PC Terminal
    Performance
    Self Timer 12 Seconds, 2 Seconds
    Custom: 1 - 30 Seconds at 0.5-, 1.0-, 2.0-, 3.0Second Intervals
    Number of Shots: 1 - 10
    Interval Recording Yes
    Connectivity 1/8" Headphone, 1/8" Microphone, 2.5mm Sub-mini (2-Ring), HDMI D (Micro), USB 3.0, X-Sync Socket
    Wi-Fi Capable Yes
    Power
    Battery 1 x BLH-1 Rechargeable Lithium-Ion Battery Pack
    AC Power Adapter AC-5 (Optional)
    Operating/Storage Temperature Operating
    14 to 104°F (-10 to 40°C)
    Humidity: 30 - 90%
    Physical
    Dimensions (WxHxD) 5.3 x 3.6 x 2.7" / 134.1 x 90.9 x 68.9 mm
    Weight 1.263 lb / 574 g with battery and memory card
    Packaging Info
    Box Dimensions (LxWxH) 7.9 x 6.6 x 4.7"
  • Olympus M.Zuiko Digital ED 40-150mm f/2.8 PRO Lens
    Performance
    Focal Length 40 - 150mm
    Comparable 35mm Focal Length: 80 - 300 mm
    Aperture Maximum: f/2.8
    Minimum: f/22
    Camera Mount Type Micro Four Thirds
    Format Compatibility Micro Four Thirds
    Angle of View 30° - 8.2°
    Minimum Focus Distance 27.6" (70 cm)
    Magnification 0.42x
    Elements/Groups 16 / 10
    Diaphragm Blades 9, Rounded
    Features
    Image Stabilization No
    Autofocus Yes
    Tripod Collar Yes
    Physical
    Filter Thread Front: 72 mm
    Dimensions (DxL) Approx. 3.13 x 6.30" (79.4 x 160.0 mm)
    Weight 31.04 oz (880 g)
    Packaging Info
    Box Dimensions (LxWxH) 12.7 x 6.2 x 6.0"

Olympus OM-D E-M1 Mark II Mirrorless Micro Four Thirds Digital Camera Body with 40-150mm Lens Kit Review

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