iZotope iZotope RX Post Production Suite 2 - Audio for Post Software Bundle (Download)

iZotope RX Post Production 2 Suite Kit with RME Babyface Pro 24-Channel Interface

iZotope RX Post Production 2 Suite Kit with RME Babyface Pro 24-Channel Interface

B&H # IZRXPPS2BP (B&H Kit)
iZotope RX Post Production 2 Suite Kit with RME Babyface Pro 24-Channel Interface

Kit includes:


iZotope RX Post Production 2 Suite Kit with RME Babyface Pro 24-Channel Interface iZotope iZotope RX Post Production Suite 2 - Audio for Post Software Bundle (Download) RME Babyface Pro 24-Channel 192 kHz USB Bus-Powered Audio Interface dszzzaqfaq

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Product Highlights

  • Software & Hardware for Audio Editing
  • Software for Repairing/Improving Audio
  • RX 6 Advanced & Neutron Advanced
  • Loudness Control & Insight Metering
  • Groove3 Tutorials & 50 PSE Sound FX
  • For DAWs & NLEs in Mac OS X & Windows
  • 4 Analog I/O, TOSLINK I/O & MIDI I/O
  • +76 dB Gain, Adjustable in 1 dB Steps
  • 3.5mm and 6.3mm Headphone Outputs
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Price: $2,148.00

Instant Savings: $500.00

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You Pay:  $1,648.00

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  • 1Description

Bundled together by B&H for your convenience, this RX iZotope Post Production Suite 2 Kit provides you with multiple tools for editing and repairing the minutiae of digital audio, as well as a high-quality interface for reproducing digital audio in the analog domain.

The suite of Software, compatible with Mac and Windows systems, offers you iZotope RX 6 Advanced, which sports a plethora of processes for cleaning up digital audio, including De-wind, De-rustle, De-Ess Mouth De-Click, Vocal Denoise, Dialogue Isolate, Spectral Repair, and many other modules. Also included are RX Loudness Control for achieving broadcast standards in level, as well as the Insight Meter for easy readouts of volume, frequency, and stereophonic content. You'll also get Neutron Advanced, a powerful channel-strip style audio-shaping plug-in with EQ, transient shaping, dynamics control, and a track assistant which listens to your audio and creates custom presets on the spot for its various foibles. To round out the suite, you'll note the yearlong pass to Groove3 tutorials and 50 ProSoundEffects library downloads, useful in creating believable soundbeds in post-production.

The RME Babyface Pro 24-Channel Interface, on the other hand, provides four analog inputs, four analog outputs, TOSLINK I/O, MIDI I/O, +76 dB of gain in adjustable 1-dB steps, and more, as well as 3.5mm and 1/4" headphone jacks. This class-compliant unit is bus-powered over USB, and is crafted from aluminum for portability and durability. With the interface, you'll have means to route audio to and from your computer in a high-quality fashion. With the software, you can address and improve upon audio files.

  • iZotope iZotope RX Post Production Suite 2 - Audio for Post Software Bundle (Download)

    Available for download, this second iteration of the iZotope Complete Post Production Suite provides everything you'd need to edit, mix, master, and address audio in a post-production context. Included are Neutron Advanced—a powerful channel-strip style mixing plug-in which offers EQ, transient shaping, compression, a track assistant, and more—as well as RX 6, which adds De-wind, De-rustle, Mouth De-Click and other modules to its already extensive list of processes. The Insight meter will give you an exhaustive measurement possibilities over the level, frequency content, stereophonic spread, and loudness history of your mix, while RX Loudness Control will help you achieve broadcast standards in volume without ever dangerously exceeding them.

    As this constitutes a lot of audio processing power in one bundle, an all-access pass to Groove3's tutorials is also provided, ensuring you'll have resources for 12 months when it comes to learning iZotope's plug-ins—as well as the platforms of various other companies whose wares you may already own. Finally, purchasing the RX Post Production Suite will give you the opportunity to download any 50 sound effects of your choosing from ProSoundEffect's vast collection of sounds.

  • RME Babyface Pro 24-Channel 192 kHz USB Bus-Powered Audio Interface

    The RME Babyface Pro 24-Channel 192 kHz USB Bus-Powered Audio Interface is designed for a wide variety of studio and live recording applications. Expertly crafted from a block of aluminum, this portable interface features a new XLR socket that integrates seamlessly into the housing. Parallel 6.3mm TRS and 3.5mm mini headphone jacks feature separate driver stages to match low and high impedance headphones.

    The interface ships with the company's TotalMix FX, a software mixer available for Windows, Mac OS X and iOS on an iPad. When using the device with an iPad, an external power adapter must be used, as the iPad alone is unable to power the interface. The mixer software allows you to use the interface in a wide variety of situations, from simple mixing of signals to more complicated routing configurations.

    The unit's FPGA-based DSP mixer adds a flexible 3-band parametric equalizer on all inputs and outputs. Combined with the unit's low latency AD/DA converters and the company's unique SteadyClock technology to reduce jitter, the interface offers a professional recording solution in a compact form factor.

    FPGA Chip
    Uses a field-programmable gate array (FPGA) which enables flexible DSP processing
    Class Compliant
    Enables native support by operating systems such as Windows, Mac OS X, Linux, and hardware like Apple's iPad, without the need for proprietary drivers
    SteadyClock
    Uses a highly efficient jitter reduction circuit to allow the converters to operate as if they were working with an internal clock at all times
    TotalMix FX
    Provides fully flexible mixing/routing for both studio and live applications via the company's hardware mixer
In the Box
  • iZotope RX Post Production Suite 2 - Audio for Post Software Bundle (Download)
  • iZotope RX 6 Advanced - Audio Restoration and Enhancement Software (Download)
  • RX Loudness Control - Automatic Global Loudness Correction Plug-In (Educational Download)
  • Neutron Advanced Mixing Software with Track Assistant - Plug-In Bundle (Download)
  • Insight - Metering Suite Plug-In for Post Production and Broadcast (Educational Download)
  • One-Year Pass to Groove3 Tutorials
  • 50 Sound Effects from ProSoundEffects of Your Choosing
Table of Contents
  • 1Description
  • RME Babyface Pro 24-Channel 192 kHz USB Bus-Powered Audio Interface
    Connectivity 12x input channels
    12x output channels
    4x analog inputs (mic, line, instrument)
    4x analog outputs (2x XLR, 2x phones)
    1x ADAT I/O or 1x SPDIF I/O optical
    1x MIDI I/O
    1x USB 2.0 (USB 3 compatible)
    Digital gain control on all inputs
    Separate outputs for high and low impedance headphones
    Analog
    Microphone/Line Input AD, Microphone/Line Inputs 1-2
    Input: XLR, electronically balanced
    Input Impedance Balanced: 2 kOhm, 5.2 kOhm with PAD
    Input Impedance Unbalanced: 1 kOhm, 2.6 kOhm with PAD
    Signal to Noise Ratio (SNR): 113 dB RMS unweighted, 116 dBA
    Frequency Response @ 44.1 kHz, -0.1 dB: 18 Hz - 20.8 kHz
    Frequency Response @ 96 kHz, -0.5 dB: 7 Hz - 45.8 kHz
    Frequency Response @ 192 kHz, -1 dB: 5 Hz - 92 kHz
    With PAD Active: -0.1 dB 8 Hz, -0.5 dB < 4 Hz, -1 dB < 3 Hz
    THD: < -110 dB, < 0.00032 %
    THD+N: < -104 dB, < 0.00063 %
    THD @ 30 dB Gain: < -107 dB, < 0.0004 %
    THD+N @ 30 dB Gain: < -100 dB, < 0.001 %
    Channel Separation: > 110 dB
    Gain Range: -11 dB up to +65 dB
    Maximum Input Level XLR, Gain 0 dB: +8 dBu, PAD +19 dBu
    Maximum Input Level XLR, Gain 65 dB: -57 dBu, PAD -46 dBu
    Line Input Line/Instrument IN 3-4 as Microphone/Line 1-2, but:
    Input: 6.3 mm TS jack, unbalanced
    Input impedance: 470 kOhm
    Signal to Noise Ratio (SNR): 114 dB RMS unweighted, 117 dBA
    Frequency Response @ 44.1 kHz, -0.1 dB: 5 Hz - 20.8 kHz
    Frequency Response @ 96 kHz, -0.5 dB: < 3 Hz - 45.8 kHz
    Frequency Response @ 192 kHz, -1 dB: < 2 Hz - 92 kHz
    Maximum Input Level @+4 dBu, Gain 0 dB: +13 dBu
    Maximum Input Level @-10 dBV, Gain 9 dB: -5 dBu
    Line Out 1-2
    Dynamic Range (DR): 115 dB RMS unweighted, 118 dBA
    Frequency Response @ 44.1 kHz, -0.5 dB: 0 Hz - 20.8 kHz
    Frequency Response @ 96 kHz, -0.5 dB: 0 Hz - 45 kHz
    Frequency Response @ 192 kHz, -1 dB: 0 Hz - 89 kHz
    THD: - 106 dB, 0.0005 %
    THD+N: -102 dB, 0.0008 %
    Channel Separation: > 110 dB
    Output: XLR balanced
    Output Impedance: 300 Ohm balanced, 150 Ohm unbalanced
    Output Level @ 0 dBFS: Balanced +19 dBu, unbalanced +13 dBu
    DC @ 0dBFS: 6.35 mm 4.8 V, 3.5 mm 2.4 V, XLR bal. 9.6V
    Headphone Out As DA Line Out, but:
    Output: 6.3 mm TRS jack, unbalanced
    Output Impedance: 10 Ohm
    Output Level at 0 dBFS, 1 kOhm load: +13 dBu
    Max Power @ 0.1% THD: 50 mW
    Output: 3.5 mm TRS jack, unbalanced
    Output Impedance: 2 Ohm
    Output Level at 0 dBFS, 1 kOhm load: +7 dBu
    Max Power @ 0.1% THD: 70 mW
    MIDIdszzzaqfaq
    MIDI 1x MIDI I/O via breakout cable with 2 x 5-pin DIN jacks
    Galvanically isolated by opto-coupled input
    Hi-speed Mode: Jitter and response time typically below 1 ms
    Separate 128 byte FIFOs for input and output
    Digital AD/DA Performance
    Digital Clocks: Internal, ADAT In, SPDIF In
    Low Jitter Design: < 1 ns in PLL mode, all inputs
    Internal clock: 800 ps Jitter, Random Spread Spectrum
    Jitter suppression of external clocks: > 50 dB (2.4 kHz)
    Effective clock jitter influence on AD and DA conversion: near zero
    PLL ensures zero dropout, even at more than 100 ns jitter
    Digital Bitclock PLL for trouble-free varispeed ADAT operation
    Supported sample rates: 28 kHz up to 200 kHz
    Digital Inputs
    ADAT 1x TOSLINK
    Standard: 8 channels 24 bit, up to 48 kHz
    Double Speed (S/MUX): 4 channels 24 bit 96 kHz
    Quad Speed (S/MUX4) : 2 channels 24 bit 192 kHz
    Bitclock PLL ensures perfect synchronization even in varispeed operation
    Lock Range: 31.5 to 50 kHz
    Jitter when synced to input signal: < 1 ns
    Jitter suppression: > 50 dB (2.4 kHz)
    SPDIF 1x optical, according to IEC 60958
    Accepts Consumer and Professional format
    Lock Range: 27 to 200 kHz
    Jitter when synced to input signal: < 1 ns
    Jitter suppression: > 50 dB (2.4 kHz)
    Digital Outputs
    ADAT 1x TOSLINK
    Standard: 8 channels 24 bit, up to 48 kHz
    Double Speed (S/MUX): 4 channels 24 bit 96 kHz
    Quad Speed (S/MUX4) : 2 channels 24 bit 192 kHz
    SPDIF 1x optical, according to IEC 60958
    Format Consumer (SPDIF) according to IEC 60958
    Sample rate 28 kHz up to 200 kHz
    General
    Power Supply USB or external
    Power Consumption Typical: 2.9 W
    Max: 4.6 W
    Current At 5 V bus power operation: 600 mA (2.9 W)
    At 12 V external power: 240 mA (2.9 W)
    Temperature Range 41 to 122°F (+5 to +50ºC)
    Relative Humidity <75% non condensing
    Dimensions 4.25 x 1.40 x 7.10" (108 x 35 x 181 mm)
    Weight 1.5 lb (680 g)
    Packaging Infodszzzaqfaq
    Box Dimensions (LxWxH) 11.575 x 6.221 x 3.307"
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