Avid Technologies Pro Tools - Audio and Music Creation Software (Perpetual License)

Avid Technologies Pro Tools Music Production Software with RME Babyface Pro Audio Interface Kit

Avid Technologies Pro Tools Music Production Software with RME Babyface Pro Audio Interface Kit

B&H # AVPTAUSPBP (B&H Kit)
Avid Technologies Pro Tools Music Production Software with RME Babyface Pro Audio Interface Kit

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Avid Technologies Pro Tools - Audio and Music Creation Software (Perpetual License) RME Babyface Pro 24-Channel 192 kHz USB Bus-Powered Audio Interface Avid Technologies Pro Tools Music Production Software with RME Babyface Pro Audio Interface Kit

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Product Highlights

  • Latest Version of Pro Tools
  • Perpetual License, Upgrades for 1 Year
  • RME Babyface Pro Audio Interface
  • Compose, Record, Edit, Mix
  • Up to 128 Audio Tracks
  • 4 x Analog Inputs, 4 x Analog Outputs
  • FPGA Chip for DSP
  • Activation Card + iLok
  • AAX Native, AudioSuite
  • Mac, Windows
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Price: $1,349.95

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Avid Technologies AVPTAUSPBP overview

  • 1Description

This Avid Technologies Pro Tools Music Production Software with RME Babyface Pro Audio Interface Kit from B&H includes a perpetual license for the latest version of Pro Tools, a twelve-month upgrade plan (renewable), an iLok, and an RME Babyface Pro USB bus-powered audio interface.

 

This kit provides musicians, engineers, and mixers with a portable solution that delivers four channels of pristine 24-bit/48 kHz AD/DA conversion, advanced multitrack audio editing with up to 128 tracks and access to the Cloud, a complete set of monitoring options with Control Room functions, ideal for recording in the studio, live on stage, at post facilities, or simply when creating on the go.

  • Avid Technologies Pro Tools - Audio and Music Creation Software (Perpetual License)

    Pro Tools from Avid takes the already mature and fully featured audio creation software into the realm of the "cloud" with all of its promises. This perpetual license comes with a twelve month upgrade plan (renewable) that ensures access to the latest enhancements, along with future software updates and upgrades (as long as the plan is active).

    Here is a quick overview of some noteworthy features of the program. Since the software is based on a 64-bit architecture, the program is able to access as much RAM as is present on the computer, which in turn allows virtual instruments that contain large sample libraries to be fully loaded for instant playback. Additionally, the number of instruments that can be simultaneously available in a session has also increased. Another major feature is an offline bounce function. Preparing intermediary or final mixes is much faster using a simple command. Sound quality is maintained due to time-stamped automation, and multiple files with different file formats can be created simultaneously.

    Record input monitoring features ultra-low latency even when routing through plug-ins. Those working with audio for picture will appreciate the ability to play Avid DNxHD files and other HD formats directly within the timeline without transcoding. A wide variety of plug-ins are included with the software, as are six virtual instruments. The software not only works with the company's interfaces, but since version 9, with any Core Audio or ASIO compliant interface.

    Some of the upcoming enhancements include collaboration in the cloud with other artists and producers, anywhere in the world. A Marketplace where artists can share, license, or sell music and audio projects, and buy virtual instruments, plug-ins, and more. Access to prior work from anywhere using an audio archival service that stores content and tracks it regardless of whether a session is stored locally, or in the cloud. Archive a stereo mix, the full session, individual stems, or even flatten all tracks so that the original plug-ins used to create them aren't required.

    The introduction of a universal metadata schema into the software will help manage, track, and document every asset and project created. This metadata will enable media creators and distributors to keep track of everyone who creatively contributed to specific content, making it easy to document who did what, manage and control versioning, and provide accurate credit information. Some of these enhancements are implemented, while others and future ones like it will be delivered via the upgrade plan.

    Note: Users who wish to extended the upgrade component for another twelve months after the initial twelve-month period has expired, need to purchase the Pro Tools Annual Upgrade Plan.

    Compose and Record
    • Record audio with up to 32-bit/192 kHz and experience exceptionally low latency when paired with an Avid audio interface
    • Redesigned Avid Audio Engine and 64-bit performance delivers multiple times the processing power of previous versions of Pro Tools on the same hardware configurations
    • Loop recording/track comping workflows
    • Use QuickPunch to quickly replace any questionable section with a better performance
    • Easily create parts for practically any musical instrument using virtual instruments, a MIDI keyboard/controller or mouse, and the built-in MIDI editor
    • Includes virtual instruments and audio loops
    • Compose music using notation tools in the built-in Sibelius Score Editor
    • Export sessions as Sibelius (.sib) files for further work in Sibelius.
    • Exchange sessions with any Pro Tools user or studio, or work on projects created in other audio and video software, including Media Composer, Logic, Cubase, and other third-party apps directly in Pro Tools
    Edit
    • Elastic Time and Elastic Pitch processing
    • Fine-tune music and audio with sample-accurate editing tools available in a single window
    • Speed up editing and mixing using the Clip Gain Smart Tool
    • With the Beat Detective tool, quickly fix timing issues across multiple tracks, change the feel of a beat to get a different groove, or keep the rhythm section "in the pocket" by extracting the groove from a drumbeat and applying it to the bass part
    • Create and cut sound to picture using the built-in Timecode Ruler and video track
    • Record and edit voiceovers, Foley, and ADR with frame accuracy
    • Share audio mixes with Media Composer editors through AAF
    • Play HD video with the Avid Video Engine in a variety of HD video formats (such as QuickTime, XDCAM, and more) and Avid DNxHD sequences directly in the Pro Tools timeline without transcoding
    • Monitor the picture playback using optional video interfaces from Avid, AJA, and Blackmagic Design
    Mix
    • Polish mixes with over sixty included effects, sound-processing and utility plug-ins
    • Includes reverbs, EQs, and compressors, guitar amp emulators, surround sound fold-down, channel strip dynamics, and more
    • Avid Channel Strip plug-in delivers exact replications of the renowned EQ and compression algorithms of the Avid System 5
    • Achieve phase-accurate mixes with Automatic Delay Compensation with four times the samples (16,383) to handle the largest mixes, no matter how many plug-ins used
    • Automate the settings of every element in the Pro Tools environment to add life to tracks and achieve the best mix possible
    • Speed up mix delivery with faster-than-real-time off-line bouncing with time-stamped automation
    • Get hands-on Pro Tools control with a choice of optional Avid Pro Mixing control surfaces and consoles, plus third-party boards
    • With direct SoundCloud support, share files privately with other collaborators, or share finished projects with the world
    • Bounce mixes to an iTunes library to share with others on a network
    UPC: 724643119997
  • RME Babyface Pro 24-Channel 192 kHz USB Bus-Powered Audio Interface

    The RME Babyface Pro 24-Channel 192 kHz USB Bus-Powered Audio Interface is designed for a wide variety of studio and live recording applications. Expertly crafted from a block of aluminum, this portable interface features a new XLR socket that integrates seamlessly into the housing. Parallel 6.3mm TRS and 3.5mm mini headphone jacks feature separate driver stages to match low and high impedance headphones.

    The interface ships with the company's TotalMix FX, a software mixer available for Windows, Mac OS X and iOS on an iPad. When using the device with an iPad, an external power adapter must be used, as the iPad alone is unable to power the interface. The mixer software allows you to use the interface in a wide variety of situations, from simple mixing of signals to more complicated routing configurations.

    The unit's FPGA-based DSP mixer adds a flexible 3-band parametric equalizer on all inputs and outputs. Combined with the unit's low latency AD/DA converters and the company's unique SteadyClock technology to reduce jitter, the interface offers a professional recording solution in a compact form factor.

    FPGA Chip
    Uses a field-programmable gate array (FPGA) which enables flexible DSP processing
    Class Compliant
    Enables native support by operating systems such as Windows, Mac OS X, Linux, and hardware like Apple's iPad, without the need for proprietary drivers
    SteadyClock
    Uses a highly efficient jitter reduction circuit to allow the converters to operate as if they were working with an internal clock at all times
    TotalMix FX
    Provides fully flexible mixing/routing for both studio and live applications via the company's hardware mixer

Avid Technologies AVPTAUSPBP specs

  • Avid Technologies Pro Tools - Audio and Music Creation Software (Perpetual License)
    System Requirements Mac
    Intel Core i5 processor
    OS X 10.8.5, 10.9.0 to 10.9.5, or 10.10.0 to 10.10.5
    4 GB RAM (8 GB or more required for video playback)
    15 GB disk space for installation
    USB port for iLok 2 authorization
    USB, FireWire, or Thunderbolt port for CoreAudio-supported audio device
    Internet connection for installation
    Supports 64-bit AAX plug-ins in Pro Tools

    PC
    Intel Core i5 processor
    Windows 7 64-bit (Home Premium, Professional and Ultimate Editions), or Windows 8/8.1 (Standard and Pro Editions)
    4 GB RAM (8 GB or more required for video playback)
    15 GB disk space for installation
    USB port for iLok 2 authorization
    USB or FireWire port for ASIO-supported audio device
    Internet connection for installation
    Supports 64-bit AAX plug-ins in Pro Tools
    Packaging Info
    Box Dimensions (LxWxH) 5.3 x 5.3 x 0.8"
  • RME Babyface Pro 24-Channel 192 kHz USB Bus-Powered Audio Interface
    Connectivity 12x input channels
    12x output channels
    4x analog inputs (mic, line, instrument)
    4x analog outputs (2x XLR, 2x phones)
    1x ADAT I/O or 1x SPDIF I/O optical
    1x MIDI I/O
    1x USB 2.0 (USB 3 compatible)
    Digital gain control on all inputs
    Separate outputs for high and low impedance headphones
    Analog
    Microphone/Line Input AD, Microphone/Line Inputs 1-2
    Input: XLR, electronically balanced
    Input Impedance Balanced: 2 kOhm, 5.2 kOhm with PAD
    Input Impedance Unbalanced: 1 kOhm, 2.6 kOhm with PAD
    Signal to Noise Ratio (SNR): 113 dB RMS unweighted, 116 dBA
    Frequency Response @ 44.1 kHz, -0.1 dB: 18 Hz - 20.8 kHz
    Frequency Response @ 96 kHz, -0.5 dB: 7 Hz - 45.8 kHz
    Frequency Response @ 192 kHz, -1 dB: 5 Hz - 92 kHz
    With PAD Active: -0.1 dB 8 Hz, -0.5 dB < 4 Hz, -1 dB < 3 Hz
    THD: < -110 dB, < 0.00032 %
    THD+N: < -104 dB, < 0.00063 %
    THD @ 30 dB Gain: < -107 dB, < 0.0004 %
    THD+N @ 30 dB Gain: < -100 dB, < 0.001 %
    Channel Separation: > 110 dB
    Gain Range: -11 dB up to +65 dB
    Maximum Input Level XLR, Gain 0 dB: +8 dBu, PAD +19 dBu
    Maximum Input Level XLR, Gain 65 dB: -57 dBu, PAD -46 dBu
    Line Input Line/Instrument IN 3-4 as Microphone/Line 1-2, but:
    Input: 6.3 mm TS jack, unbalanced
    Input impedance: 470 kOhm
    Signal to Noise Ratio (SNR): 114 dB RMS unweighted, 117 dBA
    Frequency Response @ 44.1 kHz, -0.1 dB: 5 Hz - 20.8 kHz
    Frequency Response @ 96 kHz, -0.5 dB: < 3 Hz - 45.8 kHz
    Frequency Response @ 192 kHz, -1 dB: < 2 Hz - 92 kHz
    Maximum Input Level @+4 dBu, Gain 0 dB: +13 dBu
    Maximum Input Level @-10 dBV, Gain 9 dB: -5 dBu
    Line Out 1-2
    Dynamic Range (DR): 115 dB RMS unweighted, 118 dBA
    Frequency Response @ 44.1 kHz, -0.5 dB: 0 Hz - 20.8 kHz
    Frequency Response @ 96 kHz, -0.5 dB: 0 Hz - 45 kHz
    Frequency Response @ 192 kHz, -1 dB: 0 Hz - 89 kHz
    THD: - 106 dB, 0.0005 %
    THD+N: -102 dB, 0.0008 %
    Channel Separation: > 110 dB
    Output: XLR balanced
    Output Impedance: 300 Ohm balanced, 150 Ohm unbalanced
    Output Level @ 0 dBFS: Balanced +19 dBu, unbalanced +13 dBu
    DC @ 0dBFS: 6.35 mm 4.8 V, 3.5 mm 2.4 V, XLR bal. 9.6V
    Headphone Out As DA Line Out, but:
    Output: 6.3 mm TRS jack, unbalanced
    Output Impedance: 10 Ohm
    Output Level at 0 dBFS, 1 kOhm load: +13 dBu
    Max Power @ 0.1% THD: 50 mW
    Output: 3.5 mm TRS jack, unbalanced
    Output Impedance: 2 Ohm
    Output Level at 0 dBFS, 1 kOhm load: +7 dBu
    Max Power @ 0.1% THD: 70 mW
    MIDIurrxsacxbcafsy
    MIDI 1x MIDI I/O via breakout cable with 2 x 5-pin DIN jacks
    Galvanically isolated by opto-coupled input
    Hi-speed Mode: Jitter and response time typically below 1 ms
    Separate 128 byte FIFOs for input and output
    Digital AD/DA Performance
    Digital Clocks: Internal, ADAT In, SPDIF In
    Low Jitter Design: < 1 ns in PLL mode, all inputs
    Internal clock: 800 ps Jitter, Random Spread Spectrum
    Jitter suppression of external clocks: > 50 dB (2.4 kHz)
    Effective clock jitter influence on AD and DA conversion: near zero
    PLL ensures zero dropout, even at more than 100 ns jitter
    Digital Bitclock PLL for trouble-free varispeed ADAT operation
    Supported sample rates: 28 kHz up to 200 kHz
    Digital Inputsurrxsacxbcafsy
    ADAT 1x TOSLINK
    Standard: 8 channels 24 bit, up to 48 kHz
    Double Speed (S/MUX): 4 channels 24 bit 96 kHz
    Quad Speed (S/MUX4) : 2 channels 24 bit 192 kHz
    Bitclock PLL ensures perfect synchronization even in varispeed operation
    Lock Range: 31.5 to 50 kHz
    Jitter when synced to input signal: < 1 ns
    Jitter suppression: > 50 dB (2.4 kHz)
    SPDIF 1x optical, according to IEC 60958
    Accepts Consumer and Professional format
    Lock Range: 27 to 200 kHz
    Jitter when synced to input signal: < 1 ns
    Jitter suppression: > 50 dB (2.4 kHz)
    Digital Outputs
    ADAT 1x TOSLINK
    Standard: 8 channels 24 bit, up to 48 kHz
    Double Speed (S/MUX): 4 channels 24 bit 96 kHz
    Quad Speed (S/MUX4) : 2 channels 24 bit 192 kHz
    SPDIF 1x optical, according to IEC 60958
    Format Consumer (SPDIF) according to IEC 60958
    Sample rate 28 kHz up to 200 kHz
    Generalurrxsacxbcafsy
    Power Supply USB or external
    Power Consumption Typical: 2.9 W
    Max: 4.6 W
    Current At 5 V bus power operation: 600 mA (2.9 W)
    At 12 V external power: 240 mA (2.9 W)
    Temperature Range 41 to 122°F (+5 to +50ºC)
    Relative Humidity <75% non condensing
    Dimensions 4.25 x 1.40 x 7.10" (108 x 35 x 181 mm)
    Weight 1.5 lb (680 g)
    Packaging Info
    Box Dimensions (LxWxH) 11.575 x 6.221 x 3.307"

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