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Canon EOS C100 Mark II with Dual Pixel CMOS AF & EF 24-105mm f/4L IS II USM Zoom Lens Kit

BH #CAC100AF2242 • MFR #2245C002
Canon EOS C100 Mark II with Dual Pixel CMOS AF & EF 24-105mm f/4L IS II USM Zoom Lens Kit
Key Features
  • Super 35mm 8.3MP CMOS Sensor + EF Mount
  • 1920x1080p 59.94/50/29.97/25/23.98
  • Built-In Dual Pixel CMOS AF Hardware
  • 24-105mm f/4-f/22 EF-Mount L-Series Lens
This Canon kit bundles the EOS C100 Mark II Cinema Camera with Dual Pixel CMOS AF with the EF 24-105mm f/4L IS II USM Zoom Lens. The camera incorporates the Dual Pixel CMOS autofocus function, providing faster and more accurate autofocusing with all Canon autofocus lenses. The versatile 24-105mm zoom lens features a constant f/4 aperture, aspherical elements that limit aberrations, and Air Sphere lens coating to reduce flaring.
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Canon C100 Mark II EF-Mount Overview

This Canon kit bundles the EOS C100 Mark II Cinema Camera with Dual Pixel CMOS AF with the EF 24-105mm f/4L IS II USM Zoom Lens. The camera incorporates the Dual Pixel CMOS autofocus function, providing faster and more accurate autofocusing with all Canon autofocus lenses. The versatile 24-105mm zoom lens features a constant f/4 aperture, aspherical elements that limit aberrations, and Air Sphere lens coating to reduce flaring.

Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF (Body Only)

The Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF is Canon's updated version of the C100 designed for event videographers, documentarians, and independent filmmakers. It incorporates the continuous autofocus function compatible with all Canon autofocus lenses, using Dual Pixel CMOS AF technology. This new feature provides faster and more accurate autofocusing to assist users when operating with small crews.

The Mark II also adds a variety of upgraded features including face detection AF, MP4 recording, additional frame rates when recording in AVCHD and slow & fast motion options when recording in MP4. The Mark II also has an additional microphone on the camera body for recording sound when the top handle is removed. It incorporates a 3.5" OLED display with increased resolution, and the EVF is now almost twice as large as on the original C100 and tilts as well. The Mark II supports GPS, and features built-in wireless functionality. The HDMI output supports timecode, as does the original C100, but it also supports Canon Log LUT.

The EOS C100 Mark II uses the same Super 35mm Canon CMOS sensor as its big brother, the C300, but uses a Digic DV 4 processor. With an EF lens mount, the camera is compatible with the full range of Canon EF, EF-S, and EF Cinema lenses. This is particularly useful for DSLR shooters who have already invested in Canon lenses. The camera uses the AVCHD codec to record 1080p video up to 24 Mbps. It supports dual SD/SDHC/SDXC memory cards which, thanks to the efficient AVCHD codec, allows you to record nearly three hours of HD video on a single 32GB card. For professional applications, you can also record clean, uncompressed 4:2:2 video with embedded timecode via the HDMI output.

The ergonomic design of the EOS C100 Mark II is streamlined to support one-person shoots. Weighing only 2.2 pounds in its basic configuration, the camera's flexible modular design supports a variety of shooting styles. Additional features such as One-Shot AF and Push Auto Iris allow operators to spend less time checking camera settings and more time capturing cinematic footage.

Dual Pixel CMOS AF Technology
The Continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot moving subjects, or who want smoother, more natural-looking autofocus.

Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses - including newer-generation STM lenses - which offer even smoother and quieter operation.
Continuous Recording
The continuous, nonstop recording function allows you to create In and Out points in the footage every time the START/STOP button is pressed. At this time, the continuous recording function is compatible with Grass Valley's EDIUS Pro 7 software.
320 to 102,400 ISO Range
With an extended ISO range from 320 to 102,400, the EOS C100 Mark II is even more sensitive to light than its predecessor. This lets you shoot usable footage during low-light and night shoots, even when using available or ambient lighting as your main light source. Being able to operate under lower light levels means you can work quickly with smaller crews and resources, ideal for low-budget and independent filmmakers.
Menu Navigation via Camera Buttons
Internal camera menus are now controllable from buttons on the camera body. While previously a removable joystick was the only way to control the internal menus, now buttons on the rear of the camera under the built-in monitor can be used. This lets you access the menus when the side grip is removed.
Viewfinder Magnification Location Shift
Manually move the center of the camera's magnification viewing area to one of 25 different locations throughout the image frame using the joystick. Now camera operators can easily check focus even on subjects that are located away from the center of the image frame.
Record Button Lock
The Key Lock setting now makes it possible to lock all operations, including the record button. This helps to prevent accidental operation during a critical shoot by the operator inadvertently pressing a wrong button
Super 35mm 8.3MP CMOS Sensor
The Super 35mm-sized sensor provides an angle-of-view and depth of field that equivalent to that of traditional Super 35mm film. With a native resolution of 8.3MP and a wider pixel pitch than conventional professional camcorders, the sensor offers enhanced sensitivity and reduced noise in low light environments.
DIGIC DV 4 Image Processor
Designed and built by Canon for the highest HD RGB processing, the DIGIC DV 4 Image Processor uses proprietary circuits and architecture to deliver the highest image quality at the highest speeds, with low power consumption and minimal heat output. It processes the RGB representations that originate in the single CMOS sensor of the camera into three channels (Red, Blue, and Green) to maintain the rich resolution and clean color fidelity formerly possible only in three-chip sensor designs.
Low Light Sensitivity
Working together, the Super 35mm sensor and DIGIC DV 4 Image Processor achieve a high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light.
Canon Log Gamma and Wide DR Gamma
Canon Log records an image with subdued contrast and sharpness, which preserves a high dynamic range and presupposes color grading in post production. Canon Log Gamma emphasizes rich gradients from mid-range to highlights, resulting in 12-stops of dynamic range. At ISO 850 and above, Canon Log Gamma enables 5.3 stops of latitude above optimal exposure (and 6.7 stops below), broadening the available dynamic range in color grading.

Wide DR Gamma yields wide dynamic range by suppressing brightness while maintaining gradations, but is designed to produce finished-looking images without requiring any color grading in post-production.
EF Lens Mount with EF Contacts
The camera is fully compatible with Canon's renowned EF mount lenses. Even specialty lenses, such as Canon's 24mm f/3.5L II tilt shift lens or the 8-15mm f/4L Ultra-Wide Zoom fisheye lens. When shooting with EF lenses, the camera features peripheral illumination correction, which automatically compensates for light fall-off in the corners of the image.
Multiple Recording Modes and Frame Rates in AVCHD
The camera supports AVCHD bit rates up to 24 Mbps (LPCM) at a maximum resolution of 1920x1080. Frame rates of 59.94p, 50p, 59.94i, 50i, 24p, 25p, PF30, and PF24 are all available to meet the needs of your production workflow. It supports relay recording of long takes between dual SD cards or can write video to both cards for redundancy in the event of SD card failure. Pre REC mode buffers approximately three seconds before the tally light activates.
Multiple Recording Modes and Frame Rates in MP4
The C100 Mark II supports recording in 1920 x 1080p recording to MP4, at multiple frame rates, and also supports 720p and 640 x 360 frame sizes.
Uncompressed HDMI Out with Timecode & Canon Log LUT Support
Outputting an uncompressed signal via HDMI. This signal can superimpose timecode and the 2:3 pulldown marker, which means an external recorder and converter can process the HDMI output as an SDI signal. External recorders provide an instant back-up and help to streamline post-production workflows. The HDMI output also supports Canon Log LUT output.
Compact and Ergonomic Design
Designed with the solo shooter in mind it is 85% the size of the Canon C300, and it is based on a mobile core design that allows additional accessories to be attached depending on the situation. Strip the camera down for a "run-and-gun" style, or complement the camera with the full range of camera-mounted accessories. With a compact body, you can even shoot dual-camera 3D without an over-sized and cumbersome rig. Its light weight reduces user fatigue and allows even elaborate rigging systems to remain mobile enough for a single operator. The removable accessory hand grip rotates 360 degrees for comfortable shooting positions, while customizable hardware buttons allow the camera to fit your own personal shooting preferences.
Removable Top Handle with XLR Inputs and Stereo Microphone
Including a top mounted handle unit, which features two XLR connectors and a microphone shock mount. XLR connections offer a high quality audio input for professional grade microphones and facilitate 2 channel 48kHz linear PCM (24 Mbps) audio recordings.
High Resolution EVF and Integrated OLED Display
Accurately check focus, composition, and exposure with the 1.23 million dot-equivalent 0.45" electronic viewfinder with 100% coverage. The built-in 3.5" 1.23MP equivalent OLED panel tilts 100 degrees for flexibility when composing tough perspective shots and rotates 180 degrees to protect the screen when not in use. Use the LCD display to review footage or to view the camera's waveform monitor.
AVCHD or MP4 File Based Recording to SD Cards
The camera records video to SDHC/SDXC cards using AVCHD, a high-efficiency codec that has quickly become a standard in both the professional and consumer video markets. Maximum bit-rate is 24 Mbps. Video files greater than 2GB are split into multiple files while recording, which are automatically joined together upon import using Canon Data Import. AVCHD video is widely supported across NLE systems and is the standard codec for Blu-Ray.

The camera records using the MP4 codec, and can record in fast motion (25% faster) or slow motion (40% slower) in MP4 recording mode.
Full Manual Control and Focusing Aids
The camera offers complete manual control of each aspect of the recording process. Create and recall custom picture settings, camera functions, and display options. The camera also features several powerful and intuitive focusing aids in both the EVF and LCD monitor that make it easy to confirm critical focus distance; Peaking Modes and Magnify Focus Modes are available while in standby or while recording. Additionally, the LCD features Edge Monitor Display; green waveform display the overall focus of the scene and red waveform provide focus feedback of the three focus check boxes visible on the LCD monitor.
One Shot AF and Push Auto Iris
One-Shot AF executes focus adjustments with a dedicated button, and the Push Auto Iris button automatically adjusts the aperture of the lens to quickly and easily maintain proper exposure. Both of these functions can be accessed even when operating in manual mode.
Built-In ND Filters
In excessively bright environments neutral density filters are often required to avoid over exposure, without compromising desirable shutter and aperture settings. It features built-in ND filters in three densities, which make for four ND configurations (OFF, 2 stops, 4 stops, 6 stops). The built-in ND filters are deployed via a manual dial.
Remote Terminal
Remotely control the camera via its LANC-compatible remote terminal. Remote operation allows for single-person operation even in creative rigging situations.
Additional Features
  • Waveform monitor; standard and RGB modes
  • Exposure/Focus aids: Peaking, Zebra, Magnify, Edge Monitor Focus Assist, Black and White Mode
  • Drop Frame (DF) or Non-Drop Frame (NDF) Timecode
  • Timecode modes: Regen, Record Run, Free Run
  • Nice Customized Picture Profiles available in camera and up to 20 can be saved to an SD card
  • Custom picture profiles can be adjusted using the following settings: Gamma, Black, Black Gamma, Low Key Saturation, Knee, Sharpness, Noise Balance, Color Correction, Setup Level
  • 15 assignable function buttons
  • SMPTE, EBU, or ARIB standard color bars can be selected
UPC: 013803251807
Canon EF 24-105mm f/4L IS II USM Lens

An advanced one-lens solution, the EF 24-105mm f/4L IS II USM is a Canon L-series zoom covering wide-angle to short-telephoto focal lengths and featuring a constant f/4 maximum aperture. The version II of this popular lens sports a redeveloped optical design, which includes four aspherical elements to significantly reduce distortion and spherical aberrations throughout the zoom range for great sharpness and accurate subject rendering. Individual elements feature an Air Sphere Coating, too, to suppress flare and ghosting for greater contrast and color accuracy in harsh lighting conditions.

Complementing the refined optics, this 24-105mm f/4 also sports a ring-type USM and internal focusing mechanism to enable quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. A four-stop-effective Image Stabilizer is also used to minimize the appearance of camera shake for sharper handheld shooting. Additionally, this lens is weather-sealed and has a protective fluorine coating on the exposed elements for use in trying environmental conditions.

Standard wide-angle to telephoto zoom lens is designed for use with full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it will provide a 38.4-168mm equivalent focal length range.
Constant f/4 maximum aperture maintains consistent illumination throughout the zoom range.
Four glass-molded aspherical elements, including one large-diameter double-sided glass-molded lens, help to minimize distortions and spherical aberrations throughout the zoom range in order to maintain edge-to-edge sharpness and illumination.
An Air Sphere Coating has been applied to individual elements to reduce backlit flaring and ghosting for greater contrast and color fidelity in strong lighting conditions.
An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to four shutter speed stops to better enable working in low-light conditions and with slower shutter speeds.
A ring-type Ultrasonic Motor (USM), along with an internal focusing design, optimized focusing algorithms, and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
Rounded ten-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions. Additionally, fluorine coatings have also been applied to the front and rear lens elements for further protection against fingerprints and smudging.
UPC: 013803274196

Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF (Body Only) Specs

Imaging
Lens MountCanon EF
Lens CommunicationYes, with Autofocus Support
Sensor ResolutionActual: 9.84 Megapixel (4206 x 2340)
Effective: 8.29 Megapixel (4096 x 2160)
Sensor Type24.6 x 13.8 mm (Super35) CMOS
Built-In ND FilterMechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters
Capture TypeStills & Video
Exposure Control
Shutter TypeElectronic Rolling Shutter
Shutter Speed1/2000 to 1/3 Second
ISO Sensitivity320 to 102,400
Gain-6 to 30 dB (Expanded)
0 to 24 dB (Native)
Shutter Angle11.25 to 360°
Video Capture
Internal Recording ModesAVCHD 4:2:0 8-Bit
1920 x 1080p from 23.98 to 60.00 fps [28 Mb/s]
MP4
1920 x 1080p from 23.98 to 60.00 fps [35 Mb/s]
Sensor Crop ModesSuper35 / APS-C
Fast-/Slow-Motion SupportYes
Broadcast OutputNTSC/PAL
Audio Recording2-Channel 16-Bit 48 kHz
IP StreamingNone
Interface
Video I/O1 x HDMI Output
Audio I/O2 x XLR 3-Pin (+48 V Phantom Power) Input
1 x 1/8" / 3.5 mm TRS Stereo Input
1 x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O1 x Barrel Input
Other I/O1 x 2.5 mm Sub-Mini (LANC) Control Input
1 x Mini-USB
Monitor
Size3.5"
Resolution1,230,000 Dot
Display TypeArticulating OLED
Viewfinder
TypeBuilt-In Electronic (LCD)
Size0.24"
Resolution960 x 540 (1,560,000 Dot)
Diopter Adjustment-5.5 to +2
Focus
Focus TypeAuto and Manual Focus
Focus ModeAutomatic, Manual Focus
Environmental
Operating Temperature32 to 104°F / 0 to 40°C
General
Battery TypeCanon BP-9 Series
Accessory Mount1 x 1/4"-20 Female
1 x Cold Shoe Mount
Dimensions (W x H x D)7.2 x 11.1 x 9.3" / 18.2 x 28.1 x 23.6 cm
Weight3.2 lb / 1.5 kg
Packaging Info
Package Weight12.2 lb
Box Dimensions (LxWxH)14.5 x 12 x 12"

Canon EF 24-105mm f/4L IS II USM Lens Specs

Focal Length24 to 105mm
Maximum Aperturef/4
Minimum Aperturef/22
Lens MountCanon EF
Lens Format CoverageFull-Frame
Angle of View84° to 23° 20'
Minimum Focus Distance1.48' / 45 cm
Maximum Magnification0.24x
Optical Design17 Elements in 12 Groups
Diaphragm Blades10, Rounded
Focus TypeAutofocus
Image StabilizationYes
Filter Size77 mm (Front)
Dimensions (ø x L)3.29 x 4.65" / 83.5 x 118 mm
Length at Maximum Extension6.1" / 155 mm
Weight1.75 lb / 795 g
Packaging Info
Package Weight2.425 lb
Box Dimensions (LxWxH)9.2 x 5.6 x 5.3"

Canon C100 Mark II EF-Mount Reviews

Awesome Cinema Camera!

By Michel
Rated 5 out of 5
Date: 2022-08-02

I am blown away with the quality of this camera and Lens defiantly well worth the money. I've always wanted that cinema look, now I can achieve it.

Excellent Camera for any Situation

By Stephen
Rated 5 out of 5
Date: 2022-05-09

Camera fires up quickly, works with all of my Canon lenses, and has many options to capture audio.

Get it while you can!!

By Leon
Rated 5 out of 5
Date: 2022-03-29

I worked as a producer for the Smithsonian and had access to some decent cameras before. I never, however, owned my own camera so I considered my budget and my options. Most importantly, I considered what I wanted to do with my videos. The C100 Mark II was the best choice! the quality of the video is great (since I'll be using it for web delivery), the learning curve is not very steep, and the option of working with high quality canon lenses is priceless. The camera is 6 years old and I am glad I did not pay 5500 (its original price). I grab one because I suspect it will become one of those very sought-after items very soon.

I love this camera!

By Jelani
Rated 5 out of 5
Date: 2022-03-22

I love the dual pixel auto focus this camera offers. It is functional and can even be used on a gimbal. I love this camera so much that I ended up purchasing two.. one dedicated to the gimbal and another for the tripod and slider. I'm not sure what you're looking for, but this camera is perfect for me.

Yup it's still great in 2022!

By Kiwan
Rated 5 out of 5
Date: 2022-03-16

A wedding video guy coming from dslr, I always wanted try Cinema cameras. What a difference! If you shoot events professionally, just buy this one.

Great cinema camera

By Tony
Rated 5 out of 5
Date: 2021-09-02

Purchased this along with a set of Rokinon lenses for my film program. Footage looks stellar so far. Don't know how effective our video stories will be, but it won't be for lack of great-looking footage!

Nice upgrade

By Monico
Rated 5 out of 5
Date: 2022-07-06

I upgraded from the c100 m1 and am really liking the changes they made. From the much improved viewfinders (eye and lcd display), button placement for viewfinder, display and waveform as well as focus lock. What a great button to use in conjunction with continuous! And quality of the footage. I'm real happy and would still recommend this camera in 2022.

Great service

By Jermaine
Rated 5 out of 5
Date: 2022-05-11

I got my camera in a very timely manner everything was packed perfectly and I love it.

See any errors on this page? Let us know

YOUR RECENTLY VIEWED ITEMS

Is it okay to use EF-S lenses on the C100 MK2? ...

Is it okay to use EF-S lenses on the C100 MK2? I’m thinking specficially of the ef-s 10-18mm and the 18-135mm. Thanks!
Asked by: Dennis
Yes, you can use EF-S lenses with the C100 Mark II. The C100 Mark II even comes in a kit with the 17-55 EF-S Lens, B&H # CAC100AF2E17. https://bhpho.to/2bidGVW
Answered by: Joseph
Date published: 2020-03-11

Is there a warranty?

Is there a warranty?
Asked by: Rick
Yes, Limited 1-Year Warranty. But you can extend buy investing in our all-state spill and drop insurance. we offer a 3yr and 4 yr cover.
Answered by: hectorm
Date published: 2021-09-20

Does this come with a printed user manual?

Does this come with a printed user manual?
Asked by: Andrew
no it does not. you can download the manual from our website (on the page for the C100 mk II underneath the "in the box" section) or from Canon's website.
Answered by: jabarih
Date published: 2021-08-26

I see the peripheral illumination correction, but ...

I see the peripheral illumination correction, but is there a way for the camera to compensate for the falloff in light level when zooming in with this lens?
Asked by: Andrew
No, it only compensates for light fall-off in the corners of the image.
Answered by: Victor
Date published: 2021-10-01

question

Is there a servo style zoom lens compatible for this camera available, Canon or other brands?
Asked by: mel
The Canon 18-80mm is a great Servo Zoom EF Mount lens. It will work with the C100 Mark II as well.https://bhpho.to/2wZQ3Hr
Answered by: Joseph P.
Date published: 2018-08-27

question

Does this camera actually come with the new 24 - 105 f/4 IS USM L II lens? Because it shows the first generation 24-105 L in the photos, not the 24-105 L II.
Asked by: John
You will get the version II lens. The lens in the images is incorrect. I have alerted our webteam to the error. I will point out that the closer shots on our website are marked with Shown with similar lens. I apologize for any confusion and hope it has not caused any inconvenience.
Answered by: Dennis A L.
Date published: 2019-02-20

question

Will the servo lens off my canon XLH1 with EF mount work on the C100 MKll ?
Asked by: Mark
Sorry, no, you cannot. It is a very nice lens and it is too bad it cannot be used on other cameras. This lens can only cover a small 1/3 sensor and not the much larger Super35 sensor of the C100 Mark II. The mount is not the same as well. If you were to able to mount it, the lens would create a circle in the Super35 frame.
Answered by: Dennis A L.
Date published: 2018-08-27

Is this a Canon lens?

Is this a Canon lens?
Asked by: David
Yes, it's Canon's kit lens.
Answered by: Ty
Date published: 2021-08-02
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