Canon EOS 5D Mark IV DSLR Camera with Canon Log

Canon EOS 5D Mark IV DSLR Camera with Rokinon Cine Lenses Bundle

Canon EOS 5D Mark IV DSLR Camera with Rokinon Cine Lenses Bundle

B&H # CAE5D4CLCLK (B&H Kit)
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Product Highlights

  • Rokinon 24mm T1.5 Cine DS Lens
  • Rokinon 35mm T1.5 Cine DS Lens
  • Rokinon 50mm T1.5 AS UMC Cine DS Lens
  • Rokinon 85mm T1.5 Cine DS Lens
  • Rode VideoMic Pro with Shockmount
  • 2 x Spare Rechargeable Li-Ion Batteries
  • Zoom H6 Handy Recorder with Mic System
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Style: With Canon Body C Log

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With Canon Body C Log

Configuration: With Cinema Kit

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With Cinema Kit With Canon PRO-100 Printer Kit

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Canon 5D Mark IV overview

  • 1Description

A complete kit for the aspiring filmmaker, the Canon EOS 5D Mark IV DSLR Camera with Rokinon Cine Lenses Bundle from B&H pairs the advanced, multimedia full-frame DSLR with a slew of lenses and accessories dedicated to filmmaking. The bundle includes the Rokinon 24mm T1.5 Cine DS, 35mm T1.5 Cine DS, 50mm T1.5 AS UMC Cine DS, and 85mm T1.5 Cine DS lenses; a Rode VideoMic Pro with Rycote Lyre Shockmount; two spare rechargeable lithium-ion batteries; and a Zoom H6 Handy Recorder with interchangeable microphone system.

  • Canon EOS 5D Mark IV DSLR Camera with Canon Log

    Continuing on in their legacy of powerful workhorse cameras, Canon has released the 5D Mark IV DSLR which is an outstanding still photography option and an able 4K-capable video machine. Appealing to filmmakers is Canon Log, which is offered pre-installed on this model. This gamma setting helps users capture images with an expanded dynamic range of 800%, or 12 stops. Also, it provides latitude for working with the footage in post-production during color grading. Along with this function is a View Assist setting, which helps users see a more accurate representation of the footage when viewing on the rear LCD or an external display.

    This multimedia maven offers a newly developed 30.4MP full-frame CMOS sensor paired with the DIGIC 6+ image processor in order to balance fine detail and resolution with low-light performance and sensitivity. It is able to work within a native range of ISO 100-32000, which can then be expanded to an impressive ISO 50-102400, for sharp, low-noise images in a variety of conditions. Along with these improvements to image quality, users will enjoy a performance boost across the board with an enhanced AF system, built-in Wi-Fi, NFC, and GPS, and much more.

    In order to deliver detailed images quickly and effectively the 5D Mark IV leverages the power of the DIGIC 6+ image processor, which can handle up to 7 frames per second during continuous shooting. It also uses a 150,000-pixel RGB+IR metering sensor to evaluate the scene and subjects for accurate exposures under a variety of different lighting conditions. An improved 61-point High Density Reticular AF furthers the camera's speed by tracking and locking onto subjects quickly and accurately for tack sharp photos. A new AF area select button is now available as well for near immediate access to this setting.

    Video benefits from the addition of Dual Pixel CMOS AF and Movie Servo AF to smoothly rack focus during a shot. Shooters can even make use of the 3.2" 1.62m-dot touchscreen LCD to simply tap to adjust the focus point. Furthermore, now that the camera has DCI 4K (4096 x 2160) video recording at up to 30 fps, users can snag 8.8MP stills from the video for an even faster capture option. Tied into the Dual Pixel sensor architecture is a brand-new feature for Canon: Dual Pixel RAW, which allows for fine tuning of certain image parameters, including bokeh shift and focus micro adjustment, after the image is taken.

    The body has been further refined for comfort and ease of access, as well as durability and weather resistance. The Canon N3 remote port has been relocated to the front of the camera body and they have added both GPS and Wi-Fi with NFC to make this model a connected camera.

    30.4MP Full-Frame CMOS Sensor and DIGIC 6+ Image Processor
    In line with previous members of the main 5D series, the Mark IV attempts to balance high resolution with low-light performance with a newly developed 30.4MP full-frame CMOS sensor. This provides a beneficial increase in overall resolution without compromising on sensitivity. Additionally, thanks to the DIGIC 6+ image processor it is paired with, it offers impressive performance within a native range of ISO 100-32000, which can be expanded to ISO 50-102400.

    Versatility is key with the 5D, as it needs to be able to tackle landscapes and weddings with equal ease. By using a 150,000-pixel RGB+IR metering sensor shooters will be able to more comfortably rely on the camera to capture difficult scenes. This sensor also has face detection as well as flicker detection which can ensure proper exposure in less-than-ideal lighting situations. Along with this, the camera offers an improved continuous shooting rate of 7 fps, making it a great option for events and action.
    High Density Reticular AF and Dual Pixel CMOS AF Systems
    Ensuring your subject is tack sharp, the 5D Mark IV incorporates an enhanced High Density Reticular AF system, which offers 61 phase-detect points, with all points sensitive to f/8 and 41 of which are cross-type. The center point can function down to -3 EV for working in extremely dim lighting. Compared to previous versions, this sensor has expanded vertical coverage of 24% on the peripherals and 8% in the center in order to better track and locate subjects in the frame.

    In addition to advanced tracking and focusing while using the optical finder for stills, Live View and video can now use Dual Pixel CMOS AF on the actual imaging sensor. This offers about 80% coverage of phase-detection autofocus for faster and more accurate focusing in these modes. It is ideal for video as users will enjoy smoother rack focusing without the downsides normally encountered with contrast-based systems. Also, this works well with the touchscreen functions, allowing shooters to just tap to adjust focus.
    DCI 4K Video Recording and Canon Log Gamma
    Designed for both professional stills shooting and video recording, the 5D Mark IV supports DCI 4K (4096 x 2160) resolution recording at up to 30 fps at 500 Mbps, along with Full HD 1080p shooting at 60 fps and HD 720p at 120 fps for slow motion playback. When recording in-camera, 4K video has 4:2:2 sampling and 8-bit color depth, while Full HD 1080p footage has 4:2:0 sampling. Uncompressed Full HD 1080p video can also be saved via HDMI to an optional external recorder with 4:2:2 color sampling. 4K video is recorded using a central 4096 x 2160 area of the sensor at a 1.74x crop in order to record video with an ideal 1:1-pixel sampling ratio, while Full HD recording makes use of the entire full frame.

    This version of the 5D offers Canon Log pre-installed, allowing users to capture flat images with an improved dynamic range of 800%, or 12 stops. This function makes it easier to match cameras in post-production as well as provides the most latitude and potential for color grading. For monitoring, a View Assist function is available, which emulates a graded look for more accurate viewing on the camera's LCD. Canon does provide LUTs to make post-production easier with options for Canon Log 10 to Wide DR that converts the footage to Wide Dynamic Range Gamma or Canon Log 10 to ITU-R BT.709, which converts the image to a more conventional Rec. 709 color space.

    Audio can be recorded using the on-board stereo microphone or an optional external mic can also be used via the 3.5mm mic jack. Real time audio monitoring is possible, too, via the 3.5mm headphone jack. The 4K video recording also avails the ability to take 8.8MP still frame grabs during playback on the rear touchscreen and save them as single images.
    Dual Pixel RAW
    First implemented here on the 5D Mark IV, Dual Pixel RAW allows photographers to record all the information the sensor's unique pixel architecture can deliver, providing a way for fine adjustments to be made after the image is taken. These adjustments include focus fine tuning that can help you ever-so-slightly adjust the focus point to bring out extra details, shift bokeh around for improved composition, and reduce the impact of ghosting on your photos. This requires the use of Canon's Digital Photo Professional 4.5 software.
    Body Design
    • A large 3.2" 1.62m-dot Clear View II LCD monitor is available and features an anti-reflective design for bright, vivid image playback and live view shooting, and its touchscreen interface can be used for intuitive touch-to-focus control and adjusting settings in the menus.
    • A dedicated AF mode selection button located beneath the rear joystick offers another avenue for accessing settings, allowing for fast, intuitive access to commonly changed options.
    • Dual CompactFlash and SD memory card slots allow you to extend your file saving capabilities by permitting overflow recording or in-camera file type separation while shooting.
    • An Intelligent Viewfinder II uses a pentaprism design and offers a bright means for viewing. When using the viewfinder, AF points are highlighted in red for greater visibility in low-light conditions, and the finder can also be configured to display a range of other shooting aids, such as an electronic level, grid, flicker detection, white balance, metering mode, AF information, and other settings.
    • A Mirror Vibration Control System helps to minimize mechanical vibrations in order to better ensure sharpness during long exposures or fast continuous shooting bursts.
    • A robust magnesium alloy body design is both dust- and weather-sealed to permit working in harsh environments.
    Other Camera Features
    • A built-in GPS module allows you to geotag imagery in-camera as well as auto time sync with the Universal Time Code via satellites. This module is compatible with American GPS, Russian GLONASS, and Japanese quasi-zenith Michibiki satellites for a wide coverage of support.
    • Digital Lens Optimizer technology compensates for a range of optical defects from various lenses, including chromatic aberration, distortion, peripheral brightness, and diffraction, and the camera can store lens data in order to avoid having to re-register lenses prior to each use. The camera can handle this process in real time, delivering JPEGs with the corrections already applied.
    • A built-in intervalometer permits the creation of time-lapse imagery and supports recording 1-99 consecutive frames in pre-selected intervals from 1 second to 99 hours 59 minutes and 59 seconds. Users can also choose to set the camera to unlimited frames.
    • Built-in Wi-Fi and NFC connectivity enable wireless sharing, control, and image transfer with a compatible smart device as well as the CS100 Connect Station.
    UPC: 660685172982
  • Rokinon 24mm T1.5 Cine DS Lens for Canon EF Mount

    Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 24mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in a Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

    This 24mm lens produces a 84.1° FOV when used with full-frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

    Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

    24mm lens with approximate angle of view of:
    Full-Frame: 84.1°
    APS-C: 57.6°
    Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
    ED, extra-low dispersion glass, helps reduce chromatic aberration and can improve contrast and color saturation.
    Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.
    "De-clicked" aperture ring for smooth iris pulls.
    A minimum focusing distance of 9.8" allows you to get up close to your subject.
    A removable petal-type lens hood provides flare protection without a matte box.
    UPC: 084438763225
  • Rokinon 35mm T1.5 Cine DS Lens for Canon EF Mount

    Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 35mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

    This 35mm lens produces a 63.1° angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 12" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

    Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

    Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
    Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.
    "Declicked" aperture ring for smooth iris pulls.
    A minimum focusing distance of 12" allows you to get up close to your subject.
    A removable petal-type lens hood provides flare protection without a matte box.
    The lens opens up to T1.5, providing the capability for low light shooting or creating extremely shallow depth of field.
    UPC: 084438763270
  • Rokinon 50mm T1.5 AS UMC Cine DS Lens for Canon EF Mount

    The 50mm T1.5 AS UMC Cine DS Lens for Canon EF Mount from Rokinon is a fast manual focus prime lens. It provides a very fast maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Optimized for cinema and video applications, the focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been de-clicked, which enables smooth iris pulls. In addition, bright aperture and distance markings are printed on the lens barrel facing laterally to facilitate easier control by a focus puller.

    The 50mm has a minimum focus distance of 1.5'. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. The lens is composed of 9 elements in 6 groups, including one aspherical element and one hybrid aspherical element to reduce aberrations. In addition, a lens multi-coating helps to improve light transmission reducing flare and ghosting. The filter thread diameter is 77mm.

    With this 50mm lens, Rokinon introduces the DS series of cinema lenses, unifying their cine lenses in more than just name. Each of the DS branded lenses will offer the same alignment of their geared focus and aperture rings so that follow focus and other rig accessories won't need re-adjustment when swapping lenses. Also, each DS lens is tested to be color matched with the other lenses in the series and provide the same color and contrast when shooting video. Lastly, the lenses are marked with focusing scales on each side of the barrel for easier adjustment from either side of the camera.

    Standard length manual focus prime lens for EF mount cameras.
    Functional as still photo lens but optimized for cinema and video shooting with geared aperture and focus rings, de-clicked aperture for smooth exposure transitions and laterally printed aperture and distance markings. The 50mm T1.5 is part of the DS series of cine lenses, sharing characteristics and features that unify the series and make it easier for users to swap out lenses when shooting video. Each DS lens provides aligned focus and aperture rings so that readjustment of the follow focus is not necessary when switching lenses. Also each lens has been tested to match color and contrast for a consistent look and less potential post-processing. Finally, all DS lenses print focus scales on each side of the lens barrel for ease of use from both sides of the camera.
    Very fast T1.5 maximum aperture for effective low light capture and shallow depth of field.
    Internal focusing system with 9 lens elements in 6 groups.
    One aspherical and one hybrid aspherical lens element control aberrations and improve sharpness throughout the frame.
    Lens multi-coating improves light transmission and reduces flare and ghosting.
    Minimum focus distance of 1.5'
    Filter thread diameter of 77mm
    UPC: 084438763324
  • Rokinon 85mm T1.5 Cine DS Lens for Canon EF Mount

    Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 85mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF Mount and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

    This 85mm lens produces a 28.3° angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 3'6" from the lens. A removable lens hood provides flare protection when shooting without a matte box and the lens's threaded front accepts 72mm filter rings.

    Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
    Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.
    "Declicked" aperture ring for smooth iris pulls.
    A removable lens hood provides flare protection without a matte box.
    The lens opens up to T1.5, providing the capability for low light shooting or creating extremely shallow depth of field.
    UPC: 084438763379
  • Rode VideoMic Pro with Rycote Lyre Shockmount

    The VideoMic Pro with Rycote Lyre Shockmount from Rode is a supercardioid condenser shotgun microphone that terminates in a 1/8" stereo mini-jack (dual mono), includes an integrated shockmount, and an integrated foam windscreen. It can be used to capture audio for camcorders, DSLR, and portable recorders as a source of primary and reference audio.

    The VideoMic Pro has been upgraded from earlier models with a 1/2" condenser capsule that provides broadcast-quality audio. Its 1/8" stereo mini-jack connector (outputting the mono signal to both left and right channels) delivers low self-noise of just 14 dB. A supercardioid polar pattern ensures that surrounding audio is minimized, and your recording is focused on the subject in front of the camera.

    In addition, the Rycote Lyre-based shockmount is built from a single piece of hard-wearing thermoplastic. It separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. This suspension will never wear out, sag or snap.

    Easily accessible on the rear face of the microphone are the power, the filter, the level controls and a selectable high-pass filter at 80 Hz. The filter will prevent low-end noise such as air conditioners and traffic from being recorded. Furthermore, the -10 dB (or pad) is suitable when recording loud sound sources such as live music, motorsports, or interviews, where the subject is very close to the camera. There is a +20 dB level boost designed for use with DSLR cameras, so the user can reduce the camera's preamp level, effectively reducing the amount of noise generated by the camera's audio circuitry.

    The Rode VideoMic Pro uses a standard sized shoe-mount for on-camera use and features a 3/8" thread in the base of the mount for easy boom-pole mounting. The VideoMic Pro is battery powered and provides over 70-hours recording from a single 9V battery.

    9V battery powered with over 70 hours use (alkaline)
    Camera shoe mount with 3/8" thread for easy boom-pole mounting
    Compact form factor is only 6.7" length
    Limited 10-year warranty with online registration
    UPC: 698813004195
  • 2 x Canon LP-E6N Lithium-Ion Battery Pack (7.2V, 1865mAh)

    Power your EOS DSLR Camera with this LP-E6N Lithium-Ion Battery Pack from Canon. It is compatible with the LC-E6 and LC-E6E chargers and offers a capacity of 1865mAh with an output voltage of 7.2V. The battery is supplied with select cameras and is offered here as a spare or replacement part.

    Compatible Cameras
    EOS 7D Mark II
    EOS 7D
    EOS 5DS
    EOS 5DS R
    EOS 5D Mark IV
    EOS 5D Mark III
    EOS 5D Mark II
    EOS 60D
    EOS 60Da
    EOS 70D
    EOS 80D
    EOS 6D
    EOS 6D Mark II
    UPC: 013803240054
  • Zoom H6 Handy Recorder with Interchangeable Microphone System

    The H6 Handy from Zoom is a portable handheld recorder and USB audio interface that features an interchangeable microphone system. The recorder ships with both XY and mid-side microphone modules, foam windscreen, four AA batteries, USB cable, Cubase LE and a hard carrying case. Optional module attachments can be purchased for expanded functionality.

    The H6 Handy allows for versatile recording techniques, giving you several options right out of the box. The included XYH-6 XY microphone module is made up of two matched unidirectional condenser microphones and is intended for capturing accurate, phase-correct stereo audio. The module allows you to adjust the angle of the two mics to either 90 degrees, or for a wider stereo image, 120 degrees.

    For situations that call for audio that allows for width control over your stereo image after it has been recorded, the XY module can be switched out for the MSH-6 mid-side stereo microphone module. Contrary to the appearance of the capsule, the mid-side module actually contains two elements positioned on top of one another: a unidirectional mic which faces forward (mid), and a bi-directional mic set perpendicular to it (side). In addition to providing you the ability to adjust the width of your stereo audio after it has been recorded, MS recording also provides true mono compatibility, a factor that comes into play in situations such as television production.

    In addition, the H6 is equipped with four XLR/TRS combo inputs for connecting external mic/line sources such as microphones or mixers. All four inputs and each of the mic modules are equipped with their own preamps with dedicated gain knobs that are easily accessible whether you have the unit mounted to your camera, or strapped over your shoulder. Also, each of the four combo inputs has its own -20dB pad.

    The recorder allows you to record up to six channels at once and stores them to SDXC memory cards up to 128GB in size. It also features a backup-record option that tracks a duplicate of the left and right channels with -12db input gain. This means that if you find that you have tracked your main audio too loud and that distortion has occurred in your audio, you will have a backup stereo mix with 12 db more headroom as a fail-safe. The unit also doubles as a 6-in/2-out USB audio interface and it can be used with your computer running the included Cubase LE or other DAW software.

     

    Main Features

    Large full-color angled LCD display that allows visibility whether mounted on a camera or strapped over shoulder
    XYH-6 X/Y capsule also provides a secondary input for connecting an external mic or line level signal via stereo 1/8" mini jack
    Optional wired controllers for remote transport controls
    Optional hairy windscreen offers improved wind diffusion
    Built-in speaker, located on the underside of the unit, for fast monophonic monitoring of the recorded signal without the need to make any connections
    Interchangeable input capsules that can be swapped out as easily as the lens of a camera
    Six-track simultaneous recording
    Four mic/line inputs with XLR/TRS combo connectors
    Physical gain control knobs and -20dB pads for each input
    Phantom power for all main inputs: +12/+24/+48V
    Records directly to SD, SDHC and SDXC cards up to 128GB
    Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats
    Auto-record, pre-record and backup-record functions
    Multitrack to stereo internal mixdown
    Independent monitor and playback mixes
    Graphical VU meters
    Voice memo and up to 99 marks per recording
    Overdubbing, up to 99 takes
    Built-in effects, including low-cut filtering, compression and limiting
    Onboard MS decoding
    Normalize, Divide and Trim editing
    Chromatic tuner and metronome
    Loop Playback with user-defined start and stop points
    Variable playback speed, from 50% to 150%
    Variable pitch per track without affecting playback speed
    USB port for data exchange to and from computer
    Multichannel and stereo USB audio interface for PC/Mac/iPad
    Camera strap mounts
    Mounts directly to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter
    Accepts standard AA alkaline or NiMH rechargeable batteries
    Over 20 hours of operation with 4 AA alkaline batteries
    UPC: 884354012175
  • Canon EOS 5D Mark IV DSLR Camera with Canon Log
    Imaging
    Lens Mount Canon EF
    Camera Format Full-Frame (1.0x Crop Factor)
    Pixels Actual: 31.7 Megapixel
    Effective: 30.4 Megapixel
    Max Resolution 30.4 MP: 6720 x 4480
    Aspect Ratio 1:1, 3:2, 4:3, 16:9
    Sensor Type / Size CMOS, 36 x 24 mm
    File Formats Still Images: JPEG, RAW
    Movies: MJPEG, MOV, MP4,
    Audio: AAC, Linear PCM (Stereo)
    Bit Depth 14-Bit
    Dust Reduction System Yes
    Memory Card Type CompactFlash
    SDXC
    SDHC
    SD
    Focus Control
    Focus Type Autofocus
    Focus Mode Continuous-Servo AF (C), Manual Focus (M), Single-servo AF (S)
    Autofocus Points Phase Detection: 61 (41 Cross-Type)
    Viewfinder/Displaydtqurxsvdzrwzfbtfy
    Viewfinder Type Pentaprism
    Viewfinder Eye Point 21.00 mm
    Viewfinder Coverage 100%
    Viewfinder Magnification Approx. 0.71x
    Diopter Adjustment -3 to +1 m
    Display Screen 3.2" Rear Touchscreen LCD (1,620,000)
    Screen Coverage 100%
    Diagonal Angle of View 170.0°
    Exposure Control
    ISO Sensitivity Auto, 100-32000 (Extended Mode: 50-102400)
    Shutter Type: Electronic & Mechanical
    Speed: 30 - 1/8000 Second , Bulb Mode
    Remote Control TC-80N3, RS-80N3 (Optional)
    Mirror Lock-Up Yes
    Metering Method Evaluative Metering, Partial Metering, Spot Metering
    Exposure Modes Modes: Aperture Priority, Auto, Manual, Programmed Auto, Shutter Priority
    Metering Range: EV 0.0 - EV 20.0
    Compensation: -5 EV to +5 EV (in 1/3 EV Steps)
    Buffer/Continuous Shooting Up to 7 fps at 30 MP for up to 21 Frames in Raw Format
    Up to 7 fps at 30 MP for Unlimited Frames 
    White Balance Modes Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten
    Flash
    Built-in Flash No
    Max Sync Speed Mechanical Shutter:1 / 200 Second
    Flash Compensation -3 EV to +3 EV (in 1/3 or 1/2 EV steps)
    Dedicated Flash System eTTL
    External Flash Connection Hot Shoe, PC Terminal
    AV Recording
    Video Recording Yes, NTSC/PAL
    File Size 4096 x 2160p
    1920 x 1080p
    1280 x 720p
    Video Format 4096 x 2160p at 23.98/24/29.97 fps (500 Mb/s M-JPEG)
    1920 x 1080p at 59.94 fps (180 Mb/s MOV)
    1920 x 1080p at 23.98/24/29.97 fps (90 Mb/s MOV)
    1920 x 1080p at 59.94 fps (60 Mb/s MOV)
    1920 x 1080p at 23.98/24/29.97 fps (30 Mb/s MOV)
    1280 x 720p at 120 fps (160 Mb/s MOV)
    1920 x 1080p at 59.94 fps (60 Mb/s MP4)
    1920 x 1080p at 23.98/24/29.97 fps (30 Mb/s MP4)
    1920 x 1080p at 29.97 fps (12 Mb/s MP4)
    Exposure Control Auto: Shutter Speed, Aperture, ISO
    Manual: Shutter Speed, Aperture, ISO
    ISO Sensitivity Auto, 100 - 32000
    Exposure Compensation -3 EV to +3 EV (in 1/3 or 1/2 EV steps)
    Focus Auto
    Manual
    Continuous Auto
    Max Video Clip Length 4096 x 2160: 29 Minutes, 59 Seconds 
    Audio Recording Built-In Mic: With Video (Mono)
    Optional External Mic: With Video (Stereo)
    Performance
    Start-up Time 0.1 seconds
    Shutter Lag 0.058 seconds
    Self Timer 10 Seconds, 2 Seconds
    Interval Recording Yes
    Connectivity 1/8" Headphone, 1/8" Microphone, Canon N3, HDMI C (Mini), USB 3.0
    Wi-Fi Capable Yes
    Power
    Battery 1 x LP-E6N Rechargeable Lithium-Ion Battery Pack, 7.2 VDC, 1865 mAh
    AC Power Adapter ACK-E6 (Optional)
    Operating/Storage Temperature Operating
    32 to 104°F (0 to 40°C)
    Humidity: 0 - 85%
    Physical
    Dimensions (W x H x D) 5.9 x 4.6 x 3.0" / 150.7 x 116.4 x 75.9 mm
    Weight 1.76 lb / 800 g body only
    Packaging Info
    Box Dimensions (LxWxH) 9.8 x 7.3 x 5.9"
  • Rokinon 24mm T1.5 Cine DS Lens for Canon EF Mount
    Focal Length 24mm
    Lens Mount Canon EF
    Format Full Frame
    Maximum T-Stop T1.5
    Minimum T-Stop T22
    Diagonal Angle of View Super35: 61.8°
    Full Frame: 84.1°
    Minimum Focus Distance from Image Plane 9.8" / 25 cm
    Optical Design 13 Elements in 12 Groups
    Iris Blades 8
    Dimensions (W x H) 3.27 x 3.27" / 83.1 x 83.1 mm
    Length 3.84" / 97.5 mm
    Weight 21.7 oz / 615.0 g
    Packaging Info
    Box Dimensions (LxWxH) 7.2 x 5.2 x 5.2"
  • Rokinon 35mm T1.5 Cine DS Lens for Canon EF Mount
    Focal Length 35mm
    Lens Mount Canon EF
    Format Full Frame
    Maximum T-Stop T1.5
    Minimum T-Stop T22
    Diagonal Angle of View Super35: 40.8°
    Full Frame: 63.1°
    Minimum Focus Distance from Image Plane 12" / 31 cm
    Optical Design 12 Elements in 10 Groups
    Iris Blades 8
    Length 4.38" / 111.5 mm
    Weight 24.7 oz / 700.0 g
    Packaging Info
    Box Dimensions (LxWxH) 7.6 x 5.2 x 5.1"
  • Rokinon 50mm T1.5 AS UMC Cine DS Lens for Canon EF Mount
    Focal Length 50mm
    Lens Mount Canon EF
    Format Full Frame
    Maximum T-Stop T1.5
    Minimum T-Stop T22
    Diagonal Angle of View Full Frame: 46.2°
    Minimum Focus Distance from Image Plane 1.5' / 0.45 m
    Optical Design 9 Elements in 6 Groups
    Iris Blades 8
    Gear MOD & Pitch Focus: 0.8 MOD / 32 Pitch
    Iris: 0.8 MOD / 32 Pitch
    Filter Thread 77 mm
    Dimensions (W x H) 3.2 x 3.2" / 81.3 x 81.3 mm
    Length 2.9" / 74.7 mm
    Weight 20.3 oz / 575.0 g
    Packaging Info
    Box Dimensions (LxWxH) 6.2 x 5.2 x 5.1"
  • Rokinon 85mm T1.5 Cine DS Lens for Canon EF Mount
    Focal Length 85mm
    Lens Mount Canon EF
    Format Full Frame
    Maximum T-Stop T1.5
    Minimum T-Stop T22
    Diagonal Angle of View Super35: 17.7°
    Full Frame: 28.3°
    Minimum Focus Distance from Image Plane 42" / 106.7 cm
    Optical Design 9 Elements in 7 Groups
    Iris Blades 8
    Length 2.94" / 74.7 mm
    Weight 20.5 oz / 580.0 g
    Packaging Info
    Box Dimensions (LxWxH) 6.3 x 5.2 x 5.2"
  • Rode VideoMic Pro with Rycote Lyre Shockmount
    Acoustic Principle Line Gradient Condenser
    Directional Pattern Supercardioid
    Frequency Response 40 Hz - 20 kHz (selectable HPF @80 Hz)
    Sensitivity -32 dB re 1 V/Pa (20 mV @ 94 dB SPL) ± 2 dB @ 1 kHz
    Output Impedance 200 Ohms
    Equivalent Noise 14 dB
    Maximum Output +6.9 dBu (@ 1% THD into 1 kOhms)
    Dynamic Range 120 dB (as per IEC 651)
    Maximum SPL 134 dB (@ 1 kHz, 1% THD into 1 kOhms load)
    Signal-to-Noise Ratio 80 dB
    Battery Type 1 x 9 V alkaline battery (current 7.8 mA)
    Level Control Three-position (-10 dB, 0, +20 dB)
    High Pass Filter Two-step (flat, 80 Hz)
    Output Connectors 1 x 1/8" (3.5 mm) stereo mini-jack (dual mono)
    Low Frequency Roll-Off 80 Hz High Pass Filter
    Dimensions (HxWxL) 2.95 x 3.93 x 6.69" (75 x 100 x 170 mm)
    Weight 3 oz (85g)
    Packaging Info
    Box Dimensions (LxWxH) 8.425 x 5.118 x 2.992"
  • 2 x Canon LP-E6N Lithium-Ion Battery Pack (7.2V, 1865mAh)
    Battery
    Amp-Hours 1865 mAh
    Chemistry Lithium-Ion
    Output Voltage 7.2 VDC
    Dimensions (W x H x D) 2.2 x 0.8 x 1.5" / 5.6 x 2.0 x 3.8 cm
    Weight 2.8 oz / 79.4 g
    Packaging Info
    Box Dimensions (LxWxH) 6.9 x 2.3 x 1.0"
  • Zoom H6 Handy Recorder with Interchangeable Microphone System
    Recorder
    Recording Media SD card: 16 MB to 2 GB
    SDHC card: 4 GB to 32 GB
    SDXC card: 64 GB to 128 GB
    Input Connections 4 x XLR/TRS combo jacks; XLR: Pin 2 hot; TRS: Tip hot
    1x 1/8" stereo mini jack (XYH-6 MIC/LINE IN)
    Input Gain -∞ to 55.5 dB (PAD OFF)
    -∞ to 35.5 dB (PAD ON)
    Input Level -∞ to 46.5 dB (XYH-6 MIC/LINE IN)
    Input Impedance 6.8 kΩ (INPUTS 1 to 4)
    2 kΩ (XYH-6 MIC/LINE IN)
    Maximum Input Level +22 dBu, PAD ON (INPUTS 1 to 4)
    Phantom Power +12V /+24V /+48V, independent (INPUTS 1 to 4)
    2.5V plug-in power, (XYH-6 MIC/LINE IN)
    Equivalent Input Noise -120 dBu or less
    Output Connections 1x 1/8" stereo mini jack (LINE OUT)
    1x 1/8" stereo mini jack (PHONE OUT)
    Output Level -10 dBu when output load impedance is 10 kΩ or more (LINE OUT)
    20 W +20 W into 32 Ω load (PHONE OUT)
    Built-in Speaker 400mw 8 Ω mono speaker
    Recording Formats WAV, MP3
    Sample Rate 44.1/48/96 kHz (WAV)
    44.1 kHz (MP3)
    Bit Depth 16, 24 (WAV)
    Bit Rate 48/56/64/80/96/112/128/160/192/224/256/320 kbps (MP3)
    Max Simultaneous Recording 8 (L/R + INPUT 1 to 4 + L/R backup), backup recording: -12dB lower than set L/R input gain (WAV)
    -or-
    2 (MP3)
    Display 2.0-inch full color LCD (320 x 240 pixels)
    USB Port Mass Storage Class operation:
    USB 2.0 high speed
    -or-
    Audio Interface operation, multi-track mode:
    USB 2.0 high speed, multi-track or stereo modes
    Power Requirements AA size (LR6) battery x 4
    AC adapter: AD-17 (DC5V/1A/USB-type) (optional)
    USB bus power
    Battery Life Over 20 hours (with alkaline battery, continuous recording)
    Dimensions 3 x 6 x 1.9" (77.8 x 152.8 x 47.8 mm)
    Weight 9.9 oz (280 g)
    Microphone
    Type XYH-6 X/Y: Unidirectional
    MSH-6 MS: Unidirectional and bi-directional
    Sensitivity XYH-6 X/Y: -41 dB, 1 kHz at 1 Pa
    MSH-6 MS: -37 dB, 1 kHz at 1 Pa (unidirectional);
    -39 dB, 1 kHz at 1 Pa (bi-directional)
    Input Gain XYH-6 X/Y: -∞ to 46.5 dB
    MSH-6 MS: -∞ to 42.5 dB
    Maximum SPL XYH-6 X/Y: 136 dB SPL
    MSH-6 MS: 120 dB SPL (unidirectional)
    122 dB SPL (bi-directional)
    Dimensions XYH-6 X/Y: 3.1 x 2.4 x 1.8" (78.9 x 60.2 x 45.2 mm)
    MSH-6 MS: 2.3 x 2.66 x 1.65" (58 x 67.6 x 42.1 mm)
    Weight XYH-6 X/Y: 4.6 oz (130 g)
    MSH-6: 3 oz (85 g)
    Packaging Info
    Box Dimensions (LxWxH) 10.5 x 8.2 x 3.3"

Canon 5D Mark IV reviews

EOS 5D Mark IV DSLR Camera with Rokinon Cine Lenses Bundle is rated 4.7 out of 5 by 26.
Rated 5 out of 5 by from Excellent DSLR with limited battery life This camera is an upgrade from the 5DIII.� I have used it for 3 weeks, almost entirely shooting stills.� As advertised, the IQ is improved, with greater resolution, low light performance, and dynamic range.� The built in WiFi and GPS are nice additions, but probably contribute to battery drain. My only real complaint is that the battery life is far shorter than the 5DIII and my other prior DSLRs, even with WiFi turned off, and GPS in the battery saving mode.� I find I need to always have a spare battery in my pocket when I go out with this camera.� This is probably why L&H supplied a free battery pack and extra battery with the camera.
Date published: 2018-01-03
Rated 5 out of 5 by from Perfect addition to me Canon arsenal Not only is it a great stills camera with a ton of dynamic range, it's also a great video camera. I bought mine with C-Log installed from here 3 months ago and absolutely love the quality. I shoot 50/50 stills and video so it's the best of both worlds. Don't worry about negative reviews from YouTube. Take it from a working professional that uses the camera every day to create content.
Date published: 2017-09-12
Rated 2 out of 5 by from Disappointed 2 days after I got camera took 3 practice photos and camera locked and got error message 80. Had to take battery out and it worked for a short time. Tried other data cards that worked in my 7D ii and same problem off and on. Would work but then lock up after reviewing photos. Switched lenses and it worked fine for about 50 shots. Next day, same problem with same lens it worked with. Contacted Canon and the sent me prepaid label for service center. Waited to get this camera with canon log since I am going on a 3 week trip to the Baltic and really wanted to use it. Leave in 2 weeks and seriously doubt if it will be back in time. Would not expect this from a new camera at this price point.
Date published: 2017-07-28
Rated 5 out of 5 by from Awesome Camera so far From the time that I've had it (6 days), it's impressive so far. The AF system is amazing and fast. The touch screen takes a bit of getting used to but is very convenient. Photoshop hasn't adapted to the Mark IV's 'Dual Pixel Raw' files yet but Lightroom, ACDsee 18 and Canon's Digital Phot Pro 4 will read and process them. The pics that I've taken so far with my original Canon 24-105mm L are extremely sharp. If you're willing to get the most out of a camera and price doesn't make that big a difference, I'd recommend the 5D Mark IV to anyone. The photo I uploaded was taken in low light without flash.
Date published: 2017-12-06
Rated 3 out of 5 by from Amazing photos, could have better 4k video codec. Amazing photos. but could have better video specs, like h.265 codec. and full frame 4k recording. This camera would be a killer if have h.265 codec�at 500mbps recording. maybe it will be so good that Canon would kill its own pro camera market. So because of a market profit strategy we need to accept less than amazing.� And im�having some issues with the video that is variating shutter speed, not sure if is because of the memory card max speed not apropriated�fot 4k video recording, anyway the memory card was the one B&H send as gift with the camera. And some problems to achieve�7fps.
Date published: 2017-12-18
Rated 5 out of 5 by from Love this Camera I lost my Canon 6D to moisture corrosion? No clue why, but the body is not weather sealed (hey Canon you might mention that in you description, rather than it's not waterproof! DUH!!!) anyway massive research into another 6D or upgrade? After much sole searching and review reading settled on the 1/3 more expensive 5D Mark IV with C-log. If you read other reviews about those who upgraded rom a 6D? They are correct this while $1000 more, it's a so much better camera! all the controls in different, yet way more convenient locations to use! Better more precise auto focus. The list goes on and on. So if you upgrading from anything and can afford it? This is a great camera!!!!
Date published: 2018-10-09
Rated 5 out of 5 by from User reviews create doubt about this spectacular camera. This camera is fantastic. The auto-focus is amazing, particularly for shooting video. If you have to follow action as part of your job, the touchscreen autofocus alone makes it worth the purchase price. You can trust it If you use an external recorder you can used the uhd camera setting to zoom you in by 1.7x on the chip and send it out thru the hdmi. it bumps the codec to 422 in uhd too. Still 8bit but Nice. You need a wide angle lens to offset the uhd sensor crop, but so what? The feature set in this camera is amazing. optional Canon log setting requires post grading but adds a stop or so of overexposure to your image. Nice but not necessary all the time. The basic picture profiles look great on their own too and don't require much post. Are there features this camera lacks? sure. we'd all like it to have a Rotating screen, uhd output, 10bit, I get it.... but the features the camera does have make it an amazing piece of storytelling equipment. Can this thing see in the dark? Yeah. Clean image? Super clean. Don't minimize the creative uses for falloff characteristic of the full frame sensor. It was the original feature that attracted many of us to the 5d in the first place. It is still the main strength of these cameras.
Date published: 2018-02-05
Rated 4 out of 5 by from Louder than expected, no subtly with this one. The camera is fine. Obviously, much more sophisticated than its ancestor, the original 5d. But it’s louder and, of course heavier. My biggest complaint is that I purchased the camera with a 50 mm f 1.4 lens. I already had other Canon lenses including L series lenses. There was a ongoing rebate for 2 lenses. Within a couple of days I purchased the 24-70 mm f4. Then I found out that the rebate didn’t apply because I didn’t purchase them together with a single receipt. This doesn’t seem fair. Thanks Canon. Things like this makes it hard to recommend Canon over other options.
Date published: 2018-01-04
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