Canon EOS 5D Mark IV DSLR Camera with Rokinon Cine Lenses Bundle

BH #CAE5D4CLCLK (B&H Kit)
Canon EOS 5D Mark IV DSLR Camera with Rokinon Cine Lenses Bundle
Key Features
  • Rokinon 24mm T1.5 Cine DS Lens
  • Rokinon 35mm T1.5 Cine DS Lens
  • Rokinon 50mm T1.5 AS UMC Cine DS Lens
  • Rokinon 85mm T1.5 Cine DS Lens
A complete kit for the aspiring filmmaker, the Canon EOS 5D Mark IV DSLR Camera with Rokinon Cine Lenses Bundle from B&H pairs the advanced, multimedia full-frame DSLR with a slew of lenses and accessories dedicated to filmmaking. The bundle includes the Rokinon 24mm T1.5 Cine DS, 35mm T1.5 Cine DS, 50mm T1.5 AS UMC Cine DS, and 85mm T1.5 Cine DS lenses; a Rode VideoMic Pro with Rycote Lyre Shockmount; two spare rechargeable lithium-ion batteries; and a Zoom H6 Handy Recorder with interchangeable microphone system.
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Canon EOS 5D Mark IV DSLR Camera with Rokinon Cine Lenses Bundle

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Canon 5D Mark IV Overview

  • 1Description
  • 2Canon EOS 5D Mark IV DSLR Camera with Canon Log
  • 3Rokinon 24mm T1.5 Cine DS Lens for Canon EF Mount
  • 4Rokinon 35mm T1.5 Cine DS Lens for Canon EF Mount
  • 5Rokinon 50mm T1.5 AS UMC Cine DS Lens for Canon EF Mount
  • 6Rokinon 85mm T1.5 Cine DS Lens for Canon EF Mount
  • 7Rode VideoMic Pro Camera-Mount Shotgun Microphone
  • 8Canon LP-E6N Lithium-Ion Battery Pack (7.2V, 1865mAh)
  • 9Zoom H6 6-Input / 6-Track Portable Handy Recorder with Interchangeable Mic Capsules

A complete kit for the aspiring filmmaker, the Canon EOS 5D Mark IV DSLR Camera with Rokinon Cine Lenses Bundle from B&H pairs the advanced, multimedia full-frame DSLR with a slew of lenses and accessories dedicated to filmmaking. The bundle includes the Rokinon 24mm T1.5 Cine DS, 35mm T1.5 Cine DS, 50mm T1.5 AS UMC Cine DS, and 85mm T1.5 Cine DS lenses; a Rode VideoMic Pro with Rycote Lyre Shockmount; two spare rechargeable lithium-ion batteries; and a Zoom H6 Handy Recorder with interchangeable microphone system.

Canon EOS 5D Mark IV DSLR Camera with Canon Log

Continuing on in their legacy of powerful workhorse cameras, Canon has released the 5D Mark IV DSLR which is an outstanding still photography option and an able 4K-capable video machine. Appealing to filmmakers is Canon Log, which is offered pre-installed on this model. This gamma setting helps users capture images with an expanded dynamic range of 800%, or 12 stops. Also, it provides latitude for working with the footage in post-production during color grading. Along with this function is a View Assist setting, which helps users see a more accurate representation of the footage when viewing on the rear LCD or an external display.

This multimedia maven offers a newly developed 30.4MP full-frame CMOS sensor paired with the DIGIC 6+ image processor in order to balance fine detail and resolution with low-light performance and sensitivity. It is able to work within a native range of ISO 100-32000, which can then be expanded to an impressive ISO 50-102400, for sharp, low-noise images in a variety of conditions. Along with these improvements to image quality, users will enjoy a performance boost across the board with an enhanced AF system, built-in Wi-Fi, NFC, and GPS, and much more.

In order to deliver detailed images quickly and effectively the 5D Mark IV leverages the power of the DIGIC 6+ image processor, which can handle up to 7 frames per second during continuous shooting. It also uses a 150,000-pixel RGB+IR metering sensor to evaluate the scene and subjects for accurate exposures under a variety of different lighting conditions. An improved 61-point High Density Reticular AF furthers the camera's speed by tracking and locking onto subjects quickly and accurately for tack sharp photos. A new AF area select button is now available as well for near immediate access to this setting.

Video benefits from the addition of Dual Pixel CMOS AF and Movie Servo AF to smoothly rack focus during a shot. Shooters can even make use of the 3.2" 1.62m-dot touchscreen LCD to simply tap to adjust the focus point. Furthermore, now that the camera has DCI 4K (4096 x 2160) video recording at up to 30 fps, users can snag 8.8MP stills from the video for an even faster capture option. Tied into the Dual Pixel sensor architecture is a brand-new feature for Canon: Dual Pixel RAW, which allows for fine tuning of certain image parameters, including bokeh shift and focus micro adjustment, after the image is taken.

The body has been further refined for comfort and ease of access, as well as durability and weather resistance. The Canon N3 remote port has been relocated to the front of the camera body and they have added both GPS and Wi-Fi with NFC to make this model a connected camera.

30.4MP Full-Frame CMOS Sensor and DIGIC 6+ Image Processor

In line with previous members of the main 5D series, the Mark IV attempts to balance high resolution with low-light performance with a newly developed 30.4MP full-frame CMOS sensor. This provides a beneficial increase in overall resolution without compromising on sensitivity. Additionally, thanks to the DIGIC 6+ image processor it is paired with, it offers impressive performance within a native range of ISO 100-32000, which can be expanded to ISO 50-102400.

Versatility is key with the 5D, as it needs to be able to tackle landscapes and weddings with equal ease. By using a 150,000-pixel RGB+IR metering sensor shooters will be able to more comfortably rely on the camera to capture difficult scenes. This sensor also has face detection as well as flicker detection which can ensure proper exposure in less-than-ideal lighting situations. Along with this, the camera offers an improved continuous shooting rate of 7 fps, making it a great option for events and action.

High Density Reticular AF and Dual Pixel CMOS AF Systems

Ensuring your subject is tack sharp, the 5D Mark IV incorporates an enhanced High Density Reticular AF system, which offers 61 phase-detect points, with all points sensitive to f/8 and 41 of which are cross-type. The center point can function down to -3 EV for working in extremely dim lighting. Compared to previous versions, this sensor has expanded vertical coverage of 24% on the peripherals and 8% in the center in order to better track and locate subjects in the frame.

In addition to advanced tracking and focusing while using the optical finder for stills, Live View and video can now use Dual Pixel CMOS AF on the actual imaging sensor. This offers about 80% coverage of phase-detection autofocus for faster and more accurate focusing in these modes. It is ideal for video as users will enjoy smoother rack focusing without the downsides normally encountered with contrast-based systems. Also, this works well with the touchscreen functions, allowing shooters to just tap to adjust focus.

DCI 4K Video Recording and Canon Log Gamma

Designed for both professional stills shooting and video recording, the 5D Mark IV supports DCI 4K (4096 x 2160) resolution recording at up to 30 fps at 500 Mbps, along with Full HD 1080p shooting at 60 fps and HD 720p at 120 fps for slow motion playback. When recording in-camera, 4K video has 4:2:2 sampling and 8-bit color depth, while Full HD 1080p footage has 4:2:0 sampling. Uncompressed Full HD 1080p video can also be saved via HDMI to an optional external recorder with 4:2:2 color sampling. 4K video is recorded using a central 4096 x 2160 area of the sensor at a 1.74x crop in order to record video with an ideal 1:1-pixel sampling ratio, while Full HD recording makes use of the entire full frame.

This version of the 5D offers Canon Log pre-installed, allowing users to capture flat images with an improved dynamic range of 800%, or 12 stops. This function makes it easier to match cameras in post-production as well as provides the most latitude and potential for color grading. For monitoring, a View Assist function is available, which emulates a graded look for more accurate viewing on the camera's LCD. Canon does provide LUTs to make post-production easier with options for Canon Log 10 to Wide DR that converts the footage to Wide Dynamic Range Gamma or Canon Log 10 to ITU-R BT.709, which converts the image to a more conventional Rec. 709 color space.

Audio can be recorded using the on-board stereo microphone or an optional external mic can also be used via the 3.5mm mic jack. Real time audio monitoring is possible, too, via the 3.5mm headphone jack. The 4K video recording also avails the ability to take 8.8MP still frame grabs during playback on the rear touchscreen and save them as single images.

Dual Pixel RAW

First implemented here on the 5D Mark IV, Dual Pixel RAW allows photographers to record all the information the sensor's unique pixel architecture can deliver, providing a way for fine adjustments to be made after the image is taken. These adjustments include focus fine tuning that can help you ever-so-slightly adjust the focus point to bring out extra details, shift bokeh around for improved composition, and reduce the impact of ghosting on your photos. This requires the use of Canon's Digital Photo Professional 4.5 software.

Body Design

  • A large 3.2" 1.62m-dot Clear View II LCD monitor is available and features an anti-reflective design for bright, vivid image playback and live view shooting, and its touchscreen interface can be used for intuitive touch-to-focus control and adjusting settings in the menus.
  • A dedicated AF mode selection button located beneath the rear joystick offers another avenue for accessing settings, allowing for fast, intuitive access to commonly changed options.
  • Dual CompactFlash and SD memory card slots allow you to extend your file saving capabilities by permitting overflow recording or in-camera file type separation while shooting.
  • An Intelligent Viewfinder II uses a pentaprism design and offers a bright means for viewing. When using the viewfinder, AF points are highlighted in red for greater visibility in low-light conditions, and the finder can also be configured to display a range of other shooting aids, such as an electronic level, grid, flicker detection, white balance, metering mode, AF information, and other settings.
  • A Mirror Vibration Control System helps to minimize mechanical vibrations in order to better ensure sharpness during long exposures or fast continuous shooting bursts.
  • A robust magnesium alloy body design is both dust- and weather-sealed to permit working in harsh environments.

Other Camera Features

  • A built-in GPS module allows you to geotag imagery in-camera as well as auto time sync with the Universal Time Code via satellites. This module is compatible with American GPS, Russian GLONASS, and Japanese quasi-zenith Michibiki satellites for a wide coverage of support.
  • Digital Lens Optimizer technology compensates for a range of optical defects from various lenses, including chromatic aberration, distortion, peripheral brightness, and diffraction, and the camera can store lens data in order to avoid having to re-register lenses prior to each use. The camera can handle this process in real time, delivering JPEGs with the corrections already applied.
  • A built-in intervalometer permits the creation of time-lapse imagery and supports recording 1-99 consecutive frames in pre-selected intervals from 1 second to 99 hours 59 minutes and 59 seconds. Users can also choose to set the camera to unlimited frames.
  • Built-in Wi-Fi and NFC connectivity enable wireless sharing, control, and image transfer with a compatible smart device as well as the CS100 Connect Station.
UPC: 660685172982

Rokinon 24mm T1.5 Cine DS Lens for Canon EF Mount

Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 24mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in a Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 24mm lens produces a 84.1° FOV when used with full-frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

24mm lens with approximate angle of view of:
Full-Frame: 84.1°
APS-C: 57.6°
Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
ED, extra-low dispersion glass, helps reduce chromatic aberration and can improve contrast and color saturation.
Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.
"De-clicked" aperture ring for smooth iris pulls.
A minimum focusing distance of 9.8" allows you to get up close to your subject.
A removable petal-type lens hood provides flare protection without a matte box.
UPC: 084438763225

Rokinon 35mm T1.5 Cine DS Lens for Canon EF Mount

Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 35mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 35mm lens produces a 63.1° angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 12" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.
"Declicked" aperture ring for smooth iris pulls.
A minimum focusing distance of 12" allows you to get up close to your subject.
A removable petal-type lens hood provides flare protection without a matte box.
The lens opens up to T1.5, providing the capability for low light shooting or creating extremely shallow depth of field.
UPC: 084438763270

Rokinon 50mm T1.5 AS UMC Cine DS Lens for Canon EF Mount

The 50mm T1.5 AS UMC Cine DS Lens for Canon EF Mount from Rokinon is a fast manual focus prime lens. It provides a very fast maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Optimized for cinema and video applications, the focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been de-clicked, which enables smooth iris pulls. In addition, bright aperture and distance markings are printed on the lens barrel facing laterally to facilitate easier control by a focus puller.

The 50mm has a minimum focus distance of 1.5'. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. The lens is composed of 9 elements in 6 groups, including one aspherical element and one hybrid aspherical element to reduce aberrations. In addition, a lens multi-coating helps to improve light transmission reducing flare and ghosting. The filter thread diameter is 77mm.

With this 50mm lens, Rokinon introduces the DS series of cinema lenses, unifying their cine lenses in more than just name. Each of the DS branded lenses will offer the same alignment of their geared focus and aperture rings so that follow focus and other rig accessories won't need re-adjustment when swapping lenses. Also, each DS lens is tested to be color matched with the other lenses in the series and provide the same color and contrast when shooting video. Lastly, the lenses are marked with focusing scales on each side of the barrel for easier adjustment from either side of the camera.

Standard length manual focus prime lens for EF mount cameras.
Functional as still photo lens but optimized for cinema and video shooting with geared aperture and focus rings, de-clicked aperture for smooth exposure transitions and laterally printed aperture and distance markings. The 50mm T1.5 is part of the DS series of cine lenses, sharing characteristics and features that unify the series and make it easier for users to swap out lenses when shooting video. Each DS lens provides aligned focus and aperture rings so that readjustment of the follow focus is not necessary when switching lenses. Also each lens has been tested to match color and contrast for a consistent look and less potential post-processing. Finally, all DS lenses print focus scales on each side of the lens barrel for ease of use from both sides of the camera.
Very fast T1.5 maximum aperture for effective low light capture and shallow depth of field.
Internal focusing system with 9 lens elements in 6 groups.
One aspherical and one hybrid aspherical lens element control aberrations and improve sharpness throughout the frame.
Lens multi-coating improves light transmission and reduces flare and ghosting.
Minimum focus distance of 1.5'
Filter thread diameter of 77mm
UPC: 084438763324

Rokinon 85mm T1.5 Cine DS Lens for Canon EF Mount

Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 85mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF Mount and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 85mm lens produces a 28.3° angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 3'6" from the lens. A removable lens hood provides flare protection when shooting without a matte box and the lens's threaded front accepts 72mm filter rings.

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.
"Declicked" aperture ring for smooth iris pulls.
A removable lens hood provides flare protection without a matte box.
The lens opens up to T1.5, providing the capability for low light shooting or creating extremely shallow depth of field.
UPC: 084438763379

Rode VideoMic Pro Camera-Mount Shotgun Microphone

Offering lower noise, higher sensitivity, and more adjustable settings than the VideoMic, the Rode VideoMic Pro camera-mount shotgun microphone is ideal for mobile journalists, vloggers, budget filmmakers, and run-and-gun shooters looking for a cost-effective way to step up to the next level in quality.

A single 9V battery provides up to 70 hours of run time and an LED turns red to indicate low-battery status. Adjustable gain and a selectable bass roll-off make it easy to optimize the level and tone of your recording for a range of scenarios.

This compact and lightweight shotgun microphone features an integrated shockmount that mounts directly to your camera or boompole and reduces noise from various vibrations. The windscreen design reduces wind noise, making it well suited for outdoor shoots. The attached 3.5mm TRS cable ensures easy hookup to your camera, and the dual-mono output means that no channel selection is necessary on your recording device.

Shotgun Mic with Directional Sound Pickup

Whereas most built-in camera microphones pick up sound from all directions, this microphone utilizes a supercardioid polar pattern to focus on sound in front of it while attenuating sound from the sides and rear. Its low-noise electronics and sensitive condenser element deliver more detailed audio than the mics typically found in cameras and portable recorders.

Easy Hookup to Camera

A straight 3.5mm cable is permanently attached to the mic for fast hookup to your camera. The cable's 3.5mm TRS plug is wired in a dual-mono configuration, ensuring that the mic signal is sent identically to both input channels of your camera or portable recorder.

Long Battery Life

Pop a 9V battery in the VideoMic Pro for up to 70 hours of operating time. The dedicated power LED changes from green to red when the battery should be replaced. The VideoMic Pro can still function for approximately 10 hours once the power indicator turns red, but performance will be compromised. Use the power switch to conserve battery life during periods of inactivity.

Bass Roll-Off

The high-pass filter can be set to flat or 80 Hz to roll off low-frequency noise from common sources such as air conditioners and traffic.

3-Stage Gain Control

To enable optimal recording levels, the VideoMic Pro boasts a 3-stage gain control. Like the low roll-off and high-frequency boost, the gain control is digitally switched for precision and convenience. The +20 dB setting is ideal when recording to cameras, as it boosts the signal without requiring extreme gain on the camera's inferior preamp. Select the flat setting when routing the mic into a dedicated high-quality preamp, or switch to the -10 dB option when loud sound sources threaten to distort your recording.

Integrated Shockmount Inhibits Vibrations

Understanding that the rubber bands used in many shockmounts can snap and stretch, Rode chose to integrate a rugged Rycote Lyre suspension-style shockmount. This simplifies setup of the mic and inhibits the transfer of vibrations from the camera. Plus, the bottom of the shockmount features a camera shoe mount with a 3/8" thread, ensuring easy attachment to your camera or a boompole such as Rode's Micro Boompole (available separately).

Windscreen Minimizes Wind Noise

The VideoMic Pro has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners. For maximum reduction of wind noise in outdoor environments, consider a furry windshield such as the Rode DeadCat VMPR (available separately).

Connectivity Options

Expand the microphone's device compatibility with Rode accessories such as the SC4 and VXLR (both available separately). The SC4 is a short cable that lets you connect the VideoMic Pro directly to a smartphone or tablet equipped with a 3.5mm TRRS jack. The VXLR adapter is the ideal solution when you want to record the VideoMic Pro to a camcorder or mixer that has XLR inputs.
UPC: 698813004195

Canon LP-E6N Lithium-Ion Battery Pack (7.2V, 1865mAh)

Power your EOS DSLR Camera with this LP-E6N Lithium-Ion Battery Pack from Canon. It is compatible with the LC-E6 and LC-E6E chargers and offers a capacity of 1865mAh with an output voltage of 7.2V. The battery is supplied with select cameras and is offered here as a spare or replacement part.

Compatible Cameras

EOS 7D Mark II
EOS 7D
EOS 5DS
EOS 5DS R
EOS 5D Mark IV
EOS 5D Mark III
EOS 5D Mark II
EOS 60D
EOS 60Da
EOS 70D
EOS 80D
EOS 6D
EOS 6D Mark II
UPC: 013803240054

Zoom H6 6-Input / 6-Track Portable Handy Recorder with Interchangeable Mic Capsules

Ideal for bands, multi-instrumentalists, and podcasters, the Zoom H6 portable handheld recorder lets you quickly record up to six simultaneous input signals regardless of your audio experience. With two swappable stereo microphone capsules, six versatile mic/line inputs, and up to 6-track recording, the H6 is both user-friendly and easily expandable.

Like other H-Series Handy recorders such as the H4n Pro and H5, you can hold it in your hand, attach it to a mic stand or tripod, or mount it to a camera (shoe mount available separately); the H6 packs an impressive array of features into a rugged, rubberized body that's more than ready to meet the varied demands of musicians, content creators, videographers, and sound designers.

From the intuitive, tactile controls to the plentiful battery life and powerful audio processing functions, the H6 is well equipped for producing pristine audio for complete musical arrangements, independent films, and panel podcasts. It can supply phantom or plug-in power for condenser mics, or accept direct connections from synths, keyboards, drum machines, or +4 dB line-level mixers. No matter the source, selectable auto-recording and pre-recording ensure that you'll never miss the start of a take, and stereo safety track recording provides duplicate tracks at a lower level to avoid distortion.

Fast, User-Friendly Operability

The H6's front panel is ergonomically arranged with its most essential and commonly used controls—transport buttons for record, play/pause, stop, back, and forward operations, individual record-arm buttons that double as mute switches during playback, large gain knobs, and pad switches. For added safety, a hold switch disables all front-panel buttons to prevent accidental operation during recording.

Day or night, view vital information such as audio levels, recording time, battery status, and more on the 2" full-color LCD, which happens to be backlit and angled for maximum visibility.

Instant Access to Gain Adjustments

Each H6 input has its own dedicated gain control knob. There's no track selection or button pressing required to optimize your recording levels; just turn the dials (clearly labeled from 0 to 10) anytime you need to adjust the gain. If your XLR-1/4" input sources are so loud that you need even less gain than the preamps provide at the "0" setting, use four front-panel pad switches to attenuate the combo inputs by 20 dB.

Interchangeable Stereo Microphone Capsules

Leave your external mics at home and travel light; the H6 includes two interchangeable stereo microphone capsules. With nothing more than the H6, you're set to record speech, practice sessions, concerts, or ambient and environmental sounds, even ear-rattling ones up to 136 dB (via the X/Y capsule)!

The XYH-6 capsule provides clear, phase-accurate capture in two different X/Y positions—90° for a tight stereo image or 120° for a wider perspective. Just twist the capsules to their premarked positions to switch between the two configurations.

Switch to the MSH-6 capsule to record in a mid-side configuration. Its front-facing directional element picks up direct signal while the side-facing bidirectional element captures ambience. The H6's integrated MS decoder allows adjustment to the perceived width of the stereo image, which is beneficial for sound design, broadcasting, or general stereo-to-mono compatibility.

Supports Interchangeable Zoom Mic Capsules

The Zoom mic capsule input on the H6 accommodates Zoom's line of separately available interchangeable capsules, which can be swapped out as easily as the lenses of a camera. With shock-mounted X/Y and mono or stereo shotgun mic capsules to choose from, you can be ready to record music, dialog, or sound effects without carting an external microphone setup. Opt for the EXH-6 combo input capsule to accept two additional mic/line signals via XLR-1/4" jacks.

Six Channels of Microphone/Line Inputs

Equipped with four XLR-1/4" combo inputs and a 3.5mm stereo mini-jack input (on the XYH-6 capsule), the H6 can accommodate condenser microphones, +4 dB balanced line-level sources, or signals from unbalanced instruments with active electronics. Turn on 12, 24, or 48 VDC phantom power to the XLR jacks, or 2.5V plug-in power to the mini jack. Whether you plan on recording studio condenser mics, feeds from wireless receivers, or a lavalier and shotgun mic combo for an interview, the H6's preamps are ready to deliver low-noise (-120 dB EIN) performance.

Record All Channels Live or Overdub Layers

The H6 boasts 6-channel recording at up to 24-bit / 96 kHz resolution. Record all channels simultaneously or utilize the overdubbing function to add layers of instruments after an initial recording. Adjust levels and pans for your tracks, then use the H6's internal mixdown function to blend six tracks down to a stereo file.

SD Card Recording and Audio Interface Functionality

Maximize portability by recording directly to an SD card (up to 2GB capacity), SDHC card (up to 32GB capacity), or SDXC card (up to 128GB capacity). A 2GB card will yield over three hours of 16-bit / 44.1 kHz stereo recording time using the BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility. Note that media cards are available separately, and larger capacity cards will increase startup times.

Alternatively, use the H6 as a 6-in/2-out USB 2.0 audio interface at up to 24-bit / 96 kHz. For audio interface operation with an iPad (Apple Camera Connection Kit required and available separately), select USB stereo mode, which offers two channels in and out at up to 16-bit / 48 kHz.

3.5mm Outputs for Simultaneous Hookup to a Camera and Headphones

The H6 boasts 3.5mm line and headphone mini-jack outputs for simultaneously feeding your camera/DSLR and a pair of headphones. Independently adjust the headphone volume via the side-panel volume control. For quick playback reference, a built-in monophonic speaker is also provided.

Powered via AA Batteries or AC Adapter

Power the H6 via four included AA batteries, or plug it into a wall outlet with an AD-17 AC adapter (available separately). Alkaline batteries can keep the H6 running for over 20 hours of continuous 16-bit / 44.1 kHz recording using the X/Y mic capsule, or for over nine hours of nonstop 24-bit / 96 kHz recording using the X/Y mic and the four XLR-1/4" inputs. When using the H6 in the stereo USB audio interface mode, USB bus powering is possible.

Rugged and Portable, Handheld or Mounted

The durable, ergonomic body lends itself naturally to handheld use. Should you need to mount it on a mic stand or tripod, a threaded hole on the back of the H6 obviates the need for stand adapters. Obtain a hot shoe adapter (available separately) to attach the H6 directly to a DSLR.

Signal Processing Adds Sonic Polish

The H6's onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low-frequency rumble. Normalize files for maximum gain, split them into smaller chunks, and even insert up to 99 marks per recording.

There's an onboard metronome and tuner, and you can loop playback and adjust pitch and speed independently, making the H6 an ideal tool for phrase training.

Special Recording Functions

The H6 offers selectable recording functions designed to prevent you from accidentally missing the start of a performance. By keeping the previous two seconds (one second at 96 kHz) of audio whenever you press the record button, the pre-record option ensures that you'll never cut off the beginning of a great take. Auto-record can automatically start recording when a user-set sound level is detected, making it great for voice-activated recording.

Backup record enables the H6 to automatically record a duplicate of the L/R input with 12 dB less input gain. Even if your original track is distorted, chances are the backup version will be fine!

Supports External Remote Control

Use the RCH-6 remote (available separately in the APH-6 accessory pack) to control the transport, arm tracks, and adjust volume at a distance while eliminating handling noise.

Includes Audio Software

The H6 comes with free download licenses for Steinberg's Cubase LE music production software and WaveLab LE audio editing software, representing a complete audio production toolkit.
UPC: 884354012175

Canon EOS 5D Mark IV DSLR Camera with Canon Log Specs

Imaging
Lens MountCanon EF
Camera FormatFull-Frame (1x Crop Factor)
PixelsActual: 31.7 Megapixel
Effective: 30.4 Megapixel
Maximum Resolution6720 x 4480
Aspect Ratio1:1, 3:2, 4:3, 16:9
Sensor TypeCMOS
Sensor Size36 x 24 mm
Image File FormatJPEG, RAW
Bit Depth14-Bit
Image StabilizationNone
Exposure Control
ISO SensitivityAuto, 100 to 32000 (Extended: 50 to 102400)
Shutter SpeedElectronic Front Curtain Shutter
1/8000 to 30 Seconds
Bulb Mode
Metering MethodEvaluative, Partial, Spot
Exposure ModesAperture Priority, Auto, Manual, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3 EV Steps)
Metering Range0 to 20 EV
White BalanceAuto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten
Continuous ShootingUp to 7 fps at 30 MP for up to 21 Exposures (Raw)
Up to 7 fps at 30 MP for Unlimited Exposures
Interval RecordingYes
Self-Timer2/10-Second Delay
Mirror Lock-UpYes
Video
Recording ModesM-JPEG 4:2:2 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/29.97p [500 Mb/s]
MOV
Full HD (1920 x 1080) at 59.94p [180 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/29.97p [90 Mb/s]
Full HD (1920 x 1080) at 59.94p [60 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/29.97p [30 Mb/s]
HD (1280 x 720) at 119.88p [160 Mb/s]
MP4
Full HD (1920 x 1080) at 59.94p [60 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/29.97p [30 Mb/s]
Full HD (1920 x 1080) at 29.97p [12 Mb/s]
External Recording ModesFull HD (1920 x 1080) at 59.94p
Full HD (1920 x 1080) at 23.976p/24.00p/29.97p
Full HD (1920 x 1080) at 29.97p
HD (1280 x 720) at 120p
Recording LimitUp to 29 Minutes, 59 Seconds for DCI 4K (4096 x 2160)
Video EncodingNTSC/PAL
ISO SensitivityAuto: 100 to 32000
Audio RecordingBuilt-In Microphone (Mono)
External Microphone Input
Audio File FormatAAC, Linear PCM (Stereo)
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Autofocus PointsPhase Detection: 61 (41 Cross-Type)
Autofocus Sensitivity-3 to +18 EV
Viewfinder and Monitor
Viewfinder TypeOptical (Pentaprism)
Viewfinder Eye Point21 mm
Viewfinder Coverage100%
Viewfinder MagnificationApprox. 0.71x
Diopter Adjustment-3 to +1
Monitor Size3.2"
Monitor Resolution1,620,000 Dot
Monitor TypeFixed Touchscreen LCD
Flash
Built-In FlashNo
Maximum Sync Speed1/200 Second
Flash Compensation-3 to +3 EV (1/3, 1/2 EV Steps)
Dedicated Flash SystemeTTL
External Flash ConnectionHot Shoe, PC Terminal
Interface
Memory Card SlotSlot 1: SD/SDHC/SDXC (UHS-I)
Slot 2: CompactFlash (UDMA 7)
Connectivity3.5mm Headphone, 3.5mm Microphone, Canon N3, HDMI C (Mini), Micro-B (USB 3.0)
WirelessWi-Fi
GPSYes
Environmental
Operating Temperature32 to 104°F / 0 to 40°C
Operating Humidity0 to 85%
Physical
Battery1 x LP-E6N Rechargeable Lithium-Ion, 7.2 VDC, 1865 mAh
Dimensions (W x H x D)5.9 x 4.6 x 3" / 150.7 x 116.4 x 75.9 mm
Weight1.76 lb / 800 g (Body Only)
Packaging Info
Package Weight4.59 lb
Box Dimensions (LxWxH)9.8 x 7.25 x 5.75"

Rokinon 24mm T1.5 Cine DS Lens for Canon EF Mount Specs

Physical
Focal Length24mm
Lens MountCanon EF
FormatFull Frame
Maximum T-StopT1.5
Minimum T-StopT22
Diagonal Angle of ViewSuper35: 61.8°
Full Frame: 84.1°
Minimum Focus Distance from Image Plane9.8" / 25 cm
Optical Design13 Elements in 12 Groups
Iris Blades8
Dimensions (W x H)3.27 x 3.27" / 83.1 x 83.1 mm
Length3.84" / 97.5 mm
Weight21.7 oz / 615 g
Packaging Info
Package Weight1.75 lb
Box Dimensions (LxWxH)7.2 x 5.2 x 5.2"

Rokinon 35mm T1.5 Cine DS Lens for Canon EF Mount Specs

Physical
Focal Length35mm
Lens MountCanon EF
FormatFull Frame
Maximum T-StopT1.5
Minimum T-StopT22
Diagonal Angle of ViewSuper35: 40.8°
Full Frame: 63.1°
Minimum Focus Distance from Image Plane12" / 31 cm
Optical Design12 Elements in 10 Groups
Iris Blades8
Length4.38" / 111.5 mm
Weight24.7 oz / 700 g
Packaging Info
Package Weight2 lb
Box Dimensions (LxWxH)7.6 x 5.2 x 5.1"

Rokinon 50mm T1.5 AS UMC Cine DS Lens for Canon EF Mount Specs

Physical
Focal Length50mm
Lens MountCanon EF
FormatFull Frame
Maximum T-StopT1.5
Minimum T-StopT22
Diagonal Angle of ViewFull Frame: 46.2°
Minimum Focus Distance from Image Plane1.5' / 0.45 m
Optical Design9 Elements in 6 Groups
Iris Blades8
Gear MOD & PitchFocus: 0.8 MOD / 32 Pitch
Iris: 0.8 MOD / 32 Pitch
Filter Thread77 mm
Dimensions (W x H)3.2 x 3.2" / 81.3 x 81.3 mm
Length2.9" / 74.7 mm
Weight20.3 oz / 575 g
Packaging Info
Package Weight1.65 lb
Box Dimensions (LxWxH)6.2 x 5.2 x 5.1"

Rokinon 85mm T1.5 Cine DS Lens for Canon EF Mount Specs

Physical
Focal Length85mm
Lens MountCanon EF
FormatFull Frame
Maximum T-StopT1.5
Minimum T-StopT22
Diagonal Angle of ViewSuper35: 17.7°
Full Frame: 28.3°
Minimum Focus Distance from Image Plane42" / 106.7 cm
Optical Design9 Elements in 7 Groups
Iris Blades8
Length2.94" / 74.7 mm
Weight20.5 oz / 580 g
Packaging Info
Package Weight1.65 lb
Box Dimensions (LxWxH)6.3 x 5.2 x 5.2"

Rode VideoMic Pro Camera-Mount Shotgun Microphone Specs

Microphone
Form FactorStand/Boom-Mount
Sound FieldMono
Operating PrincipleLine Gradient
CapsuleElectret Condenser
Diaphragm0.5" / 12.70 mm
Polar PatternSupercardioid
OrientationEnd Address
CircuitrySolid-State (JFET)
PadNone
High-Pass Filter80 Hz
Tone AdjustmentNone
Gain Adjustment-10 dB to +20 dB
Indicators1 x Single LED (Power)
On-Board ControlsGain, High-Pass Filter, On/Off
WindscreenFoam (Included)
Performance
Frequency Range40 Hz to 20 kHz
Maximum SPL134 dB SPL
Off-Axis Rejection2 dB at 60°
18 dB at 120°
10 dB at 180°
Impedance200 Ohms
Sensitivity-32 dBV/Pa at 1 kHz
Output Level6.9 dBu (Max)
Dynamic Range120 dB
Signal-to-Noise Ratio80 dB
Equivalent Noise Level14 dB A-Weighted
Connectivity
Output Connectors1 x 1/8" / 3.5 mm TRS
Number of Conductors2
Wireless ConnectivityNone
Power
Operating Voltage9 V (Battery Power)
Operating Current Consumption7.8 mA
Battery Type1 x 9 V
Approximate Battery Life70 Hours
Physical
ColorBlack
Mounting3/8"-16 Female, Camera-Mount, Shockmount (via Integrated Hardware)
Dimensionsø: 3.94 x L: 6.69" / ø: 100 x L: 169.93 mm
Weight3 oz / 85 g
Packaging Info
Package Weight0.55 lb
Box Dimensions (LxWxH)8.6 x 5.15 x 3.1"

Canon LP-E6N Lithium-Ion Battery Pack (7.2V, 1865mAh) Specs

Physical
Amp-Hours1865 mAh
ChemistryLithium-Ion
Output Voltage7.2 VDC
Dimensions (W x H x D)2.2 x 0.8 x 1.5" / 5.6 x 2 x 3.8 cm
Weight2.8 oz / 79.4 g
Packaging Info
Package Weight0.25 lb
Box Dimensions (LxWxH)7.1 x 2.8 x 1.2"

Zoom H6 6-Input / 6-Track Portable Handy Recorder with Interchangeable Mic Capsules Specs

Portable Recorder
Number of TracksWAV:
6
MP3:
2
Max Sample Rate/Resolution96 kHz / 24-Bit
MicrophoneInterchangeable Cardioid Condenser Stereo Pair, X/Y Configuration
Interchangeable Condenser Stereo Pair, Mid/Side Configuration
Built-In SpeakerYes, 400 mW Mono
Display2" / 5.08 cm Color LCD (Backlit)
Memory Card SupportSD (16 MB to 2 GB)
SDHC (4 to 32 GB)
SDXC (64 to 128 GB)
Internal StorageNone
Recording
Audio File FormatsBWF, MP3, WAV
Sample RatesWAV:
44.1 / 48 / 96 kHz 
MP3:
44.1 kHz 
Bit Depth16 / 24-Bit
Bit Rates48 to 320 kb/s
Signal ProcessingCompressor, Limiter, Low-Cut Filter, Pitch Control
TimecodeNo
Recording TimeWAV 44.1 kHz/16-Bit:
1 Hr 34 Mins per GB (Stereo) 
MP3 128 kb/s:
17 Hrs 21.5 Mins per GB (Stereo) 
Connectivity
Analog I/O4 x Combo XLR-1/4" TRS Female Balanced/Unbalanced Line/Mic Input
1 x 1/8" / 3.5 mm TRS Female Unbalanced Line/Mic Input
1 x 1/8" / 3.5 mm TRS Female Unbalanced Line Output
1 x 1/8" / 3.5 mm TRS Female Unbalanced Headphone Output
Digital I/ONone
Phantom Power+12 / 24 / 48 V (Selectable on Individual Inputs)
Plug-In PowerYes, 2.5 V
Host Connection1 x Mini-USB (USB 2.0)
Performance
Gain RangeMid-Side Mic Capsule:
Up to +42.5 dB
X/Y Mic Capsule:
Up to +46.5 dB
1/8" Inputs:
Up to +46.5 dB
Mic/Line Inputs:
Up to +55.5 dB
Max Input LevelInputs:
+22 dBu (Pad On) 
Headphone Output Power20 mW per Channel into 32 Ohms
Impedance1/8" / 3.5 mm Inputs:
2 kOhms 
Mic/Line Inputs:
1.8 kOhms 
EIN≤-120 dBu 
Microphone Sensitivity-41 dB/Pa (X/Y)
-37 dB/Pa (Mid/Side-Unidirectional)
-39 dB/Pa (Mid/Side-Bidirectional)
Microphone Max SPL136 dB SPL (X/Y)
120 dB SPL (Shotgun-Unidirectional)
122 dB SPL (Shotgun-Bidirectional)
Power
Power OptionsBatteries, USB Bus Power, AC/DC Power Adapter
Battery Type4 x AA (Included)
Approximate Battery LifeWAV 44.1 kHz/16-Bit:
21 Hours (Alkaline, 2 Channels) 
WAV 96 kHz/24-Bit:
9.75 Hours (Alkaline, All Channels) 
AC/DC Power Adapter5 VDC at 1 A (Not Included)
Physical
Mounting Options1/4"-20 Female
Dimensions3.1 x 1.9 x 6" / 77.8 x 47.8 x 152.8 mm (Recorder)
3.1 x 1.8 x 2.4" / 78.9 x 45.2 x 60.2 mm (X/Y Mic)
2.3 x 1.7 x 2.7" / 58 x 42.1 x 67.6 mm (Shotgun Mic)
Weight9.9 oz / 280 g (Recorder)
4.6 oz / 130 g (X/Y Mic)
3 oz / 85 g (Shotgun Mic)
Packaging Info
Package Weight3 lb
Box Dimensions (LxWxH)10.7 x 8.25 x 3.4"
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